1.
Behn A, Spencer J. ‘The Rover’ and Other Plays. Oxford: Oxford University Press; 2008.
2.
Stephen Greenblatt. The Norton anthology of English literature. New York: W.W. Norton & Co.; 2012.
3.
Middleton T, Carroll WC. Four plays. London: Methuen Drama; 2012.
4.
Scott-Warren J. Early modern English literature. Cambridge: Polity; 2005.
5.
Belsey C. John Milton. Oxford: Basil Blackwell; 1988.
6.
Chalmers H. Royalist women writers, 1650-1689 [Internet]. Oxford: Clarendon; 2004. Available from: https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991078243405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
7.
Greenblatt SJ, American Council of Learned Societies. Shakespearean negotiations: the circulation of social energy in Renaissance England [Internet]. Berkeley: University of California Press; 1988. Available from: https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma99229693405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
8.
Guibbory A. Ceremony and community from Herbert to Milton: literature, religion, and cultural conflict in seventeenth-century England. New York: Cambridge University Press; 1998.
9.
Helgerson R. Forms of nationhood: the Elizabethan writing of England. Chicago: University of Chicago Press; 1992.
10.
Norbrook D. Poetry and politics in the English Renaissance [Internet]. Rev. ed. Oxford: Oxford University Press; 2002. Available from: https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991026353405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
11.
O’Callaghan M. Thomas Middleton: Reanaissance dramatist. Edinburgh: Edinburgh University Press; 2009.
12.
Smith BR. Homosexual desire in Shakespeare’s England: a cultural poetics. Chicago: University of Chicago Press; 1994.
13.
Marlowe, Christopher. Hero and Leander. In: The Norton anthology of English literature the major authors. New York : W.W. Norton & Company, [2013];
14.
Full text of ‘Hero and Leander’ [Internet]. Available from: https://archive.org/stream/heroandleander18781gut/18781.txt
15.
Brown GE. Redefining Elizabethan literature [Internet]. Cambridge: Cambridge University Press; 2004. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462
16.
Brown GE. Gender and Voice in Hero and Leander. In: Constructing Christopher Marlowe. Cambridge University Press;
17.
Summers CJ. Hero and Leander: The Arbitrariness of Desire. In: Constructing Christopher Marlowe. Cambridge University Press;
18.
JUDITH HABER. ‘True-loves blood’: Narrative and Desire in ‘Hero and Leander’. English Literary Renaissance [Internet]. 1998;28(3). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769
19.
Yearling R. Homoerotic Desire and Renaissance Lyric Verse. SEL Studies in English Literature 1500-1900 [Internet]. 2013;53(1):53–71. Available from: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/503753
20.
Campbell M. ‘Desunt Nonnulla’: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem. ELH [Internet]. 1984 Summer;51(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2872945
21.
William P. Weaver. Marlowe’s Fable: ‘Hero and Leander’ and the Rudiments of Eloquence. Studies in Philology [Internet]. 2008;105(3). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326
22.
Braden, Gordon. Hero and Leander in Bed (and the Morning After). English Literary Renaissance [Internet]. 2015;(2):205–30. Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2015583305&site=eds-live&scope=site
23.
Cheney P, editor. The Cambridge Companion to Christopher Marlowe [Internet]. Cambridge: Cambridge University Press; 2004. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340
24.
Hulse C. Metamorphic verse: the Elizabethan minor epic. Princeton, N.J.: Princeton University Press; 1981.
25.
Keach W. Elizabethan erotic narratives: irony and pathos in the Ovidian poetry of Shakespeare, Marlowe and their contemporaries. Hassocks: Harvester Press; 1977.
26.
JOHN LEONARD. Marlowe’s Doric Music: Lust and Aggression in ‘Hero and Leander’. English Literary Renaissance [Internet]. 2000;30(1). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719
27.
Orgel S. Musaeus in English. George Herbert Journal [Internet]. 2005;(29):67–75. Available from: https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&divLevel=0&area=abell&forward=critref_ft
28.
Sinfield A. Marlowe’s Erotic Verse. In: Early modern English poetry: a critical companion. New York: Oxford University Press; 2007. p. 125–35.
29.
Hattaway M. A companion to English renaissance literature and culture [Internet]. Vol. Blackwell companions to literature and culture. Oxford: Blackwell; 2000. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998724
30.
Guy-Bray S. Homoerotic Space: The Poetics of Loss in Renaissance Literature [Internet]. Toronto: University of Toronto Press; 2002. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3138/9781442675841
31.
Katharine Cleland. ‘Wanton loves, and yong desires’: Clandestine Marriage in Marlowe’s ‘Hero and Leander’ and Chapman’s Continuation. Studies in Philology [Internet]. 2011;108(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988
32.
Greenstadt A, Taylor & Francis. Rape and the rise of the author: gendering intention in early modern England [Internet]. Farnham, England: Ashgate; Available from: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605
33.
Stephen Greenblatt. The Norton anthology of English literature. New York: W.W. Norton & Co.; 2012.
34.
Tamsin Badcoe. ‘The compasse of that Islands space’: Insular fictions in the writing of Edmund Spenser. Renaissance Studies [Internet]. 2011;25(3). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262
35.
Borris K. Allegory and epic in English Renaissance literature : heroic form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge: Cambridge University Press; 2000.
36.
Gless DJ. Interpretation and theology in Spenser. Cambridge: Cambridge University Press; 1994.
37.
Burlinson C. Allegory, space and the material world in the writings of Edmund Spenser [Internet]. Vol. 17. Woodbridge, Suffolk, UK: D.S. Brewer; 2006. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6
38.
Gregerson L. The reformation of the subject: Spenser, Milton, and the English Protestant epic [Internet]. Vol. 6. Cambridge: Cambridge University Press; 1995. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110
39.
Hamilton A. C. The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture. Journal of English Language and Literature [Internet]. 1992;38(4):667–82. Available from: http://jell.ellak.or.kr/past/view.asp?a_key=1628
40.
Helgerson R. Forms of nationhood: the Elizabethan writing of England. Chicago: University of Chicago Press; 1992.
41.
Thomas Herron. Spenser’s Irish Work [Internet]. Ashgate; Available from: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315242644
42.
Morrison JK, Greenfield M. Edmund Spenser: essays on culture and allegory [Internet]. Aldershot: Ashgate; 2000. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351941662
43.
Robinson BS. Islam and early modern English literature: the politics of romance from Spenser to Milton [Internet]. Basingstoke: Palgrave Macmillan; 2007. Available from: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230607439
44.
Burton J. Weber. The Interlocking Triads of the First Book of ‘The Faerie Queene’. Studies in Philology [Internet]. 1993;90(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452
45.
Woodcock M. Fairy in The faerie queene: Renaissance elf-fashioning and Elizabethan myth-making. Aldershot: Ashgate; 2004.
46.
James W. Broaddus. Spenser’s Redcrosse Knight and the Order of Salvation. Studies in Philology [Internet]. 2011;108(4). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053
47.
Greenblatt S. To Fashion a Gentleman: Spenser and the Bower of Bliss. In: Renaissance poetry. London: Longman; 1998.
48.
Andrew Hadfield. Spenser, Drayton, and the Question of Britain. The Review of English Studies [Internet]. 2000;51(204). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256
49.
Hester Lees-Jeffries. From the Fountain to the Well: Redcrosse Learns to Read. Studies in Philology [Internet]. 2003;100(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755
50.
Vaught JC. Spenser’s Dialogic Voice in Book 1 of ‘The Faerie Queene’. Studies in English Literature, 1500-1900 [Internet]. 2001 Winter;41(1). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1556229
51.
Middleton T, Carroll WC. Four plays. London: Methuen Drama; 2012.
52.
Taylor G. Middleton, Thomas (bap. 1580, d. 1627). In: Matthew HCG, Harrison B, editors. The Oxford Dictionary of National Biography [Internet]. Oxford: Oxford University Press; 2004. Available from: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/ref:odnb/18682
53.
Jowett J. Thomas Middleton [IN] A companion to Renaissance drama. In: A companion to Renaissance drama [Internet]. Oxford: Blackwell Publishers; 2002. p. 507–23. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915
54.
Hopkins L. The female hero in English Renaissance tragedy [Internet]. Basingstoke: Palgrave Macmillan; 2002. Available from: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052
55.
BIGGS M. DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN            ? Notes and Queries [Internet]. 1997 Mar 1;44(1):97–100. Available from: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/nq/44-1-97
56.
Bromham AA. The Tragedy of Peace: Political Meaning in Women Beware Women. Studies in English Literature, 1500-1900 [Internet]. 1986 Spring;26(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450510
57.
Middleton T. Women beware women [IN] Four plays. In: Four plays. London: Methuen Drama; 2012.
58.
ALISON FINDLAY. PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE: CAMBRIDGE UNIV PRESS;
59.
Jennifer L. Heller. Space, Violence, and Bodies in Middleton and Cary. Studies in English Literature, 1500-1900 [Internet]. 2005;45(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552
60.
Hiscock A. Women beware women: a critical guide [Internet]. London: Continuum; 2011. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711
61.
HUTCHINGS M. MIDDLETON’S WOMEN BEWARE WOMEN: RAPE, SEDUCTION - OR POWER, SIMPLY? Notes and Queries [Internet]. 1998 Sep 1;45(3):366–7. Available from: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/nq/45-3-366
62.
Levin RA. If Women Should Beware Women, Bianca Should Beware Mother. Studies in English Literature, 1500-1900 [Internet]. 1997 Spring;37(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450839
63.
Christopher Ricks. Word-Play in Women Beware Women. The Review of English Studies [Internet]. 1961;12(47). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930
64.
Taylor N, Loughrey B. Middleton’s Chess Strategies in Women Beware Women. Studies in English Literature, 1500-1900 [Internet]. 1984 Spring;24(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450532
65.
Thomson L. ‘Enter Above’: The Staging of Women Beware Women. Studies in English Literature, 1500-1900 [Internet]. 1986 Spring;26(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450511
66.
Tricomi AH. Middleton’s ‘Women Beware Women’ as Anticourt Drama. Modern Language Studies [Internet]. 1989 Spring;19(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3195193
67.
Ann C. Christensen. Settling House in Middleton’s ‘Women Beware Women’. Comparative Drama [Internet]. 1995;29(4). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777
68.
Ellerbeck E. Adoptive Names in Thomas Middleton’s Women Beware Women. SEL Studies in English Literature 1500-1900 [Internet]. 2017;57(2):407–26. Available from: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/659242
69.
Jowett J. Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: the collected works, Vol. 1. In: Thomas Middleton: the collected works, Vol 1 [Internet]. [Oxford?]: Oxford University Press; 2012. p. 1488–92. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1
70.
Holdsworth RogerV. Women Beware Women and The Changeling on the Stage [IN] Three Jacobean revenge tragedies: a casebook. In: Three Jacobean revenge tragedies: a casebook. Basingstoke: Macmillan Education; 1990. p. 247–74.
71.
Goldberg J. Fatherly Authority: The Politics of Stuart Family Images [IN] Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. In: Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. Chicago: University of Chicago Press; 1986. p. 3–32.
72.
Keeble NH. The cultural identity of seventeenth century woman: a reader. London: Routledge; 1994.
73.
Middleton T, Frost DL. The selected plays of Thomas Middleton. Cambridge: Cambridge University Press; 1978.
74.
Stephen Greenblatt. The Norton anthology of English literature. New York: W.W. Norton & Co.; 2012.
75.
Hoxby B. Areopagitica and Liberty. In: The Oxford handbook of Milton [Internet]. Oxford: Oxford University Press; 2011. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199697885&sort=relevance
76.
Blum A. The Author’s Authority: Areopagitica and the Labour of Licensing. In: Re-membering Milton: essays on the texts and traditions [Internet]. New York: Methuen; 1988. p. 74–96. Available from: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493
77.
WILLIAM M. RUSSELL. Love, Chaos, and Marvell’s Elegy for Cromwell. English Literary Renaissance [Internet]. 2010;40(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513
78.
Achinstein S. Milton and the Revolutionary Reader [Internet]. Princeton: Princeton University Press; 2014. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403
79.
Sharon Achinstein. Literature and Dissent in Milton’s England. Cambridge University Press;
80.
Early Modern Nationalism and Milton’s. University of Toronto Press;
81.
McDowell N. Poetry and allegiance in the English civil wars: Marvell and the cause of wit. 2008; Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001
82.
David Norbrook. Writing the English Republic. Cambridge University Press;
83.
Worden B. Literature and politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham [Internet]. [2nd ed.]. Oxford: Oxford University Press; 2009. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001
84.
Thomas M. Greene. The Balance of Power in Marvell’s ‘Horatian Ode’. ELH [Internet]. 1993;60(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383
85.
J. Power A. Heaven and Hell in Robert Herrick’s Body of Work. The Yearbook of English Studies [Internet]. 2014;44. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.5699/yearenglstud.44.2014.0156
86.
Belsey C. John Milton: Language, Gender, Power. Oxford: Basil Blackwell; 1988.
87.
Connolly R, Cain T. Lords of wine and oile: community and conviviality in the poetry of Robert Herrick [Internet]. Oxford: Oxford University Press; 2011. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001
88.
Marcus LS. The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. Chicago, [Ill.]: University of Chicago Press; 1986.
89.
Ingram R. Robert Herrick and the Makings of Hesperides. Studies in English Literature, 1500-1900 [Internet]. 1998 Winter;38(1). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/451084
90.
Marus L. Robert Herrick [IN] The Cambridge Companion to English Poetry. In: The Cambridge Companion to English Poetry, Donne to Marvell [Internet]. Cambridge: Cambridge University Press; 1993. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475
91.
Armitage D, Himy A, Skinner Q, editors. Milton and republicanism [Internet]. Vol. 35. Cambridge: Cambridge University Press; 1995. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456
92.
Lieb M, Lieb M, Shawcross JT. Achievements of the left hand: essays on the prose of John Milton. Amherst: University of Massachusetts Press; 1974.
93.
Parry G, Raymond J. Milton and the terms of liberty. Vol. 7. Cambridge: D.S. Brewer; 2002.
94.
Nigel Smith. Literature and Revolution in England, 1640-1660. Yale University Press;
95.
LaBreche B. Areopagitica and the Limits of Pluralism. Milton Studies [Internet]. 2013;54(1):139–60. Available from: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/539529?
96.
Loewenstein DA. Areopagitica and the Dynamics of History. Studies in English Literature, 1500-1900 [Internet]. 1988 Winter;28(1). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450716
97.
Clay Daniel. Why ‘Areopagitica?’ South Atlantic Review [Internet]. 2010;75(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606
98.
John McWilliams. Marvell and Milton’s Literary Friendship Reconsidered. Studies in English Literature, 1500-1900 [Internet]. 2006;46(1). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567
99.
Behn A, Spencer J. ‘The Rover’ and Other Plays. Oxford: Oxford University Press; 2008.
100.
Spencer J. Aphra Behn’s afterlife [Internet]. Oxford: Oxford University Press; 2000. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
101.
Stephen Szilagyi. The Sexual Politics of Behn’s ‘Rover’: After Patriarchy. Studies in Philology [Internet]. 1998;95(4). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621
102.
Chernaik WL. Sexual freedom in restoration literature [Internet]. Cambridge: Cambridge University Press; 1995. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850
103.
Hughes D, Todd J, editors. The Cambridge Companion to Aphra Behn [Internet]. Cambridge: Cambridge University Press; 2004. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197
104.
Hughes D. The theatre of Aphra Behn [Internet]. Basingstoke: Palgrave Macmillan; 2001. Available from: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230597709
105.
Owen SJ. Restoration theatre and crisis [Internet]. Oxford: Clarendon; 1996. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001
106.
Spencer J. Aphra Behn’s afterlife [Internet]. Oxford: Oxford University Press; 2000. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
107.
Janet M. Todd. The secret life of Aphra Behn. London: Andre Deutsch; 1996.
108.
Todd, Janet M. Aphra Behn. Basingstoke : Macmillan, 1999.;
109.
James Grantham Turner. Libertines and Radicals in Early Modern London. Cambridge University Press;
110.
Anita Pacheco. Rape and the Female Subject in Aphra Behn’s ‘The Rover’. ELH [Internet]. 1998;65(2). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182
111.
Young EV. Aphra Behn, Gender, and Pastoral. Studies in English Literature, 1500-1900 [Internet]. 1993 Summer;33(3). Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/451012
112.
Hutner H. Rereading Aphra Behn: history, theory, and criticism. Charlottesville: University Press of Virginia; 1993.
113.
O’Donnell MA, Dhuicq B, Leduc G. Aphra Behn (1640-1689): identity, alterity, ambiguity. Paris: L’Harmattan; 2000.
114.
Chalmers H. Royalist women writers, 1650-1689. 2004; Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001
115.
Todd JM. Aphra Behn studies. Cambridge: Cambridge University Press; 1996.
116.
Sanders J. Adaptation and appropriation [Internet]. Routledge; 2006. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781134384969
117.
De Groot J, Taylor & Francis. Remaking history: the past in contemporary historical fictions [Internet]. Abingdon, Oxon: Routledge, Taylor & Francis Group; 2016. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.taylorfrancis.com/books/9781315693392
118.
Brown S, Lublin RI, McCulloch L. Reinventing the Renaissance: Shakespeare and his contemporaries in adaptation and performance [Internet]. Basingstoke: Palgrave Macmillan; 2013. Available from: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137319401
119.
Fortier M, Fischlin D. Adaptations of Shakespeare: a critical anthology of plays from the 17th century to the present. London: Routledge; 2000.
120.
Cartmell D, Whelehan I. Adaptations: From Text to Screen, Screen to Text. London: Routledge; 1999.
121.
Corrigan T. The Oxford handbook of adaptation studies. In: Leitch TM, editor. The Oxford handbook of adaptation studies [Internet]. New York: Oxford University Press; 2017. Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199331000&sort=relevance
122.
Cartmell D. 100+ Years of Adaptations. In: A companion to literature, film, and adaptation [Internet]. Chichester, West Sussex: Wiley-Blackwell; 2012. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032
123.
Pilhuj K. Anne of the Thousand Adaptations. Early Modern Women [Internet]. 2016;10(2):115–8. Available from: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/640487
124.
Hutcheon L, O’Flynn S. A theory of adaptation [Internet]. 2nd ed. London: Routledge; 2012. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136210921
125.
Burnett MT, Wray R. Screening Shakespeare in the twenty-first century [Internet]. Edinburgh: Edinburgh University Press; Available from: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09vjz
126.
Buhler SM, ProQuest (Firm). Shakespeare in the cinema: ocular proof [Internet]. Albany: State University of New York Press; 2002. Available from: https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103
127.
Burnett MT. Shakespeare and world cinema [Internet]. Cambridge: Cambridge University Press; 2013. Available from: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511760211
128.
Trivedi P, Chakravarti P. Shakespeare and Indian cinemas : ‘local habitations’ [Internet]. NY: Routledge, an imprint of the Taylor & Francis Group; 2019. Available from: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409
129.
Dionne C, Kapadia P. Bollywood Shakespeares [Internet]. Basingstoke: Palgrave Macmillan; 2014. Available from: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137375568
130.
Sharda S. Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara. Shakespeare Bulletin [Internet]. 2017;35(4):599–626. Available from: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/679755
131.
Lalita Pandit Hogan. The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello. Image and Narrative : Online Magazine of the Visual Narrative [Internet]. 2010;11(2):49–62. Available from: https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf
132.
Cabaret F. Indianizing Othello: Vishal Bhardwaj’s Omkara. In: Hatchuel S, Vienne-Guerrin N, editors. Shakespeare on Screen: Othello [Internet]. Cambridge: Cambridge University Press; 2015. p. 107–21. Available from: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/CBO9781316272060.008