Achinstein, S. (2014). Milton and the Revolutionary Reader. Princeton University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403
ALISON FINDLAY. (n.d.). PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE UNIV PRESS.
Andrew Hadfield. (2000). Spenser, Drayton, and the Question of Britain. The Review of English Studies, 51(204). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256
Anita Pacheco. (1998). Rape and the Female Subject in Aphra Behn’s ‘The Rover’. ELH, 65(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182
Ann C. Christensen. (1995). Settling House in Middleton’s ‘Women Beware Women’. Comparative Drama, 29(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777
Armitage, D., Himy, A., & Skinner, Q. (Eds.). (1995). Milton and republicanism (Vol. 35). Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456
Behn, A., & Spencer, J. (2008a). ‘The Rover’ and Other Plays. Oxford University Press.
Behn, A., & Spencer, J. (2008b). ‘The Rover’ and Other Plays. Oxford University Press.
Belsey, C. (1988a). John Milton. Basil Blackwell.
Belsey, C. (1988b). John Milton: Language, Gender, Power. Basil Blackwell.
BIGGS, M. (1997). DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN ? Notes and Queries, 44(1), 97–100. https://doi.org/10.1093/nq/44-1-97
Blum, A. (1988). The Author’s Authority: Areopagitica and the Labour of Licensing. In Re-membering Milton: essays on the texts and traditions (pp. 74–96). Methuen. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493
Borris, K. (2000). Allegory and epic in English Renaissance literature : heroic form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge University Press.
Braden, Gordon. (2015). Hero and Leander in Bed (and the Morning After). English Literary Renaissance, 2, 205–230. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2015583305&site=eds-live&scope=site
Bromham, A. A. (1986). The Tragedy of Peace: Political Meaning in Women Beware Women. Studies in English Literature, 1500-1900, 26(2). https://doi.org/10.2307/450510
Brown, G. E. (n.d.). Gender and Voice in Hero and Leander. In Constructing Christopher Marlowe. Cambridge University Press.
Brown, G. E. (2004). Redefining Elizabethan literature. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462
Brown, S., Lublin, R. I., & McCulloch, L. (2013). Reinventing the Renaissance: Shakespeare and his contemporaries in adaptation and performance. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137319401
Buhler, S. M. & ProQuest (Firm). (2002). Shakespeare in the cinema: ocular proof. State University of New York Press. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103
Burlinson, C. (2006). Allegory, space and the material world in the writings of Edmund Spenser (Vol. 17). D.S. Brewer. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6
Burnett, M. T. (2013). Shakespeare and world cinema. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511760211
Burnett, M. T., & Wray, R. (n.d.). Screening Shakespeare in the twenty-first century. Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09vjz
Burton J. Weber. (1993). The Interlocking Triads of the First Book of ‘The Faerie Queene’. Studies in Philology, 90(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452
Cabaret, F. (2015). Indianizing Othello: Vishal Bhardwaj’s Omkara. In S. Hatchuel & N. Vienne-Guerrin (Eds.), Shakespeare on Screen: Othello (pp. 107–121). Cambridge University Press. https://doi.org/10.1017/CBO9781316272060.008
Campbell, M. (1984). ‘Desunt Nonnulla’: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem. ELH, 51(2). https://doi.org/10.2307/2872945
Cartmell, D. (2012). 100+ Years of Adaptations. In A companion to literature, film, and adaptation. Wiley-Blackwell. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032
Cartmell, D., & Whelehan, I. (1999). Adaptations: From Text to Screen, Screen to Text. Routledge.
Chalmers, H. (2004a). Royalist women writers, 1650-1689. Clarendon. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991078243405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
Chalmers, H. (2004b). Royalist women writers, 1650-1689. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001
Cheney, P. (Ed.). (2004). The Cambridge Companion to Christopher Marlowe. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340
Chernaik, W. L. (1995). Sexual freedom in restoration literature. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850
Christopher Ricks. (1961). Word-Play in Women Beware Women. The Review of English Studies, 12(47). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930
Clay Daniel. (2010). Why ‘Areopagitica?’ South Atlantic Review, 75(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606
Connolly, R., & Cain, T. (2011). Lords of wine and oile: community and conviviality in the poetry of Robert Herrick. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001
Corrigan, T. (2017). The Oxford handbook of adaptation studies. In T. M. Leitch (Ed.), The Oxford handbook of adaptation studies. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199331000&sort=relevance
David Norbrook. (n.d.). Writing the English Republic. Cambridge University Press.
De Groot, J. & Taylor & Francis. (2016). Remaking history: the past in contemporary historical fictions. Routledge, Taylor & Francis Group. https://uoelibrary.idm.oclc.org/login?url=http://www.taylorfrancis.com/books/9781315693392
Dionne, C., & Kapadia, P. (2014). Bollywood Shakespeares. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137375568
Early Modern Nationalism and Milton’s. (n.d.). University of Toronto Press.
Ellerbeck, E. (2017). Adoptive Names in Thomas Middleton’s Women Beware Women. SEL Studies in English Literature 1500-1900, 57(2), 407–426. https://doi.org/10.1353/sel.2017.0018
Fortier, M., & Fischlin, D. (2000). Adaptations of Shakespeare: a critical anthology of plays from the 17th century to the present. Routledge.
Full text of ‘Hero and Leander’. (n.d.). https://archive.org/stream/heroandleander18781gut/18781.txt
Gless, D. J. (1994). Interpretation and theology in Spenser. Cambridge University Press.
Goldberg, J. (1986). Fatherly Authority: The Politics of Stuart Family Images [IN] Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. In Rewriting the Renaissance: the discourses of sexual difference in early modern Europe (pp. 3–32). University of Chicago Press.
Greenblatt, S. (1998). To Fashion a Gentleman: Spenser and the Bower of Bliss. In Renaissance poetry. Longman.
Greenblatt, S. J. & American Council of Learned Societies. (1988). Shakespearean negotiations: the circulation of social energy in Renaissance England. University of California Press. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma99229693405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
Greenstadt, A. & Taylor & Francis. (n.d.). Rape and the rise of the author: gendering intention in early modern England. Ashgate. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605
Gregerson, L. (1995). The reformation of the subject: Spenser, Milton, and the English Protestant epic (Vol. 6). Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110
Guibbory, A. (1998). Ceremony and community from Herbert to Milton: literature, religion, and cultural conflict in seventeenth-century England. Cambridge University Press.
Guy-Bray, S. (2002). Homoerotic Space: The Poetics of Loss in Renaissance Literature. University of Toronto Press. https://doi.org/10.3138/9781442675841
Hamilton, A. . C. . (1992). The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture. Journal of English Language and Literature, 38(4), 667–682. http://jell.ellak.or.kr/past/view.asp?a_key=1628
Hattaway, M. (2000). A companion to English renaissance literature and culture: Vol. Blackwell companions to literature and culture. Blackwell. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998724
Helgerson, R. (1992a). Forms of nationhood: the Elizabethan writing of England. University of Chicago Press.
Helgerson, R. (1992b). Forms of nationhood: the Elizabethan writing of England. University of Chicago Press.
Hester Lees-Jeffries. (2003). From the Fountain to the Well: Redcrosse Learns to Read. Studies in Philology, 100(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755
Hiscock, A. (2011). Women beware women: a critical guide. Continuum. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711
Holdsworth, Roger. V. (1990). Women Beware Women and The Changeling on the Stage [IN] Three Jacobean revenge tragedies: a casebook. In Three Jacobean revenge tragedies: a casebook (pp. 247–274). Macmillan Education.
Hopkins, L. (2002). The female hero in English Renaissance tragedy. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052
Hoxby, B. (2011). Areopagitica and Liberty. In The Oxford handbook of Milton. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199697885&sort=relevance
Hughes, D. (2001). The theatre of Aphra Behn. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230597709
Hughes, D., & Todd, J. (Eds.). (2004). The Cambridge Companion to Aphra Behn. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197
Hulse, C. (1981). Metamorphic verse: the Elizabethan minor epic. Princeton University Press.
Hutcheon, L., & O’Flynn, S. (2012). A theory of adaptation (2nd ed). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136210921
HUTCHINGS, M. (1998). MIDDLETON’S WOMEN BEWARE WOMEN: RAPE, SEDUCTION - OR POWER, SIMPLY? Notes and Queries, 45(3), 366–367. https://doi.org/10.1093/nq/45-3-366
Hutner, H. (1993). Rereading Aphra Behn: history, theory, and criticism. University Press of Virginia.
Ingram, R. (1998). Robert Herrick and the Makings of Hesperides. Studies in English Literature, 1500-1900, 38(1). https://doi.org/10.2307/451084
J. Power, A. (2014). Heaven and Hell in Robert Herrick’s Body of Work. The Yearbook of English Studies, 44. https://doi.org/10.5699/yearenglstud.44.2014.0156
James Grantham Turner. (n.d.). Libertines and Radicals in Early Modern London. Cambridge University Press.
James W. Broaddus. (2011). Spenser’s Redcrosse Knight and the Order of Salvation. Studies in Philology, 108(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053
Janet M. Todd. (1996). The secret life of Aphra Behn. Andre Deutsch.
Jennifer L. Heller. (2005). Space, Violence, and Bodies in Middleton and Cary. Studies in English Literature, 1500-1900, 45(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552
JOHN LEONARD. (2000). Marlowe’s Doric Music: Lust and Aggression in ‘Hero and Leander’. English Literary Renaissance, 30(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719
John McWilliams. (2006). Marvell and Milton’s Literary Friendship Reconsidered. Studies in English Literature, 1500-1900, 46(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567
Jowett, J. (2002). Thomas Middleton [IN] A companion to Renaissance drama. In A companion to Renaissance drama (Vol. 14, pp. 507–523). Blackwell Publishers. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915
Jowett, J. (2012). Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: the collected works, Vol. 1. In Thomas Middleton: the collected works, Vol. 1 (pp. 1488–1492). Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1
JUDITH HABER. (1998). ‘True-loves blood’: Narrative and Desire in ‘Hero and Leander’. English Literary Renaissance, 28(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769
Katharine Cleland. (2011). ‘Wanton loves, and yong desires’: Clandestine Marriage in Marlowe’s ‘Hero and Leander’ and Chapman’s Continuation. Studies in Philology, 108(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988
Keach, W. (1977). Elizabethan erotic narratives: irony and pathos in the Ovidian poetry of Shakespeare, Marlowe and their contemporaries. Harvester Press.
Keeble, N. H. (1994). The cultural identity of seventeenth century woman: a reader. Routledge.
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Lalita Pandit Hogan. (2010). The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello. Image and Narrative : Online Magazine of the Visual Narrative, 11(2), 49–62. https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf
Levin, R. A. (1997). If Women Should Beware Women, Bianca Should Beware Mother. Studies in English Literature, 1500-1900, 37(2). https://doi.org/10.2307/450839
Lieb, M., Lieb, M., & Shawcross, J. T. (1974). Achievements of the left hand: essays on the prose of John Milton. University of Massachusetts Press.
Loewenstein, D. A. (1988). Areopagitica and the Dynamics of History. Studies in English Literature, 1500-1900, 28(1). https://doi.org/10.2307/450716
Marcus, L. S. (1986). The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. University of Chicago Press.
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Marus, L. (1993). Robert Herrick [IN] The Cambridge Companion to English Poetry. In The Cambridge Companion to English Poetry, Donne to Marvell. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475
McDowell, N. (2008). Poetry and allegiance in the English civil wars: Marvell and the cause of wit. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001
Middleton, T. (2012). Women beware women [IN] Four plays. In Four plays. Methuen Drama.
Middleton, T., & Carroll, W. C. (2012a). Four plays. Methuen Drama.
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Norbrook, D. (2002). Poetry and politics in the English Renaissance (Rev. ed). Oxford University Press. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991026353405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
O’Callaghan, M. (2009). Thomas Middleton: Reanaissance dramatist. Edinburgh University Press.
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Orgel, S. (2005). Musaeus in English. George Herbert Journal, 29, 67–75. https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&divLevel=0&area=abell&forward=critref_ft
Owen, S. J. (1996). Restoration theatre and crisis. Clarendon. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001
Parry, G., & Raymond, J. (2002). Milton and the terms of liberty (Vol. 7). D.S. Brewer.
Pilhuj, K. (2016). Anne of the Thousand Adaptations. Early Modern Women, 10(2), 115–118. https://doi.org/10.1353/emw.2016.0007
Robinson, B. S. (2007). Islam and early modern English literature: the politics of romance from Spenser to Milton. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230607439
Sanders, J. (2006). Adaptation and appropriation. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781134384969
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Sharda, S. (2017). Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara. Shakespeare Bulletin, 35(4), 599–626. https://doi.org/10.1353/shb.2017.0046
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Sinfield, A. (2007). Marlowe’s Erotic Verse. In Early modern English poetry: a critical companion (pp. 125–135). Oxford University Press.
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Spencer, J. (2000a). Aphra Behn’s afterlife. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
Spencer, J. (2000b). Aphra Behn’s afterlife. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
Stephen Greenblatt. (2012a). The Norton anthology of English literature. W.W. Norton & Co.
Stephen Greenblatt. (2012b). The Norton anthology of English literature. W.W. Norton & Co.
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Stephen Szilagyi. (1998). The Sexual Politics of Behn’s ‘Rover’: After Patriarchy. Studies in Philology, 95(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621
Summers, C. J. (n.d.). Hero and Leander: The Arbitrariness of Desire. In Constructing Christopher Marlowe. Cambridge University Press.
Tamsin Badcoe. (2011). ‘The compasse of that Islands space’: Insular fictions in the writing of Edmund Spenser. Renaissance Studies, 25(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262
Taylor, G. (2004). Middleton, Thomas (bap. 1580, d. 1627). In H. C. G. Matthew & B. Harrison (Eds.), The Oxford Dictionary of National Biography. Oxford University Press. https://doi.org/10.1093/ref:odnb/18682
Taylor, N., & Loughrey, B. (1984). Middleton’s Chess Strategies in Women Beware Women. Studies in English Literature, 1500-1900, 24(2). https://doi.org/10.2307/450532
Thomas Herron. (n.d.). Spenser’s Irish Work. Ashgate. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315242644
Thomas M. Greene. (1993). The Balance of Power in Marvell’s ‘Horatian Ode’. ELH, 60(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383
Thomson, L. (1986). ‘Enter Above’: The Staging of Women Beware Women. Studies in English Literature, 1500-1900, 26(2). https://doi.org/10.2307/450511
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Todd, Janet M. (n.d.). Aphra Behn. Basingstoke : Macmillan, 1999.
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Trivedi, P., & Chakravarti, P. (2019). Shakespeare and Indian cinemas : ‘local habitations’. Routledge, an imprint of the Taylor & Francis Group. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409
Vaught, J. C. (2001). Spenser’s Dialogic Voice in Book 1 of ‘The Faerie Queene’. Studies in English Literature, 1500-1900, 41(1). https://doi.org/10.2307/1556229
WILLIAM M. RUSSELL. (2010). Love, Chaos, and Marvell’s Elegy for Cromwell. English Literary Renaissance, 40(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513
William P. Weaver. (2008). Marlowe’s Fable: ‘Hero and Leander’ and the Rudiments of Eloquence. Studies in Philology, 105(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326
Woodcock, M. (2004). Fairy in The faerie queene: Renaissance elf-fashioning and Elizabethan myth-making. Ashgate.
Worden, B. (2009). Literature and politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham ([2nd ed.]). Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001
Yearling, R. (2013). Homoerotic Desire and Renaissance Lyric Verse. SEL Studies in English Literature 1500-1900, 53(1), 53–71. https://doi.org/10.1353/sel.2013.0007
Young, E. V. (1993). Aphra Behn, Gender, and Pastoral. Studies in English Literature, 1500-1900, 33(3). https://doi.org/10.2307/451012
