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G. E. Brown, Redefining Elizabethan literature. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462
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G. E. Brown, ‘Gender and Voice in Hero and Leander’, in Constructing Christopher Marlowe, Cambridge University Press.
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JUDITH HABER, ‘“True-loves blood”: Narrative and Desire in “Hero and Leander”’, English Literary Renaissance, vol. 28, no. 3, 1998 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769
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R. Yearling, ‘Homoerotic Desire and Renaissance Lyric Verse’, SEL Studies in English Literature 1500-1900, vol. 53, no. 1, pp. 53–71, 2013, doi: 10.1353/sel.2013.0007. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/503753
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M. Campbell, ‘“Desunt Nonnulla”: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem’, ELH, vol. 51, no. 2, Summer 1984, doi: 10.2307/2872945. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2872945
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William P. Weaver, ‘Marlowe’s Fable: “Hero and Leander” and the Rudiments of Eloquence’, Studies in Philology, vol. 105, no. 3, 2008 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326
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Braden, Gordon, ‘Hero and Leander in Bed (and the Morning After)’, English Literary Renaissance, no. 2, pp. 205–230, 2015 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2015583305&site=eds-live&scope=site
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P. Cheney, Ed., The Cambridge Companion to Christopher Marlowe. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340
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C. Hulse, Metamorphic verse: the Elizabethan minor epic. Princeton, N.J.: Princeton University Press, 1981.
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W. Keach, Elizabethan erotic narratives: irony and pathos in the Ovidian poetry of Shakespeare, Marlowe and their contemporaries. Hassocks: Harvester Press, 1977.
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JOHN LEONARD, ‘Marlowe’s Doric Music: Lust and Aggression in “Hero and Leander”’, English Literary Renaissance, vol. 30, no. 1, 2000 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719
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S. Orgel, ‘Musaeus in English’, George Herbert Journal, no. 29, pp. 67–75, 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&divLevel=0&area=abell&forward=critref_ft
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A. Sinfield, ‘Marlowe’s Erotic Verse’, in Early modern English poetry: a critical companion, New York: Oxford University Press, 2007, pp. 125–135.
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S. Guy-Bray, Homoerotic Space: The Poetics of Loss in Renaissance Literature. Toronto: University of Toronto Press, 2002 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3138/9781442675841
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Katharine Cleland, ‘“Wanton loves, and yong desires”: Clandestine Marriage in Marlowe’s “Hero and Leander” and Chapman’s Continuation’, Studies in Philology, vol. 108, no. 2, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988
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A. Greenstadt and Taylor & Francis, Rape and the rise of the author: gendering intention in early modern England. Farnham, England: Ashgate [Online]. Available: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605
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Tamsin Badcoe, ‘“The compasse of that Islands space”: Insular fictions in the writing of Edmund Spenser’, Renaissance Studies, vol. 25, no. 3, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262
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K. Borris, Allegory and epic in English Renaissance literature : heroic form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge: Cambridge University Press, 2000.
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C. Burlinson, Allegory, space and the material world in the writings of Edmund Spenser, vol. 17. Woodbridge, Suffolk, UK: D.S. Brewer, 2006 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6
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L. Gregerson, The reformation of the subject: Spenser, Milton, and the English Protestant epic, vol. 6. Cambridge: Cambridge University Press, 1995 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110
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A. . C. . Hamilton, ‘The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture’, Journal of English Language and Literature, vol. 38, no. 4, pp. 667–682, 1992 [Online]. Available: http://jell.ellak.or.kr/past/view.asp?a_key=1628
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B. S. Robinson, Islam and early modern English literature: the politics of romance from Spenser to Milton. Basingstoke: Palgrave Macmillan, 2007 [Online]. Available: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230607439
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Burton J. Weber, ‘The Interlocking Triads of the First Book of “The Faerie Queene”’, Studies in Philology, vol. 90, no. 2, 1993 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452
[45]
M. Woodcock, Fairy in The faerie queene: Renaissance elf-fashioning and Elizabethan myth-making. Aldershot: Ashgate, 2004.
[46]
James W. Broaddus, ‘Spenser’s Redcrosse Knight and the Order of Salvation’, Studies in Philology, vol. 108, no. 4, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053
[47]
S. Greenblatt, ‘To Fashion a Gentleman: Spenser and the Bower of Bliss’, in Renaissance poetry, London: Longman, 1998.
[48]
Andrew Hadfield, ‘Spenser, Drayton, and the Question of Britain’, The Review of English Studies, vol. 51, no. 204, 2000 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256
[49]
Hester Lees-Jeffries, ‘From the Fountain to the Well: Redcrosse Learns to Read’, Studies in Philology, vol. 100, no. 2, 2003 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755
[50]
J. C. Vaught, ‘Spenser’s Dialogic Voice in Book 1 of “The Faerie Queene”’, Studies in English Literature, 1500-1900, vol. 41, no. 1, Winter 2001, doi: 10.2307/1556229. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1556229
[51]
T. Middleton and W. C. Carroll, Four plays. London: Methuen Drama, 2012.
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G. Taylor, ‘Middleton, Thomas (bap. 1580, d. 1627)’, in The Oxford Dictionary of National Biography, H. C. G. Matthew and B. Harrison, Eds. Oxford: Oxford University Press, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/ref:odnb/18682
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J. Jowett, ‘Thomas Middleton [IN] A companion to Renaissance drama’, in A companion to Renaissance drama, vol. 14, Oxford: Blackwell Publishers, 2002, pp. 507–523 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915
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L. Hopkins, The female hero in English Renaissance tragedy. Basingstoke: Palgrave Macmillan, 2002 [Online]. Available: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052
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M. BIGGS, ‘DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN ?’, Notes and Queries, vol. 44, no. 1, pp. 97–100, Mar. 1997, doi: 10.1093/nq/44-1-97. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/nq/44-1-97
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A. A. Bromham, ‘The Tragedy of Peace: Political Meaning in Women Beware Women’, Studies in English Literature, 1500-1900, vol. 26, no. 2, Spring 1986, doi: 10.2307/450510. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450510
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T. Middleton, ‘Women beware women [IN] Four plays’, in Four plays, London: Methuen Drama, 2012.
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ALISON FINDLAY, PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE: CAMBRIDGE UNIV PRESS.
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Jennifer L. Heller, ‘Space, Violence, and Bodies in Middleton and Cary’, Studies in English Literature, 1500-1900, vol. 45, no. 2, 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552
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A. Hiscock, Women beware women: a critical guide. London: Continuum, 2011 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711
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R. A. Levin, ‘If Women Should Beware Women, Bianca Should Beware Mother’, Studies in English Literature, 1500-1900, vol. 37, no. 2, Spring 1997, doi: 10.2307/450839. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450839
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Christopher Ricks, ‘Word-Play in Women Beware Women’, The Review of English Studies, vol. 12, no. 47, 1961 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930
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N. Taylor and B. Loughrey, ‘Middleton’s Chess Strategies in Women Beware Women’, Studies in English Literature, 1500-1900, vol. 24, no. 2, Spring 1984, doi: 10.2307/450532. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450532
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L. Thomson, ‘“Enter Above”: The Staging of Women Beware Women’, Studies in English Literature, 1500-1900, vol. 26, no. 2, Spring 1986, doi: 10.2307/450511. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450511
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A. H. Tricomi, ‘Middleton’s “Women Beware Women” as Anticourt Drama’, Modern Language Studies, vol. 19, no. 2, Spring 1989, doi: 10.2307/3195193. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3195193
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Ann C. Christensen, ‘Settling House in Middleton’s “Women Beware Women”’, Comparative Drama, vol. 29, no. 4, 1995 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777
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E. Ellerbeck, ‘Adoptive Names in Thomas Middleton’s Women Beware Women’, SEL Studies in English Literature 1500-1900, vol. 57, no. 2, pp. 407–426, 2017, doi: 10.1353/sel.2017.0018. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/659242
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J. Jowett, ‘Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: the collected works, Vol. 1’, in Thomas Middleton: the collected works, Vol. 1, [Oxford?]: Oxford University Press, 2012, pp. 1488–1492 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1
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Roger. V. Holdsworth, ‘Women Beware Women and The Changeling on the Stage [IN] Three Jacobean revenge tragedies: a casebook’, in Three Jacobean revenge tragedies: a casebook, Basingstoke: Macmillan Education, 1990, pp. 247–274.
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B. Hoxby, ‘Areopagitica and Liberty’, in The Oxford handbook of Milton, Oxford: Oxford University Press, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199697885&sort=relevance
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A. Blum, ‘The Author’s Authority: Areopagitica and the Labour of Licensing’, in Re-membering Milton: essays on the texts and traditions, New York: Methuen, 1988, pp. 74–96 [Online]. Available: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493
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WILLIAM M. RUSSELL, ‘Love, Chaos, and Marvell’s Elegy for Cromwell’, English Literary Renaissance, vol. 40, no. 2, 2010 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513
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S. Achinstein, Milton and the Revolutionary Reader. Princeton: Princeton University Press, 2014 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403
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Sharon Achinstein, Literature and Dissent in Milton’s England. Cambridge University Press.
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Early Modern Nationalism and Milton’s. University of Toronto Press.
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N. McDowell, ‘Poetry and allegiance in the English civil wars: Marvell and the cause of wit’, 2008 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001
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David Norbrook, Writing the English Republic. Cambridge University Press.
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B. Worden, Literature and politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham, [2nd ed.]. Oxford: Oxford University Press, 2009 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001
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Thomas M. Greene, ‘The Balance of Power in Marvell’s “Horatian Ode”’, ELH, vol. 60, no. 2, 1993 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383
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A. J. Power, ‘Heaven and Hell in Robert Herrick’s Body of Work’, The Yearbook of English Studies, vol. 44, 2014, doi: 10.5699/yearenglstud.44.2014.0156. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.5699/yearenglstud.44.2014.0156
[86]
C. Belsey, John Milton: Language, Gender, Power. Oxford: Basil Blackwell, 1988.
[87]
R. Connolly and T. Cain, Lords of wine and oile: community and conviviality in the poetry of Robert Herrick. Oxford: Oxford University Press, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001
[88]
L. S. Marcus, The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. Chicago, [Ill.]: University of Chicago Press, 1986.
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R. Ingram, ‘Robert Herrick and the Makings of Hesperides’, Studies in English Literature, 1500-1900, vol. 38, no. 1, Winter 1998, doi: 10.2307/451084. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/451084
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L. Marus, ‘Robert Herrick [IN] The Cambridge Companion to English Poetry’, in The Cambridge Companion to English Poetry, Donne to Marvell, Cambridge: Cambridge University Press, 1993 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475
[91]
D. Armitage, A. Himy, and Q. Skinner, Eds., Milton and republicanism, vol. 35. Cambridge: Cambridge University Press, 1995 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456
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M. Lieb, M. Lieb, and J. T. Shawcross, Achievements of the left hand: essays on the prose of John Milton. Amherst: University of Massachusetts Press, 1974.
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G. Parry and J. Raymond, Milton and the terms of liberty, vol. 7. Cambridge: D.S. Brewer, 2002.
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Nigel Smith, Literature and Revolution in England, 1640-1660. Yale University Press.
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B. LaBreche, ‘Areopagitica and the Limits of Pluralism’, Milton Studies, vol. 54, no. 1, pp. 139–160, 2013, doi: 10.1353/mlt.2013.0006. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/539529?
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D. A. Loewenstein, ‘Areopagitica and the Dynamics of History’, Studies in English Literature, 1500-1900, vol. 28, no. 1, Winter 1988, doi: 10.2307/450716. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450716
[97]
Clay Daniel, ‘Why “Areopagitica?”’, South Atlantic Review, vol. 75, no. 2, 2010 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606
[98]
John McWilliams, ‘Marvell and Milton’s Literary Friendship Reconsidered’, Studies in English Literature, 1500-1900, vol. 46, no. 1, 2006 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567
[99]
A. Behn and J. Spencer, ‘The Rover’ and Other Plays. Oxford: Oxford University Press, 2008.
[100]
J. Spencer, Aphra Behn’s afterlife. Oxford: Oxford University Press, 2000 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
[101]
Stephen Szilagyi, ‘The Sexual Politics of Behn’s “Rover”: After Patriarchy’, Studies in Philology, vol. 95, no. 4, 1998 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621
[102]
W. L. Chernaik, Sexual freedom in restoration literature. Cambridge: Cambridge University Press, 1995 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850
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D. Hughes and J. Todd, Eds., The Cambridge Companion to Aphra Behn. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197
[104]
D. Hughes, The theatre of Aphra Behn. Basingstoke: Palgrave Macmillan, 2001 [Online]. Available: https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230597709
[105]
S. J. Owen, Restoration theatre and crisis. Oxford: Clarendon, 1996 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001
[106]
J. Spencer, Aphra Behn’s afterlife. Oxford: Oxford University Press, 2000 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
[107]
Janet M. Todd, The secret life of Aphra Behn. London: Andre Deutsch, 1996.
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Todd, Janet M, Aphra Behn. Basingstoke : Macmillan, 1999.
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James Grantham Turner, Libertines and Radicals in Early Modern London. Cambridge University Press.
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Anita Pacheco, ‘Rape and the Female Subject in Aphra Behn’s “The Rover”’, ELH, vol. 65, no. 2, 1998 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182
[111]
E. V. Young, ‘Aphra Behn, Gender, and Pastoral’, Studies in English Literature, 1500-1900, vol. 33, no. 3, Summer 1993, doi: 10.2307/451012. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/451012
[112]
H. Hutner, Rereading Aphra Behn: history, theory, and criticism. Charlottesville: University Press of Virginia, 1993.
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D. Cartmell, ‘100+ Years of Adaptations’, in A companion to literature, film, and adaptation, Chichester, West Sussex: Wiley-Blackwell, 2012 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032
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S. M. Buhler and ProQuest (Firm), Shakespeare in the cinema: ocular proof. Albany: State University of New York Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103
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P. Trivedi and P. Chakravarti, Shakespeare and Indian cinemas : ‘local habitations’. NY: Routledge, an imprint of the Taylor & Francis Group, 2019 [Online]. Available: http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409
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Lalita Pandit Hogan, ‘The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello’, Image and Narrative : Online Magazine of the Visual Narrative, vol. 11, no. 2, pp. 49–62, 2010 [Online]. Available: https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf
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