1.
Behn A, Spencer J. ‘The Rover’ and Other Plays. Oxford University Press; 2008.
2.
Stephen Greenblatt. The Norton Anthology of English Literature. W.W. Norton & Co.; 2012.
3.
Middleton T, Carroll WC. Four Plays. Methuen Drama; 2012.
4.
Scott-Warren J. Early Modern English Literature. Polity; 2005.
5.
Belsey C. John Milton. Basil Blackwell; 1988.
6.
Chalmers H. Royalist Women Writers, 1650-1689. Clarendon; 2004. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991078243405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
7.
Greenblatt SJ, American Council of Learned Societies. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. University of California Press; 1988. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma99229693405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
8.
Guibbory A. Ceremony and Community from Herbert to Milton: Literature, Religion, and Cultural Conflict in Seventeenth-Century England. Cambridge University Press; 1998.
9.
Helgerson R. Forms of Nationhood: The Elizabethan Writing of England. University of Chicago Press; 1992.
10.
Norbrook D. Poetry and Politics in the English Renaissance. Rev. ed. Oxford University Press; 2002. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991026353405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
11.
O’Callaghan M. Thomas Middleton: Reanaissance Dramatist. Edinburgh University Press; 2009.
12.
Smith BR. Homosexual Desire in Shakespeare’s England: A Cultural Poetics. University of Chicago Press; 1994.
13.
Marlowe, Christopher. Hero and Leander. In: The Norton Anthology of English Literature. the Major Authors. New York : W.W. Norton & Company, [2013].
14.
Full text of ‘Hero and Leander’. https://archive.org/stream/heroandleander18781gut/18781.txt
15.
Brown GE. Redefining Elizabethan Literature. Cambridge University Press; 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462
16.
Brown GE. Gender and Voice in Hero and Leander. In: Constructing Christopher Marlowe. Cambridge University Press.
17.
Summers CJ. Hero and Leander: The Arbitrariness of Desire. In: Constructing Christopher Marlowe. Cambridge University Press.
18.
JUDITH HABER. ‘True-loves blood’: Narrative and Desire in ‘Hero and Leander’. English Literary Renaissance. 1998;28(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769
19.
Yearling R. Homoerotic Desire and Renaissance Lyric Verse. SEL Studies in English Literature 1500-1900. 2013;53(1):53-71. doi:10.1353/sel.2013.0007
20.
Campbell M. ‘Desunt Nonnulla’: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem. ELH. 1984;51(2). doi:10.2307/2872945
21.
William P. Weaver. Marlowe’s Fable: ‘Hero and Leander’ and the Rudiments of Eloquence. Studies in Philology. 2008;105(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326
22.
Braden, Gordon. Hero and Leander in Bed (and the Morning After). English Literary Renaissance. 2015;(2):205-230. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2015583305&site=eds-live&scope=site
23.
Cheney P, ed. The Cambridge Companion to Christopher Marlowe. Cambridge University Press; 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340
24.
Hulse C. Metamorphic Verse: The Elizabethan Minor Epic. Princeton University Press; 1981.
25.
Keach W. Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe and Their Contemporaries. Harvester Press; 1977.
26.
JOHN LEONARD. Marlowe’s Doric Music: Lust and Aggression in ‘Hero and Leander’. English Literary Renaissance. 2000;30(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719
27.
Orgel S. Musaeus in English. George Herbert Journal. 2005;(29):67-75. https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&divLevel=0&area=abell&forward=critref_ft
28.
Sinfield A. Marlowe’s Erotic Verse. In: Early Modern English Poetry: A Critical Companion. Oxford University Press; 2007:125-135.
29.
Hattaway M. A Companion to English Renaissance Literature and Culture. Vol Blackwell companions to literature and culture. Blackwell; 2000. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998724
30.
Guy-Bray S. Homoerotic Space: The Poetics of Loss in Renaissance Literature. University of Toronto Press; 2002. doi:10.3138/9781442675841
31.
Katharine Cleland. ‘Wanton loves, and yong desires’: Clandestine Marriage in Marlowe’s ‘Hero and Leander’ and Chapman’s Continuation. Studies in Philology. 2011;108(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988
32.
Greenstadt A, Taylor & Francis. Rape and the Rise of the Author: Gendering Intention in Early Modern England. Ashgate http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605
33.
Stephen Greenblatt. The Norton Anthology of English Literature. W.W. Norton & Co.; 2012.
34.
Tamsin Badcoe. ‘The compasse of that Islands space’: Insular fictions in the writing of Edmund Spenser. Renaissance Studies. 2011;25(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262
35.
Borris K. Allegory and Epic in English Renaissance Literature : Heroic Form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge University Press; 2000.
36.
Gless DJ. Interpretation and Theology in Spenser. Cambridge University Press; 1994.
37.
Burlinson C. Allegory, Space and the Material World in the Writings of Edmund Spenser. Vol 17. D.S. Brewer; 2006. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6
38.
Gregerson L. The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic. Vol 6. Cambridge University Press; 1995. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110
39.
Hamilton A. C. The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture. Journal of English Language and Literature. 1992;38(4):667-682. http://jell.ellak.or.kr/past/view.asp?a_key=1628
40.
Helgerson R. Forms of Nationhood: The Elizabethan Writing of England. University of Chicago Press; 1992.
41.
Thomas Herron. Spenser’s Irish Work. Ashgate http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315242644
42.
Morrison JK, Greenfield M. Edmund Spenser: Essays on Culture and Allegory. Ashgate; 2000. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351941662
43.
Robinson BS. Islam and Early Modern English Literature: The Politics of Romance from Spenser to Milton. Palgrave Macmillan; 2007. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230607439
44.
Burton J. Weber. The Interlocking Triads of the First Book of ‘The Faerie Queene’. Studies in Philology. 1993;90(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452
45.
Woodcock M. Fairy in The Faerie Queene: Renaissance Elf-Fashioning and Elizabethan Myth-Making. Ashgate; 2004.
46.
James W. Broaddus. Spenser’s Redcrosse Knight and the Order of Salvation. Studies in Philology. 2011;108(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053
47.
Greenblatt S. To Fashion a Gentleman: Spenser and the Bower of Bliss. In: Renaissance Poetry. Longman; 1998.
48.
Andrew Hadfield. Spenser, Drayton, and the Question of Britain. The Review of English Studies. 2000;51(204). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256
49.
Hester Lees-Jeffries. From the Fountain to the Well: Redcrosse Learns to Read. Studies in Philology. 2003;100(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755
50.
Vaught JC. Spenser’s Dialogic Voice in Book 1 of ‘The Faerie Queene’. Studies in English Literature, 1500-1900. 2001;41(1). doi:10.2307/1556229
51.
Middleton T, Carroll WC. Four Plays. Methuen Drama; 2012.
52.
Taylor G. Middleton, Thomas (bap. 1580, d. 1627). In: Matthew HCG, Harrison B, eds. The Oxford Dictionary of National Biography. Oxford University Press; 2004. doi:10.1093/ref:odnb/18682
53.
Jowett J. Thomas Middleton [IN] A companion to Renaissance drama. In: A Companion to Renaissance Drama. Vol 14. Blackwell Publishers; 2002:507-523. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915
54.
Hopkins L. The Female Hero in English Renaissance Tragedy. Palgrave Macmillan; 2002. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052
55.
BIGGS M. DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN ? Notes and Queries. 1997;44(1):97-100. doi:10.1093/nq/44-1-97
56.
Bromham AA. The Tragedy of Peace: Political Meaning in Women Beware Women. Studies in English Literature, 1500-1900. 1986;26(2). doi:10.2307/450510
57.
Middleton T. Women beware women [IN] Four plays. In: Four Plays. Methuen Drama; 2012.
58.
ALISON FINDLAY. PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE UNIV PRESS
59.
Jennifer L. Heller. Space, Violence, and Bodies in Middleton and Cary. Studies in English Literature, 1500-1900. 2005;45(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552
60.
Hiscock A. Women Beware Women: A Critical Guide. Continuum; 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711
61.
HUTCHINGS M. MIDDLETON’S WOMEN BEWARE WOMEN: RAPE, SEDUCTION - OR POWER, SIMPLY? Notes and Queries. 1998;45(3):366-367. doi:10.1093/nq/45-3-366
62.
Levin RA. If Women Should Beware Women, Bianca Should Beware Mother. Studies in English Literature, 1500-1900. 1997;37(2). doi:10.2307/450839
63.
Christopher Ricks. Word-Play in Women Beware Women. The Review of English Studies. 1961;12(47). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930
64.
Taylor N, Loughrey B. Middleton’s Chess Strategies in Women Beware Women. Studies in English Literature, 1500-1900. 1984;24(2). doi:10.2307/450532
65.
Thomson L. ‘Enter Above’: The Staging of Women Beware Women. Studies in English Literature, 1500-1900. 1986;26(2). doi:10.2307/450511
66.
Tricomi AH. Middleton’s ‘Women Beware Women’ as Anticourt Drama. Modern Language Studies. 1989;19(2). doi:10.2307/3195193
67.
Ann C. Christensen. Settling House in Middleton’s ‘Women Beware Women’. Comparative Drama. 1995;29(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777
68.
Ellerbeck E. Adoptive Names in Thomas Middleton’s Women Beware Women. SEL Studies in English Literature 1500-1900. 2017;57(2):407-426. doi:10.1353/sel.2017.0018
69.
Jowett J. Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: the collected works, Vol. 1. In: Thomas Middleton: The Collected Works, Vol. 1. Oxford University Press; 2012:1488-1492. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1
70.
Holdsworth RogerV. Women Beware Women and The Changeling on the Stage [IN] Three Jacobean revenge tragedies: a casebook. In: Three Jacobean Revenge Tragedies: A Casebook. Macmillan Education; 1990:247-274.
71.
Goldberg J. Fatherly Authority: The Politics of Stuart Family Images [IN] Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. In: Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. University of Chicago Press; 1986:3-32.
72.
Keeble NH. The Cultural Identity of Seventeenth Century Woman: A Reader. Routledge; 1994.
73.
Middleton T, Frost DL. The Selected Plays of Thomas Middleton. Cambridge University Press; 1978.
74.
Stephen Greenblatt. The Norton Anthology of English Literature. W.W. Norton & Co.; 2012.
75.
Hoxby B. Areopagitica and Liberty. In: The Oxford Handbook of Milton. Oxford University Press; 2011. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199697885&sort=relevance
76.
Blum A. The Author’s Authority: Areopagitica and the Labour of Licensing. In: Re-Membering Milton: Essays on the Texts and Traditions. Methuen; 1988:74-96. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493
77.
WILLIAM M. RUSSELL. Love, Chaos, and Marvell’s Elegy for Cromwell. English Literary Renaissance. 2010;40(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513
78.
Achinstein S. Milton and the Revolutionary Reader. Princeton University Press; 2014. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403
79.
Sharon Achinstein. Literature and Dissent in Milton’s England. Cambridge University Press
80.
Early Modern Nationalism and Milton’s. University of Toronto Press
81.
McDowell N. Poetry and allegiance in the English civil wars: Marvell and the cause of wit. Published online 2008. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001
82.
David Norbrook. Writing the English Republic. Cambridge University Press
83.
Worden B. Literature and Politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham. [2nd ed.]. Oxford University Press; 2009. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001
84.
Thomas M. Greene. The Balance of Power in Marvell’s ‘Horatian Ode’. ELH. 1993;60(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383
85.
J. Power A. Heaven and Hell in Robert Herrick’s Body of Work. The Yearbook of English Studies. 2014;44. doi:10.5699/yearenglstud.44.2014.0156
86.
Belsey C. John Milton: Language, Gender, Power. Basil Blackwell; 1988.
87.
Connolly R, Cain T. Lords of Wine and Oile: Community and Conviviality in the Poetry of Robert Herrick. Oxford University Press; 2011. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001
88.
Marcus LS. The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes. University of Chicago Press; 1986.
89.
Ingram R. Robert Herrick and the Makings of Hesperides. Studies in English Literature, 1500-1900. 1998;38(1). doi:10.2307/451084
90.
Marus L. Robert Herrick [IN] The Cambridge Companion to English Poetry. In: The Cambridge Companion to English Poetry, Donne to Marvell. Cambridge University Press; 1993. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475
91.
Armitage D, Himy A, Skinner Q, eds. Milton and Republicanism. Vol 35. Cambridge University Press; 1995. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456
92.
Lieb M, Lieb M, Shawcross JT. Achievements of the Left Hand: Essays on the Prose of John Milton. University of Massachusetts Press; 1974.
93.
Parry G, Raymond J. Milton and the Terms of Liberty. Vol 7. D.S. Brewer; 2002.
94.
Nigel Smith. Literature and Revolution in England, 1640-1660. Yale University Press
95.
LaBreche B. Areopagitica and the Limits of Pluralism. Milton Studies. 2013;54(1):139-160. doi:10.1353/mlt.2013.0006
96.
Loewenstein DA. Areopagitica and the Dynamics of History. Studies in English Literature, 1500-1900. 1988;28(1). doi:10.2307/450716
97.
Clay Daniel. Why ‘Areopagitica?’ South Atlantic Review. 2010;75(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606
98.
John McWilliams. Marvell and Milton’s Literary Friendship Reconsidered. Studies in English Literature, 1500-1900. 2006;46(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567
99.
Behn A, Spencer J. ‘The Rover’ and Other Plays. Oxford University Press; 2008.
100.
Spencer J. Aphra Behn’s Afterlife. Oxford University Press; 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
101.
Stephen Szilagyi. The Sexual Politics of Behn’s ‘Rover’: After Patriarchy. Studies in Philology. 1998;95(4). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621
102.
Chernaik WL. Sexual Freedom in Restoration Literature. Cambridge University Press; 1995. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850
103.
Hughes D, Todd J, eds. The Cambridge Companion to Aphra Behn. Cambridge University Press; 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197
104.
Hughes D. The Theatre of Aphra Behn. Palgrave Macmillan; 2001. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230597709
105.
Owen SJ. Restoration Theatre and Crisis. Clarendon; 1996. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001
106.
Spencer J. Aphra Behn’s Afterlife. Oxford University Press; 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
107.
Janet M. Todd. The Secret Life of Aphra Behn. Andre Deutsch; 1996.
108.
Todd, Janet M. Aphra Behn. Basingstoke : Macmillan, 1999.
109.
James Grantham Turner. Libertines and Radicals in Early Modern London. Cambridge University Press
110.
Anita Pacheco. Rape and the Female Subject in Aphra Behn’s ‘The Rover’. ELH. 1998;65(2). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182
111.
Young EV. Aphra Behn, Gender, and Pastoral. Studies in English Literature, 1500-1900. 1993;33(3). doi:10.2307/451012
112.
Hutner H. Rereading Aphra Behn: History, Theory, and Criticism. University Press of Virginia; 1993.
113.
O’Donnell MA, Dhuicq B, Leduc G. Aphra Behn (1640-1689): Identity, Alterity, Ambiguity. L’Harmattan; 2000.
114.
Chalmers H. Royalist women writers, 1650-1689. Published online 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001
115.
Todd JM. Aphra Behn Studies. Cambridge University Press; 1996.
116.
Sanders J. Adaptation and Appropriation. Routledge; 2006. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781134384969
117.
De Groot J, Taylor & Francis. Remaking History: The Past in Contemporary Historical Fictions. Routledge, Taylor & Francis Group; 2016. https://uoelibrary.idm.oclc.org/login?url=http://www.taylorfrancis.com/books/9781315693392
118.
Brown S, Lublin RI, McCulloch L. Reinventing the Renaissance: Shakespeare and His Contemporaries in Adaptation and Performance. Palgrave Macmillan; 2013. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137319401
119.
Fortier M, Fischlin D. Adaptations of Shakespeare: A Critical Anthology of Plays from the 17th Century to the Present. Routledge; 2000.
120.
Cartmell D, Whelehan I. Adaptations: From Text to Screen, Screen to Text. Routledge; 1999.
121.
Corrigan T. The Oxford handbook of adaptation studies. In: Leitch TM, ed. The Oxford Handbook of Adaptation Studies. Oxford University Press; 2017. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199331000&sort=relevance
122.
Cartmell D. 100+ Years of Adaptations. In: A Companion to Literature, Film, and Adaptation. Wiley-Blackwell; 2012. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032
123.
Pilhuj K. Anne of the Thousand Adaptations. Early Modern Women. 2016;10(2):115-118. doi:10.1353/emw.2016.0007
124.
Hutcheon L, O’Flynn S. A Theory of Adaptation. 2nd ed. Routledge; 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136210921
125.
Burnett MT, Wray R. Screening Shakespeare in the Twenty-First Century. Edinburgh University Press https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09vjz
126.
Buhler SM, ProQuest (Firm). Shakespeare in the Cinema: Ocular Proof. State University of New York Press; 2002. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103
127.
Burnett MT. Shakespeare and World Cinema. Cambridge University Press; 2013. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511760211
128.
Trivedi P, Chakravarti P. Shakespeare and Indian Cinemas : ‘Local Habitations’. Routledge, an imprint of the Taylor & Francis Group; 2019. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409
129.
Dionne C, Kapadia P. Bollywood Shakespeares. Palgrave Macmillan; 2014. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137375568
130.
Sharda S. Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara. Shakespeare Bulletin. 2017;35(4):599-626. doi:10.1353/shb.2017.0046
131.
Lalita Pandit Hogan. The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello. Image and Narrative : Online Magazine of the Visual Narrative. 2010;11(2):49-62. https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf
132.
Cabaret F. Indianizing Othello: Vishal Bhardwaj’s Omkara. In: Hatchuel S, Vienne-Guerrin N, eds. Shakespeare on Screen: Othello. Cambridge University Press; 2015:107-121. doi:10.1017/CBO9781316272060.008
