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Behn A, Spencer J. ‘The Rover’ and Other Plays. Oxford: : Oxford University Press 2008.
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Stephen Greenblatt. The Norton anthology of English literature. New York: : W.W. Norton & Co. 2012.
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Middleton T, Carroll WC. Four plays. London: : Methuen Drama 2012.
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Scott-Warren J. Early modern English literature. Cambridge: : Polity 2005.
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Belsey C. John Milton. Oxford: : Basil Blackwell 1988.
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Chalmers H. Royalist women writers, 1650-1689. Oxford: : Clarendon 2004. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991078243405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
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Greenblatt SJ, American Council of Learned Societies. Shakespearean negotiations: the circulation of social energy in Renaissance England. Berkeley: : University of California Press 1988. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma99229693405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
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Guibbory A. Ceremony and community from Herbert to Milton: literature, religion, and cultural conflict in seventeenth-century England. New York: : Cambridge University Press 1998.
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Helgerson R. Forms of nationhood: the Elizabethan writing of England. Chicago: : University of Chicago Press 1992.
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Norbrook D. Poetry and politics in the English Renaissance. Rev. ed. Oxford: : Oxford University Press 2002. https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991026353405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en
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O’Callaghan M. Thomas Middleton: Reanaissance dramatist. Edinburgh: : Edinburgh University Press 2009.
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Smith BR. Homosexual desire in Shakespeare’s England: a cultural poetics. Chicago: : University of Chicago Press 1994.
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Marlowe, Christopher. Hero and Leander. In: The Norton anthology of English literature. the major authors. New York : W.W. Norton & Company, [2013]
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Full text of ‘Hero and Leander’. https://archive.org/stream/heroandleander18781gut/18781.txt
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Brown GE. Redefining Elizabethan literature. Cambridge: : Cambridge University Press 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462
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Brown GE. Gender and Voice in Hero and Leander. In: Constructing Christopher Marlowe. Cambridge University Press
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Summers CJ. Hero and Leander: The Arbitrariness of Desire. In: Constructing Christopher Marlowe. Cambridge University Press
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JUDITH HABER. ‘True-loves blood’: Narrative and Desire in ‘Hero and Leander’. English Literary Renaissance 1998;28.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769
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Yearling R. Homoerotic Desire and Renaissance Lyric Verse. SEL Studies in English Literature 1500-1900 2013;53:53–71. doi:10.1353/sel.2013.0007
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Campbell M. ‘Desunt Nonnulla’: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem. ELH 1984;51. doi:10.2307/2872945
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William P. Weaver. Marlowe’s Fable: ‘Hero and Leander’ and the Rudiments of Eloquence. Studies in Philology 2008;105.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326
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Braden, Gordon. Hero and Leander in Bed (and the Morning After). English Literary Renaissance 2015;:205–30.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2015583305&site=eds-live&scope=site
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Cheney P, editor. The Cambridge Companion to Christopher Marlowe. Cambridge: : Cambridge University Press 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340
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Hulse C. Metamorphic verse: the Elizabethan minor epic. Princeton, N.J.: : Princeton University Press 1981.
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Keach W. Elizabethan erotic narratives: irony and pathos in the Ovidian poetry of Shakespeare, Marlowe and their contemporaries. Hassocks: : Harvester Press 1977.
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JOHN LEONARD. Marlowe’s Doric Music: Lust and Aggression in ‘Hero and Leander’. English Literary Renaissance 2000;30.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719
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Orgel S. Musaeus in English. George Herbert Journal 2005;:67–75.https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&divLevel=0&area=abell&forward=critref_ft
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Sinfield A. Marlowe’s Erotic Verse. In: Early modern English poetry: a critical companion. New York: : Oxford University Press 2007. 125–35.
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Hattaway M. A companion to English renaissance literature and culture. Oxford: : Blackwell 2000. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998724
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Guy-Bray S. Homoerotic Space: The Poetics of Loss in Renaissance Literature. Toronto: : University of Toronto Press 2002. doi:10.3138/9781442675841
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Katharine Cleland. ‘Wanton loves, and yong desires’: Clandestine Marriage in Marlowe’s ‘Hero and Leander’ and Chapman’s Continuation. Studies in Philology 2011;108.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988
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Greenstadt A, Taylor & Francis. Rape and the rise of the author: gendering intention in early modern England. Farnham, England: : Ashgate http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605
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Stephen Greenblatt. The Norton anthology of English literature. New York: : W.W. Norton & Co. 2012.
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Tamsin Badcoe. ‘The compasse of that Islands space’: Insular fictions in the writing of Edmund Spenser. Renaissance Studies 2011;25.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262
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Borris K. Allegory and epic in English Renaissance literature : heroic form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge: : Cambridge University Press 2000.
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Gless DJ. Interpretation and theology in Spenser. Cambridge: : Cambridge University Press 1994.
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Burlinson C. Allegory, space and the material world in the writings of Edmund Spenser. Woodbridge, Suffolk, UK: : D.S. Brewer 2006. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6
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Gregerson L. The reformation of the subject: Spenser, Milton, and the English Protestant epic. Cambridge: : Cambridge University Press 1995. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110
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Hamilton A. C. The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture. Journal of English Language and Literature 1992;38:667–82.http://jell.ellak.or.kr/past/view.asp?a_key=1628
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Helgerson R. Forms of nationhood: the Elizabethan writing of England. Chicago: : University of Chicago Press 1992.
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Thomas Herron. Spenser’s Irish Work. Ashgate http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315242644
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Morrison JK, Greenfield M. Edmund Spenser: essays on culture and allegory. Aldershot: : Ashgate 2000. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351941662
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Robinson BS. Islam and early modern English literature: the politics of romance from Spenser to Milton. Basingstoke: : Palgrave Macmillan 2007. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230607439
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Burton J. Weber. The Interlocking Triads of the First Book of ‘The Faerie Queene’. Studies in Philology 1993;90.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452
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Woodcock M. Fairy in The faerie queene: Renaissance elf-fashioning and Elizabethan myth-making. Aldershot: : Ashgate 2004.
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James W. Broaddus. Spenser’s Redcrosse Knight and the Order of Salvation. Studies in Philology 2011;108.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053
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Greenblatt S. To Fashion a Gentleman: Spenser and the Bower of Bliss. In: Renaissance poetry. London: : Longman 1998.
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Andrew Hadfield. Spenser, Drayton, and the Question of Britain. The Review of English Studies 2000;51.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256
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Hester Lees-Jeffries. From the Fountain to the Well: Redcrosse Learns to Read. Studies in Philology 2003;100.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755
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Vaught JC. Spenser’s Dialogic Voice in Book 1 of ‘The Faerie Queene’. Studies in English Literature, 1500-1900 2001;41. doi:10.2307/1556229
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Middleton T, Carroll WC. Four plays. London: : Methuen Drama 2012.
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Taylor G. Middleton, Thomas (bap. 1580, d. 1627). In: Matthew HCG, Harrison B, eds. The Oxford Dictionary of National Biography. Oxford: : Oxford University Press 2004. doi:10.1093/ref:odnb/18682
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Jowett J. Thomas Middleton [IN] A companion to Renaissance drama. In: A companion to Renaissance drama. Oxford: : Blackwell Publishers 2002. 507–23.https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915
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Hopkins L. The female hero in English Renaissance tragedy. Basingstoke: : Palgrave Macmillan 2002. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052
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BIGGS M. DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN ? Notes and Queries 1997;44:97–100. doi:10.1093/nq/44-1-97
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Bromham AA. The Tragedy of Peace: Political Meaning in Women Beware Women. Studies in English Literature, 1500-1900 1986;26. doi:10.2307/450510
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Middleton T. Women beware women [IN] Four plays. In: Four plays. London: : Methuen Drama 2012.
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ALISON FINDLAY. PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE: : CAMBRIDGE UNIV PRESS
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Jennifer L. Heller. Space, Violence, and Bodies in Middleton and Cary. Studies in English Literature, 1500-1900 2005;45.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552
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Hiscock A. Women beware women: a critical guide. London: : Continuum 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711
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HUTCHINGS M. MIDDLETON’S WOMEN BEWARE WOMEN: RAPE, SEDUCTION - OR POWER, SIMPLY? Notes and Queries 1998;45:366–7. doi:10.1093/nq/45-3-366
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Levin RA. If Women Should Beware Women, Bianca Should Beware Mother. Studies in English Literature, 1500-1900 1997;37. doi:10.2307/450839
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Christopher Ricks. Word-Play in Women Beware Women. The Review of English Studies 1961;12.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930
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Taylor N, Loughrey B. Middleton’s Chess Strategies in Women Beware Women. Studies in English Literature, 1500-1900 1984;24. doi:10.2307/450532
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Thomson L. ‘Enter Above’: The Staging of Women Beware Women. Studies in English Literature, 1500-1900 1986;26. doi:10.2307/450511
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Tricomi AH. Middleton’s ‘Women Beware Women’ as Anticourt Drama. Modern Language Studies 1989;19. doi:10.2307/3195193
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Ann C. Christensen. Settling House in Middleton’s ‘Women Beware Women’. Comparative Drama 1995;29.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777
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Ellerbeck E. Adoptive Names in Thomas Middleton’s Women Beware Women. SEL Studies in English Literature 1500-1900 2017;57:407–26. doi:10.1353/sel.2017.0018
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Jowett J. Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: the collected works, Vol. 1. In: Thomas Middleton: the collected works, Vol. 1. [Oxford?]: : Oxford University Press 2012. 1488–92.https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1
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Holdsworth RogerV. Women Beware Women and The Changeling on the Stage [IN] Three Jacobean revenge tragedies: a casebook. In: Three Jacobean revenge tragedies: a casebook. Basingstoke: : Macmillan Education 1990. 247–74.
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Goldberg J. Fatherly Authority: The Politics of Stuart Family Images [IN] Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. In: Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. Chicago: : University of Chicago Press 1986. 3–32.
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Keeble NH. The cultural identity of seventeenth century woman: a reader. London: : Routledge 1994.
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Middleton T, Frost DL. The selected plays of Thomas Middleton. Cambridge: : Cambridge University Press 1978.
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Hoxby B. Areopagitica and Liberty. In: The Oxford handbook of Milton. Oxford: : Oxford University Press 2011. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199697885&sort=relevance
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Blum A. The Author’s Authority: Areopagitica and the Labour of Licensing. In: Re-membering Milton: essays on the texts and traditions. New York: : Methuen 1988. 74–96.http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493
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WILLIAM M. RUSSELL. Love, Chaos, and Marvell’s Elegy for Cromwell. English Literary Renaissance 2010;40.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513
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Achinstein S. Milton and the Revolutionary Reader. Princeton: : Princeton University Press 2014. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403
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Sharon Achinstein. Literature and Dissent in Milton’s England. Cambridge University Press
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Early Modern Nationalism and Milton’s. University of Toronto Press
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McDowell N. Poetry and allegiance in the English civil wars: Marvell and the cause of wit. Published Online First: 2008.https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001
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David Norbrook. Writing the English Republic. Cambridge University Press
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Worden B. Literature and politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham. [2nd ed.]. Oxford: : Oxford University Press 2009. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001
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Thomas M. Greene. The Balance of Power in Marvell’s ‘Horatian Ode’. ELH 1993;60.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383
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J. Power A. Heaven and Hell in Robert Herrick’s Body of Work. The Yearbook of English Studies 2014;44. doi:10.5699/yearenglstud.44.2014.0156
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Belsey C. John Milton: Language, Gender, Power. Oxford: : Basil Blackwell 1988.
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Connolly R, Cain T. Lords of wine and oile: community and conviviality in the poetry of Robert Herrick. Oxford: : Oxford University Press 2011. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001
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Marcus LS. The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. Chicago, [Ill.]: : University of Chicago Press 1986.
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Ingram R. Robert Herrick and the Makings of Hesperides. Studies in English Literature, 1500-1900 1998;38. doi:10.2307/451084
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Marus L. Robert Herrick [IN] The Cambridge Companion to English Poetry. In: The Cambridge Companion to English Poetry, Donne to Marvell. Cambridge: : Cambridge University Press 1993. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475
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Armitage D, Himy A, Skinner Q, editors. Milton and republicanism. Cambridge: : Cambridge University Press 1995. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456
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Lieb M, Lieb M, Shawcross JT. Achievements of the left hand: essays on the prose of John Milton. Amherst: : University of Massachusetts Press 1974.
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Parry G, Raymond J. Milton and the terms of liberty. Cambridge: : D.S. Brewer 2002.
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Nigel Smith. Literature and Revolution in England, 1640-1660. Yale University Press
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LaBreche B. Areopagitica and the Limits of Pluralism. Milton Studies 2013;54:139–60. doi:10.1353/mlt.2013.0006
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Loewenstein DA. Areopagitica and the Dynamics of History. Studies in English Literature, 1500-1900 1988;28. doi:10.2307/450716
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Clay Daniel. Why ‘Areopagitica?’ South Atlantic Review 2010;75.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606
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John McWilliams. Marvell and Milton’s Literary Friendship Reconsidered. Studies in English Literature, 1500-1900 2006;46.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567
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Behn A, Spencer J. ‘The Rover’ and Other Plays. Oxford: : Oxford University Press 2008.
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Spencer J. Aphra Behn’s afterlife. Oxford: : Oxford University Press 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
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Stephen Szilagyi. The Sexual Politics of Behn’s ‘Rover’: After Patriarchy. Studies in Philology 1998;95.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621
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Chernaik WL. Sexual freedom in restoration literature. Cambridge: : Cambridge University Press 1995. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850
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Hughes D, Todd J, editors. The Cambridge Companion to Aphra Behn. Cambridge: : Cambridge University Press 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197
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Hughes D. The theatre of Aphra Behn. Basingstoke: : Palgrave Macmillan 2001. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230597709
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Owen SJ. Restoration theatre and crisis. Oxford: : Clarendon 1996. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001
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Spencer J. Aphra Behn’s afterlife. Oxford: : Oxford University Press 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
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Janet M. Todd. The secret life of Aphra Behn. London: : Andre Deutsch 1996.
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Todd, Janet M. Aphra Behn. Basingstoke : Macmillan, 1999.
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James Grantham Turner. Libertines and Radicals in Early Modern London. Cambridge University Press
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Anita Pacheco. Rape and the Female Subject in Aphra Behn’s ‘The Rover’. ELH 1998;65.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182
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Young EV. Aphra Behn, Gender, and Pastoral. Studies in English Literature, 1500-1900 1993;33. doi:10.2307/451012
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Hutner H. Rereading Aphra Behn: history, theory, and criticism. Charlottesville: : University Press of Virginia 1993.
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O’Donnell MA, Dhuicq B, Leduc G. Aphra Behn (1640-1689): identity, alterity, ambiguity. Paris: : L’Harmattan 2000.
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Chalmers H. Royalist women writers, 1650-1689. Published Online First: 2004.https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001
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Todd JM. Aphra Behn studies. Cambridge: : Cambridge University Press 1996.
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Sanders J. Adaptation and appropriation. Routledge 2006. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781134384969
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De Groot J, Taylor & Francis. Remaking history: the past in contemporary historical fictions. Abingdon, Oxon: : Routledge, Taylor & Francis Group 2016. https://uoelibrary.idm.oclc.org/login?url=http://www.taylorfrancis.com/books/9781315693392
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Brown S, Lublin RI, McCulloch L. Reinventing the Renaissance: Shakespeare and his contemporaries in adaptation and performance. Basingstoke: : Palgrave Macmillan 2013. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137319401
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Fortier M, Fischlin D. Adaptations of Shakespeare: a critical anthology of plays from the 17th century to the present. London: : Routledge 2000.
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Cartmell D, Whelehan I. Adaptations: From Text to Screen, Screen to Text. London: : Routledge 1999.
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Corrigan T. The Oxford handbook of adaptation studies. In: Leitch TM, ed. The Oxford handbook of adaptation studies. New York: : Oxford University Press 2017. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199331000&sort=relevance
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Cartmell D. 100+ Years of Adaptations. In: A companion to literature, film, and adaptation. Chichester, West Sussex: : Wiley-Blackwell 2012. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032
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Pilhuj K. Anne of the Thousand Adaptations. Early Modern Women 2016;10:115–8. doi:10.1353/emw.2016.0007
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Hutcheon L, O’Flynn S. A theory of adaptation. 2nd ed. London: : Routledge 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136210921
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Burnett MT, Wray R. Screening Shakespeare in the twenty-first century. Edinburgh: : Edinburgh University Press https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09vjz
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Buhler SM, ProQuest (Firm). Shakespeare in the cinema: ocular proof. Albany: : State University of New York Press 2002. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103
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Burnett MT. Shakespeare and world cinema. Cambridge: : Cambridge University Press 2013. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511760211
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Trivedi P, Chakravarti P. Shakespeare and Indian cinemas : ‘local habitations’. NY: : Routledge, an imprint of the Taylor & Francis Group 2019. http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409
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Dionne C, Kapadia P. Bollywood Shakespeares. Basingstoke: : Palgrave Macmillan 2014. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137375568
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Sharda S. Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara. Shakespeare Bulletin 2017;35:599–626. doi:10.1353/shb.2017.0046
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Lalita Pandit Hogan. The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello. Image and Narrative : Online Magazine of the Visual Narrative 2010;11:49–62.https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf
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Cabaret F. Indianizing Othello: Vishal Bhardwaj’s Omkara. In: Hatchuel S, Vienne-Guerrin N, eds. Shakespeare on Screen: Othello. Cambridge: : Cambridge University Press 2015. 107–21. doi:10.1017/CBO9781316272060.008
