Achinstein, Sharon. Milton and the Revolutionary Reader. Princeton: Princeton University Press, 2014. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt7zv403>.
ALISON FINDLAY. PLAYING SPACES IN EARLY WOMEN’S DRAMA. CAMBRIDGE: CAMBRIDGE UNIV PRESS. Print.
Andrew Hadfield. ‘Spenser, Drayton, and the Question of Britain’. The Review of English Studies 51.204 (2000): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/519256>.
Anita Pacheco. ‘Rape and the Female Subject in Aphra Behn’s “The Rover”’. ELH 65.2 (1998): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/30030182>.
Ann C. Christensen. ‘Settling House in Middleton’s “Women Beware Women”’. Comparative Drama 29.4 (1995): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41153777>.
Armitage, David, Armand Himy, and Quentin Skinner, eds. Milton and Republicanism. Vol. 35. Cambridge: Cambridge University Press, 1995. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511598456>.
Behn, Aphra, and Jane Spencer. ‘The Rover’ and Other Plays. Oxford: Oxford University Press, 2008. Print.
---. ‘The Rover’ and Other Plays. Oxford: Oxford University Press, 2008. Print.
Belsey, Catherine. John Milton. Oxford: Basil Blackwell, 1988. Print.
---. John Milton: Language, Gender, Power. Oxford: Basil Blackwell, 1988. Print.
BIGGS, MURRAY. ‘DOES THE DUKE RAPE BIANCA IN MIDDLETON’S WOMEN BEWARE WOMEN            ?’ Notes and Queries 44.1 (1997): 97–100. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/nq/44-1-97>.
Blum, Abbe. ‘The Author’s Authority: Areopagitica and the Labour of Licensing’. Re-Membering Milton: Essays on the Texts and Traditions. New York: Methuen, 1988. 74–96. Web. <http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780429029493>.
Borris, Kenneth. Allegory and Epic in English Renaissance Literature : Heroic Form in Sidney, Spenser, and Milton / Kenneth Borris. Cambridge: Cambridge University Press, 2000. Print.
Braden, Gordon. ‘Hero and Leander in Bed (and the Morning After)’. English Literary Renaissance 2 (2015): 205–230. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2015583305&amp;site=eds-live&amp;scope=site>.
Bromham, A. A. ‘The Tragedy of Peace: Political Meaning in Women Beware Women’. Studies in English Literature, 1500-1900 26.2 (1986): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450510>.
Brown, Georgia E. ‘Gender and Voice in Hero and Leander’. Constructing Christopher Marlowe. Cambridge University Press. Print.
---. Redefining Elizabethan Literature. Cambridge: Cambridge University Press, 2004. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483462>.
Brown, Sarah, Robert I. Lublin, and Lynsey McCulloch. Reinventing the Renaissance: Shakespeare and His Contemporaries in Adaptation and Performance. Basingstoke: Palgrave Macmillan, 2013. Web. <https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137319401>.
Buhler, Stephen M. and ProQuest (Firm). Shakespeare in the Cinema: Ocular Proof. Albany: State University of New York Press, 2002. Web. <https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=3408103>.
Burlinson, Christopher. Allegory, Space and the Material World in the Writings of Edmund Spenser. Vol. 17. Woodbridge, Suffolk, UK: D.S. Brewer, 2006. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7722/j.ctt81wd6>.
Burnett, Mark Thornton. Shakespeare and World Cinema. Cambridge: Cambridge University Press, 2013. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511760211>.
Burnett, Mark Thornton, and Ramona Wray. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09vjz>.
Burton J. Weber. ‘The Interlocking Triads of the First Book of “The Faerie Queene”’. Studies in Philology 90.2 (1993): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174452>.
Cabaret, Florence. ‘Indianizing Othello: Vishal Bhardwaj’s Omkara’. Shakespeare on Screen: Othello. Ed. Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge: Cambridge University Press, 2015. 107–121. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/CBO9781316272060.008>.
Campbell, Marion. ‘“Desunt Nonnulla”: The Construction of Marlowe’s Hero and Leander as an Unfinished Poem’. ELH 51.2 (1984): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2872945>.
Cartmell, Deborah. ‘100+ Years of Adaptations’. A Companion to Literature, Film, and Adaptation. Chichester, West Sussex: Wiley-Blackwell, 2012. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1002/9781118312032>.
Cartmell, Deborah, and Imelda Whelehan. Adaptations: From Text to Screen, Screen to Text. London: Routledge, 1999. Print.
Chalmers, Hero. Royalist Women Writers, 1650-1689. Oxford: Clarendon, 2004. Web. <https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991078243405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en>.
---. ‘Royalist Women Writers, 1650-1689’. (2004): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001>.
Cheney, Patrick, ed. The Cambridge Companion to Christopher Marlowe. Cambridge: Cambridge University Press, 2004. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820340>.
Chernaik, Warren L. Sexual Freedom in Restoration Literature. Cambridge: Cambridge University Press, 1995. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511518850>.
Christopher Ricks. ‘Word-Play in Women Beware Women’. The Review of English Studies 12.47 (1961): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/512930>.
Clay Daniel. ‘Why “Areopagitica?”’ South Atlantic Review 75.2 (2010): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41635606>.
Connolly, Ruth, and Tom Cain. Lords of Wine and Oile: Community and Conviviality in the Poetry of Robert Herrick. Oxford: Oxford University Press, 2011. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199604777.001.0001>.
Corrigan, Timothy. ‘The Oxford Handbook of Adaptation Studies’. The Oxford Handbook of Adaptation Studies. Ed. Thomas M. Leitch. New York: Oxford University Press, 2017. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&amp;isQuickSearch=true&amp;pageSize=10&amp;q=9780199331000&amp;sort=relevance>.
David Norbrook. Writing the English Republic. Cambridge University Press. Print.
De Groot, Jerome and Taylor & Francis. Remaking History: The Past in Contemporary Historical Fictions. Abingdon, Oxon: Routledge, Taylor & Francis Group, 2016. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.taylorfrancis.com/books/9781315693392>.
Dionne, Craig, and Parmita Kapadia. Bollywood Shakespeares. Basingstoke: Palgrave Macmillan, 2014. Web. <https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137375568>.
Early Modern Nationalism and Milton’s. University of Toronto Press. Print.
Ellerbeck, Erin. ‘Adoptive Names in Thomas Middleton’s Women Beware Women’. SEL Studies in English Literature 1500-1900 57.2 (2017): 407–426. Web. <https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/659242>.
Fortier, Mark, and Daniel Fischlin. Adaptations of Shakespeare: A Critical Anthology of Plays from the 17th Century to the Present. London: Routledge, 2000. Print.
‘Full Text of “Hero and Leander”’. N.p., n.d. Web. <https://archive.org/stream/heroandleander18781gut/18781.txt>.
Gless, Darryl J. Interpretation and Theology in Spenser. Cambridge: Cambridge University Press, 1994. Print.
Goldberg, Jonathan. ‘Fatherly Authority: The Politics of Stuart Family Images [IN] Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe’. Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Chicago: University of Chicago Press, 1986. 3–32. Print.
Greenblatt, Stephen. ‘To Fashion a Gentleman: Spenser and the Bower of Bliss’. Renaissance Poetry. London: Longman, 1998. Print.
Greenblatt, Stephen Jay and American Council of Learned Societies. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press, 1988. Web. <https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma99229693405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en>.
Greenstadt, Amy and Taylor & Francis. Rape and the Rise of the Author: Gendering Intention in Early Modern England. Farnham, England: Ashgate. Web. <http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315603605>.
Gregerson, Linda. The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic. Vol. 6. Cambridge: Cambridge University Press, 1995. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553110>.
Guibbory, Achsah. Ceremony and Community from Herbert to Milton: Literature, Religion, and Cultural Conflict in Seventeenth-Century England. New York: Cambridge University Press, 1998. Print.
Guy-Bray, Stephen. Homoerotic Space: The Poetics of Loss in Renaissance Literature. Toronto: University of Toronto Press, 2002. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3138/9781442675841>.
Hamilton, A . C . ‘The Bible and Spenser’s Faerie Queene Sacred and Secular Scripture’. Journal of English Language and Literature 38.4 (1992): 667–682. Web. <http://jell.ellak.or.kr/past/view.asp?a_key=1628>.
Hattaway, Michael. A Companion to English Renaissance Literature and Culture. Blackwell companions to literature and culture. Oxford: Blackwell, 2000. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998724>.
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England. Chicago: University of Chicago Press, 1992. Print.
---. Forms of Nationhood: The Elizabethan Writing of England. Chicago: University of Chicago Press, 1992. Print.
Hester Lees-Jeffries. ‘From the Fountain to the Well: Redcrosse Learns to Read’. Studies in Philology 100.2 (2003): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174755>.
Hiscock, Andrew. Women Beware Women: A Critical Guide. London: Continuum, 2011. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441177711>.
Holdsworth, Roger. V. ‘Women Beware Women and The Changeling on the Stage [IN] Three Jacobean Revenge Tragedies: A Casebook’. Three Jacobean Revenge Tragedies: A Casebook. Basingstoke: Macmillan Education, 1990. 247–274. Print.
Hopkins, Lisa. The Female Hero in English Renaissance Tragedy. Basingstoke: Palgrave Macmillan, 2002. Web. <https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230503052>.
Hoxby, Blair. ‘Areopagitica and Liberty’. The Oxford Handbook of Milton. Oxford: Oxford University Press, 2011. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&amp;isQuickSearch=true&amp;pageSize=10&amp;q=9780199697885&amp;sort=relevance>.
Hughes, Derek. The Theatre of Aphra Behn. Basingstoke: Palgrave Macmillan, 2001. Web. <https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;returnUrl=https://link.springer.com/book/10.1057/9780230597709>.
Hughes, Derek, and Janet Todd, eds. The Cambridge Companion to Aphra Behn. Cambridge: Cambridge University Press, 2004. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521820197>.
Hulse, Clark. Metamorphic Verse: The Elizabethan Minor Epic. Princeton, N.J.: Princeton University Press, 1981. Print.
Hutcheon, Linda, and Siobhan O’Flynn. A Theory of Adaptation. 2nd ed. London: Routledge, 2012. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&amp;isbn=9781136210921>.
HUTCHINGS, MARK. ‘MIDDLETON’S WOMEN BEWARE WOMEN: RAPE, SEDUCTION - OR POWER, SIMPLY?’ Notes and Queries 45.3 (1998): 366–367. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/nq/45-3-366>.
Hutner, Heidi. Rereading Aphra Behn: History, Theory, and Criticism. Charlottesville: University Press of Virginia, 1993. Print.
Ingram, Randall. ‘Robert Herrick and the Makings of Hesperides’. Studies in English Literature, 1500-1900 38.1 (1998): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/451084>.
J. Power, Andrew. ‘Heaven and Hell in Robert Herrick’s Body of Work’. The Yearbook of English Studies 44 (2014): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.5699/yearenglstud.44.2014.0156>.
James Grantham Turner. Libertines and Radicals in Early Modern London. Cambridge University Press. Print.
James W. Broaddus. ‘Spenser’s Redcrosse Knight and the Order of Salvation’. Studies in Philology 108.4 (2011): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23056053>.
Janet M. Todd. The Secret Life of Aphra Behn. London: Andre Deutsch, 1996. Print.
Jennifer L. Heller. ‘Space, Violence, and Bodies in Middleton and Cary’. Studies in English Literature, 1500-1900 45.2 (2005): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844552>.
JOHN LEONARD. ‘Marlowe’s Doric Music: Lust and Aggression in “Hero and Leander”’. English Literary Renaissance 30.1 (2000): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24463719>.
John McWilliams. ‘Marvell and Milton’s Literary Friendship Reconsidered’. Studies in English Literature, 1500-1900 46.1 (2006): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3844567>.
Jowett, John. ‘Introduction: Women Beware Women: A Tragedy [IN] Thomas Middleton: The Collected Works, Vol. 1’. Thomas Middleton: The Collected Works, Vol. 1. [Oxford?]: Oxford University Press, 2012. 1488–1492. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780199580538.book.1>.
---. ‘Thomas Middleton [IN] A Companion to Renaissance Drama’. A Companion to Renaissance Drama. Vol. 14. Oxford: Blackwell Publishers, 2002. 507–523. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780470998915>.
JUDITH HABER. ‘“True-Loves Blood”: Narrative and Desire in “Hero and Leander”’. English Literary Renaissance 28.3 (1998): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447769>.
Katharine Cleland. ‘“Wanton Loves, and Yong Desires”: Clandestine Marriage in Marlowe’s “Hero and Leander” and Chapman’s Continuation’. Studies in Philology 108.2 (2011): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/23055988>.
Keach, William. Elizabethan Erotic Narratives: Irony and Pathos in the Ovidian Poetry of Shakespeare, Marlowe and Their Contemporaries. Hassocks: Harvester Press, 1977. Print.
Keeble, N. H. The Cultural Identity of Seventeenth Century Woman: A Reader. London: Routledge, 1994. Print.
LaBreche, Ben. ‘Areopagitica and the Limits of Pluralism’. Milton Studies 54.1 (2013): 139–160. Web. <https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/539529?>.
Lalita Pandit Hogan. ‘The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello’. Image and Narrative : Online Magazine of the Visual Narrative 11.2 (2010): 49–62. Web. <https://www.doaj.org/article/137819df3a224d81a9f2ed7f20a5b0cf>.
Levin, Richard A. ‘If Women Should Beware Women, Bianca Should Beware Mother’. Studies in English Literature, 1500-1900 37.2 (1997): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450839>.
Lieb, Michael, Michael Lieb, and John T. Shawcross. Achievements of the Left Hand: Essays on the Prose of John Milton. Amherst: University of Massachusetts Press, 1974. Print.
Loewenstein, David A. ‘Areopagitica and the Dynamics of History’. Studies in English Literature, 1500-1900 28.1 (1988): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450716>.
Marcus, Leah S. The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes. Chicago, [Ill.]: University of Chicago Press, 1986. Print.
Marlowe, Christopher. ‘Hero and Leander’. The Norton Anthology of English Literature. the Major Authors. New York : W.W. Norton & Company, [2013]. Print.
Marus, Leah. ‘Robert Herrick [IN] The Cambridge Companion to English Poetry’. The Cambridge Companion to English Poetry, Donne to Marvell. Cambridge: Cambridge University Press, 1993. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521411475>.
McDowell, Nicholas. ‘Poetry and Allegiance in the English Civil Wars: Marvell and the Cause of Wit’. (2008): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199278008.001.0001>.
Middleton, Thomas. ‘Women Beware Women [IN] Four Plays’. Four Plays. London: Methuen Drama, 2012. Print.
Middleton, Thomas, and William C. Carroll. Four Plays. London: Methuen Drama, 2012. Print.
---. Four Plays. London: Methuen Drama, 2012. Print.
Middleton, Thomas, and David L. Frost. The Selected Plays of Thomas Middleton. Cambridge: Cambridge University Press, 1978. Print.
Morrison, Jennifer Klein, and Matthew Greenfield. Edmund Spenser: Essays on Culture and Allegory. Aldershot: Ashgate, 2000. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351941662>.
Nigel Smith. Literature and Revolution in England, 1640-1660. Yale University Press. Print.
Norbrook, David. Poetry and Politics in the English Renaissance. Rev. ed. Oxford: Oxford University Press, 2002. Web. <https://falmouth.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991026353405136&context=L&vid=44FAL_INST:44FAL_EXE1&tab=Everything&lang=en>.
O’Callaghan, Michelle. Thomas Middleton: Reanaissance Dramatist. Edinburgh: Edinburgh University Press, 2009. Print.
O’Donnell, Mary Ann, B Dhuicq, and Guyonne Leduc. Aphra Behn (1640-1689): Identity, Alterity, Ambiguity. Paris: L’Harmattan, 2000. Print.
Orgel, Stephen. ‘Musaeus in English’. George Herbert Journal 29 (2005): 67–75. Web. <https://uoelibrary.idm.oclc.org/login?url=http://literature.proquest.com/searchFulltext.do?id=R04129684&amp;divLevel=0&amp;area=abell&amp;forward=critref_ft>.
Owen, Susan J. Restoration Theatre and Crisis. Oxford: Clarendon, 1996. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198183877.001.0001>.
Parry, Graham, and Joad Raymond. Milton and the Terms of Liberty. Vol. 7. Cambridge: D.S. Brewer, 2002. Print.
Pilhuj, Katja. ‘Anne of the Thousand Adaptations’. Early Modern Women 10.2 (2016): 115–118. Web. <https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/640487>.
Robinson, Benedict S. Islam and Early Modern English Literature: The Politics of Romance from Spenser to Milton. Basingstoke: Palgrave Macmillan, 2007. Web. <https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;returnUrl=https://link.springer.com/book/10.1057/9780230607439>.
Sanders, Julie. Adaptation and Appropriation. Routledge, 2006. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781134384969>.
Scott-Warren, Jason. Early Modern English Literature. Cambridge: Polity, 2005. Print.
Sharda, Saksham. ‘Black Skin, Black Castes: Overcoming a Fidelity Discourse in Bhardwaj’s Omkara’. Shakespeare Bulletin 35.4 (2017): 599–626. Web. <https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/679755>.
Sharon Achinstein. Literature and Dissent in Milton’s England. Cambridge University Press. Print.
Sinfield, Alan. ‘Marlowe’s Erotic Verse’. Early Modern English Poetry: A Critical Companion. New York: Oxford University Press, 2007. 125–135. Print.
Smith, Bruce R. Homosexual Desire in Shakespeare’s England: A Cultural Poetics. Chicago: University of Chicago Press, 1994. Print.
Spencer, Jane. Aphra Behn’s Afterlife. Oxford: Oxford University Press, 2000. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001>.
---. Aphra Behn’s Afterlife. Oxford: Oxford University Press, 2000. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001>.
Stephen Greenblatt. The Norton Anthology of English Literature. New York: W.W. Norton & Co., 2012. Print.
---. The Norton Anthology of English Literature. New York: W.W. Norton & Co., 2012. Print.
---. The Norton Anthology of English Literature. New York: W.W. Norton & Co., 2012. Print.
Stephen Szilagyi. ‘The Sexual Politics of Behn’s “Rover”: After Patriarchy’. Studies in Philology 95.4 (1998): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4174621>.
Summers, Claude J. ‘Hero and Leander: The Arbitrariness of Desire’. Constructing Christopher Marlowe. Cambridge University Press. Print.
Tamsin Badcoe. ‘“The Compasse of That Islands Space”: Insular Fictions in the Writing of Edmund Spenser’. Renaissance Studies 25.3 (2011): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/24420262>.
Taylor, Gary. ‘Middleton, Thomas (Bap. 1580, d. 1627)’. The Oxford Dictionary of National Biography. Ed. H. C. G. Matthew and B. Harrison. Oxford: Oxford University Press, 2004. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/ref:odnb/18682>.
Taylor, Neil, and Bryan Loughrey. ‘Middleton’s Chess Strategies in Women Beware Women’. Studies in English Literature, 1500-1900 24.2 (1984): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450532>.
Thomas Herron. Spenser’s Irish Work. Ashgate. Web. <http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315242644>.
Thomas M. Greene. ‘The Balance of Power in Marvell’s “Horatian Ode”’. ELH 60.2 (1993): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873383>.
Thomson, Leslie. ‘“Enter Above”: The Staging of Women Beware Women’. Studies in English Literature, 1500-1900 26.2 (1986): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/450511>.
Todd, Janet M. Aphra Behn. Basingstoke : Macmillan, 1999. Print.
Todd, Janet M. Aphra Behn Studies. Cambridge: Cambridge University Press, 1996. Print.
Tricomi, Albert H. ‘Middleton’s “Women Beware Women” as Anticourt Drama’. Modern Language Studies 19.2 (1989): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/3195193>.
Trivedi, Poonam, and Paromita Chakravarti. Shakespeare and Indian Cinemas : ‘Local Habitations’. NY: Routledge, an imprint of the Taylor & Francis Group, 2019. Web. <http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315670409>.
Vaught, Jennifer C. ‘Spenser’s Dialogic Voice in Book 1 of “The Faerie Queene”’. Studies in English Literature, 1500-1900 41.1 (2001): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1556229>.
WILLIAM M. RUSSELL. ‘Love, Chaos, and Marvell’s Elegy for Cromwell’. English Literary Renaissance 40.2 (2010): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43607513>.
William P. Weaver. ‘Marlowe’s Fable: “Hero and Leander” and the Rudiments of Eloquence’. Studies in Philology 105.3 (2008): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/20464326>.
Woodcock, Matthew. Fairy in The Faerie Queene: Renaissance Elf-Fashioning and Elizabethan Myth-Making. Aldershot: Ashgate, 2004. Print.
Worden, Blair. Literature and Politics in Cromwellian England: John Milton, Andrew Marvell, Marchamont Nedham. [2nd ed.]. Oxford: Oxford University Press, 2009. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199230822.001.0001>.
Yearling, Rebecca. ‘Homoerotic Desire and Renaissance Lyric Verse’. SEL Studies in English Literature 1500-1900 53.1 (2013): 53–71. Web. <https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/503753>.
Young, Elizabeth V. ‘Aphra Behn, Gender, and Pastoral’. Studies in English Literature, 1500-1900 33.3 (1993): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/451012>.