Aston, Elaine. An Introduction to Feminism and Theatre. Routledge, 1995. Print.
Aston, Elaine, and Geraldine Harris. A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. NY: Palgrave Macmillan, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001804409707446&context=L&vid=44UOEX_INST:default>.
Aston, Elaine, and Janelle Reinelt. The Cambridge Companion to Modern British Women Playwrights. Cambridge: Cambridge University Press, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013415209707446&context=L&vid=44UOEX_INST:default>.
Atwood, Margaret. The Penelopiad. Edinburgh: Canongate, 2005. Print.
---. The Penelopiad. London: Faber and Faber, 2007. Print.
Baer, Brian James. Other Russias: Homosexuality and the Crisis of Post-Soviet Identity. 1st ed. New York: Palgrave Macmillan, 2009. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007644449707446&context=L&vid=44UOEX_INST:default>.
Balme, Christopher B. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default>.
---. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default>.
Barker, Adele Marie, ed. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Durham, [North Carolina]: Duke University Press, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007915579707446&context=L&vid=44UOEX_INST:default>.
Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester University Press, 1995. Print.
Beasley, Chris. ‘Chapter 1: “Gender and Feminism: An Overview”’. Gender & Sexuality: Critical Theories, Critical Thinkers. London: SAGE, 2005. 11–27. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004875349707446&context=L&vid=44UOEX_INST:default>.
Belsey, Catherine. Critical Practice. 2nd ed. London: Routledge, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738379707446&context=L&vid=44UOEX_INST:default>.
Bharucha, Rustom. Theatre and the World: Performance and the Politics of Culture. London: Routledge, 1993. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015497639707446&context=L&vid=44UOEX_INST:default>.
Black, Cheryl. ‘“‘Making Queer New Things’: Queer Identities in the Life and Dramaturgy of Susan Glaspell” [in] Journal of Dramatic Theory and Criticism’. Journal of Dramatic Theory and Criticism 20.1 (2005): 49–64. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005443163&site=eds-live&scope=site>.
Brannigan, John. New Historicism and Cultural Materialism. Macmillan, 1998. Print.
Brewer, Mary F., Lynette Goddard, and Deirdre Osborne. Modern and Contemporary Black British Drama. London: Macmillan Education Palgrave, 2015. Print.
---. Modern and Contemporary Black British Drama. London: Palgrave, 2017. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default>.
---. Modern and Contemporary Black British Drama. London: Palgrave, 2017. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default>.
British Film and Video Council. ‘Box of Broadcasts’. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rb2489611?lang=eng>.
Bryant Bertail, Sarah. ‘Chapter 6 - “Gender, Empire and Body Politic, Ariane Mnouchkine’s Les Atrides” [in] Space and Time in Epic Theater: The Brechtian Legacy’. Space and Time in Epic Theater: The Brechtian Legacy. Rochester, NY: Camden House, 2000. 170–207. Web. <https://contentstore.cla.co.uk/secure/link?id=82e01dff-8533-e911-80cd-005056af4099>.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York: Routledge, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015423999707446&context=L&vid=44UOEX_INST:default>.
---. ‘“Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory” [in] Theatre Journal’. Theatre Journal 40.4 (1988): 519–531. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3207893&site=eds-live&scope=site>.
Case, Sue-Ellen. Feminism and Theatre. New York: Methuen, 1988. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005673649707446&context=L&vid=44UOEX_INST:default>.
---. Feminist and Queer Performance: Critical Strategies. Basingstoke [England]: Palgrave Macmillan, 2009. Print.
Cassiday, Julie A. ‘“Post-Soviet Pop Goes Gay: Russia’s Trajectory to Eurovision Victory” [in] Russian Review’. Russian Review 1 (2014): 1–23. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014830806&site=eds-live&scope=site>.
Chandler, David. ‘“‘What Do We Mean by Opera, Anyway?’: Lloyd Webber’s Phantom of the Opera and ‘High-Pop’ Theatre”’. Journal of Popular Music 21.2 (2009): 152–169. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000266600200002&site=eds-live&scope=site>.
Chen, Kuan-Hsing, and David Morley. Stuart Hall: Critical Dialogues in Cultural Studies. Hoboken: Taylor and Francis, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002176239707446&context=L&vid=44UOEX_INST:default>.
Churchill, Caryl. ‘Cloud Nine’. 2013. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rb3358885?lang=eng>.
Counsell, Colin, and Laurie Wolf. Performance Analysis: An Introductory Coursebook. London: Routledge, 2001. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002>.
---. Performance Analysis: An Introductory Coursebook. London: Routledge, 2001. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015096269707446&context=L&vid=44UOEX_INST:default>.
---. Performance Analysis: An Introductory Coursebook. London: Routledge, 2001. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002>.
Crow, Brian, and Chris Banfield. An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press, 1996. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001621809707446&context=L&vid=44UOEX_INST:default>.
Daboo, Jerri. Staging British South Asian Culture: Bollywood and Bhangra in British Theatre. [S.l.]: Routledge, 2017. Print.
Debord, Guy. ‘Society of the Spectacle’. 1994. Web. <http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/The_Society%20_Of%20_The%20_Spectacle.pdf>.
Diamond, Elin. ‘“Introduction”’. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge, 1997. 1–16. Web. <https://contentstore.cla.co.uk/secure/link?id=f540bb90-8ef8-e811-80cd-005056af4099>.
Dimple, Godiwala. ‘“The Performativity of the Dramatic Text”: Domestic Colonialism and Caryl Churchillʼs Cloud Nine [in] Studies in Theatre and Performance’. Studies in Theatre and Performance 24.1 (2004): 5–21. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01034911.200424010.00001&site=eds-live&scope=site>.
Do Rozario, Rebecca-Anne. ‘“Reanimating the Animated: Disney’s Theatrical Productions”’. The Drama Review 48.1 (1988): 164–177. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4488537&site=eds-live&scope=site>.
Dolan, Jill. ‘Chapter 5 - “Queer Theater: Theorizing a Theatrical Vernacular” [in] Geographies of Learning: Theory and Practice, Activism and Performance’. Geographies of Learning: Theory and Practice, Activism and Performance. Middleton, CT: Wesleyan University Press, 2001. 92–116. Web. <https://contentstore.cla.co.uk/secure/link?id=e9f547fd-30fd-e811-80cd-005056af4099>.
Dollimore, Jonathan. ‘Introduction - “Shakespeare, Cultural Materialism and the New Historicism”’. Political Shakespeare: Essays in Cultural Materialism. Manchester University Press, 1994. 2–17. Web. <https://contentstore.cla.co.uk/secure/link?id=535dd904-84f8-e811-80cd-005056af4099>.
Eagleton, Terry. Marxism and Literary Criticism. London: Routledge, 1992. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738499707446&context=L&vid=44UOEX_INST:default>.
Epstein, Steven. ‘“A Queer Encounter: Sociology and the Study of Sexuality” [in] Sociological Theory’. Sociological Theory 12.2 (1994): 188–202. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.201864&site=eds-live&scope=site>.
Essig, Laurie. Queer in Russia: A Story of Sex, Self, and the Other. Durham, NC: Duke University Press, 1999. Print.
Evans, Mary. Introducing Contemporary Feminist Thought. Hoboken: Wiley, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008426579707446&context=L&vid=44UOEX_INST:default>.
Everett, William A., and Paul R. Laird. The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default>.
---. The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default>.
Fraser, Nancy. ‘“Heterosexism, Misrecognition, and Capitalism: A Response to Judith Butler” [in] Social Text’. Social Text (1997): 279–289. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.466745&site=eds-live&scope=site>.
Gainor, J. Ellen. Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. London: Routledge, 1995. Print.
Gandhi, Leela. Postcolonial Theory: A Critical Introduction. Edinburgh: Edinburgh University Press, 1998. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012817759707446&context=L&vid=44UOEX_INST:default>.
Garfinkle, David U. ‘“Julie Taymor, Sony’s Digital Dream Kids, and the Marxist Labor Theory of Value”’. European Legacy - Toward New Paradigms 20.8 (2015): 827–843. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000362650600002&site=eds-live&scope=site>.
Gilbert, Helen. Postcolonial Plays: An Anthology. London: Routledge, 2001. Print.
---. (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Hebden Bridge, Yorks: Dangaroo Press, 1999. Print.
Gilbert, Helen, and Joanne Tompkins. Post-Colonial Drama: Theory, Practice, Politics. London: Routledge, 1996. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default>.
---. Post-Colonial Drama: Theory, Practice, Politics. London: Routledge, 1996. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default>.
Gilroy, Paul. After Empire: Melancholia or Convivial Culture? London: Routledge, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015234709707446&context=L&vid=44UOEX_INST:default>.
---. ‘There Ain’t No Black in the Union Jack’: The Cultural Politics of Race and Nation. London: Routledge, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002978589707446&context=L&vid=44UOEX_INST:default>.
Gobert, R. Darren. The Theatre of Caryl Churchill. London: Bloomsbury, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003812019707446&context=L&vid=44UOEX_INST:default>.
Goddard, Lynette. Contemporary Black British Playwrights: Margins to Mainstream. Basingstoke, England: Palgrave Macmillan, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000289719707446&context=L&vid=44UOEX_INST:default>.
---. Staging Black Feminisms: Identity, Politics, Performance. Basingstoke: Palgrave Macmillan, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002372479707446&context=L&vid=44UOEX_INST:default>.
---. ‘“West Indies vs England in Winsome Pinnock’s Migration Narratives” [in] Contemporary Theatre Review: An International Journal’. Contemporary Theatre Review: An International Journal 4 (2004): 23–33. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004442821&site=eds-live&scope=site>.
Godiwala, Dimple. Alternatives Within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014817059707446&context=L&vid=44UOEX_INST:default>.
Goodman, Lizbeth, and Jane De Gay. The Routledge Reader in Politics and Performance. London: Routledge, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012939989707446&context=L&vid=44UOEX_INST:default>.
Gordon, Robert, Olaf Jubin, and Millie Taylor. British Musical Theatre Since 1950. London: Bloomsbury Methuen Drama, 2016. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004498569707446&context=L&vid=44UOEX_INST:default>.
Griffin, Gabriele. Contemporary Black and Asian Women Playwrights in Britain. Cambridge: Cambridge University Press, 2003. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014884229707446&context=L&vid=44UOEX_INST:default>.
Hall, Stuart. Representation: Cultural Representations and Signifying Practices. London: Sage in association with the Open University, 1997. Print.
Halnon, Karen Bettez. The Consumption of Inequality: Weapons of Mass Distraction. Basingstoke: Palgrave Macmillan, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003238489707446&context=L&vid=44UOEX_INST:default>.
Harris, Geraldine. Staging Femininities: Performance and Performativity. Manchester: Manchester University Press, 1999. Print.
Holdsworth, Nadine. Theatre & Nation. Basingstoke: Palgrave Macmillan, 2010. Print.
Holdsworth, Nadine, and Mary Luckhurst. A Concise Companion to Contemporary British and Irish Drama. Oxford: Blackwell, 2008. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780470766125>.
Holledge, Julie, and Joanne Tompkins. Women’s Intercultural Performance. London: Routledge, 2000. Print.
hooks, bell. Black Looks: Race and Representation. New York: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001290979707446&context=L&vid=44UOEX_INST:default>.
---. Feminist Theory: From Margin to Centre. Third edition. London: Routledge, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001078559707446&context=L&vid=44UOEX_INST:default>.
Jackson, Stevi, and Sue Scott. Feminism and Sexuality: A Reader. Edinburgh: Edinburgh University Press, 1996. Print.
Jagose, Annamarie. ‘“Feminism’s Queer Theory” [in] Feminism & Psychology’. Feminism & Psychology 19.2 (2009): 157–174. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000265207900001&site=eds-live&scope=site>.
‘Journal of Musicological Research (Vol. 23: 3-4)’. 23.3–4 (2004): n. pag. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002577719707446&context=L&vid=44UOEX_INST:default>.
Kekis, Olga. ‘Chapter 10 - “Hypertheatrical Engagement with Euripides” Trojan Women: A Female “Writ of Habeas Corpus” [in] Contemporary Approaches to Adaptation in Theatre’. Contemporary Approaches to Adaptation in Theatre. Ed. Kara Reilly. Basingstoke: Palgrave Macmillan, 2017. 195–212. Web. <https://contentstore.cla.co.uk/secure/link?id=d5e8b9aa-fe17-e911-80cd-005056af4099>.
Kershaw, Baz. ‘“Discouraging Democracy: British Theatres and Economics, 1979-1999”’. Theatre Journal 51.3 (1999): 267–283. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068676&site=eds-live&scope=site>.
Knowles, Richard Paul. ‘Chapter 1 - “Theory: Towards a Materialist Semiotics”’. Reading the Material Theatre. Cambridge: Cambridge University Press, 2004. 9–23. Web. <https://contentstore.cla.co.uk/secure/link?id=0109e36c-81f8-e811-80cd-005056af4099>.
---. Reading the Material Theatre. Cambridge: Cambridge University Press, 2004. Print.
‘LibGuides Drama: Online Library Support’. University of Exeter, n.d. Web. <https://libguides.exeter.ac.uk/c.php?g=656144&p=4668787>.
Luckhurst, Mary. A Companion to Modern British and Irish Drama, 1880-2005. Vol. 43. Malden, MA: Blackwell Pub, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default>.
---. A Companion to Modern British and Irish Drama, 1880-2005. Blackwell Pub., 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default>.
Martin, Carol. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. London: Routledge, 1996. Print.
McKee, Alison L. ‘“‘Think of Me Fondly’: Voice, Body, Affect and Performance in Prince/Lloyd Webber’s The Phantom of the Opera”’. Studies in Musical Theatre 7.3 (2013): 309–325. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014306216&site=eds-live&scope=site>.
Mee, Charles L. ‘“Agamemnon 2.0” [in] the (Re)Making Project’. N.p., n.d. Web. <http://www.charlesmee.org/agamemnon.shtml>.
Milner, Andrew. Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: SAGE, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default>.
---. Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: SAGE, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default>.
Muñoz, José Esteban. Disidentifications: Queers of Colour and the Performance of Politics. Vol. 2. Minneapolis: University of Minnesota Press, 1999. Print.
O’Reilly, Kaite. Peeling. London: Faber, 2002. Print.
Parker, Andrew, and Eve Kosofsky Sedgwick. Performativity and Performance. New York: Routledge, 1995. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002219549707446&context=L&vid=44UOEX_INST:default>.
Pearce, Michael. Black British Drama: A Transnational Story. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group, 2017. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004759499707446&context=L&vid=44UOEX_INST:default>.
Pecheykin, Valeriy, Zhenya Pomerantsev, and John Turiano. ‘A Little Hero’. 2014. Web. <http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/A%20LITTLE%20HERO%20-%20Complete%20Version.pdf>.
Phelan, Peggy. Unmarked: The Politics of Performance. London: Routledge, 1993. Print.
Prendergast, Christopher. Cultural Materialism: On Raymond Williams. v. 9. Minneapolis: University of Minnesota Press, 1995. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002671359707446&context=L&vid=44UOEX_INST:default>.
Rebellato, Dan. Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. London: Bloomsbury, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default>.
---. Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. London: Bloomsbury, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default>.
---. Theatre & Globalization. Houndmills, Basingstoke: Palgrave Macmillan, 2009. Print.
Riabov, Oleg, and Tatiana Riabova. ‘“The Decline of Gayropa?” [in] Eurozine’. N.p., 2004. Web. <https://www.eurozine.com/the-decline-of-gayropa/>.
---. ‘“The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin” [in] Problems of Post-Communism’. Problems of Post-Communism 61.2 (2014): 23–35. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site>.
---. ‘“The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin” [in] Problems of Post-Communism’. Problems of Post-Communism 61.2 (2014): 23–35. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site>.
Rodosthenous, George. The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen’. London: Bloomsbury Methuen Drama, 2017. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004814129707446&context=L&vid=44UOEX_INST:default>.
---. Twenty-First Century Musicals: From Stage to Screen. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006926859707446&context=L&vid=44UOEX_INST:default>.
Rooney, Ellen. The Cambridge Companion to Feminist Literary Theory. Cambridge, UK: Cambridge University Press, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015040849707446&context=L&vid=44UOEX_INST:default>.
Said, Edward W. Culture and Imperialism. Vintage paperback ed. London: Vintage, 1994. Print.
---. Orientalism. London: Penguin, 2003. Print.
Saukko, Paula. Doing Research in Cultural Studies: An Introduction to Classical and New Methodological Approaches. London: SAGE, 2003. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001109979707446&context=L&vid=44UOEX_INST:default>.
Schechner, Richard, and Julie Taymor. ‘“Julie Taymor: From Jacques Lecoq to ‘The Lion King’: An Interview”’. The Drama Review 43.3 (1988): 36–55. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1146767&site=eds-live&scope=site>.
Sedgwick, Eve Kosofsky. Epistemology of the Closet. Updated ed. Berkeley, Calif: University of California Press, 2008. Print.
Sedgwick, Eve Kosofsky, and Adam Frank. Touching Feeling: Affect, Pedagogy, Performativity. Durham, N.C.: Duke University Press, 2003. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000148009707446&context=L&vid=44UOEX_INST:default>.
Senelick, Laurence. ‘Chapter 2 - “The Queer Root of Theater” [in] The Queerest Art: Essays on Lesbian and Gay Theater’. The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York University Press, 2002. 21–39. Web. <https://contentstore.cla.co.uk/secure/link?id=c379c968-30fd-e811-80cd-005056af4099>.
---. The Changing Room: Sex, Drag and Theatre. London: Routledge, 2000. Print.
Shaevich, Bela et al. Gay Propaganda: Russian Love Stories. Ed. Masha Gessen and Joseph Huff-Hannon. New York: OR Books, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006735319707446&context=L&vid=44UOEX_INST:default>.
Shenton, Mark. ‘“Can a Filmed Stage Show Be as Good as the Real Thing?” [in] The Guardian’. The Guardian (2011): n. pag. Web. <https://www.theguardian.com/theobserver/2011/mar/06/national-theatre-live-frankenstein>.
Sherman, Martin. Bent. [London]: Bloomsbury, 2013. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rb3937022?lang=eng>.
Sierz, Aleks, ed. Methuen Drama Guide to Contemporary British Playwrights: Landmark Playwrights from 1980 to the Present. London: Bloomsbury, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000521839707446&context=L&vid=44UOEX_INST:default>.
---, ed. Methuen Drama Guide to Contemporary British Playwrights: Landmark Playwrights from 1980 to the Present. London: Bloomsbury, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000521839707446&context=L&vid=44UOEX_INST:default>.
Sinfield, Alan. Shakespeare, Authority, Sexuality: Unfinished Business in Cultural Materialism. London: Routledge, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904659707446&context=L&vid=44UOEX_INST:default>.
Siropoulos, Vagelis. ‘“Andrew Lloyd Webber and the Culture of Narcissism”’. Studies in Musical Theatre 3 (2010): 273–291. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2011702035&site=eds-live&scope=site>.
---. ‘“Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism”’. Studies in Musical Theatre 5.1 (2011): 13–34. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=79656417&site=eds-live&scope=site>.
Solga, Kim. Theatre and Feminism. Basingstoke, Hampshire: Palgrave Macmillan, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004487349707446&context=L&vid=44UOEX_INST:default>.
Solomon, Alisa, and Framji Minwalla. The Queerest Art: Essays on Lesbian and Gay Theatre. New York: New York University Press, 2002. Print.
Spivak, Gayatri Chakravorty, and Sarah Harasym. The Post-Colonial Critic: Interviews, Strategies, Dialogues. New York: Routledge, 1990. Print.
Squires, Judith, and Sandra Kemp. Feminisms. Oxford: Oxford University Press, 1997. Print.
Storey, John. Cultural Theory and Popular Culture: An Introduction. 6th ed. Harlow: Pearson, 2012. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002181089707446&context=L&vid=44UOEX_INST:default>.
Symonds, Dominic, and Millie Taylor. Gestures of Music Theater: The Performativity of Song and Dance. New York: Oxford University Press, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003255169707446&context=L&vid=44UOEX_INST:default>.
Taylor, Millie. Musical Theatre, Realism and Entertainment. Farnham: Ashgate, 2012. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001025859707446&context=L&vid=44UOEX_INST:default>.
‘The American Historical Review (Vol. 111:2, 2006)’. 111.2 (2006): n. pag. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012416779707446&context=L&vid=44UOEX_INST:default>.
Wickstrom, Maurya. ‘“Commodities, Mimesis, and ‘The Lion King’: Retail Theatre for the 1990s”’. Theatre Journal 51.3 (1999): 285–298. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068677&site=eds-live&scope=site>.
Williams, Raymond. ‘Chapter 7 - “Traditions, Institutions and Formations”’. Marxism and Literature. Oxford: Oxford University Press, 1977. 115–120. Web. <https://contentstore.cla.co.uk/secure/link?id=14d30566-82f8-e811-80cd-005056af4099>.
---. ‘Chapter 8 - “Dominant, Residual and Emergent”’. Marxism and Literature. Oxford: Oxford University Press, 1977. 121–127. Web. <https://contentstore.cla.co.uk/secure/link?id=3b44bc00-83f8-e811-80cd-005056af4099>.
---. ‘Chapter 9 - “Structures of Feeling”’. Marxism and Literature. Oxford: Oxford University Press, 1977. 128–135. Web. <https://contentstore.cla.co.uk/secure/link?id=a9c1ef69-83f8-e811-80cd-005056af4099>.
Williams, Roy. ‘Sing Yer Heart Out for the Lads’. (2013): n. pag. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rb3359468?lang=eng>.
Wilson, Janet, and Klaus Stierstorfer, eds. The Routledge Diaspora Studies Reader. Milton Park, Abingdon, Oxon: Routledge, 2017. Print.
Woodward, Kath, and Sophie Woodward. Why Feminism Matters: Feminism Lost and Found. Basingstoke: Palgrave Macmillan, 2009. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008921569707446&context=L&vid=44UOEX_INST:default>.
