Aston, Elaine. 1995. An Introduction to Feminism and Theatre. Routledge.
Aston, Elaine, and Geraldine Harris. 2013. A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. NY: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001804409707446&context=L&vid=44UOEX_INST:default.
Aston, Elaine, and Janelle Reinelt. 2000. The Cambridge Companion to Modern British Women Playwrights. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013415209707446&context=L&vid=44UOEX_INST:default.
Atwood, Margaret. 2005. The Penelopiad. Edinburgh: Canongate.
———. 2007. The Penelopiad. London: Faber and Faber.
Baer, Brian James. 2009. Other Russias: Homosexuality and the Crisis of Post-Soviet Identity. 1st ed. New York: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007644449707446&context=L&vid=44UOEX_INST:default.
Balme, Christopher B. 1999a. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default.
———. 1999b. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default.
Barker, Adele Marie, ed. 1999. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Durham, [North Carolina]: Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007915579707446&context=L&vid=44UOEX_INST:default.
Barry, Peter. 1995. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester University Press.
Beasley, Chris. 2005. ‘Chapter 1: “Gender and Feminism: An Overview”’. In Gender & Sexuality: Critical Theories, Critical Thinkers, 11–27. London: SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004875349707446&context=L&vid=44UOEX_INST:default.
Belsey, Catherine. 2002. Critical Practice. 2nd ed. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738379707446&context=L&vid=44UOEX_INST:default.
Bharucha, Rustom. 1993. Theatre and the World: Performance and the Politics of Culture. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015497639707446&context=L&vid=44UOEX_INST:default.
Black, Cheryl. 2005. ‘“‘Making Queer New Things’: Queer Identities in the Life and Dramaturgy of Susan Glaspell” [in] Journal of Dramatic Theory and Criticism’. Journal of Dramatic Theory and Criticism 20 (1): 49–64. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005443163&site=eds-live&scope=site.
Brannigan, John. 1998. New Historicism and Cultural Materialism. Macmillan.
Brewer, Mary F., Lynette Goddard, and Deirdre Osborne. 2015. Modern and Contemporary Black British Drama. London: Macmillan Education Palgrave.
———. 2017a. Modern and Contemporary Black British Drama. London: Palgrave. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default.
———. 2017b. Modern and Contemporary Black British Drama. London: Palgrave. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default.
British Film and Video Council. n.d. ‘Box of Broadcasts’. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2489611?lang=eng.
Bryant Bertail, Sarah. 2000. ‘Chapter 6 - “Gender, Empire and Body Politic, Ariane Mnouchkine’s Les Atrides” [in] Space and Time in Epic Theater: The Brechtian Legacy’. In Space and Time in Epic Theater: The Brechtian Legacy, 170–207. Rochester, NY: Camden House. https://contentstore.cla.co.uk/secure/link?id=82e01dff-8533-e911-80cd-005056af4099.
Butler, Judith. 1988. ‘“Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory” [in] Theatre Journal’. Theatre Journal 40 (4): 519–31. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3207893&site=eds-live&scope=site.
———. 2006. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015423999707446&context=L&vid=44UOEX_INST:default.
Case, Sue-Ellen. 1988. Feminism and Theatre. New York: Methuen. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005673649707446&context=L&vid=44UOEX_INST:default.
———. 2009. Feminist and Queer Performance: Critical Strategies. Basingstoke [England]: Palgrave Macmillan.
Cassiday, Julie A. 2014. ‘“Post-Soviet Pop Goes Gay: Russia’s Trajectory to Eurovision Victory” [in] Russian Review’. Russian Review, no. 1: 1–23. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014830806&site=eds-live&scope=site.
Chandler, David. 2009. ‘“‘What Do We Mean by Opera, Anyway?’: Lloyd Webber’s Phantom of the Opera and ‘High-Pop’ Theatre”’. Journal of Popular Music 21 (2): 152–69. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000266600200002&site=eds-live&scope=site.
Chen, Kuan-Hsing, and David Morley. 2006. Stuart Hall: Critical Dialogues in Cultural Studies. Hoboken: Taylor and Francis. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002176239707446&context=L&vid=44UOEX_INST:default.
Churchill, Caryl. 2013. ‘Cloud Nine’. London: Bloomsbury. http://encore.exeter.ac.uk/iii/encore/record/C__Rb3358885?lang=eng.
Counsell, Colin, and Laurie Wolf. 2001a. Performance Analysis: An Introductory Coursebook. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002.
———. 2001b. Performance Analysis: An Introductory Coursebook. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015096269707446&context=L&vid=44UOEX_INST:default.
———. 2001c. Performance Analysis: An Introductory Coursebook. London: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002.
Crow, Brian, and Chris Banfield. 1996. An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001621809707446&context=L&vid=44UOEX_INST:default.
Daboo, Jerri. 2017. Staging British South Asian Culture: Bollywood and Bhangra in British Theatre. [S.l.]: Routledge.
Debord, Guy. 1994. ‘Society of the Spectacle’. http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/The_Society%20_Of%20_The%20_Spectacle.pdf.
Diamond, Elin. 1997. ‘“Introduction”’. In Unmaking Mimesis: Essays on Feminism and Theater, 1–16. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=f540bb90-8ef8-e811-80cd-005056af4099.
Dimple, Godiwala. 2004. ‘“The Performativity of the Dramatic Text”: Domestic Colonialism and Caryl Churchillʼs Cloud Nine [in] Studies in Theatre and Performance’. Studies in Theatre and Performance 24 (1): 5–21. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01034911.200424010.00001&site=eds-live&scope=site.
Do Rozario, Rebecca-Anne. 1988. ‘“Reanimating the Animated: Disney’s Theatrical Productions”’. The Drama Review 48 (1): 164–77. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4488537&site=eds-live&scope=site.
Dolan, Jill. 2001. ‘Chapter 5 - “Queer Theater: Theorizing a Theatrical Vernacular” [in] Geographies of Learning: Theory and Practice, Activism and Performance’. In Geographies of Learning: Theory and Practice, Activism and Performance, 92–116. Middleton, CT: Wesleyan University Press. https://contentstore.cla.co.uk/secure/link?id=e9f547fd-30fd-e811-80cd-005056af4099.
Dollimore, Jonathan. 1994. ‘Introduction - “Shakespeare, Cultural Materialism and the New Historicism”’. In Political Shakespeare: Essays in Cultural Materialism, 2–17. Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=535dd904-84f8-e811-80cd-005056af4099.
Eagleton, Terry. 1992. Marxism and Literary Criticism. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738499707446&context=L&vid=44UOEX_INST:default.
Epstein, Steven. 1994. ‘“A Queer Encounter: Sociology and the Study of Sexuality” [in] Sociological Theory’. Sociological Theory 12 (2): 188–202. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.201864&site=eds-live&scope=site.
Essig, Laurie. 1999. Queer in Russia: A Story of Sex, Self, and the Other. Durham, NC: Duke University Press.
Evans, Mary. 2013. Introducing Contemporary Feminist Thought. Hoboken: Wiley. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008426579707446&context=L&vid=44UOEX_INST:default.
Everett, William A., and Paul R. Laird. 2008a. The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default.
———. 2008b. The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default.
Fraser, Nancy. 1997. ‘“Heterosexism, Misrecognition, and Capitalism: A Response to Judith Butler” [in] Social Text’. Social Text, 279–89. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.466745&site=eds-live&scope=site.
Gainor, J. Ellen. 1995. Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. London: Routledge.
Gandhi, Leela. 1998. Postcolonial Theory: A Critical Introduction. Edinburgh: Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012817759707446&context=L&vid=44UOEX_INST:default.
Garfinkle, David U. 2015. ‘“Julie Taymor, Sony’s Digital Dream Kids, and the Marxist Labor Theory of Value”’. European Legacy - Toward New Paradigms 20 (8): 827–43. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000362650600002&site=eds-live&scope=site.
Gilbert, Helen. 1999. (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Hebden Bridge, Yorks: Dangaroo Press.
———. 2001. Postcolonial Plays: An Anthology. London: Routledge.
Gilbert, Helen, and Joanne Tompkins. 1996a. Post-Colonial Drama: Theory, Practice, Politics. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default.
———. 1996b. Post-Colonial Drama: Theory, Practice, Politics. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default.
Gilroy, Paul. 2002. ‘There Ain’t No Black in the Union Jack’: The Cultural Politics of Race and Nation. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002978589707446&context=L&vid=44UOEX_INST:default.
———. 2004. After Empire: Melancholia or Convivial Culture? London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015234709707446&context=L&vid=44UOEX_INST:default.
Gobert, R. Darren. 2014. The Theatre of Caryl Churchill. London: Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003812019707446&context=L&vid=44UOEX_INST:default.
Goddard, Lynette. 2004. ‘“West Indies vs England in Winsome Pinnock’s Migration Narratives” [in] Contemporary Theatre Review: An International Journal’. Contemporary Theatre Review: An International Journal, no. 4: 23–33. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004442821&site=eds-live&scope=site.
———. 2007. Staging Black Feminisms: Identity, Politics, Performance. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002372479707446&context=L&vid=44UOEX_INST:default.
———. 2015. Contemporary Black British Playwrights: Margins to Mainstream. Basingstoke, England: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000289719707446&context=L&vid=44UOEX_INST:default.
Godiwala, Dimple. 2006. Alternatives Within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014817059707446&context=L&vid=44UOEX_INST:default.
Goodman, Lizbeth, and Jane De Gay. 2000. The Routledge Reader in Politics and Performance. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012939989707446&context=L&vid=44UOEX_INST:default.
Gordon, Robert, Olaf Jubin, and Millie Taylor. 2016. British Musical Theatre Since 1950. London: Bloomsbury Methuen Drama. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004498569707446&context=L&vid=44UOEX_INST:default.
Griffin, Gabriele. 2003. Contemporary Black and Asian Women Playwrights in Britain. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014884229707446&context=L&vid=44UOEX_INST:default.
Hall, Stuart. 1997. Representation: Cultural Representations and Signifying Practices. London: Sage in association with the Open University.
Halnon, Karen Bettez. 2013. The Consumption of Inequality: Weapons of Mass Distraction. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003238489707446&context=L&vid=44UOEX_INST:default.
Harris, Geraldine. 1999. Staging Femininities: Performance and Performativity. Manchester: Manchester University Press.
Holdsworth, Nadine. 2010. Theatre & Nation. Basingstoke: Palgrave Macmillan.
Holdsworth, Nadine, and Mary Luckhurst. 2008. A Concise Companion to Contemporary British and Irish Drama. Oxford: Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780470766125.
Holledge, Julie, and Joanne Tompkins. 2000. Women’s Intercultural Performance. London: Routledge.
hooks, bell. 2014. Feminist Theory: From Margin to Centre. Third edition. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001078559707446&context=L&vid=44UOEX_INST:default.
———. 2015. Black Looks: Race and Representation. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001290979707446&context=L&vid=44UOEX_INST:default.
Jackson, Stevi, and Sue Scott. 1996. Feminism and Sexuality: A Reader. Edinburgh: Edinburgh University Press.
Jagose, Annamarie. 2009. ‘“Feminism’s Queer Theory” [in] Feminism & Psychology’. Feminism & Psychology 19 (2): 157–74. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000265207900001&site=eds-live&scope=site.
‘Journal of Musicological Research (Vol. 23: 3-4)’. 2004 23 (3–4). https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002577719707446&context=L&vid=44UOEX_INST:default.
Kekis, Olga. 2017. ‘Chapter 10 - “Hypertheatrical Engagement with Euripides” Trojan Women: A Female “Writ of Habeas Corpus” [in] Contemporary Approaches to Adaptation in Theatre’. In Contemporary Approaches to Adaptation in Theatre, edited by Kara Reilly, 195–212. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=d5e8b9aa-fe17-e911-80cd-005056af4099.
Kershaw, Baz. 1999. ‘“Discouraging Democracy: British Theatres and Economics, 1979-1999”’. Theatre Journal 51 (3): 267–83. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068676&site=eds-live&scope=site.
Knowles, Richard Paul. 2004a. ‘Chapter 1 - “Theory: Towards a Materialist Semiotics”’. In Reading the Material Theatre, 9–23. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=0109e36c-81f8-e811-80cd-005056af4099.
———. 2004b. Reading the Material Theatre. Cambridge: Cambridge University Press.
‘LibGuides Drama: Online Library Support’. n.d. University of Exeter. https://libguides.exeter.ac.uk/c.php?g=656144&p=4668787.
Luckhurst, Mary. 2006a. A Companion to Modern British and Irish Drama, 1880-2005. Vol. 43. Malden, MA: Blackwell Pub. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default.
———. 2006b. A Companion to Modern British and Irish Drama, 1880-2005. Blackwell Pub. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default.
Martin, Carol. 1996. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. London: Routledge.
McKee, Alison L. 2013. ‘“‘Think of Me Fondly’: Voice, Body, Affect and Performance in Prince/Lloyd Webber’s The Phantom of the Opera”’. Studies in Musical Theatre 7 (3): 309–25. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014306216&site=eds-live&scope=site.
Mee, Charles L. n.d. ‘“Agamemnon 2.0” [in] the (Re)Making Project’. http://www.charlesmee.org/agamemnon.shtml.
Milner, Andrew. 2002a. Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default.
———. 2002b. Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default.
Muñoz, José Esteban. 1999. Disidentifications: Queers of Colour and the Performance of Politics. Vol. 2. Minneapolis: University of Minnesota Press.
O’Reilly, Kaite. 2002. Peeling. London: Faber.
Parker, Andrew, and Eve Kosofsky Sedgwick. 1995. Performativity and Performance. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002219549707446&context=L&vid=44UOEX_INST:default.
Pearce, Michael. 2017. Black British Drama: A Transnational Story. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004759499707446&context=L&vid=44UOEX_INST:default.
Pecheykin, Valeriy, Zhenya Pomerantsev, and John Turiano. 2014. ‘A Little Hero’. http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/A%20LITTLE%20HERO%20-%20Complete%20Version.pdf.
Phelan, Peggy. 1993. Unmarked: The Politics of Performance. London: Routledge.
Prendergast, Christopher. 1995. Cultural Materialism: On Raymond Williams. Vol. v. 9. Minneapolis: University of Minnesota Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002671359707446&context=L&vid=44UOEX_INST:default.
Rebellato, Dan. 2009. Theatre & Globalization. Houndmills, Basingstoke: Palgrave Macmillan.
———. 2013a. Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. London: Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default.
———. 2013b. Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. London: Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default.
Riabov, Oleg, and Tatiana Riabova. 2004. ‘“The Decline of Gayropa?” [in] Eurozine’. 2004. https://www.eurozine.com/the-decline-of-gayropa/.
———. 2014a. ‘“The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin” [in] Problems of Post-Communism’. Problems of Post-Communism 61 (2): 23–35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site.
———. 2014b. ‘“The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin” [in] Problems of Post-Communism’. Problems of Post-Communism 61 (2): 23–35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site.
Rodosthenous, George. 2017. The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen’. London: Bloomsbury Methuen Drama. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004814129707446&context=L&vid=44UOEX_INST:default.
———. 2018. Twenty-First Century Musicals: From Stage to Screen. Abingdon, Oxon: Routledge, an imprint of the Taylor & Francis Group. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006926859707446&context=L&vid=44UOEX_INST:default.
Rooney, Ellen. 2006. The Cambridge Companion to Feminist Literary Theory. Cambridge, UK: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015040849707446&context=L&vid=44UOEX_INST:default.
Said, Edward W. 1994. Culture and Imperialism. Vintage paperback ed. London: Vintage.
———. 2003. Orientalism. London: Penguin.
Saukko, Paula. 2003. Doing Research in Cultural Studies: An Introduction to Classical and New Methodological Approaches. London: SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001109979707446&context=L&vid=44UOEX_INST:default.
Schechner, Richard, and Julie Taymor. 1988. ‘“Julie Taymor: From Jacques Lecoq to ‘The Lion King’: An Interview”’. The Drama Review 43 (3): 36–55. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1146767&site=eds-live&scope=site.
Sedgwick, Eve Kosofsky. 2008. Epistemology of the Closet. Updated ed. Berkeley, Calif: University of California Press.
Sedgwick, Eve Kosofsky, and Adam Frank. 2003. Touching Feeling: Affect, Pedagogy, Performativity. Durham, N.C.: Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000148009707446&context=L&vid=44UOEX_INST:default.
Senelick, Laurence. 2000. The Changing Room: Sex, Drag and Theatre. London: Routledge.
———. 2002. ‘Chapter 2 - “The Queer Root of Theater” [in] The Queerest Art: Essays on Lesbian and Gay Theater’. In The Queerest Art: Essays on Lesbian and Gay Theater, 21–39. New York: New York University Press. https://contentstore.cla.co.uk/secure/link?id=c379c968-30fd-e811-80cd-005056af4099.
Shaevich, Bela, Andrei Borodin, Dmitri Karelsky, and Svetlana Solodovnik. 2014. Gay Propaganda: Russian Love Stories. Edited by Masha Gessen and Joseph Huff-Hannon. New York: OR Books. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006735319707446&context=L&vid=44UOEX_INST:default.
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———. 2011. ‘“Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism”’. Studies in Musical Theatre 5 (1): 13–34. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=79656417&site=eds-live&scope=site.
Solga, Kim. 2015. Theatre and Feminism. Basingstoke, Hampshire: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004487349707446&context=L&vid=44UOEX_INST:default.
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Wickstrom, Maurya. 1999. ‘“Commodities, Mimesis, and ‘The Lion King’: Retail Theatre for the 1990s”’. Theatre Journal 51 (3): 285–98. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068677&site=eds-live&scope=site.
Williams, Raymond. 1977a. ‘Chapter 7 - “Traditions, Institutions and Formations”’. In Marxism and Literature, 115–20. Oxford: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=14d30566-82f8-e811-80cd-005056af4099.
———. 1977b. ‘Chapter 8 - “Dominant, Residual and Emergent”’. In Marxism and Literature, 121–27. Oxford: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=3b44bc00-83f8-e811-80cd-005056af4099.
———. 1977c. ‘Chapter 9 - “Structures of Feeling”’. In Marxism and Literature, 128–35. Oxford: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=a9c1ef69-83f8-e811-80cd-005056af4099.
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