Aston, E. (1995). An Introduction to Feminism and Theatre. Routledge.
Aston, E., & Harris, G. (2013). A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001804409707446&context=L&vid=44UOEX_INST:default
Aston, E., & Reinelt, J. (2000). The Cambridge Companion to Modern British Women Playwrights. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013415209707446&context=L&vid=44UOEX_INST:default
Atwood, M. (2005). The Penelopiad. Canongate.
Atwood, M. (2007). The Penelopiad. Faber and Faber.
Baer, B. J. (2009). Other Russias: Homosexuality and the Crisis of Post-Soviet Identity (1st ed). Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007644449707446&context=L&vid=44UOEX_INST:default
Balme, C. B. (1999a). Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default
Balme, C. B. (1999b). Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default
Barker, A. M. (Ed.). (1999). Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007915579707446&context=L&vid=44UOEX_INST:default
Barry, P. (1995). Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester University Press.
Beasley, C. (2005). Chapter 1: ‘Gender and feminism: An overview’. In Gender & Sexuality: Critical Theories, Critical Thinkers (pp. 11–27). SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004875349707446&context=L&vid=44UOEX_INST:default
Belsey, C. (2002). Critical Practice (2nd ed). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738379707446&context=L&vid=44UOEX_INST:default
Bharucha, R. (1993). Theatre and the World: Performance and the Politics of Culture. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015497639707446&context=L&vid=44UOEX_INST:default
Black, C. (2005). ‘“Making Queer New Things”: Queer Identities in the Life and Dramaturgy of Susan Glaspell’ [in] Journal of Dramatic Theory and Criticism. Journal of Dramatic Theory and Criticism, 20(1), 49–64. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005443163&site=eds-live&scope=site
Brannigan, J. (1998). New Historicism and Cultural Materialism. Macmillan.
Brewer, M. F., Goddard, L., & Osborne, D. (2015). Modern and Contemporary Black British Drama. Macmillan Education Palgrave.
Brewer, M. F., Goddard, L., & Osborne, D. (2017a). Modern and Contemporary Black British Drama. Palgrave. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default
Brewer, M. F., Goddard, L., & Osborne, D. (2017b). Modern and Contemporary Black British Drama. Palgrave. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008560669707446&context=L&vid=44UOEX_INST:default
British Film and Video Council. (n.d.). Box of Broadcasts. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2489611?lang=eng
Bryant Bertail, S. (2000). Chapter 6 - ‘Gender, Empire and Body Politic, Ariane Mnouchkine’s Les Atrides’ [in] Space and Time in Epic Theater: The Brechtian Legacy. In Space and Time in Epic Theater: The Brechtian Legacy (pp. 170–207). Camden House. https://contentstore.cla.co.uk/secure/link?id=82e01dff-8533-e911-80cd-005056af4099
Butler, J. (1988). ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory’ [in] Theatre Journal. Theatre Journal, 40(4), 519–531. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3207893&site=eds-live&scope=site
Butler, J. (2006). Gender Trouble: Feminism and the Subversion of Identity (2nd ed). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015423999707446&context=L&vid=44UOEX_INST:default
Case, S.-E. (1988). Feminism and Theatre. Methuen. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005673649707446&context=L&vid=44UOEX_INST:default
Case, S.-E. (2009). Feminist and Queer Performance: Critical Strategies. Palgrave Macmillan.
Cassiday, J. A. (2014). ‘Post-Soviet Pop Goes Gay: Russia’s Trajectory to Eurovision Victory’ [in] Russian Review. Russian Review, 1, 1–23. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014830806&site=eds-live&scope=site
Chandler, D. (2009). ‘“What Do We Mean by Opera, Anyway?”: Lloyd Webber’s Phantom of the Opera and “High-Pop” Theatre’. Journal of Popular Music, 21(2), 152–169. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000266600200002&site=eds-live&scope=site
Chen, K.-H., & Morley, D. (2006). Stuart Hall: Critical Dialogues in Cultural Studies. Taylor and Francis. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002176239707446&context=L&vid=44UOEX_INST:default
Churchill, C. (2013). Cloud Nine. Bloomsbury. http://encore.exeter.ac.uk/iii/encore/record/C__Rb3358885?lang=eng
Counsell, C., & Wolf, L. (2001a). Performance Analysis: An Introductory Coursebook. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002
Counsell, C., & Wolf, L. (2001b). Performance Analysis: An Introductory Coursebook. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015096269707446&context=L&vid=44UOEX_INST:default
Counsell, C., & Wolf, L. (2001c). Performance Analysis: An Introductory Coursebook. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002
Crow, B., & Banfield, C. (1996). An Introduction to Post-Colonial Theatre. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001621809707446&context=L&vid=44UOEX_INST:default
Daboo, J. (2017). Staging British South Asian Culture: Bollywood and Bhangra in British Theatre. Routledge.
Debord, G. (1994). Society of the Spectacle. http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/The_Society%20_Of%20_The%20_Spectacle.pdf
Diamond, E. (1997). ‘Introduction’. In Unmaking Mimesis: Essays on Feminism and Theater (pp. 1–16). Routledge. https://contentstore.cla.co.uk/secure/link?id=f540bb90-8ef8-e811-80cd-005056af4099
Dimple, G. (2004). ‘The Performativity of the Dramatic Text’: Domestic Colonialism and Caryl Churchillʼs Cloud Nine [in] Studies in Theatre and Performance. Studies in Theatre and Performance, 24(1), 5–21. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01034911.200424010.00001&site=eds-live&scope=site
Do Rozario, R.-A. (1988). ‘Reanimating the Animated: Disney’s Theatrical Productions’. The Drama Review, 48(1), 164–177. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4488537&site=eds-live&scope=site
Dolan, J. (2001). Chapter 5 - ‘Queer Theater: Theorizing a Theatrical Vernacular’ [in] Geographies of Learning: Theory and Practice, Activism and Performance. In Geographies of Learning: Theory and Practice, Activism and Performance (pp. 92–116). Wesleyan University Press. https://contentstore.cla.co.uk/secure/link?id=e9f547fd-30fd-e811-80cd-005056af4099
Dollimore, J. (1994). Introduction - ‘Shakespeare, Cultural Materialism and the New Historicism’. In Political Shakespeare: Essays in Cultural Materialism (pp. 2–17). Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=535dd904-84f8-e811-80cd-005056af4099
Eagleton, T. (1992). Marxism and Literary Criticism. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738499707446&context=L&vid=44UOEX_INST:default
Epstein, S. (1994). ‘A Queer Encounter: Sociology and the Study of Sexuality’ [in] Sociological Theory. Sociological Theory, 12(2), 188–202. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.201864&site=eds-live&scope=site
Essig, L. (1999). Queer in Russia: A Story of Sex, Self, and the Other. Duke University Press.
Evans, M. (2013). Introducing Contemporary Feminist Thought. Wiley. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008426579707446&context=L&vid=44UOEX_INST:default
Everett, W. A., & Laird, P. R. (2008a). The Cambridge Companion to the Musical (2nd ed). Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default
Everett, W. A., & Laird, P. R. (2008b). The Cambridge Companion to the Musical (2nd ed). Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default
Fraser, N. (1997). ‘Heterosexism, Misrecognition, and Capitalism: A Response to Judith Butler’ [in] Social Text. Social Text, 279–289. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.466745&site=eds-live&scope=site
Gainor, J. E. (1995). Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. Routledge.
Gandhi, L. (1998). Postcolonial Theory: A Critical Introduction. Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012817759707446&context=L&vid=44UOEX_INST:default
Garfinkle, D. U. (2015). ‘Julie Taymor, Sony’s Digital Dream Kids, and the Marxist Labor Theory of Value’. European Legacy - Toward New Paradigms, 20(8), 827–843. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000362650600002&site=eds-live&scope=site
Gilbert, H. (1999). (Post)Colonial Stages: Critical & Creative Views on Drama, Theatre & Performance. Dangaroo Press.
Gilbert, H. (2001). Postcolonial Plays: An Anthology. Routledge.
Gilbert, H., & Tompkins, J. (1996a). Post-Colonial Drama: Theory, Practice, Politics. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default
Gilbert, H., & Tompkins, J. (1996b). Post-Colonial Drama: Theory, Practice, Politics. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default
Gilroy, P. (2002). ‘There Ain’t No Black in the Union Jack’: The Cultural Politics of Race and Nation. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002978589707446&context=L&vid=44UOEX_INST:default
Gilroy, P. (2004). After Empire: Melancholia or Convivial Culture? Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015234709707446&context=L&vid=44UOEX_INST:default
Gobert, R. D. (2014). The Theatre of Caryl Churchill. Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003812019707446&context=L&vid=44UOEX_INST:default
Goddard, L. (2004). ‘West Indies vs England in Winsome Pinnock’s Migration Narratives’ [in] Contemporary Theatre Review: An International Journal. Contemporary Theatre Review: An International Journal, 4, 23–33. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004442821&site=eds-live&scope=site
Goddard, L. (2007). Staging Black Feminisms: Identity, Politics, Performance. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002372479707446&context=L&vid=44UOEX_INST:default
Goddard, L. (2015). Contemporary Black British Playwrights: Margins to Mainstream. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000289719707446&context=L&vid=44UOEX_INST:default
Godiwala, D. (2006). Alternatives Within the Mainstream: British Black and Asian Theatres. Cambridge Scholars. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014817059707446&context=L&vid=44UOEX_INST:default
Goodman, L., & De Gay, J. (2000). The Routledge Reader in Politics and Performance. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012939989707446&context=L&vid=44UOEX_INST:default
Gordon, R., Jubin, O., & Taylor, M. (2016). British Musical Theatre Since 1950. Bloomsbury Methuen Drama. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004498569707446&context=L&vid=44UOEX_INST:default
Griffin, G. (2003). Contemporary Black and Asian Women Playwrights in Britain. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014884229707446&context=L&vid=44UOEX_INST:default
Hall, S. (1997). Representation: Cultural Representations and Signifying Practices. Sage in association with the Open University.
Halnon, K. B. (2013). The Consumption of Inequality: Weapons of Mass Distraction. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003238489707446&context=L&vid=44UOEX_INST:default
Harris, G. (1999). Staging Femininities: Performance and Performativity. Manchester University Press.
Holdsworth, N. (2010). Theatre & Nation. Palgrave Macmillan.
Holdsworth, N., & Luckhurst, M. (2008). A Concise Companion to Contemporary British and Irish Drama. Blackwell. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780470766125
Holledge, J., & Tompkins, J. (2000). Women’s Intercultural Performance. Routledge.
hooks, bell. (2014). Feminist Theory: From Margin to Centre (Third edition). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001078559707446&context=L&vid=44UOEX_INST:default
hooks, bell. (2015). Black Looks: Race and Representation. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001290979707446&context=L&vid=44UOEX_INST:default
Jackson, S., & Scott, S. (1996). Feminism and Sexuality: A Reader. Edinburgh University Press.
Jagose, A. (2009). ‘Feminism’s Queer Theory’ [in] Feminism & Psychology. Feminism & Psychology, 19(2), 157–174. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000265207900001&site=eds-live&scope=site
Journal of Musicological Research (Vol. 23: 3-4). (2004). 23(3–4). https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002577719707446&context=L&vid=44UOEX_INST:default
Kekis, O. (2017). Chapter 10 - ‘Hypertheatrical Engagement with Euripides’ Trojan Women: A Female ‘Writ of Habeas Corpus’ [in] Contemporary Approaches to Adaptation in Theatre. In K. Reilly (Ed.), Contemporary Approaches to Adaptation in Theatre (pp. 195–212). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=d5e8b9aa-fe17-e911-80cd-005056af4099
Kershaw, B. (1999). ‘Discouraging Democracy: British Theatres and Economics, 1979-1999’. Theatre Journal, 51(3), 267–283. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068676&site=eds-live&scope=site
Knowles, R. P. (2004a). Chapter 1 - ‘Theory: Towards a Materialist Semiotics’. In Reading the Material Theatre (pp. 9–23). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=0109e36c-81f8-e811-80cd-005056af4099
Knowles, R. P. (2004b). Reading the Material Theatre. Cambridge University Press.
LibGuides Drama: Online Library Support. (n.d.). University of Exeter. https://libguides.exeter.ac.uk/c.php?g=656144&p=4668787
Luckhurst, M. (2006a). A Companion to Modern British and Irish Drama, 1880-2005 (Vol. 43). Blackwell Pub. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default
Luckhurst, M. (2006b). A Companion to Modern British and Irish Drama, 1880-2005. Blackwell Pub. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000671749707446&context=L&vid=44UOEX_INST:default
Martin, C. (1996). A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. Routledge.
McKee, A. L. (2013). ‘“Think of Me Fondly”: Voice, Body, Affect and Performance in Prince/Lloyd Webber’s The Phantom of the Opera’. Studies in Musical Theatre, 7(3), 309–325. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014306216&site=eds-live&scope=site
Mee, C. L. (n.d.). ‘Agamemnon 2.0’ [in] the (re)making project. http://www.charlesmee.org/agamemnon.shtml
Milner, A. (2002a). Re-Imagining Cultural Studies: The Promise of Cultural Materialism. SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default
Milner, A. (2002b). Re-Imagining Cultural Studies: The Promise of Cultural Materialism. SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default
Muñoz, J. E. (1999). Disidentifications: Queers of Colour and the Performance of Politics (Vol. 2). University of Minnesota Press.
O’Reilly, K. (2002). Peeling. Faber.
Parker, A., & Sedgwick, E. K. (1995). Performativity and Performance. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002219549707446&context=L&vid=44UOEX_INST:default
Pearce, M. (2017). Black British Drama: A Transnational Story. Routledge, an imprint of the Taylor & Francis Group. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004759499707446&context=L&vid=44UOEX_INST:default
Pecheykin, V., Pomerantsev, Z., & Turiano, J. (2014). A Little Hero. http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/A%20LITTLE%20HERO%20-%20Complete%20Version.pdf
Phelan, P. (1993). Unmarked: The Politics of Performance. Routledge.
Prendergast, C. (1995). Cultural Materialism: On Raymond Williams: Vol. v. 9. University of Minnesota Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002671359707446&context=L&vid=44UOEX_INST:default
Rebellato, D. (2009). Theatre & Globalization. Palgrave Macmillan.
Rebellato, D. (2013a). Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default
Rebellato, D. (2013b). Modern British Playwriting: Voices, Documents, New Interpretations, 2000-2009. Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001380159707446&context=L&vid=44UOEX_INST:default
Riabov, O., & Riabova, T. (2004). ‘The Decline of Gayropa?’ [in] Eurozine. https://www.eurozine.com/the-decline-of-gayropa/
Riabov, O., & Riabova, T. (2014a). ‘The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin’ [in] Problems of Post-Communism. Problems of Post-Communism, 61(2), 23–35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site
Riabov, O., & Riabova, T. (2014b). ‘The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin’ [in] Problems of Post-Communism. Problems of Post-Communism, 61(2), 23–35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site
Rodosthenous, G. (2017). The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen’. Bloomsbury Methuen Drama. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004814129707446&context=L&vid=44UOEX_INST:default
Rodosthenous, G. (2018). Twenty-First Century Musicals: From Stage to Screen. Routledge, an imprint of the Taylor & Francis Group. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006926859707446&context=L&vid=44UOEX_INST:default
Rooney, E. (2006). The Cambridge Companion to Feminist Literary Theory. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015040849707446&context=L&vid=44UOEX_INST:default
Said, E. W. (1994). Culture and Imperialism (Vintage paperback ed). Vintage.
Said, E. W. (2003). Orientalism. Penguin.
Saukko, P. (2003). Doing Research in Cultural Studies: An Introduction to Classical and New Methodological Approaches. SAGE. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001109979707446&context=L&vid=44UOEX_INST:default
Schechner, R., & Taymor, J. (1988). ‘Julie Taymor: From Jacques Lecoq to “The Lion King”: An Interview’. The Drama Review, 43(3), 36–55. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1146767&site=eds-live&scope=site
Sedgwick, E. K. (2008). Epistemology of the Closet (Updated ed). University of California Press.
Sedgwick, E. K., & Frank, A. (2003). Touching Feeling: Affect, Pedagogy, Performativity. Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000148009707446&context=L&vid=44UOEX_INST:default
Senelick, L. (2000). The Changing Room: Sex, Drag and Theatre. Routledge.
Senelick, L. (2002). Chapter 2 - ‘The Queer Root of Theater’ [in] The Queerest Art: Essays on Lesbian and Gay Theater. In The Queerest Art: Essays on Lesbian and Gay Theater (pp. 21–39). New York University Press. https://contentstore.cla.co.uk/secure/link?id=c379c968-30fd-e811-80cd-005056af4099
Shaevich, B., Borodin, A., Karelsky, D., & Solodovnik, S. (2014). Gay Propaganda: Russian Love Stories (M. Gessen & J. Huff-Hannon, Eds.). OR Books. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006735319707446&context=L&vid=44UOEX_INST:default
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