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Knowles RP. Chapter 1 - ‘Theory: Towards a Materialist Semiotics’. In: Reading the Material Theatre. Cambridge: : Cambridge University Press 2004. 9–23.https://contentstore.cla.co.uk/secure/link?id=0109e36c-81f8-e811-80cd-005056af4099
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Knowles RP. Reading the Material Theatre. Cambridge: : Cambridge University Press 2004.
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Shenton M. ‘Can a Filmed Stage Show be as Good as the Real Thing?’ [in] The Guardian. The Guardian Published Online First: 2011.https://www.theguardian.com/theobserver/2011/mar/06/national-theatre-live-frankenstein
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Counsell C, Wolf L. Performance Analysis: An Introductory Coursebook. London: : Routledge 2001. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002
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Williams R. Chapter 7 - ‘Traditions, Institutions and Formations’. In: Marxism and Literature. Oxford: : Oxford University Press 1977. 115–20.https://contentstore.cla.co.uk/secure/link?id=14d30566-82f8-e811-80cd-005056af4099
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Williams R. Chapter 8 - ‘Dominant, Residual and Emergent’. In: Marxism and Literature. Oxford: : Oxford University Press 1977. 121–7.https://contentstore.cla.co.uk/secure/link?id=3b44bc00-83f8-e811-80cd-005056af4099
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Williams R. Chapter 9 - ‘Structures of Feeling’. In: Marxism and Literature. Oxford: : Oxford University Press 1977. 128–35.https://contentstore.cla.co.uk/secure/link?id=a9c1ef69-83f8-e811-80cd-005056af4099
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Milner A. Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: : SAGE 2002. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default
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Milner A. Re-Imagining Cultural Studies: The Promise of Cultural Materialism. London: : SAGE 2002. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004899549707446&context=L&vid=44UOEX_INST:default
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Prendergast C. Cultural Materialism: On Raymond Williams. Minneapolis: : University of Minnesota Press 1995. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002671359707446&context=L&vid=44UOEX_INST:default
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Eagleton T. Marxism and Literary Criticism. London: : Routledge 1992. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738499707446&context=L&vid=44UOEX_INST:default
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Belsey C. Critical Practice. 2nd ed. London: : Routledge 2002. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015738379707446&context=L&vid=44UOEX_INST:default
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Dollimore J. Introduction - ‘Shakespeare, Cultural Materialism and the New Historicism’. In: Political Shakespeare: Essays in Cultural Materialism. Manchester University Press 1994. 2–17.https://contentstore.cla.co.uk/secure/link?id=535dd904-84f8-e811-80cd-005056af4099
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Sinfield A. Shakespeare, Authority, Sexuality: Unfinished Business in Cultural Materialism. London: : Routledge 2006. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904659707446&context=L&vid=44UOEX_INST:default
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Halnon KB. The Consumption of Inequality: Weapons of Mass Distraction. Basingstoke: : Palgrave Macmillan 2013. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003238489707446&context=L&vid=44UOEX_INST:default
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Storey J. Cultural Theory and Popular Culture: An Introduction. 6th ed. Harlow: : Pearson 2012. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002181089707446&context=L&vid=44UOEX_INST:default
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Barry P. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: : Manchester University Press 1995.
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Brannigan J. New Historicism and Cultural Materialism. Macmillan 1998.
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Saukko P. Doing Research in Cultural Studies: An Introduction to Classical and New Methodological Approaches. London: : SAGE 2003. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001109979707446&context=L&vid=44UOEX_INST:default
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Everett WA, Laird PR. The Cambridge Companion to the Musical. 2nd ed. Cambridge: : Cambridge University Press 2008. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default
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Journal of Musicological Research (Vol. 23: 3-4). 2004;23.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002577719707446&context=L&vid=44UOEX_INST:default
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Chandler D. ‘“What Do We Mean by Opera, Anyway?”: Lloyd Webber’s Phantom of the Opera and “High-Pop” Theatre’. Journal of Popular Music 2009;21:152–69.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000266600200002&site=eds-live&scope=site
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Daboo J. Staging British South Asian Culture: Bollywood and Bhangra in British Theatre. [S.l.]: : Routledge 2017.
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Do Rozario R-A. ‘Reanimating the Animated: Disney’s Theatrical Productions’. The Drama Review 1988;48:164–77.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4488537&site=eds-live&scope=site
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Debord G. Society of the Spectacle. 1994.http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/The_Society%20_Of%20_The%20_Spectacle.pdf
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Everett WA, Laird PR. The Cambridge Companion to the Musical. 2nd ed. Cambridge: : Cambridge University Press 2008. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002146039707446&context=L&vid=44UOEX_INST:default
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Garfinkle DU. ‘Julie Taymor, Sony’s Digital Dream Kids, and the Marxist Labor Theory of Value’. European Legacy - Toward New Paradigms 2015;20:827–43.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000362650600002&site=eds-live&scope=site
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Gordon R, Jubin O, Taylor M. British Musical Theatre Since 1950. London: : Bloomsbury Methuen Drama 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004498569707446&context=L&vid=44UOEX_INST:default
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McKee AL. ‘“Think of Me Fondly”: Voice, Body, Affect and Performance in Prince/Lloyd Webber’s The Phantom of the Opera’. Studies in Musical Theatre 2013;7:309–25.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014306216&site=eds-live&scope=site
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Kershaw B. ‘Discouraging Democracy: British Theatres and Economics, 1979-1999’. Theatre Journal 1999;51:267–83.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068676&site=eds-live&scope=site
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Rebellato D. Theatre & Globalization. Houndmills, Basingstoke: : Palgrave Macmillan 2009.
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Rodosthenous G. Twenty-First Century Musicals: From Stage to Screen. Abingdon, Oxon: : Routledge, an imprint of the Taylor & Francis Group 2018. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006926859707446&context=L&vid=44UOEX_INST:default
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Rodosthenous G. The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen’. London: : Bloomsbury Methuen Drama 2017. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004814129707446&context=L&vid=44UOEX_INST:default
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Schechner R, Taymor J. ‘Julie Taymor: From Jacques Lecoq to “The Lion King”: An Interview’. The Drama Review 1988;43:36–55.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1146767&site=eds-live&scope=site
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Siropoulos V. ‘Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism’. Studies in Musical Theatre 2011;5:13–34.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=79656417&site=eds-live&scope=site
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Siropoulos V. ‘Andrew Lloyd Webber and the Culture of Narcissism’. Studies in Musical Theatre 2010;:273–91.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2011702035&site=eds-live&scope=site
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Symonds D, Taylor M. Gestures of Music Theater: The Performativity of Song and Dance. New York: : Oxford University Press 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003255169707446&context=L&vid=44UOEX_INST:default
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Taylor M. Musical Theatre, Realism and Entertainment. Farnham: : Ashgate 2012. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001025859707446&context=L&vid=44UOEX_INST:default
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Wickstrom M. ‘Commodities, Mimesis, and “The Lion King”: Retail Theatre for the 1990s’. Theatre Journal 1999;51:285–98.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068677&site=eds-live&scope=site
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British Film and Video Council. Box of Broadcasts. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2489611?lang=eng
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Churchill C. Cloud Nine. 2013.http://encore.exeter.ac.uk/iii/encore/record/C__Rb3358885?lang=eng
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Counsell C, Wolf L. Performance Analysis: An Introductory Coursebook. London: : Routledge 2001. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015096269707446&context=L&vid=44UOEX_INST:default
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Gobert RD. The Theatre of Caryl Churchill. London: : Bloomsbury 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003812019707446&context=L&vid=44UOEX_INST:default
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Dimple G. ‘The Performativity of the Dramatic Text’: Domestic Colonialism and Caryl Churchillʼs Cloud Nine [in] Studies in Theatre and Performance. Studies in Theatre and Performance 2004;24:5–21.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01034911.200424010.00001&site=eds-live&scope=site
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Case S-E. Feminism and Theatre. New York: : Methuen 1988. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005673649707446&context=L&vid=44UOEX_INST:default
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Diamond E. ‘Introduction’. In: Unmaking Mimesis: Essays on Feminism and Theater. London: : Routledge 1997. 1–16.https://contentstore.cla.co.uk/secure/link?id=f540bb90-8ef8-e811-80cd-005056af4099
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Woodward K, Woodward S. Why Feminism Matters: Feminism Lost and Found. Basingstoke: : Palgrave Macmillan 2009. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008921569707446&context=L&vid=44UOEX_INST:default
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Beasley C. Chapter 1: ‘Gender and feminism: An overview’. In: Gender & Sexuality: Critical Theories, Critical Thinkers. London: : SAGE 2005. 11–27.https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004875349707446&context=L&vid=44UOEX_INST:default
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Aston E, Harris G. A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance. NY: : Palgrave Macmillan 2013. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001804409707446&context=L&vid=44UOEX_INST:default
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Aston E. An Introduction to Feminism and Theatre. Routledge 1995.
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Martin C. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. London: : Routledge 1996.
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Solga K. Theatre and Feminism. Basingstoke, Hampshire: : Palgrave Macmillan 2015. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004487349707446&context=L&vid=44UOEX_INST:default
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Evans M. Introducing Contemporary Feminist Thought. Hoboken: : Wiley 2013. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008426579707446&context=L&vid=44UOEX_INST:default
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Harris G. Staging Femininities: Performance and Performativity. Manchester: : Manchester University Press 1999.
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hooks bell. Feminist Theory: From Margin to Centre. Third edition. London: : Routledge 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001078559707446&context=L&vid=44UOEX_INST:default
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Phelan P. Unmarked: The Politics of Performance. London: : Routledge 1993.
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Jackson S, Scott S. Feminism and Sexuality: A Reader. Edinburgh: : Edinburgh University Press 1996.
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Squires J, Kemp S. Feminisms. Oxford: : Oxford University Press 1997.
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Bryant Bertail S. Chapter 6 - ‘Gender, Empire and Body Politic, Ariane Mnouchkine’s Les Atrides’ [in] Space and Time in Epic Theater: The Brechtian Legacy. In: Space and Time in Epic Theater: The Brechtian Legacy. Rochester, NY: : Camden House 2000. 170–207.https://contentstore.cla.co.uk/secure/link?id=82e01dff-8533-e911-80cd-005056af4099
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Kekis O. Chapter 10 - ‘Hypertheatrical Engagement with Euripides’ Trojan Women: A Female ‘Writ of Habeas Corpus’ [in] Contemporary Approaches to Adaptation in Theatre. In: Reilly K, ed. Contemporary Approaches to Adaptation in Theatre. Basingstoke: : Palgrave Macmillan 2017. 195–212.https://contentstore.cla.co.uk/secure/link?id=d5e8b9aa-fe17-e911-80cd-005056af4099
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Mee CL. ‘Agamemnon 2.0’ [in] the (re)making project. http://www.charlesmee.org/agamemnon.shtml
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Atwood M. The Penelopiad. Edinburgh: : Canongate 2005.
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Atwood M. The Penelopiad. London: : Faber and Faber 2007.
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Butler J. ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory’ [in] Theatre Journal. Theatre Journal 1988;40:519–31.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3207893&site=eds-live&scope=site
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Epstein S. ‘A Queer Encounter: Sociology and the Study of Sexuality’ [in] Sociological Theory. Sociological Theory 1994;12:188–202.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.201864&site=eds-live&scope=site
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Senelick L. Chapter 2 - ‘The Queer Root of Theater’ [in] The Queerest Art: Essays on Lesbian and Gay Theater. In: The Queerest Art: Essays on Lesbian and Gay Theater. New York: : New York University Press 2002. 21–39.https://contentstore.cla.co.uk/secure/link?id=c379c968-30fd-e811-80cd-005056af4099
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Butler J. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York: : Routledge 2006. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015423999707446&context=L&vid=44UOEX_INST:default
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Case S-E. Feminist and Queer Performance: Critical Strategies. Basingstoke [England]: : Palgrave Macmillan 2009.
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Dolan J. Chapter 5 - ‘Queer Theater: Theorizing a Theatrical Vernacular’ [in] Geographies of Learning: Theory and Practice, Activism and Performance. In: Geographies of Learning: Theory and Practice, Activism and Performance. Middleton, CT: : Wesleyan University Press 2001. 92–116.https://contentstore.cla.co.uk/secure/link?id=e9f547fd-30fd-e811-80cd-005056af4099
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Fraser N. ‘Heterosexism, Misrecognition, and Capitalism: A Response to Judith Butler’ [in] Social Text. Social Text 1997;:279–89.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.466745&site=eds-live&scope=site
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hooks bell. Black Looks: Race and Representation. New York: : Routledge 2015. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001290979707446&context=L&vid=44UOEX_INST:default
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Jagose A. ‘Feminism’s Queer Theory’ [in] Feminism & Psychology. Feminism & Psychology 2009;19:157–74.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000265207900001&site=eds-live&scope=site
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Muñoz JE. Disidentifications: Queers of Colour and the Performance of Politics. Minneapolis: : University of Minnesota Press 1999.
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Parker A, Sedgwick EK. Performativity and Performance. New York: : Routledge 1995. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002219549707446&context=L&vid=44UOEX_INST:default
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Sedgwick EK. Epistemology of the Closet. Updated ed. Berkeley, Calif: : University of California Press 2008.
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Sedgwick EK, Frank A. Touching Feeling: Affect, Pedagogy, Performativity. Durham, N.C.: : Duke University Press 2003. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000148009707446&context=L&vid=44UOEX_INST:default
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Rooney E. The Cambridge Companion to Feminist Literary Theory. Cambridge, UK: : Cambridge University Press 2006. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015040849707446&context=L&vid=44UOEX_INST:default
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Baer BJ. Other Russias: Homosexuality and the Crisis of Post-Soviet Identity. 1st ed. New York: : Palgrave Macmillan 2009. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007644449707446&context=L&vid=44UOEX_INST:default
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Pecheykin V, Pomerantsev Z, Turiano J. A Little Hero. 2014.http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/A%20LITTLE%20HERO%20-%20Complete%20Version.pdf
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Riabov O, Riabova T. ‘The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin’ [in] Problems of Post-Communism. Problems of Post-Communism 2014;61:23–35.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site
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Riabov O, Riabova T. ‘The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin’ [in] Problems of Post-Communism. Problems of Post-Communism 2014;61:23–35.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site
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Black C. ‘“Making Queer New Things”: Queer Identities in the Life and Dramaturgy of Susan Glaspell’ [in] Journal of Dramatic Theory and Criticism. Journal of Dramatic Theory and Criticism 2005;20:49–64.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005443163&site=eds-live&scope=site
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Cassiday JA. ‘Post-Soviet Pop Goes Gay: Russia’s Trajectory to Eurovision Victory’ [in] Russian Review. Russian Review 2014;:1–23.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014830806&site=eds-live&scope=site
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Counsell C, Wolf L. Performance Analysis: An Introductory Coursebook. London: : Routledge 2001. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203977002
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Essig L. Queer in Russia: A Story of Sex, Self, and the Other. Durham, NC: : Duke University Press 1999.
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Barker AM, editor. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Durham, [North Carolina]: : Duke University Press 1999. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007915579707446&context=L&vid=44UOEX_INST:default
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Shaevich B, Borodin A, Karelsky D, et al. Gay Propaganda: Russian Love Stories. New York: : OR Books 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006735319707446&context=L&vid=44UOEX_INST:default
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Riabov O, Riabova T. ‘The Decline of Gayropa?’ [in] Eurozine. 2004.https://www.eurozine.com/the-decline-of-gayropa/
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Senelick L. The Changing Room: Sex, Drag and Theatre. London: : Routledge 2000.
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Sherman M. Bent. [London]: : Bloomsbury 2013. http://encore.exeter.ac.uk/iii/encore/record/C__Rb3937022?lang=eng
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Solomon A, Minwalla F. The Queerest Art: Essays on Lesbian and Gay Theatre. New York: : New York University Press 2002.
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Balme CB. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: : Clarendon 1999. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default
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Gilbert H, Tompkins J. Post-Colonial Drama: Theory, Practice, Politics. London: : Routledge 1996. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002177929707446&context=L&vid=44UOEX_INST:default
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Balme CB. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: : Clarendon 1999. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000965269707446&context=L&vid=44UOEX_INST:default
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Bharucha R. Theatre and the World: Performance and the Politics of Culture. London: : Routledge 1993. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015497639707446&context=L&vid=44UOEX_INST:default
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Crow B, Banfield C. An Introduction to Post-Colonial Theatre. Cambridge: : Cambridge University Press 1996. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001621809707446&context=L&vid=44UOEX_INST:default
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Gainor JE. Imperialism and Theatre: Essays on World Theatre, Drama, and Performance. London: : Routledge 1995.
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Gandhi L. Postcolonial Theory: A Critical Introduction. Edinburgh: : Edinburgh University Press 1998. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012817759707446&context=L&vid=44UOEX_INST:default
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