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Sinfield A. Shakespeare, Authority, Sexuality: Unfinished Business in Cultural Materialism. Routledge; 2006. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904659707446&context=L&vid=44UOEX_INST:default
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Chandler D. ‘“What Do We Mean by Opera, Anyway?”: Lloyd Webber’s Phantom of the Opera and “High-Pop” Theatre’. Journal of Popular Music. 2009;21(2):152-169. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000266600200002&site=eds-live&scope=site
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Daboo J. Staging British South Asian Culture: Bollywood and Bhangra in British Theatre. Routledge; 2017.
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Do Rozario RA. ‘Reanimating the Animated: Disney’s Theatrical Productions’. The Drama Review. 1988;48(1):164-177. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4488537&site=eds-live&scope=site
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Debord G. Society of the Spectacle. Published online 1994. http://readinglists.exeter.ac.uk/Resource%20List%20Odd%20Links/DRA2064/The_Society%20_Of%20_The%20_Spectacle.pdf
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Garfinkle DU. ‘Julie Taymor, Sony’s Digital Dream Kids, and the Marxist Labor Theory of Value’. European Legacy - Toward New Paradigms. 2015;20(8):827-843. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000362650600002&site=eds-live&scope=site
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Gordon R, Jubin O, Taylor M. British Musical Theatre Since 1950. Bloomsbury Methuen Drama; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004498569707446&context=L&vid=44UOEX_INST:default
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Kershaw B. ‘Discouraging Democracy: British Theatres and Economics, 1979-1999’. Theatre Journal. 1999;51(3):267-283. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.25068676&site=eds-live&scope=site
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Schechner R, Taymor J. ‘Julie Taymor: From Jacques Lecoq to “The Lion King”: An Interview’. The Drama Review. 1988;43(3):36-55. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1146767&site=eds-live&scope=site
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Siropoulos V. ‘Megamusicals, Spectacle and the Postdramatic Aesthetics of Late Capitalism’. Studies in Musical Theatre. 2011;5(1):13-34. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=79656417&site=eds-live&scope=site
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Epstein S. ‘A Queer Encounter: Sociology and the Study of Sexuality’ [in] Sociological Theory. Sociological Theory. 1994;12(2):188-202. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.201864&site=eds-live&scope=site
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Senelick L. Chapter 2 - ‘The Queer Root of Theater’ [in] The Queerest Art: Essays on Lesbian and Gay Theater. In: The Queerest Art: Essays on Lesbian and Gay Theater. New York University Press; 2002:21-39. https://contentstore.cla.co.uk/secure/link?id=c379c968-30fd-e811-80cd-005056af4099
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Fraser N. ‘Heterosexism, Misrecognition, and Capitalism: A Response to Judith Butler’ [in] Social Text. Social Text. Published online 1997:279-289. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.466745&site=eds-live&scope=site
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hooks bell. Black Looks: Race and Representation. Routledge; 2015. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001290979707446&context=L&vid=44UOEX_INST:default
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Jagose A. ‘Feminism’s Queer Theory’ [in] Feminism & Psychology. Feminism & Psychology. 2009;19(2):157-174. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000265207900001&site=eds-live&scope=site
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Riabov O, Riabova T. ‘The Remasculinization of Russia? Gender, Nationalism, and the Legitimation of Power Under Vladimir Putin’ [in] Problems of Post-Communism. Problems of Post-Communism. 2014;61(2):23-35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000334740600002&site=eds-live&scope=site
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Black C. ‘“Making Queer New Things”: Queer Identities in the Life and Dramaturgy of Susan Glaspell’ [in] Journal of Dramatic Theory and Criticism. Journal of Dramatic Theory and Criticism. 2005;20(1):49-64. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005443163&site=eds-live&scope=site
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Cassiday JA. ‘Post-Soviet Pop Goes Gay: Russia’s Trajectory to Eurovision Victory’ [in] Russian Review. Russian Review. 2014;(1):1-23. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014830806&site=eds-live&scope=site
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