Attenborough, Richard, Dirk Bogarde, and Phyllis Calvert. ‘Oh! What a Lovely War’. 1969. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001DAC9%3Fbcast%3D127907327>.
---. ‘Oh! What a Lovely War’. : n. pag. Print.
Basham, Victoria M. ‘Gender, Race, Militarism and Remembrance: The Everyday Geopolitics of the Poppy’. 2016. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rx1032042?lang=eng>.
Berlin, Normand. ‘Traffic of Our Stage: Boxing as Theater’. Massachusetts Review 47.1 (2006): 22–32. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25091051>.
Bogart, Anne, and Tina Bogart. ‘Chapters 1-3’. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York: Theatre Communications Group, 2005. 3–20. Web. <https://contentstore.cla.co.uk/secure/link?id=e8f10323-360c-e911-80cd-005056af4099>.
Borowski, Mateusz, and Malgorzata Sugiera. ‘Chapter 3: Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre’. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Ed. Jerome Carroll, Steve Giles, and Karen Jürs-Munby. London: Bloomsbury Publishing, 2013. 67–86. Web. <https://contentstore.cla.co.uk/secure/link?id=c8ca174d-390c-e911-80cd-005056af4099>.
Cockin, Katharine. ‘Inventing the Suffragettes: Anachronism, Gnosticism and Corporeality in Contemporary Fiction’. Critical Survey 16.3 (2004): 17–32. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41557286>.
Davis, Tracy C. ‘The Context Problem’. Theatre Survey 45.2 (2004): 203–209. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0040557404000158>.
Dolan, Jill. ‘Chapter 1: The Discourse of Feminisms: The Spectator and the Representation’. The Feminist Spectator as Critic. Ann Arbor, MI: University of Michigan Press, 2012. 1–18. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004293539707446&context=L&vid=44UOEX_INST:default>.
‘Drama - LibGuides at University of Exeter’. N.p., n.d. Web. <http://libguides.exeter.ac.uk/DramaHomePage>.
‘Dreadnought South West’. N.p., n.d. Web. <http://dreadnoughtsouthwest.org.uk/>.
Hall, Stuart. ‘Extract from Chapter 1: The Work of Representation’. Representation: Cultural Representations and Signifying Practices. London: Sage in association with the Open University, 1997. 36–74. Web. <https://contentstore.cla.co.uk/secure/link?id=b919569a-5a9e-e911-80cd-005056af4099>.
Heddon, Deirdre, and Jane Milling. ‘Chapter 6: Contemporary Devising and Physical Performance’. Devising Performance: A Critical History. Revised edition. Basingstoke, Hampshire: Palgrave Macmillan, 2015. 157–189. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008030009707446&context=L&vid=44UOEX_INST:default>.
Hytner, Nicholas et al. ‘The History Boys’. Web. <https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F030E2761%3Fbcast%3D128227797>.
Iles, Jennifer. ‘In Remembrance: The Flanders Poppy’. Mortality 13.3 (2008): 201–221. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/13576270802181640>.
Kean, Hilda. ‘Public History and Popular Memory: Issues in the Commemoration of the British Militant Suffrage Campaign’. Women’s History Review 14.3–4 (2005): 581–602. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edswah&amp;AN=000233412200014&amp;site=eds-live&amp;scope=site>.
Kidd, Jenny, and Joanne Sayner. ‘Unthinking Remembrance? Blood Swept Lands and Seas of Red and the Significance of Centenaries’. Cultural Trends 27.2 (2018): 68–82. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=bth&amp;AN=129571391&amp;site=eds-live&amp;scope=site>.
Kirkwood, Lucy. NSFW. London: Nick Hern Books Limited, 2012. Print.
Lane, David. ‘Chapter 3: Writing and Devising – The Call for Collaboration’. Contemporary British Drama. Edinburgh: Edinburgh University Press, 2010. 82–107. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000785299707446&context=L&vid=44UOEX_INST:default>.
Liddington, Jill. ‘Era of Commemoration: Celebrating the Suffrage Centenary’. History Workshop Journal 59 (2005): 194–218. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/hwj/dbi015>.
Logie, Lea. ‘Developing a Physical Vocabulary for the Contemporary Actor’. New Theatre Quarterly 11.43 (1995): 230–240. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0266464X00009118>.
Loukes, Rebecca. ‘Chapter 5: Making Movement: The Psychophysical in “Embodied” Practices’. Acting: Psychophysical Phenomenon and Process. Basingstoke: Palgrave Macmillan, 2013. 194–223. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default>.
Mangan, Michael. ‘Chapter 7: Contemporary Masculinities’. Staging Masculinities: History, Gender, Performance. Basingstoke: Palgrave Macmillan, 2003. 207–216. Web. <https://contentstore.cla.co.uk/secure/link?id=2ca9e055-a6fa-e711-80cd-005056af4099>.
‘Mary Poppins - Sister Suffragette - YouTube’. Web. <https://www.youtube.com/watch?v=Ds8cKgPdE6M>.
Mayhall, Laura E. Nym. ‘Domesticating Emmeline: Representing the Suffragette, 1930-1993’. NWSA Journal 11.2 (1999): 1–24. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4316653>.
Mulvey, Laura. ‘Chapter 9: Visual Pleasure and Narrative Cinema’. The Feminism and Visual Culture Reader. 2nd ed. London: Routledge, 2010. 57–65. Web. <https://contentstore.cla.co.uk/secure/link?id=90edc23f-a7fa-e711-80cd-005056af4099>.
Overlie, Mary. Standing in Space: The Six Viewpoints Theory and Practice. The Author, 2016. Print.
Parker-Starbuck, Jennifer, and Roberta Mock. ‘Chapter 9: Researching the Body in/as Performance’. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. 210–235. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001377909707446&context=L&vid=44UOEX_INST:default>.
Poore, Benjamin. Heritage, Nostalgia and Modern British Theatre: Staging the Victorians. Basingstoke: Palgrave Macmillan, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001086309707446&context=L&vid=44UOEX_INST:default>.
Postlewait, Thomas. The Cambridge Introduction to Theatre Historiography. New York: Cambridge University Press, 2009. Print.
Purvis, June, and Sandra Stanley Holton. ‘Introduction: The Campaigns for Votes for Women’. Votes for Women. London: Routledge, 2000. 1–12. Web. <https://contentstore.cla.co.uk/secure/link?id=80bb01d9-550c-e911-80cd-005056af4099>.
Quinault, Roland. ‘The Cult of the Centenary, c.1784-1914’. Historical Research 71.176 (1998): 303–323. Web. <https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/10.1111/1468-2281.00066>.
‘Remembrance Poppy: Controversies and How to Wear It - BBC Newsbeat’. N.p., 2015. Web. <http://www.bbc.co.uk/newsbeat/article/29848595/remembrance-poppy-controversies-and-how-to-wear-it?intc_type=singletheme&amp;intc_location=allvirtualsites&amp;intc_campaign=remembranceday&amp;intc_linkname=article_newsbeat_contentcard1>.
Rokem, Freddie. ‘Introduction: The Notions of “Performing History”’. Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City, IA: University of Iowa Press, 2000. 1–25. Web. <https://contentstore.cla.co.uk/secure/link?id=f32c1769-389e-e911-80cd-005056af4099>.
---. Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City, IA: University of Iowa Press, 2000. Print.
Roper, Michael. ‘Family Legacies in the Centenary: Motives for First World War Commemoration among British and German Descendants’. History and Memory 30.1 (2018): 76–115. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.2979/histmemo.30.1.04>.
Smith, Harry Leslie. ‘This Year, I Will Wear a Poppy for the Last Time’. The Guardian (2013): n. pag. Web. <https://www.theguardian.com/commentisfree/2013/nov/08/poppy-last-time-remembrance-harry-leslie-smith?CMP=Share_iOSApp_Other>.
Sullivan, Nikki. ‘Chapter 5: Performance, Performativity, Parody and Politics’. A Critical Introduction to Queer Theory. Edinburgh: Edinburgh University Press, 2003. 81–98. Web. <https://contentstore.cla.co.uk/secure/link?id=d6339b97-a5fa-e711-80cd-005056af4099>.
Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. London: Duke University Press, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015079999707446&context=L&vid=44UOEX_INST:default>.
‘The Complete London 2012 Opening Ceremony - YouTube’. Web. <https://www.youtube.com/watch?v=4As0e4de-rI>.
‘We’re Here Because We’re Here’. N.p., n.d. Web. <https://becausewearehere.co.uk/we-are-here-gallery/>.
‘“we’re Here Because We’re Here” Performance Compilation’. Web. <https://www.youtube.com/watch?time_continue=147&amp;v=1pd1XYx27_U>.
‘“we’re Here Because We’re Here” Project Overview’. N.p., n.d. Web. <https://www.nationaltheatre.org.uk/content/we%E2%80%99re-here-because-we%E2%80%99re-here>.
‘Wonder Women Festival Manchester 2018 - Creative Tourist’. N.p., n.d. Web. <https://www.creativetourist.com/event/wonder-women/>.
Zarrilli, Phillip B. ‘Chapter 1: Introduction: Acting as Psychophysical Phenomenon and Process’. Acting: Psychophysical Phenomenon and Process. Basingstoke: Palgrave Macmillan, 2013. 1–50. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default>.