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J. Parker-Starbuck and R. Mock, ‘Chapter 9: Researching the Body in/as Performance’, in Research methods in theatre and performance, Edinburgh: Edinburgh University Press, 2011, pp. 210–235 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001377909707446&context=L&vid=44UOEX_INST:default
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L. Logie, ‘Developing a Physical Vocabulary for the Contemporary Actor’, New Theatre Quarterly, vol. 11, no. 43, pp. 230–240, 1995 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0266464X00009118
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P. B. Zarrilli, ‘Chapter 1: Introduction: Acting as Psychophysical Phenomenon and Process’, in Acting: psychophysical phenomenon and process, Basingstoke: Palgrave Macmillan, 2013, pp. 1–50 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default
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N. Berlin, ‘Traffic of Our Stage: Boxing as Theater’, Massachusetts Review, vol. 47, no. 1, pp. 22–32, 2006 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25091051
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R. Loukes, ‘Chapter 5: Making Movement: The Psychophysical in “Embodied” Practices’, in Acting: psychophysical phenomenon and process, Basingstoke: Palgrave Macmillan, 2013, pp. 194–223 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default
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A. Bogart and T. Bogart, ‘Chapters 1-3’, in The viewpoints book: a practical guide to viewpoints and composition, New York: Theatre Communications Group, 2005, pp. 3–20 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=e8f10323-360c-e911-80cd-005056af4099
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M. Borowski and M. Sugiera, ‘Chapter 3: Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre’, in Postdramatic theatre and the political: international perspectives on contemporary performance, J. Carroll, S. Giles, and K. Jürs-Munby, Eds. London: Bloomsbury Publishing, 2013, pp. 67–86 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=c8ca174d-390c-e911-80cd-005056af4099
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D. Heddon and J. Milling, ‘Chapter 6: Contemporary Devising and Physical Performance’, in Devising performance: a critical history, Revised edition., Basingstoke, Hampshire: Palgrave Macmillan, 2015, pp. 157–189 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008030009707446&context=L&vid=44UOEX_INST:default
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T. C. Davis, ‘The Context Problem’, Theatre Survey, vol. 45, no. 2, pp. 203–209, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0040557404000158
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R. Quinault, ‘The Cult of the Centenary, c.1784-1914’, Historical Research, vol. 71, no. 176, pp. 303–323, 1998 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/10.1111/1468-2281.00066
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J. Iles, ‘In remembrance: The Flanders poppy’, Mortality, vol. 13, no. 3, pp. 201–221, 2008 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/13576270802181640
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‘Remembrance poppy: Controversies and how to wear it - BBC Newsbeat’, 2015. [Online]. Available: http://www.bbc.co.uk/newsbeat/article/29848595/remembrance-poppy-controversies-and-how-to-wear-it?intc_type=singletheme&intc_location=allvirtualsites&intc_campaign=remembranceday&intc_linkname=article_newsbeat_contentcard1
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‘“we’re here because we’re here” project overview’. [Online]. Available: https://www.nationaltheatre.org.uk/content/we%E2%80%99re-here-because-we%E2%80%99re-here
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J. Purvis and S. Stanley Holton, ‘Introduction: The campaigns for votes for women’, in Votes for women, London: Routledge, 2000, pp. 1–12 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=80bb01d9-550c-e911-80cd-005056af4099
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J. Liddington, ‘Era of Commemoration: Celebrating the Suffrage Centenary’, History Workshop Journal, no. 59, pp. 194–218, 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/hwj/dbi015
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H. Kean, ‘Public history and popular memory: issues in the commemoration of the british militant suffrage campaign’, Women’s History Review, vol. 14, no. 3–4, pp. 581–602, 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000233412200014&site=eds-live&scope=site
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K. Cockin, ‘Inventing the Suffragettes: Anachronism, Gnosticism and Corporeality in Contemporary Fiction’, Critical Survey, vol. 16, no. 3, pp. 17–32, 2004 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41557286
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L. E. N. Mayhall, ‘Domesticating Emmeline: Representing the Suffragette, 1930-1993’, NWSA Journal, vol. 11, no. 2, pp. 1–24, 1999 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4316653
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‘Mary Poppins - Sister Suffragette - YouTube’. [Online]. Available: https://www.youtube.com/watch?v=Ds8cKgPdE6M
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D. Lane, ‘Chapter 3: Writing and Devising – The Call for Collaboration’, in Contemporary British drama, Edinburgh: Edinburgh University Press, 2010, pp. 82–107 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000785299707446&context=L&vid=44UOEX_INST:default
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L. Kirkwood, NSFW. London: Nick Hern Books Limited, 2012.
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V. M. Basham, ‘Gender, Race, Militarism and Remembrance: The Everyday Geopolitics of the Poppy’. 2016 [Online]. Available: http://encore.exeter.ac.uk/iii/encore/record/C__Rx1032042?lang=eng
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R. Attenborough, D. Bogarde, and P. Calvert, ‘Oh! What a Lovely War’. FilmFour, 1969 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001DAC9%3Fbcast%3D127907327
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R. Attenborough, D. Bogarde, and P. Calvert, ‘Oh! What a Lovely War’. Paramount DVD.
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N. Hytner, R. Griffiths, F. De La Tour, R. Tovey, and D. Cooper, ‘The History Boys’. [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F030E2761%3Fbcast%3D128227797
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M. Roper, ‘Family Legacies in the Centenary: Motives for First World War Commemoration among British and German Descendants’, History and Memory, vol. 30, no. 1, pp. 76–115, 2018 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.2979/histmemo.30.1.04
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B. Poore, Heritage, Nostalgia and Modern British Theatre: Staging the Victorians. Basingstoke: Palgrave Macmillan, 2011 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001086309707446&context=L&vid=44UOEX_INST:default
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T. Postlewait, The Cambridge Introduction to Theatre Historiography. New York: Cambridge University Press, 2009.
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F. Rokem, Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City, IA: University of Iowa Press, 2000.
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D. Taylor, The Archive and the Repertoire: Performing Cultural Memory in the Americas. London: Duke University Press, 2007 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015079999707446&context=L&vid=44UOEX_INST:default
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S. Hall, ‘Extract from Chapter 1: The Work of Representation’, in Representation: Cultural Representations and Signifying Practices, London: Sage in association with the Open University, 1997, pp. 36–74 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=b919569a-5a9e-e911-80cd-005056af4099
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N. Sullivan, ‘Chapter 5: Performance, Performativity, Parody and Politics’, in A Critical Introduction to Queer Theory, Edinburgh: Edinburgh University Press, 2003, pp. 81–98 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=d6339b97-a5fa-e711-80cd-005056af4099
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M. Mangan, ‘Chapter 7: Contemporary Masculinities’, in Staging Masculinities: History, Gender, Performance, Basingstoke: Palgrave Macmillan, 2003, pp. 207–216 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=2ca9e055-a6fa-e711-80cd-005056af4099
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J. Dolan, ‘Chapter 1: The Discourse of Feminisms: The Spectator and the Representation’, in The Feminist Spectator as Critic, Ann Arbor, MI: University of Michigan Press, 2012, pp. 1–18 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004293539707446&context=L&vid=44UOEX_INST:default
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L. Mulvey, ‘Chapter 9: Visual Pleasure and Narrative Cinema’, in The Feminism and Visual Culture Reader, 2nd ed., London: Routledge, 2010, pp. 57–65 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=90edc23f-a7fa-e711-80cd-005056af4099