Attenborough, Richard, Dirk Bogarde, and Phyllis Calvert. 1969. ‘Oh! What a Lovely War’. FilmFour. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001DAC9%3Fbcast%3D127907327.
———. n.d. ‘Oh! What a Lovely War’. Paramount DVD.
Basham, Victoria M. 2016. ‘Gender, Race, Militarism and Remembrance: The Everyday Geopolitics of the Poppy’. http://encore.exeter.ac.uk/iii/encore/record/C__Rx1032042?lang=eng.
Berlin, Normand. 2006. ‘Traffic of Our Stage: Boxing as Theater’. Massachusetts Review 47 (1): 22–32. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25091051.
Bogart, Anne, and Tina Bogart. 2005. ‘Chapters 1-3’. In The Viewpoints Book: A Practical Guide to Viewpoints and Composition, 3–20. New York: Theatre Communications Group. https://contentstore.cla.co.uk/secure/link?id=e8f10323-360c-e911-80cd-005056af4099.
Borowski, Mateusz, and Malgorzata Sugiera. 2013. ‘Chapter 3: Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre’. In Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance, edited by Jerome Carroll, Steve Giles, and Karen Jürs-Munby, 67–86. London: Bloomsbury Publishing. https://contentstore.cla.co.uk/secure/link?id=c8ca174d-390c-e911-80cd-005056af4099.
Cockin, Katharine. 2004. ‘Inventing the Suffragettes: Anachronism, Gnosticism and Corporeality in Contemporary Fiction’. Critical Survey 16 (3): 17–32. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41557286.
Davis, Tracy C. 2004. ‘The Context Problem’. Theatre Survey 45 (2): 203–9. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0040557404000158.
Dolan, Jill. 2012. ‘Chapter 1: The Discourse of Feminisms: The Spectator and the Representation’. In The Feminist Spectator as Critic, 1–18. Ann Arbor, MI: University of Michigan Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004293539707446&context=L&vid=44UOEX_INST:default.
‘Drama - LibGuides at University of Exeter’. n.d. http://libguides.exeter.ac.uk/DramaHomePage.
‘Dreadnought South West’. n.d. http://dreadnoughtsouthwest.org.uk/.
Hall, Stuart. 1997. ‘Extract from Chapter 1: The Work of Representation’. In Representation: Cultural Representations and Signifying Practices, 36–74. London: Sage in association with the Open University. https://contentstore.cla.co.uk/secure/link?id=b919569a-5a9e-e911-80cd-005056af4099.
Heddon, Deirdre, and Jane Milling. 2015. ‘Chapter 6: Contemporary Devising and Physical Performance’. In Devising Performance: A Critical History, Revised edition, 157–89. Basingstoke, Hampshire: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008030009707446&context=L&vid=44UOEX_INST:default.
Hytner, Nicholas, Richard Griffiths, Frances De La Tour, Russell Tovey, and Dominic Cooper. n.d. ‘The History Boys’. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F030E2761%3Fbcast%3D128227797.
Iles, Jennifer. 2008. ‘In Remembrance: The Flanders Poppy’. Mortality 13 (3): 201–21. https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/13576270802181640.
Kean, Hilda. 2005. ‘Public History and Popular Memory: Issues in the Commemoration of the British Militant Suffrage Campaign’. Women’s History Review 14 (3–4): 581–602. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000233412200014&site=eds-live&scope=site.
Kidd, Jenny, and Joanne Sayner. 2018. ‘Unthinking Remembrance? Blood Swept Lands and Seas of Red and the Significance of Centenaries’. Cultural Trends 27 (2): 68–82. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=129571391&site=eds-live&scope=site.
Kirkwood, Lucy. 2012. NSFW. London: Nick Hern Books Limited.
Lane, David. 2010. ‘Chapter 3: Writing and Devising – The Call for Collaboration’. In Contemporary British Drama, 82–107. Edinburgh: Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000785299707446&context=L&vid=44UOEX_INST:default.
Liddington, Jill. 2005. ‘Era of Commemoration: Celebrating the Suffrage Centenary’. History Workshop Journal, no. 59: 194–218. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1093/hwj/dbi015.
Logie, Lea. 1995. ‘Developing a Physical Vocabulary for the Contemporary Actor’. New Theatre Quarterly 11 (43): 230–40. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/S0266464X00009118.
Loukes, Rebecca. 2013. ‘Chapter 5: Making Movement: The Psychophysical in “Embodied” Practices’. In Acting: Psychophysical Phenomenon and Process, 194–223. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default.
Mangan, Michael. 2003. ‘Chapter 7: Contemporary Masculinities’. In Staging Masculinities: History, Gender, Performance, 207–16. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=2ca9e055-a6fa-e711-80cd-005056af4099.
‘Mary Poppins - Sister Suffragette - YouTube’. n.d. https://www.youtube.com/watch?v=Ds8cKgPdE6M.
Mayhall, Laura E. Nym. 1999. ‘Domesticating Emmeline: Representing the Suffragette, 1930-1993’. NWSA Journal 11 (2): 1–24. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4316653.
Mulvey, Laura. 2010. ‘Chapter 9: Visual Pleasure and Narrative Cinema’. In The Feminism and Visual Culture Reader, 2nd ed, 57–65. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=90edc23f-a7fa-e711-80cd-005056af4099.
Overlie, Mary. 2016. Standing in Space: The Six Viewpoints Theory and Practice. The Author.
Parker-Starbuck, Jennifer, and Roberta Mock. 2011. ‘Chapter 9: Researching the Body in/as Performance’. In Research Methods in Theatre and Performance, 210–35. Edinburgh: Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001377909707446&context=L&vid=44UOEX_INST:default.
Poore, Benjamin. 2011. Heritage, Nostalgia and Modern British Theatre: Staging the Victorians. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001086309707446&context=L&vid=44UOEX_INST:default.
Postlewait, Thomas. 2009. The Cambridge Introduction to Theatre Historiography. New York: Cambridge University Press.
Purvis, June, and Sandra Stanley Holton. 2000. ‘Introduction: The Campaigns for Votes for Women’. In Votes for Women, 1–12. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=80bb01d9-550c-e911-80cd-005056af4099.
Quinault, Roland. 1998. ‘The Cult of the Centenary, c.1784-1914’. Historical Research 71 (176): 303–23. https://uoelibrary.idm.oclc.org/login?url=http://onlinelibrary.wiley.com/doi/10.1111/1468-2281.00066.
‘Remembrance Poppy: Controversies and How to Wear It - BBC Newsbeat’. 2015. 2015. http://www.bbc.co.uk/newsbeat/article/29848595/remembrance-poppy-controversies-and-how-to-wear-it?intc_type=singletheme&intc_location=allvirtualsites&intc_campaign=remembranceday&intc_linkname=article_newsbeat_contentcard1.
Rokem, Freddie. 2000a. ‘Introduction: The Notions of “Performing History”’. In Performing History: Theatrical Representations of the Past in Contemporary Theatre, 1–25. Iowa City, IA: University of Iowa Press. https://contentstore.cla.co.uk/secure/link?id=f32c1769-389e-e911-80cd-005056af4099.
———. 2000b. Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City, IA: University of Iowa Press.
Roper, Michael. 2018. ‘Family Legacies in the Centenary: Motives for First World War Commemoration among British and German Descendants’. History and Memory 30 (1): 76–115. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.2979/histmemo.30.1.04.
Smith, Harry Leslie. 2013. ‘This Year, I Will Wear a Poppy for the Last Time’. The Guardian. https://www.theguardian.com/commentisfree/2013/nov/08/poppy-last-time-remembrance-harry-leslie-smith?CMP=Share_iOSApp_Other.
Sullivan, Nikki. 2003. ‘Chapter 5: Performance, Performativity, Parody and Politics’. In A Critical Introduction to Queer Theory, 81–98. Edinburgh: Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=d6339b97-a5fa-e711-80cd-005056af4099.
Taylor, Diana. 2007. The Archive and the Repertoire: Performing Cultural Memory in the Americas. London: Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015079999707446&context=L&vid=44UOEX_INST:default.
‘The Complete London 2012 Opening Ceremony - YouTube’. n.d. https://www.youtube.com/watch?v=4As0e4de-rI.
‘We’re Here Because We’re Here’. n.d. https://becausewearehere.co.uk/we-are-here-gallery/.
‘“we’re Here Because We’re Here” Performance Compilation’. n.d. https://www.youtube.com/watch?time_continue=147&v=1pd1XYx27_U.
‘“we’re Here Because We’re Here” Project Overview’. n.d. https://www.nationaltheatre.org.uk/content/we%E2%80%99re-here-because-we%E2%80%99re-here.
‘Wonder Women Festival Manchester 2018 - Creative Tourist’. n.d. https://www.creativetourist.com/event/wonder-women/.
Zarrilli, Phillip B. 2013. ‘Chapter 1: Introduction: Acting as Psychophysical Phenomenon and Process’. In Acting: Psychophysical Phenomenon and Process, 1–50. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008569919707446&context=L&vid=44UOEX_INST:default.
