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Drama - LibGuides at University of Exeter, http://libguides.exeter.ac.uk/DramaHomePage.
2.
Parker-Starbuck, J., Mock, R.: Chapter 9: Researching the Body in/as Performance. In: Research methods in theatre and performance. pp. 210–235. Edinburgh University Press, Edinburgh (2011).
3.
Logie, L.: Developing a Physical Vocabulary for the Contemporary Actor. New Theatre Quarterly. 11, 230–240 (1995).
4.
Zarrilli, P.B.: Chapter 1: Introduction: Acting as Psychophysical Phenomenon and Process. In: Acting: psychophysical phenomenon and process. pp. 1–50. Palgrave Macmillan, Basingstoke (2013).
5.
Berlin, N.: Traffic of Our Stage: Boxing as Theater. Massachusetts Review. 47, 22–32 (2006).
6.
Loukes, R.: Chapter 5: Making Movement: The Psychophysical in ‘Embodied’ Practices. In: Acting: psychophysical phenomenon and process. pp. 194–223. Palgrave Macmillan, Basingstoke (2013).
7.
Overlie, M.: Standing in space: the six viewpoints theory and practice. The Author (2016).
8.
Bogart, A., Bogart, T.: Chapters 1-3. In: The viewpoints book: a practical guide to viewpoints and composition. pp. 3–20. Theatre Communications Group, New York (2005).
9.
Borowski, M., Sugiera, M.: Chapter 3: Political Fictions and Fictionalisations: History as Material for Postdramatic Theatre. In: Carroll, J., Giles, S., and Jürs-Munby, K. (eds.) Postdramatic theatre and the political: international perspectives on contemporary performance. pp. 67–86. Bloomsbury Publishing, London (2013).
10.
Heddon, D., Milling, J.: Chapter 6: Contemporary Devising and Physical Performance. In: Devising performance: a critical history. pp. 157–189. Palgrave Macmillan, Basingstoke, Hampshire (2015).
11.
Rokem, F.: Introduction: The Notions of ‘Performing History’. In: Performing history: theatrical representations of the past in contemporary theatre. pp. 1–25. University of Iowa Press, Iowa City, IA (2000).
12.
Davis, T.C.: The Context Problem. Theatre Survey. 45, 203–209 (2004).
13.
Quinault, R.: The Cult of the Centenary, c.1784-1914. Historical Research. 71, 303–323 (1998).
14.
Iles, J.: In remembrance: The Flanders poppy. Mortality. 13, 201–221 (2008).
15.
Remembrance poppy: Controversies and how to wear it - BBC Newsbeat, http://www.bbc.co.uk/newsbeat/article/29848595/remembrance-poppy-controversies-and-how-to-wear-it?intc_type=singletheme&intc_location=allvirtualsites&intc_campaign=remembranceday&intc_linkname=article_newsbeat_contentcard1.
16.
Smith, H.L.: This year, I will wear a poppy for the last time. The Guardian. (2013).
17.
‘we’re here because we’re here’ performance compilation, https://www.youtube.com/watch?time_continue=147&v=1pd1XYx27_U.
18.
‘we’re here because we’re here’ project overview, https://www.nationaltheatre.org.uk/content/we%E2%80%99re-here-because-we%E2%80%99re-here.
19.
we’re here because we’re here, https://becausewearehere.co.uk/we-are-here-gallery/.
20.
Purvis, J., Stanley Holton, S.: Introduction: The campaigns for votes for women. In: Votes for women. pp. 1–12. Routledge, London (2000).
21.
Liddington, J.: Era of Commemoration: Celebrating the Suffrage Centenary. History Workshop Journal. 194–218 (2005).
22.
The Complete London 2012 Opening Ceremony - YouTube, https://www.youtube.com/watch?v=4As0e4de-rI.
23.
Dreadnought South West, http://dreadnoughtsouthwest.org.uk/.
24.
Wonder Women Festival Manchester 2018 - Creative Tourist, https://www.creativetourist.com/event/wonder-women/.
25.
Kean, H.: Public history and popular memory: issues in the commemoration of the british militant suffrage campaign. Women’s History Review. 14, 581–602 (2005).
26.
Cockin, K.: Inventing the Suffragettes: Anachronism, Gnosticism and Corporeality in Contemporary Fiction. Critical Survey. 16, 17–32 (2004).
27.
Mayhall, L.E.N.: Domesticating Emmeline: Representing the Suffragette, 1930-1993. NWSA Journal. 11, 1–24 (1999).
28.
Mary Poppins - Sister Suffragette - YouTube, https://www.youtube.com/watch?v=Ds8cKgPdE6M.
29.
Lane, D.: Chapter 3: Writing and Devising – The Call for Collaboration. In: Contemporary British drama. pp. 82–107. Edinburgh University Press, Edinburgh (2010).
30.
Kirkwood, L.: NSFW. Nick Hern Books Limited, London (2012).
31.
Basham, V.M.: Gender, Race, Militarism and Remembrance: The Everyday Geopolitics of the Poppy, http://encore.exeter.ac.uk/iii/encore/record/C__Rx1032042?lang=eng, (2016).
32.
Kidd, J., Sayner, J.: Unthinking remembrance? Blood Swept Lands and Seas of Red and the significance of centenaries. Cultural Trends. 27, 68–82 (2018).
33.
Attenborough, R., Bogarde, D., Calvert, P.: Oh! What a Lovely War, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001DAC9%3Fbcast%3D127907327, (1969).
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Attenborough, R., Bogarde, D., Calvert, P.: Oh! What a Lovely War.
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Hytner, N., Griffiths, R., De La Tour, F., Tovey, R., Cooper, D.: The History Boys, https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F030E2761%3Fbcast%3D128227797.
36.
Roper, M.: Family Legacies in the Centenary: Motives for First World War Commemoration among British and German Descendants. History and Memory. 30, 76–115 (2018).
37.
Poore, B.: Heritage, Nostalgia and Modern British Theatre: Staging the Victorians. Palgrave Macmillan, Basingstoke (2011).
38.
Postlewait, T.: The Cambridge Introduction to Theatre Historiography. Cambridge University Press, New York (2009).
39.
Rokem, F.: Performing History: Theatrical Representations of the Past in Contemporary Theatre. University of Iowa Press, Iowa City, IA (2000).
40.
Taylor, D.: The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press, London (2007).
41.
Hall, S.: Extract from Chapter 1: The Work of Representation. In: Representation: Cultural Representations and Signifying Practices. pp. 36–74. Sage in association with the Open University, London (1997).
42.
Sullivan, N.: Chapter 5: Performance, Performativity, Parody and Politics. In: A Critical Introduction to Queer Theory. pp. 81–98. Edinburgh University Press, Edinburgh (2003).
43.
Mangan, M.: Chapter 7: Contemporary Masculinities. In: Staging Masculinities: History, Gender, Performance. pp. 207–216. Palgrave Macmillan, Basingstoke (2003).
44.
Dolan, J.: Chapter 1: The Discourse of Feminisms: The Spectator and the Representation. In: The Feminist Spectator as Critic. pp. 1–18. University of Michigan Press, Ann Arbor, MI (2012).
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Mulvey, L.: Chapter 9: Visual Pleasure and Narrative Cinema. In: The Feminism and Visual Culture Reader. pp. 57–65. Routledge, London (2010).