Bibliography for EAS3179 BETA

Adelman, Janet. (1992). Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to the Tempest. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013741439707446&context=L&vid=44UOEX_INST:default

Akhimie, P. (2009). Strange Episodes: Race in Stage History. Shakespeare Bulletin, 27(3), 363–376. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1931142709300215&site=eds-live&scope=site

Akhimie, P. (2018). Shakespeare and the cultivation of difference: race and conduct in the early modern world (Vol. 29). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002358459707446&context=L&vid=44UOEX_INST:default

Anderson, J. H., & Vaught, J. C. (Eds.). (2013). Shakespeare and Donne: generic hybrids and the cultural imaginary. Fordham University Press. https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&site=jstor&dest=https://www.jstor.org/stable/10.2307/j.ctt13x02h9

Andrews, J. F. (Ed.). (2015). Romeo and Juliet: critical essays: Vol. Volume 1. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509279707446&context=L&vid=44UOEX_INST:default

Ann Bach, R. (1998). The Homosocial imaginary of a woman killed with kindness. Textual Practice, 12(3), 503–524. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1999070541&site=eds-live

Anselment, R. A. (1993). ‘The Teares of Nature’: Seventeenth-Century Parental Bereavement. Modern Philology, 91(1), 26–53. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=0000307819&site=eds-live

Appelbaum, R. (1997). ‘Standing to the Wall’: The Pressures of Masculinity in Romeo and Juliet. Shakespeare Quarterly, 48(3). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2871016&site=eds-live&scope=site

Arab, R. A. (2001). Work, Bodies, and Gender in ‘The Shoemaker’s Holiday’. Medieval & Renaissance Drama in England, 13, 182–212. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24322525&site=eds-live&scope=site

Archer, I. W. (1991). The pursuit of stability: social relations in Elizabethan London: Vol. Cambridge studies in early modern British history. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003324649707446&context=L&vid=44UOEX_INST:default

Armitage, David, Condren, Conal, & Fitzmaurice, Andrew. (2009). Shakespeare and Early Modern Political Thought. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015761439707446&context=L&vid=44UOEX_INST:default

Bacon, F. (2001). The essays. Virginia Tech. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004537359707446&context=L&vid=44UOEX_INST:default

Bartolovich, C. (2009). ‘Optimism of the Will’: Isabella Whitney and Utopia. Journal of Medieval and Early Modern Studies, 39(2), 407–432. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013297706&site=eds-live

Baynes Coiro, A. (2004). Anonymous Milton, or, ‘A Maske’ Masked. ELH, 71(3), 609–629. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30029936&site=eds-live&scope=site

Belsey, C. (1993). The Name of the Rose in ‘Romeo and Juliet’. The Yearbook of English Studies, 23. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3507977&site=eds-live&scope=site

Belsey, C. (2014). The subject of tragedy: identity and difference in Renaissance drama. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615019707446&context=L&vid=44UOEX_INST:default

Ben Jonson. (n.d.). On My First Son. http://www.luminarium.org/sevenlit/jonson/son.htm

Berry, H., & Foyster, E. (2007). The Family in Early Modern England. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015297559707446&context=L&vid=44UOEX_INST:default

Berry, P. (1999a). Shakespeare’s feminine endings: disfiguring death in the tragedies. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default

Berry, P. (1999b). Shakespeare’s feminine endings: disfiguring death in the tragedies. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default

Berry, P. (1999c). Shakespeare’s feminine endings: disfiguring death in the tragedies. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default

Berry, R. (2017). The Shakespearean metaphor: studies in language and form. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509399707446&context=L&vid=44UOEX_INST:default

Bevan, J. (1997). Ben Jonson’s ‘On My First Son’ and the Common Prayer Catechism. Notes and Queries, 44(1), 90–92. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1997065213&site=eds-live&scope=site

Bicks, C. (2016). Incited Minds: Rethinking Early Modern Girls. Shakespeare Studies, 44, 180–202. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118916914&site=eds-live&scope=site

Botelho, L. A., & Thane, P. (2001). Women and ageing in British society since 1500. Pearson Education. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006592209707446&context=L&vid=44UOEX_INST:default

Bovilsky, L. (2008). Barbarous play: race on the English Renaissance stage. University of Minnesota Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004104729707446&context=L&vid=44UOEX_INST:default

Bowers, R. (2003). Comedy, Carnival, and Class: A Chaste Maid in Cheapside. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 8(3). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2003582730&site=eds-live&scope=site

Breitenberg, M. (1996). Anxious Masculinity in Early Modern England: Vol. Cambridge Studies in Renaissance Literature and Culture. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013526629707446&context=L&vid=44UOEX_INST:default

Broaddus, J. W. (2003). ‘Gums of Glutinous Heat’ in Milton’s ‘Mask’ and Spenser’s ‘Faerie Queene’. Milton Quarterly, 37(4), 205–214. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24465090&site=eds-live&scope=site

Brooke, A. (1562). The Tragicall History of Romeus and Juliet. https://shakespeare-navigators.ewu.edu/romeo/BrookeIndex.html

Burton, J., & Loomba, A. (2007). Race in early modern England: A documentary companion. Palgrave Macmillan. https://encore.exeter.ac.uk/iii/encore/record/C__Rb2507050

Butler, M. (1994). Chapter 4 - Ben Jonson and the Limits of Courtly Panegyric. In Culture and politics in early Stuart England: Vol. Problems in focus series. Macmillan Press. https://contentstore.cla.co.uk/secure/link?id=0e1ae704-fb80-e611-80c6-005056af4099

Butler, M. (1996). ‘Servant but not Slave’: Ben Jonson at the Jacobean Court. Proceedings of the British Academy, 90, 65–93. https://contentstore.cla.co.uk/secure/link?id=61c0d254-fd80-e611-80c6-005056af4099

Callaghan, D. (2000). Shakespeare without women: representing gender and race on the Renaissance stage. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904429707446&context=L&vid=44UOEX_INST:default

Callaghan, D. (2007). Chapter 7 - Confounded by Winter: Speeding Time in Shakespeare’s Sonnets. In A companion to Shakespeare’s sonnets (pp. 104–118). Blackwell. https://contentstore.cla.co.uk/secure/link?id=7e33c4e1-8982-e611-80c6-005056af4099

Callaghan, D. C. (1994). Chapter 2 - The Ideology of Romantic Love: The Case of Romeo and Juliet. In The weyward sisters: Shakespeare and feminist politics (pp. 59–101). Blackwell. https://contentstore.cla.co.uk/secure/link?id=88adbf89-0981-e611-80c6-005056af4099

Capp, B. S. (2018a). The ties that bind: siblings, family, and society in early modern England (First edition). Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008270429707446&context=L&vid=44UOEX_INST:default

Capp, B. S. (2018b). The ties that bind: siblings, family, and society in early modern England (First edition). Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008270429707446&context=L&vid=44UOEX_INST:default

Chakravorty, Swapan. (1996). Society and politics in the plays of Thomas Middleton: Vol. Oxford English monographs. Clarendon. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2512787?lang=eng

Chedgzoy, Kate, Greenhalgh, Susanne, & Shaughnessy, Robert. (2007a). Shakespeare and Childhood. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015450149707446&context=L&vid=44UOEX_INST:default

Chedgzoy, Kate, Greenhalgh, Susanne, & Shaughnessy, Robert. (2007b). Shakespeare and Childhood. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015450149707446&context=L&vid=44UOEX_INST:default

Chessell, D. (1984). A Constant Shaping Pressure: Mortality in Poetry. The Critical Review, 26. https://contentstore.cla.co.uk/secure/link?id=0fead042-1b83-e611-80c6-005056af4099

Christensen, A. (1997). Business, Pleasure, and the Domestic Economy in Heywood’s a Woman Killed with Kindness. Exemplaria, 9(2), 315–340. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1997067170&site=eds-live

Clerico, T. (1992). The Politics of Blood: John Ford’s Tis Pity She’s a Whore. English Literary Renaissance, 22(3), 405–434. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43447403&site=eds-live

Coker-Durso, L. G. (2014). Metatheatricality and disability drag: Performing bodily difference on the early modern English stage. ProQuest Dissertations & Theses. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991009422619707446&context=L&vid=44UOEX_INST:default

Cousins, A. D., & Scott, A. V. (Eds.). (2009). Ben Jonson and the politics of genre. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015778879707446&context=L&vid=44UOEX_INST:default

Crawford, P. (2004a). Blood, bodies and families in early modern England: Vol. Women and men in history. Longman. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014481849707446&context=L&vid=44UOEX_INST:default

Crawford, P. (2004b). Blood, bodies and families in early modern England: Vol. Women and men in history. Longman. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014481849707446&context=L&vid=44UOEX_INST:default

Crawford, Patricia. (2005). Women’s Worlds in Seventeenth-Century England : A Sourcebook. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004336099707446&context=L&vid=44UOEX_INST:default

Cressy, D. (1997a). Birth, marriage, and death: ritual, religion, and the life-cycle in Tudor and Stuart England. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000744649707446&context=L&vid=44UOEX_INST:default

Cressy, D. (1997b). Birth, marriage, and death: ritual, religion, and the life-cycle in Tudor and Stuart England. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000744649707446&context=L&vid=44UOEX_INST:default

Cressy, D., & Ferrell, L. A. (2005). Religion and society in early modern England: a sourcebook (2nd ed). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014655409707446&context=L&vid=44UOEX_INST:default

Dawson, Lesel. (2008). Lovesickness and gender in early modern English literature. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015724509707446&context=L&vid=44UOEX_INST:default

Degenhardt, Jane Hwang & Williamson, Elizabeth. (2011). Religion and drama in early modern England: the performance of religion on the Renaissance stage: Vol. Studies in performance and early modern drama. Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000532759707446&context=L&vid=44UOEX_INST:default

Dekker, T., & Harris, J. G. (2008). The shoemaker’s holiday (3rd ed). Methuen Drama. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006627539707446&context=L&vid=44UOEX_INST:default

DiGangi, M. (1997). The homoerotics of early modern drama: Vol. Cambridge studies in Renaissance literature and culture. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003341329707446&context=L&vid=44UOEX_INST:default

DiGangi, M. (2011). Sexual types: embodiment, agency, and dramatic character from Shakespeare to Shirley (1st ed). University of Pennsylvania Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004598989707446&context=L&vid=44UOEX_INST:default

Dollimore, J. (2004). Radical tragedy: religion, ideology and power in the drama of Shakespeare and his contemporaries (3rd ed). Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000121009707446&context=L&vid=44UOEX_INST:default

Donne, J. (2006). The Relic’ ‘The Funeral,’ and ‘Hymn to my God in my Sickness’. In The Norton anthology of English literature: Volume B: The sixteenth century ; the early seventeenth century (8th ed). W.W. Norton. https://contentstore.cla.co.uk/secure/link?id=6e490dcf-c5d7-e911-80cd-005056af4099

Dowd, M. M., & Korda, N. (2011). Working subjects in early modern English drama. Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002852759707446&context=L&vid=44UOEX_INST:default

E.A. Copen                            William Shakespeare. (n.d.). Romeo and Juliet. https://exeteruk.overdrive.com/media/1745008

Espinosa, R., & Ruiter, D. (Eds.). (2016). Shakespeare and immigration. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628529707446&context=L&vid=44UOEX_INST:default

Evans, J. (2016). ‘They are called Imperfect men’: Male Infertility and Sexual Health in Early Modern England. Social History of Medicine, 29(2), 311–332. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=RN379556897&site=eds-live&scope=site

Feerick, J. E. (2010). Strangers in blood: relocating race in the Renaissance. University of Toronto Press. https://encore.exeter.ac.uk/iii/encore/record/C__Rb3563139

FITTER, C. (2000). "The quarrel is between our masters and us their men”: Romeo and Juliet, Dearth, and the London Riots. English Literary Renaissance, 30(2), 154–183. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=3542014&site=eds-live&scope=site

Fleck, A. (2006). Marking Difference and National Identity in Dekker’s ‘The Shoemaker’s Holiday’. Studies in English Literature, 1500-1900, 46(2), 349–370. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844646&site=eds-live&scope=site

Fletcher, A. (1995). Gender, sex, and subordination in England, 1500-1800. Yale University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015741619707446&context=L&vid=44UOEX_INST:default

Foakes, R. A. (1956). Hamlet and the Court of Elsinore. Shakespeare Survey: An Annual Survey of Shakespearian Study and Production, 9, 35–43. https://contentstore.cla.co.uk/secure/link?id=3639d728-1e83-e611-80c6-005056af4099

Ford, J., & Barker, S. (1997). ’Tis pity she’s a whore. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004027999707446&context=L&vid=44UOEX_INST:default

Foster, V. (1988). ’Tis Pity She’s a Whore as City Tragedy. In John Ford : critical re-visions (pp. 181–200). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=9546e7c1-7f82-e611-80c6-005056af4099

Foyster, E. A. (2014). Manhood in early modern England: honour, sex, and marriage: Vol. Women And Men In History. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012989859707446&context=L&vid=44UOEX_INST:default

Frey, C., & Lieblein, L. (2004). ‘My breasts sear’d’: The Self-Starved Female Body and A Woman Killed with Kindness. Early Theatre, 7(Issue 1), 45–66. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=13218782&site=eds-live&scope=site

Garber, M. (1981). Coming of Age in Shakespeare. Methuen. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002236509707446&context=L&vid=44UOEX_INST:default

Garber, M. B. (1997). Coming of age in Shakespeare (1st pbk. ed). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002236509707446&context=L&vid=44UOEX_INST:default

Garrison, J. S. (2018). Shakespeare and the afterlife. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003032909707446&context=L&vid=44UOEX_INST:default

Garwood, S. (2009). "The Skull Beneath the Skin”: Women and Self-Starvation on the Renaissance Stage. Shakespeare Jahrbuch, 145, 106–123. https://contentstore.cla.co.uk/secure/link?id=f0bca4a8-cb1a-eb11-80cd-005056af4099

Gent, L., & Llewellyn, N. (1990). Renaissance bodies: the human figure in English culture, c.1540-1660: Vol. Critical views. Reaktion Books. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007640139707446&context=L&vid=44UOEX_INST:default

Gillen, K. (2018). Chaste value: economic crisis, female chastity and the production of social difference on Shakespeare’s stage. Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006373349707446&context=L&vid=44UOEX_INST:default

Goldberg, J. (1983). Pages 56-65. In James I and the politics of literature : Jonson, Shakespeare, Donne, and their contemporaries (pp. 56–65). Johns Hopkins University Press. https://contentstore.cla.co.uk/secure/link?id=62073f9d-ff80-e611-80c6-005056af4099

Goldberg, J. (Ed.). (1994). Queering the Renaissance. Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005253379707446&context=L&vid=44UOEX_INST:default

Goldstein, M. (1996). The Tragedy of Old Capulet: A Patriarchal Reading of Romeo and Juliet. English Studies, 77. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1996065400&site=eds-live&scope=site

Goodland, Katharine. (2006). Chapter 7 - The Gendered Poetics of Tragedy in Shakespeare’s Hamlet. In Female mourning and tragedy in medieval and renaissance English drama: from the raising of Lazarus to King Lear (pp. 171–199). Ashgate. https://contentstore.cla.co.uk/secure/link?id=081208c4-2083-e611-80c6-005056af4099

Gordon, A. (2013). Writing early modern London: Memory, text and community. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002355599707446&context=L&vid=44UOEX_INST:default

Gordon, D. J. (1945). Hymenaei: Ben Jonson’s Masque of Union. Journal of the Warburg and Courtauld Institutes, 8. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.750168&site=eds-live&scope=site

Gordon, D. J. (1949). Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones. Journal of the Warburg and Courtauld Institutes, 12. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.750261&site=eds-live&scope=site

Gowing, L. (1996). Domestic dangers: women, words, and sex in early modern London: Vol. Oxford studies in social history. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000967119707446&context=L&vid=44UOEX_INST:default

Gowing, L. (1997). Secret Births and Infanticide in Seventeenth-Century England. Past and Present, 156, 87–115. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.651179&site=eds-live&scope=site

Graham, J. (2012). Katherine Philips and ‘Churching’. Explicator, 70(3), 161–163. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013583106&site=eds-live&scope=site

Gray, C. (2001). Feeding on the Seed of the Woman: Dorothy Leigh and the Figure of Maternal Dissent. ELH, 68(3), 563–592. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30031983&site=eds-live&scope=site

Greenblatt, S. J. (2002). Hamlet in purgatory. Princeton University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004185319707446&context=L&vid=44UOEX_INST:default

Greenblatt, S. J. & American Council of Learned Societies. (1988). Shakespearean negotiations: the circulation of social energy in Renaissance England: Vol. New historicism : studies in cultural poetics. University of California Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001979489707446&context=L&vid=44UOEX_INST:default

Griffiths, P. (1996). Youth and authority: formative experiences in England 1560-1640. Clarendon Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000748839707446&context=L&vid=44UOEX_INST:default

Habib, I. H. (n.d.). Black lives in the English archives, 1500-1677: imprints of the invisible. Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003985009707446&context=L&vid=44UOEX_INST:default

Habib, I. H. (2008). Black lives in the English archives, 1500-1677: imprints of the invisible. Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003985009707446&context=L&vid=44UOEX_INST:default

Haggerty, G. E. (2005). The Yard of Wit: Male Creativity and Sexuality, 1650-1750 (review). Journal of the History of Sexuality, 14(3), 347–352. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3704661&site=eds-live

Hall, K. F. (1995a). Things of darkness: economies of race and gender in early modern England. Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008296539707446&context=L&vid=44UOEX_INST:default

Hall, K. F. (1995b). Things of darkness: economies of race and gender in early modern England. Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008296539707446&context=L&vid=44UOEX_INST:default

Hammersmith, J. P. (1978). Hamlet and the Myth of Memory. ELH, 45(4), 597–605. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2872579&site=eds-live

Hammons, P. (1999). Despised Creatures: The Illusion of Maternal Self-Effacement in Seventeenth-Century Child Loss Poetry. ELH, 66(1), 25–49. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30032060&site=eds-live&scope=site

Hattaway, M. (2000). A companion to English renaissance literature and culture (Vol. 8). Blackwell. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000514349707446&context=L&vid=44UOEX_INST:default

Heinemann, M. (1980). Puritanism and theatre: Thomas Middleton and opposition drama under the early Stuarts: Vol. Past and present publications. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003418659707446&context=L&vid=44UOEX_INST:default

Heller, J. L. (2008). The Legacy and Rhetorics of Maternal Zeal. ELH, 75(3), 603–623. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.27654627&site=eds-live&scope=site

Heywood, T., & Scobie, B. W. M. (1985). A woman killed with kindness. A. & C. Black. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003215539707446&context=L&vid=44UOEX_INST:default

Higginbotham, J. (2013). The girlhood of Shakespeare’s sisters: gender transgression, adolescence. Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748655908.001.0001

Higginbotham, J., & Johnston, M. A. (Eds.). (2018). Queering childhood in early modern English drama and culture. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003699509707446&context=L&vid=44UOEX_INST:default

Hillman, D., & Mazzio, C. (1997a). The body in parts: fantasies of corporeality in early modern Europe. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002220699707446&context=L&vid=44UOEX_INST:default

Hillman, D., & Mazzio, C. (1997b). The body in parts: fantasies of corporeality in early modern Europe. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002220699707446&context=L&vid=44UOEX_INST:default

Hopkins, L. (2002). The female hero in English Renaissance tragedy. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002356799707446&context=L&vid=44UOEX_INST:default

Houlbrooke, R. A. (1984). The English family, 1450-1700. Longman. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628389707446&context=L&vid=44UOEX_INST:default

Houlbrooke, R. A. (2000). Death, religion, and the family in England, 1480-1750: Vol. Oxford studies in social history. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000964929707446&context=L&vid=44UOEX_INST:default

Houlbrooke, Ralph A. (2000). Death, religion, and the family in England, 1480-1750: Vol. Oxford studies in social history. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000964929707446&context=L&vid=44UOEX_INST:default

Howard, J. E. (1994). The stage and social struggle in early modern England. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005614979707446&context=L&vid=44UOEX_INST:default

Hoxby, B. (2007). The Wisdom of Their Feet: Meaningful Dance in Milton and the Stuart Masque. English Literary Renaissance, 37(1), 74–99. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24463802&site=eds-live&scope=site

Hunter, G. K. (1986). Bourgeois comedy: Shakespeare and Dekker. In Shakespeare and his contemporaries: essays in comparison: Vol. The Revels plays companion library (pp. 1–15). Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=8c33442b-7082-e611-80c6-005056af4099

Hutner, H. (2001). Colonial women: race and culture in Stuart drama. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007580659707446&context=L&vid=44UOEX_INST:default

Ingram, M. (1987). Church courts, sex, and marriage in England, 1570-1640. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003248629707446&context=L&vid=44UOEX_INST:default

Iyengar, S. (2005). Shades of difference: mythologies of skin color in early modern England. University of Pennsylvania Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012322959707446&context=L&vid=44UOEX_INST:default

Iyengar, S. (Ed.). (2015a). Disability, health, and happiness in the Shakespearean body (Vol. 12). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default

Iyengar, S. (Ed.). (2015b). Disability, health, and happiness in the Shakespearean body (Vol. 12). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default

Iyengar, S. (Ed.). (2015c). Disability, health, and happiness in the Shakespearean body (Vol. 12). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default

Iyengar, S. (Ed.). (2015d). Disability, health, and happiness in the Shakespearean body (Vol. 12). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default

Jenstad, J. D. (2004). Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside. Journal of Medieval and Early Modern Studies, 34(2), 373–403. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004296888&site=eds-live&scope=site

Jonson, B. (n.d.-a). Hymenaei. http://www.luminarium.org/editions/hymen.htm

Jonson, B. (n.d.-b). The Cambridge Works of Ben Jonson. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000389459707446&context=L&vid=44UOEX_INST:default

Kahn, C. (1977a). Coming of Age in Verona. Modern Language Studies, 8(1). https://www.jstor.org/stable/3194631?seq=1#metadata_info_tab_contents

Kahn, C. (1977b). Coming of Age in Verona. Modern Language Studies, 8(1). https://www.jstor.org/stable/3194631?seq=1#metadata_info_tab_contents

Kahn, C. (1980). Coming of Age in Verona. In The woman’s part: feminist criticism of Shakespeare (pp. 171–193). University of Illinois Press. https://contentstore.cla.co.uk/secure/link?id=67eab247-4f1f-eb11-80cd-005056af4099

Kamps, I., & Singh, J. G. (2001). Travel knowledge: European ‘discoveries’ in the early modern period. Palgrave. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628559707446&context=L&vid=44UOEX_INST:default

Karim-Cooper, F. (2006a). Cosmetics in Shakespearean and Renaissance drama. Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748619931.001.0001

Karim-Cooper, F. (2006b). Cosmetics in Shakespearean and Renaissance drama. Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748619931.001.0001

Kastan, D. S., & Stallybrass, P. (1991). Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903909707446&context=L&vid=44UOEX_INST:default

Kastan, David Scott & Stallybrass, Peter. (1991). Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903909707446&context=L&vid=44UOEX_INST:default

Kaufmann, M. (2015). ‘Making the Beast with Two Backs’: Interracial Relationships in Early Modern England. Literature Compass, 12(1), 22–37. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016396197&site=eds-live&scope=site

Kaufmann, R. J. (1960). Ford’s Tragic Perspective. Texas Studies in Literature and Language, 1(4), 522–537. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1960002780&site=eds-live&scope=site

Kay, W. D. (1971). The Christian Wisdom of Ben Jonson’s ‘On My First Sonne’. Studies in English Literature, 1500-1900, 11(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.449822&site=eds-live&scope=site

Kellett, K. R. (2009). The Lady’s Voice: Poetic Collaboration in Milton’s Mask. Milton Studies, 50, 1–19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2010582084&site=eds-live&scope=site

Kendrick, M. (2011). "A Shoemaker Sell Flesh and Blood—O Indignity!”: The Labouring Body and Community in The Shoemaker’s Holiday. English Studies, 92(3), 259–273. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2011581043&site=eds-live

Kidnie, M. J. (2013). ‘We Really Can’t Be Doing 1603 Now. We Really Can’t’: Katie Mitchell, Theatrical Adaptation, and Heywood’s A Woman Killed with Kindness. Shakespeare Bulletin, 31(4), 647–668. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014580091&site=eds-live&scope=site

King, H. (1998). Hippocrates’ woman: reading the female body in ancient Greece. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615139707446&context=L&vid=44UOEX_INST:default

King, H. (2004). The disease of virgins: green sickness, chlorosis, and the problems of puberty. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628309707446&context=L&vid=44UOEX_INST:default

King, H. (2013). The one-sex body on trial: the classical and early modern evidence. Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002712729707446&context=L&vid=44UOEX_INST:default

Kinney, A. F. (2002). A companion to Renaissance drama (Vol. 14). Blackwell Publishers. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903949707446&context=L&vid=44UOEX_INST:default

Knowles, K. (2014). Shakespeare’s boys: A cultural history. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002940389707446&context=L&vid=44UOEX_INST:default

Knowles, R. (1998). Shakespeare and carnival: After Bakhtin. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000174669707446&context=L&vid=44UOEX_INST:default

Kronenfeld, J. Z. (1978). The Father Found: Consolation Achieved through Love in Ben Jonson’s ‘On My First Sonne’. Studies in Philology, 75(1), 64–83. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1978104796&site=eds-live&scope=site

Kunin, A. (2009). Shakespeare’s Preservation Fantasy. PMLA: Publications of the Modern Language Association of America, 124(1), 92–106. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2009380006&site=eds-live

Lamb, E. (2009). Performing Childhood in the Early Modern Theatre. Palgrave Macmillan UK. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002375849707446&context=L&vid=44UOEX_INST:default

Lamb, E. (2018). Reading children in early modern culture. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006381229707446&context=L&vid=44UOEX_INST:default

Laqueur, Thomas Walter. (1992). Making sex: body and gender from the Greeks to Freud. Harvard University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004368669707446&context=L&vid=44UOEX_INST:default

Lawson, A. C. (2012). Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker’s Holiday. Early Theatre, 15(2), 93–110. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013580193&site=eds-live&scope=site

Leigh, D. & Bodleian Library. (1685). The mothers blessing: being several Godly admonitions given by a mother unto her children upon her death-bed, a little before her departure. Printed by I.M. for I. Clarke, W. Thackeray, and T. Passinger. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991016247149707446&context=L&vid=44UOEX_INST:default

Leigh, D., Joscelin, E., Richardson, E., & Brown (eds), S. (1999). Introduction to Dorothy Leigh - The Mothers Blessing (1616). In Women’s Writing in Stuart England: The Mothers’ Legacies of Dorothy Leigh, Elizabeth Joscelin, and Elizabeth Richardson (pp. 3–14). Sutton. https://contentstore.cla.co.uk/secure/link?id=4e5e944c-2b80-e611-80c6-005056af4099

Leigh, D., Joscelin, E., Richardson, E., & Brown, S. (1999). Women’s writing in Stuart England: the mothers’ legacies of Dorothy Leigh, Elizabeth Joscelin, and Elizabeth Richardson. Sutton.

Leinwand, T. B. (1999). Theatre, finance and society in early modern England. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003345689707446&context=L&vid=44UOEX_INST:default

Levenson, J. L. (1982). The Definition of Love: Shakespeare’s Phrasing in Romeo and Juliet. Shakespeare Studies, 15. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=8954265&site=eds-live&scope=site

Library Website. (n.d.). https://www.exeter.ac.uk/departments/library/

Lindley, D. (1986). Embarrassing Ben: The Masques For Frances Howard. English Literary Renaissance, 16(2), 343–359. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43447189&site=eds-live&scope=site

Loomba, A. (2002). Shakespeare, race, and colonialism. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005462889707446&context=L&vid=44UOEX_INST:default

Loomba, A., & Orkin, M. (1998). Post-colonial Shakespeares. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004038299707446&context=L&vid=44UOEX_INST:default

Loughlin, M. H. (1996). ‘Love’s Friend and Stranger to Virginitie’: The Politics of the Virginal Body in Ben Jonson’s Hymenaei and Thomas Campion’s the Lord Hay’s Masque. ELH, 63(4), 833–849. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30030128&site=eds-live&scope=site

Love, G. (2018). Early modern theatre and the figure of disability. The Arden Shakespeare/Bloomsbury Academic. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006272549707446&context=L&vid=44UOEX_INST:default

MacDonald, J. G. (2002). Women and race in early modern texts. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483721

Maclean, I. (1980). The Renaissance notion of woman: a study in the fortunes of scholasticism and medical science in European intellectual life. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511562471

Martin, C. (2012). Constituting old age in Early Modern English literature, from Queen Elizabeth to King Lear. University of Massachusetts Press. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4533142

Maynard, S. (1998). Feasting on Eyre: Community, Consumption, and Communion in The Shoemaker’s Holiday. Comparative Drama, 32(3), 327–346. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1936163798300007&site=eds-live

McClive, C. (2002). The Hidden Truths of the Belly: The Uncertainties of Pregnancy in Early Modern Europe. Social History of Medicine, 15(2), 209–227. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000177608300002&site=eds-live

McLaren, A. (2020). Reproductive rituals: the perception of fertility in England from the sixteenth century to the nineteenth century (Vol. 4). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628419707446&context=L&vid=44UOEX_INST:default

McLuskie, K. E. (1994). Dekker and Heywood: Professional Dramatists. Macmillan Education UK. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000417419707446&context=L&vid=44UOEX_INST:default

McQuade, P. (2000). ‘A Labyrinth of Sin’: Marriage and Moral Capacity in Thomas Heywood’s ‘A Woman Killed with Kindness’. Modern Philology, 98(2), 231–250. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.438934&site=eds-live

Mendelson, Sara Heller & Crawford, Patricia. (1998). Women in early modern England, 1550-1720. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001021769707446&context=L&vid=44UOEX_INST:default

Mickel, L. (2003). Glorious Spangs and Rich Embroidery: Costume in The Masque of Blackness and Hymenaei. Studies in the Literary Imagination, 36(2), 41–59. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004532739&site=eds-live&scope=site

Middleton, T. (2002). A chaste maid in Cheapside. A. & C. Black. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003211169707446&context=L&vid=44UOEX_INST:default

Miller, N. J., & Yavneh, N. (2011). Gender and early modern constructions of childhood. Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628359707446&context=L&vid=44UOEX_INST:default

Miller, N. J., & Yavneh, N. (2016). Sibling relations and gender in the early modern world: sisters, brothers and others. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005038709707446&context=L&vid=44UOEX_INST:default

Miller, N. J., & Yavneh, N. (2017). Maternal Measures: Figuring Caregiving in the Early Modern Period (First edition). Taylor and Francis. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628439707446&context=L&vid=44UOEX_INST:default

Milton, J. (1634). Comus: A Masque. http://www.luminarium.org/renascence-editions/comus.html

Morgan, J. L. (2004). Laboring women: reproduction and gender in New World slavery. University of Pennsylvania Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005669549707446&context=L&vid=44UOEX_INST:default

Mulder, J. Y. (2018). Wasteful Bodies: Queer Embodiment and Erotics in Early Modern Literature. ProQuest Dissertations & Theses. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991009352799707446&context=L&vid=44UOEX_INST:default

Neill, M. (1988). What strange riddle’s this?: Deciphering ’Tis Pity She’s A Whore. In John Ford: critical re-visions (pp. 153–180). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=c081ea9a-1820-eb11-80cd-005056af4099

Neill, M. (1993). ‘In Everything Illegitimate’: Imagining the Bastard in Renaissance Drama. The Yearbook of English Studies, 23, 270–292. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3507984&site=eds-live

Neill, M. (1997). Issues of Death : Mortality and Identity in English Renaissance Tragedy. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000983209707446&context=L&vid=44UOEX_INST:default

Neill, Michael. (1997). Issues of death: mortality and identity in English Renaissance tragedy. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000983209707446&context=L&vid=44UOEX_INST:default

Newman, K. (2006). Chapter 21 - A Chaste Maid in Cheapside and London. In Early modern English drama: a critical companion (pp. 237–247). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=e1a922cd-6482-e611-80c6-005056af4099

Newton, H. (2012). The sick child in early modern England, 1580-1720. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001703519707446&context=L&vid=44UOEX_INST:default

Oldenburg, S. K. (2014). Alien Albion: literature and immigration in early modern England. University of Toronto Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004974199707446&context=L&vid=44UOEX_INST:default

Ortiz, J. M. (2005). ‘The Reforming of Reformation’: Theatrical, Ovidian, and Musical Figuration in Milton’s Mask. Milton Studies, 44, 84–110. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005870186&site=eds-live&scope=site

Orvis, D. L. (Ed.). (2018a). Queer Milton. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008797309707446&context=L&vid=44UOEX_INST:default

Orvis, D. L. (Ed.). (2018b). Queer Milton. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008797309707446&context=L&vid=44UOEX_INST:default

Paster, G. K. (1993a). The body embarrassed: drama and the disciplines of shame in early modern England. Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008295409707446&context=L&vid=44UOEX_INST:default

Paster, G. K. (1993b). The body embarrassed: drama and the disciplines of shame in early modern England. Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008295409707446&context=L&vid=44UOEX_INST:default

Paster, Gail Kern. (1993). The body embarrassed: drama and the disciplines of shame in early modern England. Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001094519707446&context=L&vid=44UOEX_INST:default

Phillippy, P. B. (Ed.). (2018). A history of early modern women’s writing. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005702459707446&context=L&vid=44UOEX_INST:default

Phillips, K. (n.d.). Epitaph: On the Death of my First and Dearest Child, Hector Philips. http://www.luminarium.org/sevenlit/philips/hector2.htm

Poitevin, K. (2011). Inventing Whiteness: Cosmetics, Race, and Women in Early Modern England. Journal for Early Modern Cultural Studies, 11(1), 59–89. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1553378611100034&site=eds-live&scope=site

Potter, U. (2013). Navigating the Dangers of Female Puberty in Renaissance Drama. SEL Studies in English Literature 1500-1900, 53(2), 421–439. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013582521&site=eds-live

Powell, R. (1995). The Adaptation of a Shakespearean Genre: Othello and Ford’s ’Tis Pity She’s a Whore. Renaissance Quarterly, 48(3), 582–592. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2862874&site=eds-live

Pritchard, R. E. (1985). Dying in Donne’s ‘The Good Morrow’. Essays in Criticism, XXXV(3), 213–222. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=16021213&site=eds-live

Read, S. (2013). Menstruation and the female body in early modern England. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000099629707446&context=L&vid=44UOEX_INST:default

Reay, B., & Phillips, K. M. (2011). Sex before sexuality: a premodern history: Vol. Themes in history. Polity. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008309099707446&context=L&vid=44UOEX_INST:default

Richardson, C. (2002). Chapter 5 - Properties of domestic life: the table in Heywood’s A Woman Killed With Kindness. In Staged properties in early modern English drama (pp. 129–152). Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=580cd5e8-7582-e611-80c6-005056af4099

Richardson, C. (2006). Domestic life and domestic tragedy in early modern England: the material life of the household. Manchester University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015009319707446&context=L&vid=44UOEX_INST:default

Rutter, C. C. (2001a). Chapter 2 - Snatched Bodies: Ophelia in the grave. In Enter the Body: Women and Representation on Shakespeare’s Stage (pp. 27–56). Routledge. https://contentstore.cla.co.uk/secure/link?id=a3115ca3-2583-e611-80c6-005056af4099

Rutter, C. C. (2001b). Enter the body: women and representation on Shakespeare’s stage. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004032969707446&context=L&vid=44UOEX_INST:default

Sawday, J. (1994). The body emblazoned: dissection and the human body in Renaissance culture. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615049707446&context=L&vid=44UOEX_INST:default

Schiffer, J. (2000). Shakespeare’s sonnets: critical essays: Vol. Shakespeare criticism. Garland Pub. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013330629707446&context=L&vid=44UOEX_INST:default

Schwarz, K. (2003). Chastity, Militant and Married: Cavendish’s Romance, Milton’s Masque. PMLA: Publications of the Modern Language Association of America, 118(2), 270–285. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1261414&site=eds-live&scope=site

Schwyzer, P. (2007). Archaeologies of English Renaissance literature. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015060879707446&context=L&vid=44UOEX_INST:default

Schwyzer, Philip. (2007). Archaeologies of English Renaissance literature. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015060879707446&context=L&vid=44UOEX_INST:default

Scodel, J. (1989). Genre and Occasion in Jonson’s ‘On My First Sonne’. Studies in Philology, 86(2), 235–259. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1989061796&site=eds-live&scope=site

Scott, A. V. (2007). Jonson’s Masque Markets and Problems of Literary Ownership. SEL 1500-1900, 47(2), 451–471. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4625119&site=eds-live&scope=site

Shakespeare, W. (2012). Romeo and Juliet. Arden Shakespeare. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003243739707446&context=L&vid=44UOEX_INST:default

Shakespeare, W. (2014). Hamlet: the first folio, 1623 (A. Thompson & N. Taylor, Eds.). Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003226829707446&context=L&vid=44UOEX_INST:default

Shakespeare, W. (2018). Shakespeare’s sonnets. First Avenue Editions. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004685699707446&context=L&vid=44UOEX_INST:default

Sheen, E., & Hutson, L. (2004). Literature, politics and law in Renaissance England. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002386519707446&context=L&vid=44UOEX_INST:default

Shepard, Alexandra. (2006). Meanings of manhood in early modern England: Vol. Oxford studies in social history. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001503379707446&context=L&vid=44UOEX_INST:default

Skuse, A. (2015). Constructions of Cancer in Early Modern England: Ravenous Natures. Palgrave Macmillan UK. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000501609707446&context=L&vid=44UOEX_INST:default

Smith, A. L. (2005). Performing Cross-Class Clandestine Marriage in The Shoemaker’s Holiday. SEL Studies in English Literature 1500-1900, 45(2), 333–355. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844548&site=eds-live

Sparey, V. (2015). Performing Puberty: Fertile Complexions in Shakespeare’s Plays. Shakespeare Bulletin, 33(3), 441–467. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1931142715300039&site=eds-live&scope=site

Spiller, E. (2011). Reading and the history of race in the Renaissance. Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001637759707446&context=L&vid=44UOEX_INST:default

Stallybrass, P., Chartier, R., Mowery, J. F., & Wolfe, H. (2004). Hamlet’s Tables and the Technologies of Writing in Renaissance England. Shakespeare Quarterly, 55(4), 379–419. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844198&site=eds-live

Stein, A. (1981). Handling Death: John Donne in Public Meditation. ELH, 48(3), 496–515. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2872910&site=eds-live

Stone, Lawrence. (1990). Road to divorce: England 1530-1987. Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001008979707446&context=L&vid=44UOEX_INST:default

Taylor, G., & Henley, T. T. (2012). The Oxford handbook of Thomas Middleton. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000517309707446&context=L&vid=44UOEX_INST:default

Tennenhouse, L. (2005). Power on display: the politics of Shakespeare’s genres. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904529707446&context=L&vid=44UOEX_INST:default

The Cambridge companion to Milton. (1999). Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015265369707446&context=L&vid=44UOEX_INST:default

Thomas, C. (2006). Chaste Bodies and Poisonous Desires in Milton’s ‘Mask’. SEL: Studies in English Literature, 1500-1900, 46(2), 435–459. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844650&site=eds-live&scope=site

Thompson, A. (2008). Performing race and torture on the early modern stage (Vol. 9). Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628589707446&context=L&vid=44UOEX_INST:default

Thrush, C.-P. (2017). Indigenous London: Native Travelers at the Heart of Empire. Yale University Press. https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&site=jstor&dest=https://www.jstor.org/stable/10.2307/j.ctt1g69wjx

Toulalan, S., & Fisher, K. (Eds.). (2013a). The Routledge history of sex and the body: 1500 to the present: Vol. The Routledge histories. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default

Toulalan, S., & Fisher, K. (Eds.). (2013b). The Routledge history of sex and the body: 1500 to the present: Vol. The Routledge histories. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default

Toulalan, S., & Fisher, K. (Eds.). (2013c). The Routledge history of sex and the body: 1500 to the present: Vol. The Routledge histories. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default

Toulalan, S., & Fisher, K. (Eds.). (2013d). The Routledge history of sex and the body: 1500 to the present: Vol. The Routledge histories. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default

Toulalan, S., & Fisher, K. (Eds.). (2013e). The Routledge history of sex and the body: 1500 to the present: Vol. The Routledge histories. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default

Toulalan, S., & Fisher, K. (Eds.). (2013f). The Routledge history of sex and the body: 1500 to the present: Vol. The Routledge histories. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default

Traub, V. (Ed.). (2016a). The Oxford handbook of Shakespeare and embodiment: gender, sexuality, and race. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004839229707446&context=L&vid=44UOEX_INST:default

Traub, V. (Ed.). (2016b). The Oxford handbook of Shakespeare and embodiment: gender, sexuality, and race. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004839229707446&context=L&vid=44UOEX_INST:default

Viazzo, P. P. (2001). Chapter 6 - Mortality, Fertility, and Family. In Family life in early modern times, 1500-1789: Vol. The history of the European family (pp. 157–187). Yale University Press. https://contentstore.cla.co.uk/secure/link?id=a87385e2-2b83-e611-80c6-005056af4099

Wall, W. (1991). Isabella Whitney and the Female Legacy. ELH, 58(1), 35–62. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2873393&site=eds-live

Wall, W. (1993). Chapter 5 - Dancing in a Net: The Problems of Female Authorship. In The imprint of gender: authorship and publication in the English Renaissance (pp. 279–340). Cornell University Press. https://contentstore.cla.co.uk/secure/link?id=858614a2-4180-e611-80c6-005056af4099

Warner, L. (2016). Stepfamilies in Early Modern Europe: Paths of Historical Inquiry. History Compass, 14(10), 480–492. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=118730245&site=eds-live&scope=site

Weissbourd, E. (2015). "Those in Their Possession”: Race, Slavery, and Queen Elizabeth’s "Edicts of Expulsion”. Huntington Library Quarterly, 78(1), 1–19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1544399X15100005&site=eds-live&scope=site

Wheeler, R. (2000). Complexion of Race: Categories of Difference in Eighteenth-Century British Culture. University of Pennsylvania Press. https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&site=jstor&dest=http://www.jstor.org/stable/10.2307/j.ctt3fhtxw

Whipday, E. (2019). Shakespeare’s domestic tragedies: violence in the early modern home. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781108564359

Whitney, I., Herbert, M., Lanier, E., & Clarke, D. (2000). ‘Last Will and Testament’ by Isabella Whitney. In Isabella Whitney, Mary Sidney, and Aemelia Lanyer: Renaissance Women Poets: Vol. Penguin classics (pp. 18–28). Penguin Books. https://contentstore.cla.co.uk/secure/link?id=d75e2105-3a80-e611-80c6-005056af4099

Wiseman, S. J. (1990). ’Tis Pity She’s a Whore: Representing the Incestuous Body. In Renaissance bodies: the human figure in English culture, c.1540-1660: Vol. Critical views (pp. 180–197). Reaktion Books. https://contentstore.cla.co.uk/secure/link?id=b4951ee4-8582-e611-80c6-005056af4099

Wood, D. H., & Hobgood, A. P. (2013). Recovering disability in early modern England. Ohio State University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006629469707446&context=L&vid=44UOEX_INST:default

Wrightson, Keith. (1993). English society, 1580-1680. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000438159707446&context=L&vid=44UOEX_INST:default

Zimmerman, S. (1992). Erotic politics: desire on the Renaissance stage. Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002160409707446&context=L&vid=44UOEX_INST:default

Zimmerman, S. (2005). The early modern corpse and Shakespeare’s theatre. Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003828109707446&context=L&vid=44UOEX_INST:default