Adelman, Janet. 1992. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013741439707446&context=L&vid=44UOEX_INST:default.
Akhimie, Patricia. 2009. ‘Strange Episodes: Race in Stage History’. Shakespeare Bulletin 27 (3): 363–76. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1931142709300215&site=eds-live&scope=site.
———. 2018. Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. Vol. 29. New York, NY: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002358459707446&context=L&vid=44UOEX_INST:default.
Anderson, Judith H., and Jennifer C. Vaught, eds. 2013. Shakespeare and Donne: Generic Hybrids and the Cultural Imaginary. New York: Fordham University Press. https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&site=jstor&dest=https://www.jstor.org/stable/10.2307/j.ctt13x02h9.
Andrews, John F., ed. 2015. Romeo and Juliet: Critical Essays. Vol. Volume 1. London [England]: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509279707446&context=L&vid=44UOEX_INST:default.
Ann Bach, Rebecca. 1998. ‘The Homosocial Imaginary of a Woman Killed with Kindness’. Textual Practice 12 (3): 503–24. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1999070541&site=eds-live.
Anselment, Raymond A. 1993. ‘“The Teares of Nature”: Seventeenth-Century Parental Bereavement’. Modern Philology 91 (1): 26–53. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=0000307819&site=eds-live.
Appelbaum, Robert. 1997. ‘“Standing to the Wall”: The Pressures of Masculinity in Romeo and Juliet’. Shakespeare Quarterly 48 (3). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2871016&site=eds-live&scope=site.
Arab, Ronda A. 2001. ‘Work, Bodies, and Gender in “The Shoemaker’s Holiday”’. Medieval & Renaissance Drama in England 13: 182–212. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24322525&site=eds-live&scope=site.
Archer, Ian W. 1991. The Pursuit of Stability: Social Relations in Elizabethan London. Vol. Cambridge studies in early modern British history. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003324649707446&context=L&vid=44UOEX_INST:default.
Armitage, David, Condren, Conal, and Fitzmaurice, Andrew. 2009. Shakespeare and Early Modern Political Thought. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015761439707446&context=L&vid=44UOEX_INST:default.
Bacon, Francis. 2001. The Essays. Blacksburg, VA: Virginia Tech. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004537359707446&context=L&vid=44UOEX_INST:default.
Bartolovich, C. 2009. ‘“Optimism of the Will”: Isabella Whitney and Utopia’. Journal of Medieval and Early Modern Studies 39 (2): 407–32. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013297706&site=eds-live.
Baynes Coiro, Ann. 2004. ‘Anonymous Milton, or, “A Maske” Masked’. ELH 71 (3): 609–29. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30029936&site=eds-live&scope=site.
Belsey, Catherine. 1993. ‘The Name of the Rose in “Romeo and Juliet”’. The Yearbook of English Studies 23. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3507977&site=eds-live&scope=site.
———. 2014. The Subject of Tragedy: Identity and Difference in Renaissance Drama. Abingdon, Oxon: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615019707446&context=L&vid=44UOEX_INST:default.
Ben Jonson. n.d. ‘On My First Son’. http://www.luminarium.org/sevenlit/jonson/son.htm.
Berry, Helen, and Elizabeth Foyster. 2007. The Family in Early Modern England. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015297559707446&context=L&vid=44UOEX_INST:default.
Berry, Philippa. 1999a. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default.
———. 1999b. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default.
———. 1999c. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default.
Berry, Ralph. 2017. The Shakespearean Metaphor: Studies in Language and Form. Oxon: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509399707446&context=L&vid=44UOEX_INST:default.
Bevan, Jonquil. 1997. ‘Ben Jonson’s “On My First Son” and the Common Prayer Catechism’. Notes and Queries 44 (1): 90–92. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1997065213&site=eds-live&scope=site.
Bicks, Caroline. 2016. ‘Incited Minds: Rethinking Early Modern Girls.’ Shakespeare Studies 44: 180–202. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118916914&site=eds-live&scope=site.
Botelho, L. A., and Pat Thane. 2001. Women and Ageing in British Society since 1500. Harlow, England: Pearson Education. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006592209707446&context=L&vid=44UOEX_INST:default.
Bovilsky, Lara. 2008. Barbarous Play: Race on the English Renaissance Stage. Minneapolis: University of Minnesota Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004104729707446&context=L&vid=44UOEX_INST:default.
Bowers, Rick. 2003. ‘Comedy, Carnival, and Class: A Chaste Maid in Cheapside’. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature 8 (3). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2003582730&site=eds-live&scope=site.
Breitenberg, Mark. 1996. Anxious Masculinity in Early Modern England. Vol. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013526629707446&context=L&vid=44UOEX_INST:default.
Broaddus, James W. 2003. ‘“Gums of Glutinous Heat” in Milton’s “Mask” and Spenser’s “Faerie Queene”’. Milton Quarterly 37 (4): 205–14. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24465090&site=eds-live&scope=site.
Brooke, Arthur. 1562. ‘The Tragicall History of Romeus and Juliet’. https://shakespeare-navigators.ewu.edu/romeo/BrookeIndex.html.
Burton, Jonathan, and Ania Loomba. 2007. Race in Early Modern England: A Documentary Companion. Basingstoke: Palgrave Macmillan. https://encore.exeter.ac.uk/iii/encore/record/C__Rb2507050.
Butler, Martin. 1994. ‘Chapter 4 - Ben Jonson and the Limits of Courtly Panegyric’. In Culture and Politics in Early Stuart England. Vol. Problems in focus series. Basingstoke, Hants: Macmillan Press. https://contentstore.cla.co.uk/secure/link?id=0e1ae704-fb80-e611-80c6-005056af4099.
———. 1996. ‘“Servant but Not Slave”: Ben Jonson at the Jacobean Court’. Proceedings of the British Academy 90: 65–93. https://contentstore.cla.co.uk/secure/link?id=61c0d254-fd80-e611-80c6-005056af4099.
Callaghan, Dympna. 2000. Shakespeare without Women: Representing Gender and Race on the Renaissance Stage. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904429707446&context=L&vid=44UOEX_INST:default.
———. 2007. ‘Chapter 7 - Confounded by Winter: Speeding Time in Shakespeare’s Sonnets’. In A Companion to Shakespeare’s Sonnets, 104–18. Blackwell. https://contentstore.cla.co.uk/secure/link?id=7e33c4e1-8982-e611-80c6-005056af4099.
Callaghan, Dympna C. 1994. ‘Chapter 2 - The Ideology of Romantic Love: The Case of Romeo and Juliet’. In The Weyward Sisters: Shakespeare and Feminist Politics, 59–101. Oxford, UK: Blackwell. https://contentstore.cla.co.uk/secure/link?id=88adbf89-0981-e611-80c6-005056af4099.
Capp, B. S. 2018a. The Ties That Bind: Siblings, Family, and Society in Early Modern England. First edition. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008270429707446&context=L&vid=44UOEX_INST:default.
———. 2018b. The Ties That Bind: Siblings, Family, and Society in Early Modern England. First edition. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008270429707446&context=L&vid=44UOEX_INST:default.
Chakravorty, Swapan. 1996. Society and Politics in the Plays of Thomas Middleton. Vol. Oxford English monographs. Oxford: Clarendon. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2512787?lang=eng.
Chedgzoy, Kate, Greenhalgh, Susanne, and Shaughnessy, Robert. 2007a. Shakespeare and Childhood. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015450149707446&context=L&vid=44UOEX_INST:default.
———. 2007b. Shakespeare and Childhood. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015450149707446&context=L&vid=44UOEX_INST:default.
Chessell, Del. 1984. ‘A Constant Shaping Pressure: Mortality in Poetry’. The Critical Review 26. https://contentstore.cla.co.uk/secure/link?id=0fead042-1b83-e611-80c6-005056af4099.
Christensen, Ann. 1997. ‘Business, Pleasure, and the Domestic Economy in Heywood’s a Woman Killed with Kindness’. Exemplaria 9 (2): 315–40. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1997067170&site=eds-live.
Clerico, Teri. 1992. ‘The Politics of Blood: John Ford’s Tis Pity She’s a Whore’. English Literary Renaissance 22 (3): 405–34. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43447403&site=eds-live.
Coker-Durso, Lauren G. 2014. Metatheatricality and Disability Drag: Performing Bodily Difference on the Early Modern English Stage. Ann Arbor: ProQuest Dissertations & Theses. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991009422619707446&context=L&vid=44UOEX_INST:default.
Cousins, A. D., and Alison V. Scott, eds. 2009. Ben Jonson and the Politics of Genre. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015778879707446&context=L&vid=44UOEX_INST:default.
Crawford, Patricia. 2004a. Blood, Bodies and Families in Early Modern England. Vol. Women and men in history. Harlow: Longman. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014481849707446&context=L&vid=44UOEX_INST:default.
———. 2004b. Blood, Bodies and Families in Early Modern England. Vol. Women and men in history. Harlow: Longman. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014481849707446&context=L&vid=44UOEX_INST:default.
Crawford, Patricia. 2005. Women’s Worlds in Seventeenth-Century England : A Sourcebook. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004336099707446&context=L&vid=44UOEX_INST:default.
Cressy, David. 1997a. Birth, Marriage, and Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000744649707446&context=L&vid=44UOEX_INST:default.
———. 1997b. Birth, Marriage, and Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000744649707446&context=L&vid=44UOEX_INST:default.
Cressy, David, and Lori Anne Ferrell. 2005. Religion and Society in Early Modern England: A Sourcebook. 2nd ed. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014655409707446&context=L&vid=44UOEX_INST:default.
Dawson, Lesel. 2008. Lovesickness and Gender in Early Modern English Literature. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015724509707446&context=L&vid=44UOEX_INST:default.
Degenhardt, Jane Hwang and Williamson, Elizabeth. 2011. Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Vol. Studies in performance and early modern drama. Farnham: Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000532759707446&context=L&vid=44UOEX_INST:default.
Dekker, Thomas, and Jonathan Gil Harris. 2008. The Shoemaker’s Holiday. 3rd ed. London: Methuen Drama. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006627539707446&context=L&vid=44UOEX_INST:default.
DiGangi, Mario. 1997. The Homoerotics of Early Modern Drama. Vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003341329707446&context=L&vid=44UOEX_INST:default.
———. 2011. Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley. 1st ed. Philadelphia: University of Pennsylvania Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004598989707446&context=L&vid=44UOEX_INST:default.
Dollimore, Jonathan. 2004. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. 3rd ed. Durham: Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000121009707446&context=L&vid=44UOEX_INST:default.
Donne, John. 2006. ‘The Relic’ “The Funeral,” and “Hymn to My God in My Sickness”’. In The Norton Anthology of English Literature: Volume B: The Sixteenth Century ; the Early Seventeenth Century, 8th ed. New York: W.W. Norton. https://contentstore.cla.co.uk/secure/link?id=6e490dcf-c5d7-e911-80cd-005056af4099.
Dowd, Michelle M., and Natasha Korda. 2011. Working Subjects in Early Modern English Drama. Farnham, Surrey: Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002852759707446&context=L&vid=44UOEX_INST:default.
E.A. Copen William Shakespeare. n.d. ‘Romeo and Juliet’. https://exeteruk.overdrive.com/media/1745008.
Espinosa, Ruben, and David Ruiter, eds. 2016. Shakespeare and Immigration. Abingdon, Oxon: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628529707446&context=L&vid=44UOEX_INST:default.
Evans, J. 2016. ‘“They Are Called Imperfect Men”: Male Infertility and Sexual Health in Early Modern England’. Social History of Medicine 29 (2): 311–32. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=RN379556897&site=eds-live&scope=site.
Feerick, Jean E. 2010. Strangers in Blood: Relocating Race in the Renaissance. Toronto [Ont.]: University of Toronto Press. https://encore.exeter.ac.uk/iii/encore/record/C__Rb3563139.
FITTER, CHRIS. 2000. ‘"The Quarrel Is between Our Masters and Us Their Men”: Romeo and Juliet, Dearth, and the London Riots’. English Literary Renaissance 30 (2): 154–83. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=3542014&site=eds-live&scope=site.
Fleck, Andrew. 2006. ‘Marking Difference and National Identity in Dekker’s “The Shoemaker’s Holiday”’. Studies in English Literature, 1500-1900 46 (2): 349–70. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844646&site=eds-live&scope=site.
Fletcher, Anthony. 1995. Gender, Sex, and Subordination in England, 1500-1800. New Haven: Yale University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015741619707446&context=L&vid=44UOEX_INST:default.
Foakes, R.A. 1956. ‘Hamlet and the Court of Elsinore’. Shakespeare Survey: An Annual Survey of Shakespearian Study and Production 9: 35–43. https://contentstore.cla.co.uk/secure/link?id=3639d728-1e83-e611-80c6-005056af4099.
Ford, John, and Simon Barker. 1997. ’Tis Pity She’s a Whore. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004027999707446&context=L&vid=44UOEX_INST:default.
Foster, Verna. 1988. ‘’Tis Pity She’s a Whore as City Tragedy’. In John Ford : Critical Re-Visions, 181–200. Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=9546e7c1-7f82-e611-80c6-005056af4099.
Foyster, Elizabeth A. 2014. Manhood in Early Modern England: Honour, Sex, and Marriage. Vol. Women And Men In History. Oxfordshire, England: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012989859707446&context=L&vid=44UOEX_INST:default.
Frey, Christopher, and Leanore Lieblein. 2004. ‘“My Breasts Sear’d”: The Self-Starved Female Body and A Woman Killed with Kindness.’ Early Theatre 7 (Issue 1): 45–66. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=13218782&site=eds-live&scope=site.
Garber, Marjorie. 1981. Coming of Age in Shakespeare. London: Methuen. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002236509707446&context=L&vid=44UOEX_INST:default.
Garber, Marjorie B. 1997. Coming of Age in Shakespeare. 1st pbk. ed. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002236509707446&context=L&vid=44UOEX_INST:default.
Garrison, John S. 2018. Shakespeare and the Afterlife. Oxford, England: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003032909707446&context=L&vid=44UOEX_INST:default.
Garwood, S. 2009. ‘"The Skull Beneath the Skin”: Women and Self-Starvation on the Renaissance Stage’. Shakespeare Jahrbuch 145: 106–23. https://contentstore.cla.co.uk/secure/link?id=f0bca4a8-cb1a-eb11-80cd-005056af4099.
Gent, Lucy, and Nigel Llewellyn. 1990. Renaissance Bodies: The Human Figure in English Culture, c.1540-1660. Vol. Critical views. London: Reaktion Books. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007640139707446&context=L&vid=44UOEX_INST:default.
Gillen, Katherine. 2018. Chaste Value: Economic Crisis, Female Chastity and the Production of Social Difference on Shakespeare’s Stage. Edinburgh: Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006373349707446&context=L&vid=44UOEX_INST:default.
Goldberg, Jonathan. 1983. ‘Pages 56-65’. In James I and the Politics of Literature : Jonson, Shakespeare, Donne, and Their Contemporaries, 56–65. Johns Hopkins University Press. https://contentstore.cla.co.uk/secure/link?id=62073f9d-ff80-e611-80c6-005056af4099.
———, ed. 1994. Queering the Renaissance. Durham: Duke University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005253379707446&context=L&vid=44UOEX_INST:default.
Goldstein, Martin. 1996. ‘The Tragedy of Old Capulet: A Patriarchal Reading of Romeo and Juliet’. English Studies, no. 77. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1996065400&site=eds-live&scope=site.
Goodland, Katharine. 2006. ‘Chapter 7 - The Gendered Poetics of Tragedy in Shakespeare’s Hamlet’. In Female Mourning and Tragedy in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear, 171–99. Aldershot , Hants: Ashgate. https://contentstore.cla.co.uk/secure/link?id=081208c4-2083-e611-80c6-005056af4099.
Gordon, Andrew. 2013. Writing Early Modern London: Memory, Text and Community. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002355599707446&context=L&vid=44UOEX_INST:default.
Gordon, D. J. 1945. ‘Hymenaei: Ben Jonson’s Masque of Union’. Journal of the Warburg and Courtauld Institutes 8. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.750168&site=eds-live&scope=site.
———. 1949. ‘Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones’. Journal of the Warburg and Courtauld Institutes 12. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.750261&site=eds-live&scope=site.
Gowing, Laura. 1996. Domestic Dangers: Women, Words, and Sex in Early Modern London. Vol. Oxford studies in social history. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000967119707446&context=L&vid=44UOEX_INST:default.
———. 1997. ‘Secret Births and Infanticide in Seventeenth-Century England’. Past and Present, no. 156: 87–115. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.651179&site=eds-live&scope=site.
Graham, Jean. 2012. ‘Katherine Philips and “Churching”’. Explicator 70 (3): 161–63. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013583106&site=eds-live&scope=site.
Gray, Catharine. 2001. ‘Feeding on the Seed of the Woman: Dorothy Leigh and the Figure of Maternal Dissent’. ELH 68 (3): 563–92. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30031983&site=eds-live&scope=site.
Greenblatt, Stephen J. 2002. Hamlet in Purgatory. Princeton, N.J.: Princeton University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004185319707446&context=L&vid=44UOEX_INST:default.
Greenblatt, Stephen Jay and American Council of Learned Societies. 1988. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Vol. New historicism : studies in cultural poetics. Berkeley: University of California Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001979489707446&context=L&vid=44UOEX_INST:default.
Griffiths, Paul. 1996. Youth and Authority: Formative Experiences in England 1560-1640. Oxford: Clarendon Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000748839707446&context=L&vid=44UOEX_INST:default.
Habib, Imtiaz H. 2008. Black Lives in the English Archives, 1500-1677: Imprints of the Invisible. Aldershot, England: Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003985009707446&context=L&vid=44UOEX_INST:default.
———. n.d. Black Lives in the English Archives, 1500-1677: Imprints of the Invisible. Aldershot, England: Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003985009707446&context=L&vid=44UOEX_INST:default.
Haggerty, George E. 2005. ‘The Yard of Wit: Male Creativity and Sexuality, 1650-1750 (Review)’. Journal of the History of Sexuality 14 (3): 347–52. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3704661&site=eds-live.
Hall, Kim F. 1995a. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008296539707446&context=L&vid=44UOEX_INST:default.
———. 1995b. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008296539707446&context=L&vid=44UOEX_INST:default.
Hammersmith, James P. 1978. ‘Hamlet and the Myth of Memory’. ELH 45 (4): 597–605. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2872579&site=eds-live.
Hammons, Pamela. 1999. ‘Despised Creatures: The Illusion of Maternal Self-Effacement in Seventeenth-Century Child Loss Poetry’. ELH 66 (1): 25–49. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30032060&site=eds-live&scope=site.
Hattaway, Michael. 2000. A Companion to English Renaissance Literature and Culture. Vol. 8. Oxford: Blackwell. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000514349707446&context=L&vid=44UOEX_INST:default.
Heinemann, Margot. 1980. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. Vol. Past and present publications. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003418659707446&context=L&vid=44UOEX_INST:default.
Heller, Jennifer L. 2008. ‘The Legacy and Rhetorics of Maternal Zeal’. ELH 75 (3): 603–23. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.27654627&site=eds-live&scope=site.
Heywood, Thomas, and Brian W. M. Scobie. 1985. A Woman Killed with Kindness. London: A. & C. Black. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003215539707446&context=L&vid=44UOEX_INST:default.
Higginbotham, Jennifer. 2013. The Girlhood of Shakespeare’s Sisters: Gender Transgression, Adolescence. Edinburgh: Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748655908.001.0001.
Higginbotham, Jennifer, and Mark Albert Johnston, eds. 2018. Queering Childhood in Early Modern English Drama and Culture. Basingstoke, Hampshire: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003699509707446&context=L&vid=44UOEX_INST:default.
Hillman, David, and Carla Mazzio. 1997a. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002220699707446&context=L&vid=44UOEX_INST:default.
———. 1997b. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002220699707446&context=L&vid=44UOEX_INST:default.
Hopkins, Lisa. 2002. The Female Hero in English Renaissance Tragedy. Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002356799707446&context=L&vid=44UOEX_INST:default.
Houlbrooke, Ralph A. 1984. The English Family, 1450-1700. London: Longman. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628389707446&context=L&vid=44UOEX_INST:default.
Houlbrooke, Ralph A. 2000. Death, Religion, and the Family in England, 1480-1750. Vol. Oxford studies in social history. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000964929707446&context=L&vid=44UOEX_INST:default.
Houlbrooke, Ralph A. 2000. Death, Religion, and the Family in England, 1480-1750. Vol. Oxford studies in social history. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000964929707446&context=L&vid=44UOEX_INST:default.
Howard, Jean Elizabeth. 1994. The Stage and Social Struggle in Early Modern England. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005614979707446&context=L&vid=44UOEX_INST:default.
Hoxby, Blair. 2007. ‘The Wisdom of Their Feet: Meaningful Dance in Milton and the Stuart Masque’. English Literary Renaissance 37 (1): 74–99. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.24463802&site=eds-live&scope=site.
Hunter, George K. 1986. ‘Bourgeois Comedy: Shakespeare and Dekker’. In Shakespeare and His Contemporaries: Essays in Comparison, The Revels plays companion library:1–15. Manchester: Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=8c33442b-7082-e611-80c6-005056af4099.
Hutner, Heidi. 2001. Colonial Women: Race and Culture in Stuart Drama. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007580659707446&context=L&vid=44UOEX_INST:default.
Ingram, Martin. 1987. Church Courts, Sex, and Marriage in England, 1570-1640. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003248629707446&context=L&vid=44UOEX_INST:default.
Iyengar, Sujata. 2005. Shades of Difference: Mythologies of Skin Color in Early Modern England. Philadelphia: University of Pennsylvania Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012322959707446&context=L&vid=44UOEX_INST:default.
———, ed. 2015a. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default.
———, ed. 2015b. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default.
———, ed. 2015c. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default.
———, ed. 2015d. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default.
Jenstad, Janelle Day. 2004. ‘Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside’. Journal of Medieval and Early Modern Studies 34 (2): 373–403. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004296888&site=eds-live&scope=site.
Jonson, Ben. n.d. ‘Hymenaei’. http://www.luminarium.org/editions/hymen.htm.
———. n.d. The Cambridge Works of Ben Jonson. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000389459707446&context=L&vid=44UOEX_INST:default.
Kahn, C. 1980. ‘Coming of Age in Verona’. In The Woman’s Part: Feminist Criticism of Shakespeare, 171–93. Urbana: University of Illinois Press. https://contentstore.cla.co.uk/secure/link?id=67eab247-4f1f-eb11-80cd-005056af4099.
Kahn, Coppelia. 1977a. ‘Coming of Age in Verona’. Modern Language Studies 8 (1). https://www.jstor.org/stable/3194631?seq=1#metadata_info_tab_contents.
———. 1977b. ‘Coming of Age in Verona’. Modern Language Studies 8 (1). https://www.jstor.org/stable/3194631?seq=1#metadata_info_tab_contents.
Kamps, Ivo, and Jyotsna G. Singh. 2001. Travel Knowledge: European ‘Discoveries’ in the Early Modern Period. New York, N.Y.: Palgrave. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628559707446&context=L&vid=44UOEX_INST:default.
Karim-Cooper, Farah. 2006a. Cosmetics in Shakespearean and Renaissance Drama. Edinburgh: Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748619931.001.0001.
———. 2006b. Cosmetics in Shakespearean and Renaissance Drama. Edinburgh: Edinburgh University Press. https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748619931.001.0001.
Kastan, David Scott, and Peter Stallybrass. 1991. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903909707446&context=L&vid=44UOEX_INST:default.
Kastan, David Scott and Stallybrass, Peter. 1991. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903909707446&context=L&vid=44UOEX_INST:default.
Kaufmann, Miranda. 2015. ‘“Making the Beast with Two Backs”: Interracial Relationships in Early Modern England’. Literature Compass 12 (1): 22–37. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016396197&site=eds-live&scope=site.
Kaufmann, R. J. 1960. ‘Ford’s Tragic Perspective’. Texas Studies in Literature and Language 1 (4): 522–37. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1960002780&site=eds-live&scope=site.
Kay, W. David. 1971. ‘The Christian Wisdom of Ben Jonson’s “On My First Sonne”’. Studies in English Literature, 1500-1900 11 (1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.449822&site=eds-live&scope=site.
Kellett, Katherine R. 2009. ‘The Lady’s Voice: Poetic Collaboration in Milton’s Mask’. Milton Studies, no. 50: 1–19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2010582084&site=eds-live&scope=site.
Kendrick, Matthew. 2011. ‘"A Shoemaker Sell Flesh and Blood—O Indignity!”: The Labouring Body and Community in The Shoemaker’s Holiday’. English Studies 92 (3): 259–73. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2011581043&site=eds-live.
Kidnie, Margaret Jane. 2013. ‘“We Really Can’t Be Doing 1603 Now. We Really Can’t”: Katie Mitchell, Theatrical Adaptation, and Heywood’s A Woman Killed with Kindness’. Shakespeare Bulletin 31 (4): 647–68. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2014580091&site=eds-live&scope=site.
King, Helen. 1998. Hippocrates’ Woman: Reading the Female Body in Ancient Greece. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615139707446&context=L&vid=44UOEX_INST:default.
———. 2004. The Disease of Virgins: Green Sickness, Chlorosis, and the Problems of Puberty. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628309707446&context=L&vid=44UOEX_INST:default.
———. 2013. The One-Sex Body on Trial: The Classical and Early Modern Evidence. Farnham: Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002712729707446&context=L&vid=44UOEX_INST:default.
Kinney, Arthur F. 2002. A Companion to Renaissance Drama. Vol. 14. Oxford: Blackwell Publishers. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903949707446&context=L&vid=44UOEX_INST:default.
Knowles, Katie. 2014. Shakespeare’s Boys: A Cultural History. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002940389707446&context=L&vid=44UOEX_INST:default.
Knowles, Ronald. 1998. Shakespeare and Carnival: After Bakhtin. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000174669707446&context=L&vid=44UOEX_INST:default.
Kronenfeld, J. Z. 1978. ‘The Father Found: Consolation Achieved through Love in Ben Jonson’s “On My First Sonne”’. Studies in Philology 75 (1): 64–83. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1978104796&site=eds-live&scope=site.
Kunin, Aaron. 2009. ‘Shakespeare’s Preservation Fantasy’. PMLA: Publications of the Modern Language Association of America 124 (1): 92–106. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2009380006&site=eds-live.
Lamb, Edel. 2009. Performing Childhood in the Early Modern Theatre. London: Palgrave Macmillan UK. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002375849707446&context=L&vid=44UOEX_INST:default.
———. 2018. Reading Children in Early Modern Culture. Cham, Switzerland: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006381229707446&context=L&vid=44UOEX_INST:default.
Laqueur, Thomas Walter. 1992. Making Sex: Body and Gender from the Greeks to Freud. Harvard University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004368669707446&context=L&vid=44UOEX_INST:default.
Lawson, Andrea C. 2012. ‘Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker’s Holiday’. Early Theatre 15 (2): 93–110. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013580193&site=eds-live&scope=site.
Leigh, Dorothy and Bodleian Library. 1685. The Mothers Blessing: Being Several Godly Admonitions given by a Mother unto Her Children upon Her Death-Bed, a Little before Her Departure. [London]: Printed by I.M. for I. Clarke, W. Thackeray, and T. Passinger. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991016247149707446&context=L&vid=44UOEX_INST:default.
Leigh, Dorothy, Elizabeth Joscelin, Elizabeth Richardson, and Sylvia Brown (eds). 1999. ‘Introduction to Dorothy Leigh - The Mothers Blessing (1616)’. In Women’s Writing in Stuart England: The Mothers’ Legacies of Dorothy Leigh, Elizabeth Joscelin, and Elizabeth Richardson, 3–14. Stroud: Sutton. https://contentstore.cla.co.uk/secure/link?id=4e5e944c-2b80-e611-80c6-005056af4099.
Leigh, Dorothy, Elizabeth Joscelin, Elizabeth Richardson, and Sylvia Brown. 1999. Women’s Writing in Stuart England: The Mothers’ Legacies of Dorothy Leigh, Elizabeth Joscelin, and Elizabeth Richardson. Stroud: Sutton.
Leinwand, Theodore B. 1999. Theatre, Finance and Society in Early Modern England. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003345689707446&context=L&vid=44UOEX_INST:default.
Levenson, Jill L. 1982. ‘The Definition of Love: Shakespeare’s Phrasing in Romeo and Juliet.’ Shakespeare Studies 15. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=8954265&site=eds-live&scope=site.
‘Library Website’. n.d. https://www.exeter.ac.uk/departments/library/.
Lindley, David. 1986. ‘Embarrassing Ben: The Masques For Frances Howard’. English Literary Renaissance 16 (2): 343–59. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43447189&site=eds-live&scope=site.
Loomba, Ania. 2002. Shakespeare, Race, and Colonialism. Oxford, England: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005462889707446&context=L&vid=44UOEX_INST:default.
Loomba, Ania, and Martin Orkin. 1998. Post-Colonial Shakespeares. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004038299707446&context=L&vid=44UOEX_INST:default.
Loughlin, Marie H. 1996. ‘“Love’s Friend and Stranger to Virginitie”: The Politics of the Virginal Body in Ben Jonson’s Hymenaei and Thomas Campion’s the Lord Hay’s Masque’. ELH 63 (4): 833–49. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.30030128&site=eds-live&scope=site.
Love, Genevieve. 2018. Early Modern Theatre and the Figure of Disability. London: The Arden Shakespeare/Bloomsbury Academic. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006272549707446&context=L&vid=44UOEX_INST:default.
MacDonald, Joyce Green. 2002. Women and Race in Early Modern Texts. Cambridge: Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483721.
Maclean, Ian. 1980. The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life. Cambridge: Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511562471.
Martin, Christopher. 2012. Constituting Old Age in Early Modern English Literature, from Queen Elizabeth to King Lear. Amherst: University of Massachusetts Press. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4533142.
Maynard, Stephen. 1998. ‘Feasting on Eyre: Community, Consumption, and Communion in The Shoemaker’s Holiday’. Comparative Drama 32 (3): 327–46. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1936163798300007&site=eds-live.
McClive, C. 2002. ‘The Hidden Truths of the Belly: The Uncertainties of Pregnancy in Early Modern Europe’. Social History of Medicine 15 (2): 209–27. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000177608300002&site=eds-live.
McLaren, Angus. 2020. Reproductive Rituals: The Perception of Fertility in England from the Sixteenth Century to the Nineteenth Century. Vol. 4. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628419707446&context=L&vid=44UOEX_INST:default.
McLuskie, Kathleen E. 1994. Dekker and Heywood: Professional Dramatists. London: Macmillan Education UK. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000417419707446&context=L&vid=44UOEX_INST:default.
McQuade, Paula. 2000. ‘“A Labyrinth of Sin”: Marriage and Moral Capacity in Thomas Heywood’s “A Woman Killed with Kindness”’. Modern Philology 98 (2): 231–50. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.438934&site=eds-live.
Mendelson, Sara Heller and Crawford, Patricia. 1998. Women in Early Modern England, 1550-1720. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001021769707446&context=L&vid=44UOEX_INST:default.
Mickel, Lesley. 2003. ‘Glorious Spangs and Rich Embroidery: Costume in The Masque of Blackness and Hymenaei’. Studies in the Literary Imagination 36 (2): 41–59. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2004532739&site=eds-live&scope=site.
Middleton, Thomas. 2002. A Chaste Maid in Cheapside. A. & C. Black. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003211169707446&context=L&vid=44UOEX_INST:default.
Miller, Naomi J., and Naomi Yavneh. 2011. Gender and Early Modern Constructions of Childhood. Burlington, VT: Ashgate. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628359707446&context=L&vid=44UOEX_INST:default.
———. 2016. Sibling Relations and Gender in the Early Modern World: Sisters, Brothers and Others. Abingdon, Oxon: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005038709707446&context=L&vid=44UOEX_INST:default.
———. 2017. Maternal Measures: Figuring Caregiving in the Early Modern Period. First edition. London: Taylor and Francis. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628439707446&context=L&vid=44UOEX_INST:default.
Milton, John. 1634. Comus: A Masque. http://www.luminarium.org/renascence-editions/comus.html.
Morgan, Jennifer L. 2004. Laboring Women: Reproduction and Gender in New World Slavery. Philadelphia: University of Pennsylvania Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005669549707446&context=L&vid=44UOEX_INST:default.
Mulder, James Y. 2018. Wasteful Bodies: Queer Embodiment and Erotics in Early Modern Literature. Ann Arbor: ProQuest Dissertations & Theses. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991009352799707446&context=L&vid=44UOEX_INST:default.
Neill, Michael. 1988. ‘What Strange Riddle’s This?: Deciphering ’Tis Pity She’s A Whore’. In John Ford: Critical Re-Visions, 153–80. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=c081ea9a-1820-eb11-80cd-005056af4099.
———. 1993. ‘“In Everything Illegitimate”: Imagining the Bastard in Renaissance Drama’. The Yearbook of English Studies 23: 270–92. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.3507984&site=eds-live.
Neill, Michael. 1997. Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000983209707446&context=L&vid=44UOEX_INST:default.
Neill, Michael. 1997. Issues of Death : Mortality and Identity in English Renaissance Tragedy. Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000983209707446&context=L&vid=44UOEX_INST:default.
Newman, Karen. 2006. ‘Chapter 21 - A Chaste Maid in Cheapside and London’. In Early Modern English Drama: A Critical Companion, 237–47. New York: Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=e1a922cd-6482-e611-80c6-005056af4099.
Newton, Hannah. 2012. The Sick Child in Early Modern England, 1580-1720. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001703519707446&context=L&vid=44UOEX_INST:default.
Oldenburg, Scott K. 2014. Alien Albion: Literature and Immigration in Early Modern England. Toronto: University of Toronto Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004974199707446&context=L&vid=44UOEX_INST:default.
Ortiz, Joseph M. 2005. ‘“The Reforming of Reformation”: Theatrical, Ovidian, and Musical Figuration in Milton’s Mask’. Milton Studies, no. 44: 84–110. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005870186&site=eds-live&scope=site.
Orvis, David L., ed. 2018a. Queer Milton. Cham, Switzerland: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008797309707446&context=L&vid=44UOEX_INST:default.
———, ed. 2018b. Queer Milton. Cham, Switzerland: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008797309707446&context=L&vid=44UOEX_INST:default.
Paster, Gail Kern. 1993a. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y.: Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008295409707446&context=L&vid=44UOEX_INST:default.
———. 1993b. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y.: Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008295409707446&context=L&vid=44UOEX_INST:default.
Paster, Gail Kern. 1993. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Cornell University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001094519707446&context=L&vid=44UOEX_INST:default.
Phillippy, Patricia Berrahou, ed. 2018. A History of Early Modern Women’s Writing. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005702459707446&context=L&vid=44UOEX_INST:default.
Phillips, Katherine. n.d. ‘Epitaph: On the Death of My First and Dearest Child, Hector Philips’. http://www.luminarium.org/sevenlit/philips/hector2.htm.
Poitevin, Kimberly. 2011. ‘Inventing Whiteness: Cosmetics, Race, and Women in Early Modern England’. Journal for Early Modern Cultural Studies 11 (1): 59–89. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1553378611100034&site=eds-live&scope=site.
Potter, Ursula. 2013. ‘Navigating the Dangers of Female Puberty in Renaissance Drama’. SEL Studies in English Literature 1500-1900 53 (2): 421–39. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2013582521&site=eds-live.
Powell, Raymond. 1995. ‘The Adaptation of a Shakespearean Genre: Othello and Ford’s ’Tis Pity She’s a Whore’. Renaissance Quarterly 48 (3): 582–92. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2862874&site=eds-live.
Pritchard, R. E. 1985. ‘Dying in Donne’s “The Good Morrow”’. Essays in Criticism XXXV (3): 213–22. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=16021213&site=eds-live.
Read, Sara. 2013. Menstruation and the Female Body in Early Modern England. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000099629707446&context=L&vid=44UOEX_INST:default.
Reay, Barry, and Kim M. Phillips. 2011. Sex before Sexuality: A Premodern History. Vol. Themes in history. Cambridge: Polity. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008309099707446&context=L&vid=44UOEX_INST:default.
Richardson, Catherine. 2002. ‘Chapter 5 - Properties of Domestic Life: The Table in Heywood’s A Woman Killed With Kindness’. In Staged Properties in Early Modern English Drama, 129–52. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk/secure/link?id=580cd5e8-7582-e611-80c6-005056af4099.
———. 2006. Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household. Manchester: Manchester University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015009319707446&context=L&vid=44UOEX_INST:default.
Rutter, Carol Chillington. 2001a. ‘Chapter 2 - Snatched Bodies: Ophelia in the Grave’. In Enter the Body: Women and Representation on Shakespeare’s Stage, 27–56. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=a3115ca3-2583-e611-80c6-005056af4099.
———. 2001b. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004032969707446&context=L&vid=44UOEX_INST:default.
Sawday, Jonathan. 1994. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615049707446&context=L&vid=44UOEX_INST:default.
Schiffer, James. 2000. Shakespeare’s Sonnets: Critical Essays. Vol. Shakespeare criticism. New York: Garland Pub. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013330629707446&context=L&vid=44UOEX_INST:default.
Schwarz, Kathryn. 2003. ‘Chastity, Militant and Married: Cavendish’s Romance, Milton’s Masque’. PMLA: Publications of the Modern Language Association of America 118 (2): 270–85. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.1261414&site=eds-live&scope=site.
Schwyzer, Philip. 2007. Archaeologies of English Renaissance Literature. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015060879707446&context=L&vid=44UOEX_INST:default.
Schwyzer, Philip. 2007. Archaeologies of English Renaissance Literature. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015060879707446&context=L&vid=44UOEX_INST:default.
Scodel, Joshua. 1989. ‘Genre and Occasion in Jonson’s “On My First Sonne”’. Studies in Philology 86 (2): 235–59. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1989061796&site=eds-live&scope=site.
Scott, Alison V. 2007. ‘Jonson’s Masque Markets and Problems of Literary Ownership’. SEL 1500-1900 47 (2): 451–71. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4625119&site=eds-live&scope=site.
Shakespeare, William. 2012. Romeo and Juliet. London: Arden Shakespeare. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003243739707446&context=L&vid=44UOEX_INST:default.
———. 2014. Hamlet: The First Folio, 1623. Edited by Ann Thompson and Neil Taylor. [London]: Bloomsbury. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003226829707446&context=L&vid=44UOEX_INST:default.
———. 2018. Shakespeare’s Sonnets. Minneapolis, Minnesota: First Avenue Editions. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004685699707446&context=L&vid=44UOEX_INST:default.
Sheen, Erica, and Lorna Hutson. 2004. Literature, Politics and Law in Renaissance England. Basingstoke: Palgrave Macmillan. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002386519707446&context=L&vid=44UOEX_INST:default.
Shepard, Alexandra. 2006. Meanings of Manhood in Early Modern England. Vol. Oxford studies in social history. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001503379707446&context=L&vid=44UOEX_INST:default.
Skuse, Alanna. 2015. Constructions of Cancer in Early Modern England: Ravenous Natures. London: Palgrave Macmillan UK. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000501609707446&context=L&vid=44UOEX_INST:default.
Smith, Amy L. 2005. ‘Performing Cross-Class Clandestine Marriage in The Shoemaker’s Holiday’. SEL Studies in English Literature 1500-1900 45 (2): 333–55. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844548&site=eds-live.
Sparey, Victoria. 2015. ‘Performing Puberty: Fertile Complexions in Shakespeare’s Plays’. Shakespeare Bulletin 33 (3): 441–67. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1931142715300039&site=eds-live&scope=site.
Spiller, Elizabeth. 2011. Reading and the History of Race in the Renaissance. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001637759707446&context=L&vid=44UOEX_INST:default.
Stallybrass, Peter, Roger Chartier, John Franklin Mowery, and Heather Wolfe. 2004. ‘Hamlet’s Tables and the Technologies of Writing in Renaissance England’. Shakespeare Quarterly 55 (4): 379–419. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844198&site=eds-live.
Stein, Arnold. 1981. ‘Handling Death: John Donne in Public Meditation’. ELH 48 (3): 496–515. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2872910&site=eds-live.
Stone, Lawrence. 1990. Road to Divorce: England 1530-1987. Oxford: Clarendon. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001008979707446&context=L&vid=44UOEX_INST:default.
Taylor, Gary, and Trish Thomas Henley. 2012. The Oxford Handbook of Thomas Middleton. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000517309707446&context=L&vid=44UOEX_INST:default.
Tennenhouse, Leonard. 2005. Power on Display: The Politics of Shakespeare’s Genres. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904529707446&context=L&vid=44UOEX_INST:default.
The Cambridge Companion to Milton. 1999. Cambridge: Cambridge University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015265369707446&context=L&vid=44UOEX_INST:default.
Thomas, Catherine. 2006. ‘Chaste Bodies and Poisonous Desires in Milton’s “Mask”’. SEL: Studies in English Literature, 1500-1900 46 (2): 435–59. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.3844650&site=eds-live&scope=site.
Thompson, Ayanna. 2008. Performing Race and Torture on the Early Modern Stage. Vol. 9. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628589707446&context=L&vid=44UOEX_INST:default.
Thrush, Coll-Peter. 2017. Indigenous London: Native Travelers at the Heart of Empire. New Haven: Yale University Press. https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&site=jstor&dest=https://www.jstor.org/stable/10.2307/j.ctt1g69wjx.
Toulalan, Sarah, and Kate Fisher, eds. 2013a. The Routledge History of Sex and the Body: 1500 to the Present. Vol. The Routledge histories. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default.
———, eds. 2013b. The Routledge History of Sex and the Body: 1500 to the Present. Vol. The Routledge histories. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default.
———, eds. 2013c. The Routledge History of Sex and the Body: 1500 to the Present. Vol. The Routledge histories. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default.
———, eds. 2013d. The Routledge History of Sex and the Body: 1500 to the Present. Vol. The Routledge histories. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default.
———, eds. 2013e. The Routledge History of Sex and the Body: 1500 to the Present. Vol. The Routledge histories. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default.
———, eds. 2013f. The Routledge History of Sex and the Body: 1500 to the Present. Vol. The Routledge histories. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default.
Traub, Valerie, ed. 2016a. The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004839229707446&context=L&vid=44UOEX_INST:default.
———, ed. 2016b. The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race. Oxford: Oxford University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004839229707446&context=L&vid=44UOEX_INST:default.
Viazzo, Pier Paolo. 2001. ‘Chapter 6 - Mortality, Fertility, and Family’. In Family Life in Early Modern Times, 1500-1789, The history of the European family:157–87. New Haven: Yale University Press. https://contentstore.cla.co.uk/secure/link?id=a87385e2-2b83-e611-80c6-005056af4099.
Wall, Wendy. 1991. ‘Isabella Whitney and the Female Legacy’. ELH 58 (1): 35–62. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2873393&site=eds-live.
———. 1993. ‘Chapter 5 - Dancing in a Net: The Problems of Female Authorship’. In The Imprint of Gender: Authorship and Publication in the English Renaissance, 279–340. Ithaca, N.Y.: Cornell University Press. https://contentstore.cla.co.uk/secure/link?id=858614a2-4180-e611-80c6-005056af4099.
Warner, Lyndan. 2016. ‘Stepfamilies in Early Modern Europe: Paths of Historical Inquiry’. History Compass 14 (10): 480–92. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=118730245&site=eds-live&scope=site.
Weissbourd, Emily. 2015. ‘"Those in Their Possession”: Race, Slavery, and Queen Elizabeth’s "Edicts of Expulsion”’. Huntington Library Quarterly 78 (1): 1–19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edspmu&AN=edspmu.S1544399X15100005&site=eds-live&scope=site.
Wheeler, Roxann. 2000. Complexion of Race: Categories of Difference in Eighteenth-Century British Culture. Philadelphia: University of Pennsylvania Press. https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&site=jstor&dest=http://www.jstor.org/stable/10.2307/j.ctt3fhtxw.
Whipday, Emma. 2019. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781108564359.
Whitney, Isabella, Mary Herbert, Emilia Lanier, and Danielle Clarke. 2000. ‘“Last Will and Testament” by Isabella Whitney’. In Isabella Whitney, Mary Sidney, and Aemelia Lanyer: Renaissance Women Poets, Penguin classics:18–28. London: Penguin Books. https://contentstore.cla.co.uk/secure/link?id=d75e2105-3a80-e611-80c6-005056af4099.
Wiseman, Susan J. 1990. ‘’Tis Pity She’s a Whore: Representing the Incestuous Body’. In Renaissance Bodies: The Human Figure in English Culture, c.1540-1660, Critical views:180–97. London: Reaktion Books. https://contentstore.cla.co.uk/secure/link?id=b4951ee4-8582-e611-80c6-005056af4099.
Wood, David Houston, and Allison P. Hobgood. 2013. Recovering Disability in Early Modern England. Columbus: Ohio State University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006629469707446&context=L&vid=44UOEX_INST:default.
Wrightson, Keith. 1993. English Society, 1580-1680. London: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000438159707446&context=L&vid=44UOEX_INST:default.
Zimmerman, Susan. 1992. Erotic Politics: Desire on the Renaissance Stage. New York: Routledge. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002160409707446&context=L&vid=44UOEX_INST:default.
———. 2005. The Early Modern Corpse and Shakespeare’s Theatre. Edinburgh: Edinburgh University Press. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003828109707446&context=L&vid=44UOEX_INST:default.
