Bibliography for EAS3179 BETA

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest. New York: Routledge, 1992. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013741439707446&context=L&vid=44UOEX_INST:default>.

Akhimie, Patricia. Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. Vol. 29. New York, NY: Routledge, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002358459707446&context=L&vid=44UOEX_INST:default>.

---. ‘Strange Episodes: Race in Stage History’. Shakespeare Bulletin 27.3 (2009): 363–376. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edspmu&amp;AN=edspmu.S1931142709300215&amp;site=eds-live&amp;scope=site>.

Anderson, Judith H., and Jennifer C. Vaught, eds. Shakespeare and Donne: Generic Hybrids and the Cultural Imaginary. New York: Fordham University Press, 2013. Web. <https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;site=jstor&amp;dest=https://www.jstor.org/stable/10.2307/j.ctt13x02h9>.

Andrews, John F., ed. Romeo and Juliet: Critical Essays. Volume 1. London [England]: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509279707446&context=L&vid=44UOEX_INST:default>.

Ann Bach, Rebecca. ‘The Homosocial Imaginary of a Woman Killed with Kindness’. Textual Practice 12.3 (1998): 503–524. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1999070541&amp;site=eds-live>.

Anselment, Raymond A. ‘“The Teares of Nature”: Seventeenth-Century Parental Bereavement’. Modern Philology 91.1 (1993): 26–53. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=0000307819&amp;site=eds-live>.

Appelbaum, Robert. ‘“Standing to the Wall”: The Pressures of Masculinity in Romeo and Juliet’. Shakespeare Quarterly 48.3 (1997): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.2871016&amp;site=eds-live&amp;scope=site>.

Arab, Ronda A. ‘Work, Bodies, and Gender in “The Shoemaker’s Holiday”’. Medieval & Renaissance Drama in England 13 (2001): 182–212. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.24322525&amp;site=eds-live&amp;scope=site>.

Archer, Ian W. The Pursuit of Stability: Social Relations in Elizabethan London. Cambridge studies in early modern British history. Cambridge: Cambridge University Press, 1991. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003324649707446&context=L&vid=44UOEX_INST:default>.

Armitage, David, Condren, Conal, and Fitzmaurice, Andrew. Shakespeare and Early Modern Political Thought. Cambridge: Cambridge University Press, 2009. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015761439707446&context=L&vid=44UOEX_INST:default>.

Bacon, Francis. The Essays. Blacksburg, VA: Virginia Tech, 2001. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004537359707446&context=L&vid=44UOEX_INST:default>.

Bartolovich, C. ‘“Optimism of the Will”: Isabella Whitney and Utopia’. Journal of Medieval and Early Modern Studies 39.2 (2009): 407–432. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2013297706&amp;site=eds-live>.

Baynes Coiro, Ann. ‘Anonymous Milton, or, “A Maske” Masked’. ELH 71.3 (2004): 609–629. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.30029936&amp;site=eds-live&amp;scope=site>.

Belsey, Catherine. ‘The Name of the Rose in “Romeo and Juliet”’. The Yearbook of English Studies 23 (1993): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.3507977&amp;site=eds-live&amp;scope=site>.

---. The Subject of Tragedy: Identity and Difference in Renaissance Drama. Abingdon, Oxon: Routledge, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615019707446&context=L&vid=44UOEX_INST:default>.

Ben Jonson. ‘On My First Son’. N.p., n.d. Web. <http://www.luminarium.org/sevenlit/jonson/son.htm>.

Berry, Helen, and Elizabeth Foyster. The Family in Early Modern England. Cambridge: Cambridge University Press, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015297559707446&context=L&vid=44UOEX_INST:default>.

Berry, Philippa. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. London: Routledge, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default>.

---. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. London: Routledge, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default>.

---. Shakespeare’s Feminine Endings: Disfiguring Death in the Tragedies. London: Routledge, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509369707446&context=L&vid=44UOEX_INST:default>.

Berry, Ralph. The Shakespearean Metaphor: Studies in Language and Form. Oxon: Routledge, 2017. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006509399707446&context=L&vid=44UOEX_INST:default>.

Bevan, Jonquil. ‘Ben Jonson’s “On My First Son” and the Common Prayer Catechism’. Notes and Queries 44.1 (1997): 90–92. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1997065213&amp;site=eds-live&amp;scope=site>.

Bicks, Caroline. ‘Incited Minds: Rethinking Early Modern Girls.’ Shakespeare Studies 44 (2016): 180–202. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=hlh&amp;AN=118916914&amp;site=eds-live&amp;scope=site>.

Botelho, L. A., and Pat Thane. Women and Ageing in British Society since 1500. Harlow, England: Pearson Education, 2001. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006592209707446&context=L&vid=44UOEX_INST:default>.

Bovilsky, Lara. Barbarous Play: Race on the English Renaissance Stage. Minneapolis: University of Minnesota Press, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004104729707446&context=L&vid=44UOEX_INST:default>.

Bowers, Rick. ‘Comedy, Carnival, and Class: A Chaste Maid in Cheapside’. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature 8.3 (2003): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2003582730&amp;site=eds-live&amp;scope=site>.

Breitenberg, Mark. Anxious Masculinity in Early Modern England. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press, 1996. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013526629707446&context=L&vid=44UOEX_INST:default>.

Broaddus, James W. ‘“Gums of Glutinous Heat” in Milton’s “Mask” and Spenser’s “Faerie Queene”’. Milton Quarterly 37.4 (2003): 205–214. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.24465090&amp;site=eds-live&amp;scope=site>.

Brooke, Arthur. ‘The Tragicall History of Romeus and Juliet’. 1562. Web. <https://shakespeare-navigators.ewu.edu/romeo/BrookeIndex.html>.

Burton, Jonathan, and Ania Loomba. Race in Early Modern England: A Documentary Companion. Basingstoke: Palgrave Macmillan, 2007. Web. <https://encore.exeter.ac.uk/iii/encore/record/C__Rb2507050>.

Butler, Martin. ‘Chapter 4 - Ben Jonson and the Limits of Courtly Panegyric’. Culture and Politics in Early Stuart England. Problems in focus series. Basingstoke, Hants: Macmillan Press, 1994. Web. <https://contentstore.cla.co.uk/secure/link?id=0e1ae704-fb80-e611-80c6-005056af4099>.

---. ‘“Servant but Not Slave”: Ben Jonson at the Jacobean Court’. Proceedings of the British Academy 90 (1996): 65–93. Web. <https://contentstore.cla.co.uk/secure/link?id=61c0d254-fd80-e611-80c6-005056af4099>.

Callaghan, Dympna. ‘Chapter 7 - Confounded by Winter: Speeding Time in Shakespeare’s Sonnets’. A Companion to Shakespeare’s Sonnets. Blackwell, 2007. 104–118. Web. <https://contentstore.cla.co.uk/secure/link?id=7e33c4e1-8982-e611-80c6-005056af4099>.

---. Shakespeare without Women: Representing Gender and Race on the Renaissance Stage. London: Routledge, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904429707446&context=L&vid=44UOEX_INST:default>.

Callaghan, Dympna C. ‘Chapter 2 - The Ideology of Romantic Love: The Case of Romeo and Juliet’. The Weyward Sisters: Shakespeare and Feminist Politics. Oxford, UK: Blackwell, 1994. 59–101. Web. <https://contentstore.cla.co.uk/secure/link?id=88adbf89-0981-e611-80c6-005056af4099>.

Capp, B. S. The Ties That Bind: Siblings, Family, and Society in Early Modern England. First edition. Oxford: Oxford University Press, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008270429707446&context=L&vid=44UOEX_INST:default>.

---. The Ties That Bind: Siblings, Family, and Society in Early Modern England. First edition. Oxford: Oxford University Press, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008270429707446&context=L&vid=44UOEX_INST:default>.

Chakravorty, Swapan. Society and Politics in the Plays of Thomas Middleton. Oxford English monographs. Oxford: Clarendon, 1996. Web. <http://encore.exeter.ac.uk/iii/encore/record/C__Rb2512787?lang=eng>.

Chedgzoy, Kate, Greenhalgh, Susanne, and Shaughnessy, Robert. Shakespeare and Childhood. Cambridge: Cambridge University Press, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015450149707446&context=L&vid=44UOEX_INST:default>.

---. Shakespeare and Childhood. Cambridge: Cambridge University Press, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015450149707446&context=L&vid=44UOEX_INST:default>.

Chessell, Del. ‘A Constant Shaping Pressure: Mortality in Poetry’. The Critical Review 26 (1984): n. pag. Web. <https://contentstore.cla.co.uk/secure/link?id=0fead042-1b83-e611-80c6-005056af4099>.

Christensen, Ann. ‘Business, Pleasure, and the Domestic Economy in Heywood’s a Woman Killed with Kindness’. Exemplaria 9.2 (1997): 315–340. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1997067170&amp;site=eds-live>.

Clerico, Teri. ‘The Politics of Blood: John Ford’s Tis Pity She’s a Whore’. English Literary Renaissance 22.3 (1992): 405–434. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.43447403&amp;site=eds-live>.

Coker-Durso, Lauren G. Metatheatricality and Disability Drag: Performing Bodily Difference on the Early Modern English Stage. Ann Arbor: ProQuest Dissertations & Theses, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991009422619707446&context=L&vid=44UOEX_INST:default>.

Cousins, A. D., and Alison V. Scott, eds. Ben Jonson and the Politics of Genre. Cambridge: Cambridge University Press, 2009. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015778879707446&context=L&vid=44UOEX_INST:default>.

Crawford, Patricia. Blood, Bodies and Families in Early Modern England. Women and men in history. Harlow: Longman, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014481849707446&context=L&vid=44UOEX_INST:default>.

---. Blood, Bodies and Families in Early Modern England. Women and men in history. Harlow: Longman, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014481849707446&context=L&vid=44UOEX_INST:default>.

Crawford, Patricia. Women’s Worlds in Seventeenth-Century England : A Sourcebook. London: Routledge., 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004336099707446&context=L&vid=44UOEX_INST:default>.

Cressy, David. Birth, Marriage, and Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England. Oxford: Oxford University Press, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000744649707446&context=L&vid=44UOEX_INST:default>.

---. Birth, Marriage, and Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England. Oxford: Oxford University Press, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000744649707446&context=L&vid=44UOEX_INST:default>.

Cressy, David, and Lori Anne Ferrell. Religion and Society in Early Modern England: A Sourcebook. 2nd ed. London: Routledge, 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014655409707446&context=L&vid=44UOEX_INST:default>.

Dawson, Lesel. Lovesickness and Gender in Early Modern English Literature. Oxford: Oxford University Press, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015724509707446&context=L&vid=44UOEX_INST:default>.

Degenhardt, Jane Hwang and Williamson, Elizabeth. Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Studies in performance and early modern drama. Farnham: Ashgate, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000532759707446&context=L&vid=44UOEX_INST:default>.

Dekker, Thomas, and Jonathan Gil Harris. The Shoemaker’s Holiday. 3rd ed. London: Methuen Drama, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006627539707446&context=L&vid=44UOEX_INST:default>.

DiGangi, Mario. Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley. 1st ed. Philadelphia: University of Pennsylvania Press, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004598989707446&context=L&vid=44UOEX_INST:default>.

---. The Homoerotics of Early Modern Drama. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003341329707446&context=L&vid=44UOEX_INST:default>.

Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. 3rd ed. Durham: Duke University Press, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000121009707446&context=L&vid=44UOEX_INST:default>.

Donne, John. ‘The Relic’ “The Funeral,” and “Hymn to My God in My Sickness”’. The Norton Anthology of English Literature: Volume B: The Sixteenth Century ; the Early Seventeenth Century. 8th ed. New York: W.W. Norton, 2006. Web. <https://contentstore.cla.co.uk/secure/link?id=6e490dcf-c5d7-e911-80cd-005056af4099>.

Dowd, Michelle M., and Natasha Korda. Working Subjects in Early Modern English Drama. Farnham, Surrey: Ashgate, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002852759707446&context=L&vid=44UOEX_INST:default>.

E.A. Copen                            William Shakespeare. ‘Romeo and Juliet’. Web. <https://exeteruk.overdrive.com/media/1745008>.

Espinosa, Ruben, and David Ruiter, eds. Shakespeare and Immigration. Abingdon, Oxon: Routledge, 2016. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628529707446&context=L&vid=44UOEX_INST:default>.

Evans, J. ‘“They Are Called Imperfect Men”: Male Infertility and Sexual Health in Early Modern England’. Social History of Medicine 29.2 (2016): 311–332. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsbl&amp;AN=RN379556897&amp;site=eds-live&amp;scope=site>.

Feerick, Jean E. Strangers in Blood: Relocating Race in the Renaissance. Toronto [Ont.]: University of Toronto Press, 2010. Web. <https://encore.exeter.ac.uk/iii/encore/record/C__Rb3563139>.

FITTER, CHRIS. ‘"The Quarrel Is between Our Masters and Us Their Men”: Romeo and Juliet, Dearth, and the London Riots’. English Literary Renaissance 30.2 (2000): 154–183. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=hia&amp;AN=3542014&amp;site=eds-live&amp;scope=site>.

Fleck, Andrew. ‘Marking Difference and National Identity in Dekker’s “The Shoemaker’s Holiday”’. Studies in English Literature, 1500-1900 46.2 (2006): 349–370. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.3844646&amp;site=eds-live&amp;scope=site>.

Fletcher, Anthony. Gender, Sex, and Subordination in England, 1500-1800. New Haven: Yale University Press, 1995. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015741619707446&context=L&vid=44UOEX_INST:default>.

Foakes, R.A. ‘Hamlet and the Court of Elsinore’. Shakespeare survey: an annual survey of Shakespearian study and production 9 (1956): 35–43. Web. <https://contentstore.cla.co.uk/secure/link?id=3639d728-1e83-e611-80c6-005056af4099>.

Ford, John, and Simon Barker. ’Tis Pity She’s a Whore. London: Routledge, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004027999707446&context=L&vid=44UOEX_INST:default>.

Foster, Verna. ‘’Tis Pity She’s a Whore as City Tragedy’. John Ford : Critical Re-Visions. Cambridge University Press, 1988. 181–200. Web. <https://contentstore.cla.co.uk/secure/link?id=9546e7c1-7f82-e611-80c6-005056af4099>.

Foyster, Elizabeth A. Manhood in Early Modern England: Honour, Sex, and Marriage. Women And Men In History. Oxfordshire, England: Routledge, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012989859707446&context=L&vid=44UOEX_INST:default>.

Frey, Christopher, and Leanore Lieblein. ‘“My Breasts Sear’d”: The Self-Starved Female Body and A Woman Killed with Kindness.’ Early Theatre 7.Issue 1 (2004): 45–66. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edb&amp;AN=13218782&amp;site=eds-live&amp;scope=site>.

Garber, Marjorie. Coming of Age in Shakespeare. London: Methuen, 1981. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002236509707446&context=L&vid=44UOEX_INST:default>.

Garber, Marjorie B. Coming of Age in Shakespeare. 1st pbk. ed. New York: Routledge, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002236509707446&context=L&vid=44UOEX_INST:default>.

Garrison, John S. Shakespeare and the Afterlife. Oxford, England: Oxford University Press, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003032909707446&context=L&vid=44UOEX_INST:default>.

Garwood, S. ‘"The Skull Beneath the Skin”: Women and Self-Starvation on the Renaissance Stage’. Shakespeare Jahrbuch 145 (2009): 106–123. Web. <https://contentstore.cla.co.uk/secure/link?id=f0bca4a8-cb1a-eb11-80cd-005056af4099>.

Gent, Lucy, and Nigel Llewellyn. Renaissance Bodies: The Human Figure in English Culture, c.1540-1660. Critical views. London: Reaktion Books, 1990. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007640139707446&context=L&vid=44UOEX_INST:default>.

Gillen, Katherine. Chaste Value: Economic Crisis, Female Chastity and the Production of Social Difference on Shakespeare’s Stage. Edinburgh: Edinburgh University Press, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006373349707446&context=L&vid=44UOEX_INST:default>.

Goldberg, Jonathan. ‘Pages 56-65’. James I and the Politics of Literature : Jonson, Shakespeare, Donne, and Their Contemporaries. Johns Hopkins University Press, 1983. 56–65. Web. <https://contentstore.cla.co.uk/secure/link?id=62073f9d-ff80-e611-80c6-005056af4099>.

---, ed. Queering the Renaissance. Durham: Duke University Press, 1994. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005253379707446&context=L&vid=44UOEX_INST:default>.

Goldstein, Martin. ‘The Tragedy of Old Capulet: A Patriarchal Reading of Romeo and Juliet’. English Studies 77 (1996): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1996065400&amp;site=eds-live&amp;scope=site>.

Goodland, Katharine. ‘Chapter 7 - The Gendered Poetics of Tragedy in Shakespeare’s Hamlet’. Female Mourning and Tragedy in Medieval and Renaissance English Drama: From the Raising of Lazarus to King Lear. Aldershot , Hants: Ashgate, 2006. 171–199. Web. <https://contentstore.cla.co.uk/secure/link?id=081208c4-2083-e611-80c6-005056af4099>.

Gordon, Andrew. Writing Early Modern London: Memory, Text and Community. Basingstoke: Palgrave Macmillan, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002355599707446&context=L&vid=44UOEX_INST:default>.

Gordon, D. J. ‘Hymenaei: Ben Jonson’s Masque of Union’. Journal of the Warburg and Courtauld Institutes 8 (1945): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.750168&amp;site=eds-live&amp;scope=site>.

---. ‘Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones’. Journal of the Warburg and Courtauld Institutes 12 (1949): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.750261&amp;site=eds-live&amp;scope=site>.

Gowing, Laura. Domestic Dangers: Women, Words, and Sex in Early Modern London. Oxford studies in social history. Oxford: Clarendon, 1996. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000967119707446&context=L&vid=44UOEX_INST:default>.

---. ‘Secret Births and Infanticide in Seventeenth-Century England’. Past and Present 156 (1997): 87–115. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.651179&amp;site=eds-live&amp;scope=site>.

Graham, Jean. ‘Katherine Philips and “Churching”’. Explicator 70.3 (2012): 161–163. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2013583106&amp;site=eds-live&amp;scope=site>.

Gray, Catharine. ‘Feeding on the Seed of the Woman: Dorothy Leigh and the Figure of Maternal Dissent’. ELH 68.3 (2001): 563–592. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.30031983&amp;site=eds-live&amp;scope=site>.

Greenblatt, Stephen J. Hamlet in Purgatory. Princeton, N.J.: Princeton University Press, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004185319707446&context=L&vid=44UOEX_INST:default>.

Greenblatt, Stephen Jay and American Council of Learned Societies. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. New historicism : studies in cultural poetics. Berkeley: University of California Press, 1988. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001979489707446&context=L&vid=44UOEX_INST:default>.

Griffiths, Paul. Youth and Authority: Formative Experiences in England 1560-1640. Oxford: Clarendon Press, 1996. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000748839707446&context=L&vid=44UOEX_INST:default>.

Habib, Imtiaz H. Black Lives in the English Archives, 1500-1677: Imprints of the Invisible. Aldershot, England: Ashgate. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003985009707446&context=L&vid=44UOEX_INST:default>.

---. Black Lives in the English Archives, 1500-1677: Imprints of the Invisible. Aldershot, England: Ashgate, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003985009707446&context=L&vid=44UOEX_INST:default>.

Haggerty, George E. ‘The Yard of Wit: Male Creativity and Sexuality, 1650-1750 (Review)’. Journal of the History of Sexuality 14.3 (2005): 347–352. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.3704661&amp;site=eds-live>.

Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press, 1995. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008296539707446&context=L&vid=44UOEX_INST:default>.

---. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press, 1995. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008296539707446&context=L&vid=44UOEX_INST:default>.

Hammersmith, James P. ‘Hamlet and the Myth of Memory’. ELH 45.4 (1978): 597–605. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.2872579&amp;site=eds-live>.

Hammons, Pamela. ‘Despised Creatures: The Illusion of Maternal Self-Effacement in Seventeenth-Century Child Loss Poetry’. ELH 66.1 (1999): 25–49. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.30032060&amp;site=eds-live&amp;scope=site>.

Hattaway, Michael. A Companion to English Renaissance Literature and Culture. Vol. 8. Oxford: Blackwell, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000514349707446&context=L&vid=44UOEX_INST:default>.

Heinemann, Margot. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. Past and present publications. Cambridge: Cambridge University Press, 1980. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003418659707446&context=L&vid=44UOEX_INST:default>.

Heller, Jennifer L. ‘The Legacy and Rhetorics of Maternal Zeal’. ELH 75.3 (2008): 603–623. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.27654627&amp;site=eds-live&amp;scope=site>.

Heywood, Thomas, and Brian W. M. Scobie. A Woman Killed with Kindness. London: A. & C. Black, 1985. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003215539707446&context=L&vid=44UOEX_INST:default>.

Higginbotham, Jennifer. The Girlhood of Shakespeare’s Sisters: Gender Transgression, Adolescence. Edinburgh: Edinburgh University Press, 2013. Web. <https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748655908.001.0001>.

Higginbotham, Jennifer, and Mark Albert Johnston, eds. Queering Childhood in Early Modern English Drama and Culture. Basingstoke, Hampshire: Palgrave Macmillan, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003699509707446&context=L&vid=44UOEX_INST:default>.

Hillman, David, and Carla Mazzio. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. New York: Routledge, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002220699707446&context=L&vid=44UOEX_INST:default>.

---. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. New York: Routledge, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002220699707446&context=L&vid=44UOEX_INST:default>.

Hopkins, Lisa. The Female Hero in English Renaissance Tragedy. Palgrave Macmillan, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002356799707446&context=L&vid=44UOEX_INST:default>.

Houlbrooke, Ralph A. Death, Religion, and the Family in England, 1480-1750. Oxford studies in social history. Oxford: Clarendon, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000964929707446&context=L&vid=44UOEX_INST:default>.

Houlbrooke, Ralph A. Death, Religion, and the Family in England, 1480-1750. Oxford studies in social history. Oxford: Clarendon, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000964929707446&context=L&vid=44UOEX_INST:default>.

---. The English Family, 1450-1700. London: Longman, 1984. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628389707446&context=L&vid=44UOEX_INST:default>.

Howard, Jean Elizabeth. The Stage and Social Struggle in Early Modern England. London: Routledge, 1994. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005614979707446&context=L&vid=44UOEX_INST:default>.

Hoxby, Blair. ‘The Wisdom of Their Feet: Meaningful Dance in Milton and the Stuart Masque’. English Literary Renaissance 37.1 (2007): 74–99. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.24463802&amp;site=eds-live&amp;scope=site>.

Hunter, George K. ‘Bourgeois Comedy: Shakespeare and Dekker’. Shakespeare and His Contemporaries: Essays in Comparison. The Revels plays companion library. Manchester: Manchester University Press, 1986. 1–15. Web. <https://contentstore.cla.co.uk/secure/link?id=8c33442b-7082-e611-80c6-005056af4099>.

Hutner, Heidi. Colonial Women: Race and Culture in Stuart Drama. Oxford: Oxford University Press, 2001. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007580659707446&context=L&vid=44UOEX_INST:default>.

Ingram, Martin. Church Courts, Sex, and Marriage in England, 1570-1640. Cambridge: Cambridge University Press, 1987. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003248629707446&context=L&vid=44UOEX_INST:default>.

Iyengar, Sujata, ed. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default>.

---, ed. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default>.

---, ed. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default>.

---, ed. Disability, Health, and Happiness in the Shakespearean Body. Vol. 12. New York: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000441819707446&context=L&vid=44UOEX_INST:default>.

---. Shades of Difference: Mythologies of Skin Color in Early Modern England. Philadelphia: University of Pennsylvania Press, 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991012322959707446&context=L&vid=44UOEX_INST:default>.

Jenstad, Janelle Day. ‘Lying-in Like a Countess: The Lisle Letters, the Cecil Family, and A Chaste Maid in Cheapside’. Journal of Medieval and Early Modern Studies 34.2 (2004): 373–403. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2004296888&amp;site=eds-live&amp;scope=site>.

Jonson, Ben. ‘Hymenaei’. N.p., n.d. Web. <http://www.luminarium.org/editions/hymen.htm>.

---. The Cambridge Works of Ben Jonson. N.p. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000389459707446&context=L&vid=44UOEX_INST:default>.

Kahn, C. ‘Coming of Age in Verona’. The Woman’s Part: Feminist Criticism of Shakespeare. Urbana: University of Illinois Press, 1980. 171–193. Web. <https://contentstore.cla.co.uk/secure/link?id=67eab247-4f1f-eb11-80cd-005056af4099>.

Kahn, Coppelia. ‘Coming of Age in Verona’. Modern Language Studies 8.1 (1977): n. pag. Web. <https://www.jstor.org/stable/3194631?seq=1#metadata_info_tab_contents>.

---. ‘Coming of Age in Verona’. Modern Language Studies 8.1 (1977): n. pag. Web. <https://www.jstor.org/stable/3194631?seq=1#metadata_info_tab_contents>.

Kamps, Ivo, and Jyotsna G. Singh. Travel Knowledge: European ‘Discoveries’ in the Early Modern Period. New York, N.Y.: Palgrave, 2001. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628559707446&context=L&vid=44UOEX_INST:default>.

Karim-Cooper, Farah. Cosmetics in Shakespearean and Renaissance Drama. Edinburgh: Edinburgh University Press, 2006. Web. <https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748619931.001.0001>.

---. Cosmetics in Shakespearean and Renaissance Drama. Edinburgh: Edinburgh University Press, 2006. Web. <https://uoelibrary.idm.oclc.org/login?qurl=http://dx.doi.org/10.3366/edinburgh/9780748619931.001.0001>.

Kastan, David Scott, and Peter Stallybrass. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York: Routledge, 1991. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903909707446&context=L&vid=44UOEX_INST:default>.

Kastan, David Scott and Stallybrass, Peter. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York: Routledge, 1991. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903909707446&context=L&vid=44UOEX_INST:default>.

Kaufmann, Miranda. ‘“Making the Beast with Two Backs”: Interracial Relationships in Early Modern England’. Literature Compass 12.1 (2015): 22–37. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2016396197&amp;site=eds-live&amp;scope=site>.

Kaufmann, R. J. ‘Ford’s Tragic Perspective’. Texas Studies in Literature and Language 1.4 (1960): 522–537. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1960002780&amp;site=eds-live&amp;scope=site>.

Kay, W. David. ‘The Christian Wisdom of Ben Jonson’s “On My First Sonne”’. Studies in English Literature, 1500-1900 11.1 (1971): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.449822&amp;site=eds-live&amp;scope=site>.

Kellett, Katherine R. ‘The Lady’s Voice: Poetic Collaboration in Milton’s Mask’. Milton Studies 50 (2009): 1–19. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2010582084&amp;site=eds-live&amp;scope=site>.

Kendrick, Matthew. ‘"A Shoemaker Sell Flesh and Blood—O Indignity!”: The Labouring Body and Community in The Shoemaker’s Holiday’. English Studies 92.3 (2011): 259–273. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2011581043&amp;site=eds-live>.

Kidnie, Margaret Jane. ‘“We Really Can’t Be Doing 1603 Now. We Really Can’t”: Katie Mitchell, Theatrical Adaptation, and Heywood’s A Woman Killed with Kindness’. Shakespeare Bulletin 31.4 (2013): 647–668. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2014580091&amp;site=eds-live&amp;scope=site>.

King, Helen. Hippocrates’ Woman: Reading the Female Body in Ancient Greece. London: Routledge, 1998. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615139707446&context=L&vid=44UOEX_INST:default>.

---. The Disease of Virgins: Green Sickness, Chlorosis, and the Problems of Puberty. London: Routledge, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628309707446&context=L&vid=44UOEX_INST:default>.

---. The One-Sex Body on Trial: The Classical and Early Modern Evidence. Farnham: Ashgate, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002712729707446&context=L&vid=44UOEX_INST:default>.

Kinney, Arthur F. A Companion to Renaissance Drama. Vol. 14. Oxford: Blackwell Publishers, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002903949707446&context=L&vid=44UOEX_INST:default>.

Knowles, Katie. Shakespeare’s Boys: A Cultural History. Basingstoke: Palgrave Macmillan, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002940389707446&context=L&vid=44UOEX_INST:default>.

Knowles, Ronald. Shakespeare and Carnival: After Bakhtin. Basingstoke: Palgrave Macmillan, 1998. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000174669707446&context=L&vid=44UOEX_INST:default>.

Kronenfeld, J. Z. ‘The Father Found: Consolation Achieved through Love in Ben Jonson’s “On My First Sonne”’. Studies in Philology 75.1 (1978): 64–83. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1978104796&amp;site=eds-live&amp;scope=site>.

Kunin, Aaron. ‘Shakespeare’s Preservation Fantasy’. PMLA: Publications of the Modern Language Association of America 124.1 (2009): 92–106. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2009380006&amp;site=eds-live>.

Lamb, Edel. Performing Childhood in the Early Modern Theatre. London: Palgrave Macmillan UK, 2009. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002375849707446&context=L&vid=44UOEX_INST:default>.

---. Reading Children in Early Modern Culture. Cham, Switzerland: Palgrave Macmillan, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006381229707446&context=L&vid=44UOEX_INST:default>.

Laqueur, Thomas Walter. Making Sex: Body and Gender from the Greeks to Freud. Harvard University Press, 1992. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004368669707446&context=L&vid=44UOEX_INST:default>.

Lawson, Andrea C. ‘Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker’s Holiday’. Early Theatre 15.2 (2012): 93–110. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2013580193&amp;site=eds-live&amp;scope=site>.

Leigh, Dorothy, Elizabeth Joscelin, Elizabeth Richardson, and Sylvia Brown (eds). ‘Introduction to Dorothy Leigh - The Mothers Blessing (1616)’. Women’s Writing in Stuart England: The Mothers’ Legacies of Dorothy Leigh, Elizabeth Joscelin, and Elizabeth Richardson. Stroud: Sutton, 1999. 3–14. Web. <https://contentstore.cla.co.uk/secure/link?id=4e5e944c-2b80-e611-80c6-005056af4099>.

Leigh, Dorothy, Elizabeth Joscelin, Elizabeth Richardson, and Sylvia Brown. Women’s Writing in Stuart England: The Mothers’ Legacies of Dorothy Leigh, Elizabeth Joscelin, and Elizabeth Richardson. Stroud: Sutton, 1999. Print.

Leigh, Dorothy and Bodleian Library. The Mothers Blessing: Being Several Godly Admonitions given by a Mother unto Her Children upon Her Death-Bed, a Little before Her Departure. [London]: Printed by I.M. for I. Clarke, W. Thackeray, and T. Passinger, 1685. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991016247149707446&context=L&vid=44UOEX_INST:default>.

Leinwand, Theodore B. Theatre, Finance and Society in Early Modern England. Cambridge: Cambridge University Press, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003345689707446&context=L&vid=44UOEX_INST:default>.

Levenson, Jill L. ‘The Definition of Love: Shakespeare’s Phrasing in Romeo and Juliet.’ Shakespeare Studies 15 (1982): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=hlh&amp;AN=8954265&amp;site=eds-live&amp;scope=site>.

‘Library Website’. N.p., n.d. Web. <https://www.exeter.ac.uk/departments/library/>.

Lindley, David. ‘Embarrassing Ben: The Masques For Frances Howard’. English Literary Renaissance 16.2 (1986): 343–359. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.43447189&amp;site=eds-live&amp;scope=site>.

Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford, England: Oxford University Press, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005462889707446&context=L&vid=44UOEX_INST:default>.

Loomba, Ania, and Martin Orkin. Post-Colonial Shakespeares. London: Routledge, 1998. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004038299707446&context=L&vid=44UOEX_INST:default>.

Loughlin, Marie H. ‘“Love’s Friend and Stranger to Virginitie”: The Politics of the Virginal Body in Ben Jonson’s Hymenaei and Thomas Campion’s the Lord Hay’s Masque’. ELH 63.4 (1996): 833–849. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.30030128&amp;site=eds-live&amp;scope=site>.

Love, Genevieve. Early Modern Theatre and the Figure of Disability. London: The Arden Shakespeare/Bloomsbury Academic, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006272549707446&context=L&vid=44UOEX_INST:default>.

MacDonald, Joyce Green. Women and Race in Early Modern Texts. Cambridge: Cambridge University Press, 2002. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511483721>.

Maclean, Ian. The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life. Cambridge: Cambridge University Press, 1980. Web. <https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511562471>.

Martin, Christopher. Constituting Old Age in Early Modern English Literature, from Queen Elizabeth to King Lear. Amherst: University of Massachusetts Press, 2012. Web. <https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4533142>.

Maynard, Stephen. ‘Feasting on Eyre: Community, Consumption, and Communion in The Shoemaker’s Holiday’. Comparative Drama 32.3 (1998): 327–346. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edspmu&amp;AN=edspmu.S1936163798300007&amp;site=eds-live>.

McClive, C. ‘The Hidden Truths of the Belly: The Uncertainties of Pregnancy in Early Modern Europe’. Social History of Medicine 15.2 (2002): 209–227. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edswah&amp;AN=000177608300002&amp;site=eds-live>.

McLaren, Angus. Reproductive Rituals: The Perception of Fertility in England from the Sixteenth Century to the Nineteenth Century. Vol. 4. London: Routledge, 2020. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628419707446&context=L&vid=44UOEX_INST:default>.

McLuskie, Kathleen E. Dekker and Heywood: Professional Dramatists. London: Macmillan Education UK, 1994. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000417419707446&context=L&vid=44UOEX_INST:default>.

McQuade, Paula. ‘“A Labyrinth of Sin”: Marriage and Moral Capacity in Thomas Heywood’s “A Woman Killed with Kindness”’. Modern Philology 98.2 (2000): 231–250. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.438934&amp;site=eds-live>.

Mendelson, Sara Heller and Crawford, Patricia. Women in Early Modern England, 1550-1720. Oxford: Clarendon, 1998. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001021769707446&context=L&vid=44UOEX_INST:default>.

Mickel, Lesley. ‘Glorious Spangs and Rich Embroidery: Costume in The Masque of Blackness and Hymenaei’. Studies in the Literary Imagination 36.2 (2003): 41–59. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2004532739&amp;site=eds-live&amp;scope=site>.

Middleton, Thomas. A Chaste Maid in Cheapside. A. & C. Black, 2002. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003211169707446&context=L&vid=44UOEX_INST:default>.

Miller, Naomi J., and Naomi Yavneh. Gender and Early Modern Constructions of Childhood. Burlington, VT: Ashgate, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628359707446&context=L&vid=44UOEX_INST:default>.

---. Maternal Measures: Figuring Caregiving in the Early Modern Period. First edition. London: Taylor and Francis, 2017. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628439707446&context=L&vid=44UOEX_INST:default>.

---. Sibling Relations and Gender in the Early Modern World: Sisters, Brothers and Others. Abingdon, Oxon: Routledge, 2016. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005038709707446&context=L&vid=44UOEX_INST:default>.

Milton, John. Comus: A Masque. N.p., 1634. Web. <http://www.luminarium.org/renascence-editions/comus.html>.

Morgan, Jennifer L. Laboring Women: Reproduction and Gender in New World Slavery. Philadelphia: University of Pennsylvania Press, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005669549707446&context=L&vid=44UOEX_INST:default>.

Mulder, James Y. Wasteful Bodies: Queer Embodiment and Erotics in Early Modern Literature. Ann Arbor: ProQuest Dissertations & Theses, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991009352799707446&context=L&vid=44UOEX_INST:default>.

Neill, Michael. ‘“In Everything Illegitimate”: Imagining the Bastard in Renaissance Drama’. The Yearbook of English Studies 23 (1993): 270–292. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.3507984&amp;site=eds-live>.

---. Issues of Death : Mortality and Identity in English Renaissance Tragedy. Oxford University Press, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000983209707446&context=L&vid=44UOEX_INST:default>.

Neill, Michael. Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon, 1997. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000983209707446&context=L&vid=44UOEX_INST:default>.

Neill, Michael. ‘What Strange Riddle’s This?: Deciphering ’Tis Pity She’s A Whore’. John Ford: Critical Re-Visions. Cambridge: Cambridge University Press, 1988. 153–180. Web. <https://contentstore.cla.co.uk/secure/link?id=c081ea9a-1820-eb11-80cd-005056af4099>.

Newman, Karen. ‘Chapter 21 - A Chaste Maid in Cheapside and London’. Early Modern English Drama: A Critical Companion. New York: Oxford University Press, 2006. 237–247. Web. <https://contentstore.cla.co.uk/secure/link?id=e1a922cd-6482-e611-80c6-005056af4099>.

Newton, Hannah. The Sick Child in Early Modern England, 1580-1720. Oxford: Oxford University Press, 2012. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001703519707446&context=L&vid=44UOEX_INST:default>.

Oldenburg, Scott K. Alien Albion: Literature and Immigration in Early Modern England. Toronto: University of Toronto Press, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004974199707446&context=L&vid=44UOEX_INST:default>.

Ortiz, Joseph M. ‘“The Reforming of Reformation”: Theatrical, Ovidian, and Musical Figuration in Milton’s Mask’. Milton Studies 44 (2005): 84–110. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2005870186&amp;site=eds-live&amp;scope=site>.

Orvis, David L., ed. Queer Milton. Cham, Switzerland: Palgrave Macmillan, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008797309707446&context=L&vid=44UOEX_INST:default>.

---, ed. Queer Milton. Cham, Switzerland: Palgrave Macmillan, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008797309707446&context=L&vid=44UOEX_INST:default>.

Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y.: Cornell University Press, 1993. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008295409707446&context=L&vid=44UOEX_INST:default>.

---. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, N.Y.: Cornell University Press, 1993. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008295409707446&context=L&vid=44UOEX_INST:default>.

Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Cornell University Press, 1993. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001094519707446&context=L&vid=44UOEX_INST:default>.

Phillippy, Patricia Berrahou, ed. A History of Early Modern Women’s Writing. Cambridge: Cambridge University Press, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005702459707446&context=L&vid=44UOEX_INST:default>.

Phillips, Katherine. ‘Epitaph: On the Death of My First and Dearest Child, Hector Philips’. N.p., n.d. Web. <http://www.luminarium.org/sevenlit/philips/hector2.htm>.

Poitevin, Kimberly. ‘Inventing Whiteness: Cosmetics, Race, and Women in Early Modern England’. Journal for Early Modern Cultural Studies 11.1 (2011): 59–89. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edspmu&amp;AN=edspmu.S1553378611100034&amp;site=eds-live&amp;scope=site>.

Potter, Ursula. ‘Navigating the Dangers of Female Puberty in Renaissance Drama’. SEL Studies in English Literature 1500-1900 53.2 (2013): 421–439. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=2013582521&amp;site=eds-live>.

Powell, Raymond. ‘The Adaptation of a Shakespearean Genre: Othello and Ford’s ’Tis Pity She’s a Whore’. Renaissance Quarterly 48.3 (1995): 582–592. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.2862874&amp;site=eds-live>.

Pritchard, R. E. ‘Dying in Donne’s “The Good Morrow”’. Essays in Criticism XXXV.3 (1985): 213–222. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=hlh&amp;AN=16021213&amp;site=eds-live>.

Read, Sara. Menstruation and the Female Body in Early Modern England. Basingstoke: Palgrave Macmillan, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000099629707446&context=L&vid=44UOEX_INST:default>.

Reay, Barry, and Kim M. Phillips. Sex before Sexuality: A Premodern History. Themes in history. Cambridge: Polity, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008309099707446&context=L&vid=44UOEX_INST:default>.

Richardson, Catherine. ‘Chapter 5 - Properties of Domestic Life: The Table in Heywood’s A Woman Killed With Kindness’. Staged Properties in Early Modern English Drama. Cambridge: Cambridge University Press, 2002. 129–152. Web. <https://contentstore.cla.co.uk/secure/link?id=580cd5e8-7582-e611-80c6-005056af4099>.

---. Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household. Manchester: Manchester University Press, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015009319707446&context=L&vid=44UOEX_INST:default>.

Rutter, Carol Chillington. ‘Chapter 2 - Snatched Bodies: Ophelia in the Grave’. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge, 2001. 27–56. Web. <https://contentstore.cla.co.uk/secure/link?id=a3115ca3-2583-e611-80c6-005056af4099>.

---. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge, 2001. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004032969707446&context=L&vid=44UOEX_INST:default>.

Sawday, Jonathan. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. London: Routledge, 1994. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005615049707446&context=L&vid=44UOEX_INST:default>.

Schiffer, James. Shakespeare’s Sonnets: Critical Essays. Shakespeare criticism. New York: Garland Pub, 2000. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991013330629707446&context=L&vid=44UOEX_INST:default>.

Schwarz, Kathryn. ‘Chastity, Militant and Married: Cavendish’s Romance, Milton’s Masque’. PMLA: Publications of the Modern Language Association of America 118.2 (2003): 270–285. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.1261414&amp;site=eds-live&amp;scope=site>.

Schwyzer, Philip. Archaeologies of English Renaissance Literature. Oxford: Oxford University Press, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015060879707446&context=L&vid=44UOEX_INST:default>.

Schwyzer, Philip. Archaeologies of English Renaissance Literature. Oxford: Oxford University Press, 2007. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015060879707446&context=L&vid=44UOEX_INST:default>.

Scodel, Joshua. ‘Genre and Occasion in Jonson’s “On My First Sonne”’. Studies in Philology 86.2 (1989): 235–259. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsmzh&amp;AN=1989061796&amp;site=eds-live&amp;scope=site>.

Scott, Alison V. ‘Jonson’s Masque Markets and Problems of Literary Ownership’. SEL 1500-1900 47.2 (2007): 451–471. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.4625119&amp;site=eds-live&amp;scope=site>.

Shakespeare, William. Hamlet: The First Folio, 1623. Ed. Ann Thompson and Neil Taylor. [London]: Bloomsbury, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003226829707446&context=L&vid=44UOEX_INST:default>.

---. Romeo and Juliet. London: Arden Shakespeare, 2012. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003243739707446&context=L&vid=44UOEX_INST:default>.

---. Shakespeare’s Sonnets. Minneapolis, Minnesota: First Avenue Editions, 2018. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004685699707446&context=L&vid=44UOEX_INST:default>.

Sheen, Erica, and Lorna Hutson. Literature, Politics and Law in Renaissance England. Basingstoke: Palgrave Macmillan, 2004. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002386519707446&context=L&vid=44UOEX_INST:default>.

Shepard, Alexandra. Meanings of Manhood in Early Modern England. Oxford studies in social history. Oxford: Oxford University Press, 2006. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001503379707446&context=L&vid=44UOEX_INST:default>.

Skuse, Alanna. Constructions of Cancer in Early Modern England: Ravenous Natures. London: Palgrave Macmillan UK, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000501609707446&context=L&vid=44UOEX_INST:default>.

Smith, Amy L. ‘Performing Cross-Class Clandestine Marriage in The Shoemaker’s Holiday’. SEL Studies in English Literature 1500-1900 45.2 (2005): 333–355. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.3844548&amp;site=eds-live>.

Sparey, Victoria. ‘Performing Puberty: Fertile Complexions in Shakespeare’s Plays’. Shakespeare Bulletin 33.3 (2015): 441–467. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edspmu&amp;AN=edspmu.S1931142715300039&amp;site=eds-live&amp;scope=site>.

Spiller, Elizabeth. Reading and the History of Race in the Renaissance. Cambridge: Cambridge University Press, 2011. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001637759707446&context=L&vid=44UOEX_INST:default>.

Stallybrass, Peter et al. ‘Hamlet’s Tables and the Technologies of Writing in Renaissance England’. Shakespeare Quarterly 55.4 (2004): 379–419. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.3844198&amp;site=eds-live>.

Stein, Arnold. ‘Handling Death: John Donne in Public Meditation’. ELH 48.3 (1981): 496–515. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.2872910&amp;site=eds-live>.

Stone, Lawrence. Road to Divorce: England 1530-1987. Oxford: Clarendon, 1990. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001008979707446&context=L&vid=44UOEX_INST:default>.

Taylor, Gary, and Trish Thomas Henley. The Oxford Handbook of Thomas Middleton. Oxford: Oxford University Press, 2012. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000517309707446&context=L&vid=44UOEX_INST:default>.

Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare’s Genres. London: Routledge, 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002904529707446&context=L&vid=44UOEX_INST:default>.

The Cambridge Companion to Milton. Cambridge: Cambridge University Press, 1999. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015265369707446&context=L&vid=44UOEX_INST:default>.

Thomas, Catherine. ‘Chaste Bodies and Poisonous Desires in Milton’s “Mask”’. SEL: Studies in English Literature, 1500-1900 46.2 (2006): 435–459. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.3844650&amp;site=eds-live&amp;scope=site>.

Thompson, Ayanna. Performing Race and Torture on the Early Modern Stage. Vol. 9. New York: Routledge, 2008. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006628589707446&context=L&vid=44UOEX_INST:default>.

Thrush, Coll-Peter. Indigenous London: Native Travelers at the Heart of Empire. New Haven: Yale University Press, 2017. Web. <https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;site=jstor&amp;dest=https://www.jstor.org/stable/10.2307/j.ctt1g69wjx>.

Toulalan, Sarah, and Kate Fisher, eds. The Routledge History of Sex and the Body: 1500 to the Present. The Routledge histories. London: Routledge, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default>.

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---, eds. The Routledge History of Sex and the Body: 1500 to the Present. The Routledge histories. London: Routledge, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default>.

---, eds. The Routledge History of Sex and the Body: 1500 to the Present. The Routledge histories. London: Routledge, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991001689479707446&context=L&vid=44UOEX_INST:default>.

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Traub, Valerie, ed. The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race. Oxford: Oxford University Press, 2016. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004839229707446&context=L&vid=44UOEX_INST:default>.

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Viazzo, Pier Paolo. ‘Chapter 6 - Mortality, Fertility, and Family’. Family Life in Early Modern Times, 1500-1789. The history of the European family. New Haven: Yale University Press, 2001. 157–187. Web. <https://contentstore.cla.co.uk/secure/link?id=a87385e2-2b83-e611-80c6-005056af4099>.

Wall, Wendy. ‘Chapter 5 - Dancing in a Net: The Problems of Female Authorship’. The Imprint of Gender: Authorship and Publication in the English Renaissance. Ithaca, N.Y.: Cornell University Press, 1993. 279–340. Web. <https://contentstore.cla.co.uk/secure/link?id=858614a2-4180-e611-80c6-005056af4099>.

---. ‘Isabella Whitney and the Female Legacy’. ELH 58.1 (1991): 35–62. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.10.2307.2873393&amp;site=eds-live>.

Warner, Lyndan. ‘Stepfamilies in Early Modern Europe: Paths of Historical Inquiry’. History Compass 14.10 (2016): 480–492. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=hia&amp;AN=118730245&amp;site=eds-live&amp;scope=site>.

Weissbourd, Emily. ‘"Those in Their Possession”: Race, Slavery, and Queen Elizabeth’s "Edicts of Expulsion”’. Huntington Library Quarterly 78.1 (2015): 1–19. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edspmu&amp;AN=edspmu.S1544399X15100005&amp;site=eds-live&amp;scope=site>.

Wheeler, Roxann. Complexion of Race: Categories of Difference in Eighteenth-Century British Culture. Philadelphia: University of Pennsylvania Press, 2000. Web. <https://shibbolethsp.jstor.org/start?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&amp;site=jstor&amp;dest=http://www.jstor.org/stable/10.2307/j.ctt3fhtxw>.

Whipday, Emma. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge University Press, 2019. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781108564359>.

Whitney, Isabella et al. ‘“Last Will and Testament” by Isabella Whitney’. Isabella Whitney, Mary Sidney, and Aemelia Lanyer: Renaissance Women Poets. Penguin classics. London: Penguin Books, 2000. 18–28. Web. <https://contentstore.cla.co.uk/secure/link?id=d75e2105-3a80-e611-80c6-005056af4099>.

Wiseman, Susan J. ‘’Tis Pity She’s a Whore: Representing the Incestuous Body’. Renaissance Bodies: The Human Figure in English Culture, c.1540-1660. Critical views. London: Reaktion Books, 1990. 180–197. Web. <https://contentstore.cla.co.uk/secure/link?id=b4951ee4-8582-e611-80c6-005056af4099>.

Wood, David Houston, and Allison P. Hobgood. Recovering Disability in Early Modern England. Columbus: Ohio State University Press, 2013. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006629469707446&context=L&vid=44UOEX_INST:default>.

Wrightson, Keith. English Society, 1580-1680. London: Routledge, 1993. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000438159707446&context=L&vid=44UOEX_INST:default>.

Zimmerman, Susan. Erotic Politics: Desire on the Renaissance Stage. New York: Routledge, 1992. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991002160409707446&context=L&vid=44UOEX_INST:default>.

---. The Early Modern Corpse and Shakespeare’s Theatre. Edinburgh: Edinburgh University Press, 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003828109707446&context=L&vid=44UOEX_INST:default>.