1.
Edgeworth, M., Watson, G.: Castle Rackrent. Oxford University Press, Oxford (2008).
2.
Claire Connolly: A cultural history of the Irish novel, 1790-1829. Cambridge University Press, New York (2011).
3.
Trumpener, K.: Bardic nationalism: the romantic novel and the British Empire. Princeton University Press, Princeton, N.J. (1997).
4.
Ó Gallchoir, C.: Maria Edgeworth: women, enlightenment and nation. University College Dublin Press, Dublin (2005).
5.
O’Connell, H.: Ireland and the fiction of improvement. Oxford University Press, Oxford (2006).
6.
Deane, S.: Strange country: modernity and nationhood in Irish writing since 1790. Oxford University Press, Oxford (1997).
7.
Corbett, M.J.: Allegories of Union in Irish and English writing, 1790-1870: politics, history, and the family from Edgeworth and to Arnold. Cambridge University Press, Cambridge (2000).
8.
White, H.: Music and the Irish literary imagination. Oxford University Press, Oxford (2008).
9.
Campbell, M.: Irish poetry under the union, 1801-1924. Cambridge University Press, Cambridge (2013).
10.
Benatti, F., Ryder, S., Tonra, J. eds: Thomas Moore: texts, contexts, hypertext. Peter Lang, Oxford (2013).
11.
Kelly, J.: Ireland and Union [IN] The Oxford handbook of British Romanticism. In: Duff, D. (ed.) The Oxford handbook of British Romanticism. Oxford University Press, Oxford (2018).
12.
Kelly, J.: Writing under the Union, 1800–1845. In: Ingman, H. and Ó Gallchoir, C. (eds.) A History of Modern Irish Women’s Literature. pp. 59–76. Cambridge University Press (2018). https://doi.org/10.1017/9781316442999.004.
13.
Gamer, M.: Maria Edgeworth and the Romance of Real Life. NOVEL: A Forum on Fiction. 34, (2001). https://doi.org/10.2307/1346217.
14.
Nolan, E.: ‘The Tommy Moore Touch’: Ireland and Modernity in Joyce and Moore. Dublin James Joyce Journal. 2, 64–77 (2009). https://doi.org/10.1353/djj.2009.0002.
15.
Love, T.M.: Gender and the Nationalistic Ballad: Thomas Davis, Thomas Moore, and Their Songs. New Hibernia Review. 21, 68–85 (2017). https://doi.org/10.1353/nhr.2017.0005.
16.
Barrell, J.: The meeting of the waters. Critical Quarterly. 60, 5–78 (2018). https://doi.org/10.1111/criq.12390.
17.
Maturin, C.: Leixlip Castle, http://gutenberg.net.au/ebooks06/0605961h.html.
18.
Regan, S.: from Melmoth the Wanderer [IN] Irish Writing An Anthology Of Irish Literature In English 17891939. In: Maturin, C.R. (ed.) Irish Writing An Anthology Of Irish Literature In English 17891939. pp. 106–120. Oxford University Press, USA (2008).
19.
Griffin, G.: The Brown Man [IN] Holland-tide. In: Holland-tide, or, Irish popular tales (1827).
20.
Stoker, B.: The Snake’s Pass.
21.
Riddell, C.: The Last Squire of Ennismore [IN] Idle Tales. In: Idle Tales. Ward & Downey, London (1888).
22.
Killeen, J.: The emergence of Irish gothic fiction: history, origins, theories. Edinburgh University Press, Edinburgh (2014).
23.
Kelly, J.: Charles Maturin: authorship, authenticity and the nation. Four Courts Press, Dublin (2011).
24.
Morin, C., Gillespie, N.: Irish gothics: genres, forms, modes, and traditions, 1760-1890. Palgrave Macmillan, Basingstoke (2014).
25.
Smith, A.: The Ghost Story 1840-1920: a cultural history. Manchester University Press, Manchester (2010).
26.
Kelly, J.: Gothic and the Celtic Fringe, 1750-1850. In: The Gothic World. pp. 38–50. Routledge, Hoboken, United States (2013).
27.
Irish Gothic Journal, https://irishgothicjournal.net/.
28.
Jim Hansen: The Wrong Marriage: Maturin and the Double-Logic of Masculinity in the Unionist Gothic. Studies in Romanticism. 47, (2008).
29.
Fowler, K.: Hieroglyphics in Fire: ‘Melmoth the Wanderer’. Studies in Romanticism. 25, (1986). https://doi.org/10.2307/25600620.
30.
Sharon Ragaz, Maturin and Archibald Constable: Maturin, Archibald Constable, and the Publication of ‘Melmoth the Wanderer’. The Review of English Studies. 57, (2006).
31.
Siobhan Marie Kilfeather: Terrific Register: The Gothicization of Atrocity in Irish Romanticism. boundary 2. 31, 49–71 (2004).
32.
Gregory, Lady, Yeats, W.B.: Cathleen Ni Houlihan. In: Modern and contemporary Irish drama: backgrounds and criticism. pp. 3–11. W. W. Norton, New York (2009).
33.
Gregory, Lady: The Rising of the Moon. In: Modern and contemporary Irish drama: backgrounds and criticism. pp. 50–57. W. W. Norton, New York (2009).
34.
Synge, J.M.: The Playboy of the Western World. In: Modern and contemporary Irish drama: backgrounds and criticism. pp. 68–112. W. W. Norton, New York (2009).
35.
Yeats, W. B. (William Butler): Synge and the Ireland of his time : Internet Archive. (1911).
36.
Mathews, P.J. ed: The Cambridge Companion to J. M. Synge. Cambridge University Press, Cambridge (2009).
37.
Cliff, B., Grene, N.: Synge and Edwardian Ireland. Oxford University Press, Oxford (2012).
38.
Levitas, B.: The theatre of nation: Irish drama and cultural nationalism, 1890-1916. Oxford University Press, Oxford (2002).
39.
Kiberd, D.: Inventing Ireland. Jonathan Cape, London (1995).
40.
Grene, N.: The politics of Irish drama: plays in context from Boucicault to Friel. Cambridge University Press, Cambridge (1999).
41.
Margaret Kelleher: Irish University Review. Special Issue: New Perspectives on the Irish Literary Revival. 33,.
42.
Ann Saddlemyer: Synge’s Soundscape. Irish University Review. 22, 55–68 (1992).
43.
Joyce, J., Brown, T.: Dubliners. Penguin Books, London (2000).
44.
Project MUSE - Dublin James Joyce Journal, https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/journal/579.
45.
Howes, M.E.: Tradition, Gender, and Migration in ‘The Dead,’ or: How Many People Has Gretta Conroy Killed? The Yale Journal of Criticism. 15, 149–171 (2002). https://doi.org/10.1353/yale.2002.0008.
46.
Attridge, D., Howes, M.: Semicolonial Joyce. Cambridge University Press, Cambridge (2000).
47.
Knowles, S.D.G.: Foundational essays in James Joyce studies. University Press of Florida, Gainesville, [Florida] (2017).
48.
Head, D.: The modernist short story: a study in theory and practice. Cambridge University Press, Cambridge (1992).
49.
Yeats, W.B., Finneran, R.J.: The poems. Proquest LLC, Cambridge [eng.] (2000).
50.
Collins, L.: Poetry by women in Ireland: a critical anthology 1870-1970. Liverpool University Press, Liverpool (2012).
51.
Morris, C., Milligan, A.: Alice Milligan and the Irish Cultural Revival. Four Courts Press, Dublin (2013).
52.
Steele, K.M.: Women, press, and politics during the Irish revival. Syracuse University Press, Syracuse, N.Y. (2007).
53.
MacPherson, D.A.J.: Women and the Irish nation: Gender, culture and Irish identity, 1890-1914. Palgrave Macmillan, Basingstoke (2012).
54.
Foley, D.J. ed: Yeats 150: William Butler Yeats 1865-1939. The Lilliput Press, Dublin, Ireland (2016).
55.
Howes, M.E.: Yeats’s nations: gender, class, and Irishness. Cambridge University Press, Cambridge (1996).
56.
Vendler, H.: Our secret discipline: Yeats and lyric form. Oxford University Press, Oxford (2007).
57.
Richman, D.: Passionate action: Yeats’s mastery of drama. University of Delaware Press, Newark (2000).
58.
Henn, T.R.: The lonely tower : studies in the poetry of W. B. Yeats. Barnes & Noble (1965).
59.
Walsh, I.R.: Experimental Irish theatre: After W.B. Yeats. Palgrave Macmillan, Basingstoke (2012).
60.
Stallworthy, J.: Vision and revision in Yeats’s last poems. Clarendon Press, Oxford (1969).
61.
Wood, M.: Yeats and violence. Oxford University Press, Oxford (2010).
62.
Stephanie J. Pocock: Artistic Liminality: Yeats’s Cathleen ni Houlihan and Purgatory. New Hibernia Review / Iris Éireannach Nua. 12, 99–117 (2008).
63.
Howes, M., Kelly, J. eds: The Cambridge Companion to W. B. Yeats. Cambridge University Press, Cambridge (2006).
64.
MacNeice, L., McDonald, P.: Collected poems. Proquest LLC, Cambridge [eng.] (2008).
65.
Kavanagh, Patrick: The Great Hunger [IN] Collected poems. In: Collected poems. Penguin, London (2005).
66.
Collins, L.: Poetry by women in Ireland: a critical anthology 1870-1970. Liverpool University Press, Liverpool (2012).
67.
De Valera, E.: Address by Mr de Valera.
68.
Gillis, A.A.: Irish poetry of the 1930s. (2005).
69.
Brearton, F., Gillis, A.A.: The Oxford handbook of modern Irish poetry. Oxford University Press, Oxford (2012).
70.
Walker, T.: Louis MacNeice and the Irish poetry of his time. Oxford University Press, Oxford (2015).
71.
Smith, S.: Patrick Kavanagh. Irish Academic Press, Dublin (2009).
72.
O’Brien, K.: The land of spices. Virago, London (2006).
73.
Michael Cronin: Kate O’Brien and the Erotics of Liberal Catholic Dissent. Field Day Review. 6, 28–51 (2010).
74.
Backus, M., Valente, J.: ‘The Land of Spices’, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review. 43, 55–73 (2013). https://doi.org/10.3366/iur.2013.0055.
75.
Backus, M., Valente, J.: The Land of Spices, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review. 43, 55–73 (2013). https://doi.org/10.3366/iur.2013.0055.
76.
Walshe, E.: Ordinary people dancing: essays on Kate O’Brien. Cork University Press, Cork (1993).
77.
Irish University Review: Vol 48, No 1, https://www.euppublishing.com/toc/iur/48/1.
78.
Heaney, S.: North. [s.n.], London (1992).
79.
Heaney, S.: Station island. Proquest LLC, Cambridge [eng.] (1999).
80.
Heaney, S.: District and circle. Proquest LLC, Cambridge [eng.] (2007).
81.
Meehan, Paula: The Statue of the Virgin of Granard Speaks [IN] The man who was marked by winter. In: The man who was marked by winter. pp. 40–42. Oldcastle : Gallery Books, 1991.
82.
Boland, Eavan., O’Malley, Mary, Meehan, Paula: Three Irish poets : an anthology. Manchester : Carcanet, 2003.
83.
Jody Allen Randolph: Paula Meehan: A Selected Bibliography. An Sionnach: A Journal of Literature, Culture, and the Arts. 5, 272–301 (2009).
84.
Eric Falci: Meehan’s Stanzas and the Irish Lyric After Yeats. An Sionnach: A Journal of Literature, Culture, and the Arts. 5, 226–238 (2009).
85.
Project MUSE - An Sionnach: A Journal of Literature, Culture, and the Arts-Volume 5, Numbers 1 & 2, Spring & Fall 2009, https://muse.jhu.edu/issue/19337.
86.
Marina Carr: Dealing with the Dead. Irish University Review. 28, 190–196 (1998).
87.
Ricorso entry for Marina Carr, http://www.ricorso.net/rx/az-data/authors/c/Carr_M/life.htm.
88.
Ricorso entry for Conor McPherson, http://www.ricorso.net/rx/az-data/authors/Mc/McPherson_C/life.htm.
89.
PlayographyIreland, http://www.irishplayography.com/default.aspx.
90.
Anna McMullan; Cathy Leeney: The Theatre of Marina Carr: ÔÇ£Before Rules Was MadeÔÇØ. Carysfort Press, Dublin, IRELAND (2003).
91.
Trench, R.: Bloody living: the loss of selfhood in the plays of Marina Carr. Peter Lang, Bern (2010).
92.
Lojek, H.H.: The spaces of Irish drama: Stage and place in contemporary plays. Palgrave Macmillan, Basingstoke (2011).
93.
Barrett, C.: The Clancy Kid. In: Young skins. pp. 3–17. Vintage Books, London (2015).
94.
Keegan, C.: The Parting Gift [IN] Walk the blue fields. In: Walk the blue fields. pp. 21–33. Faber, London (2008).
95.
Barry, K.: Fjord of Killary [IN] Dark lies the island. In: Dark lies the island. pp. 27–45. Jonathan Cape, London (2012).
96.
Caldwell, J.: Dubstopia. In: Room little darker. pp. 41–57. New Island Books, Stillorgan, County Dublin, Republic of Ireland (2017).
97.
Digital Platform for Contemporary Irish Writing, http://www.contemporaryirishwriting.ie/.
98.
Cronin, M., Gibbons, L., Kirby, P.: Reinventing Ireland: culture, society, and the global economy. Pluto Press, London (2002).
99.
Keating-Miller, J.: Language, identity and liberation in contemporary Irish literature. Palgrave Macmillan, Basingstoke (2009).
100.
Villar-Argaiz, P. ed: Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Manchester University Press, Manchester (2013).
101.
Lehner, S.: Subaltern ethics in contemporary Scottish and Irish literature: Tracing counter-histories. Palgrave Macmillan, Basingstoke (2011).
102.
Harte, L.: Reading the contemporary Irish novel, 1987-2007. Wiley-Blackwell, Chichester, West Sussex (2014).
103.
Rhona Richman Kenneally: The Canadian Journal of Irish Studies: Culture and ‘Out-of-placeness’ in Post-Celtic Tiger Ireland: Special Issue.
104.
Harney-Mahajan, Tara: Recessionary Imaginings: Post-Celtic Tiger Ireland and Contemporary Women’s Writing [Special Issue]. Lit: Literature Interpretation Theory. 28, (2017).
105.
Legg, G.: Northern Ireland and the politics of boredom: conflict, capital and culture. Manchester University Press, Manchester (2018).
106.
Shakespeare and contemporary Irish literature. Palgrave Macmillan, Basingstoke, Hampshire (2018).
107.
O’Donnell, M.L.: Ireland’s harp: the shaping of Irish identity,  c. 1770 to 1880. University College Dublin Press, Dublin (2014).
108.
Moylan, T. ed: The indignant muse: poetry and songs of the Irish Revolution, 1887-1926. The Lilliput Press, Dublin.
109.
Fagan, O., EBSCOhost: Hostages. Head of Zeus, London (2018).
110.
Gilmartin, S., Meade, D. eds: Stinging fly stories: celebrating our first 20 years 1998-2018. The Stinging Fly Press, Dublin.
111.
Fennell, J.: A brilliant void: a selection of classic Irish science fiction. Tramp Press, Dublin (2018).
112.
Kelleher, M.: The Maamtrasna murders: language, life and death in nineteenth-century Ireland. University College Dublin Press, Dublin (2018).
113.
Edgeworth, M.: Maria Edgeworth’s Letters from Ireland. The Lilliput Press Ltd, Dublin (2017).
114.
Jordan, E., Weitz, E. eds: The Palgrave handbook of contemporary Irish theatre and performance. Palgrave Macmillan, Basingstoke, Hampshire (2018).
115.
Pierse, M. ed: A history of Irish working-class writing. Cambridge University Press, Cambridge (2018).
116.
Pilz, A., Standlee, W. eds: Irish women’s writing, 1878-1922: advancing the cause of liberty. Manchester University Press, Manchester (2018).
117.
Carson, Ciaran, 1948-: The Irish for no. Oldcastle : Gallery Press, 1994.
118.
Carson, Ciaran, 1948-: Belfast confetti. Winston-Salem, N.C. : Wake Forest University Press, 1989.
119.
Carson, Ciaran, 1948-.: Collected poems. Loughcrew, Oldcastle, Co. Meath : Gallery Press, 2008.