Ann Saddlemyer. (1992). Synge’s Soundscape. Irish University Review, 22(1), 55–68. https://www.jstor.org/stable/25484464
Anna McMullan; Cathy Leeney. (2003). The Theatre of Marina Carr: ÔÇ£Before Rules Was MadeÔÇØ (Vol. 2). Carysfort Press. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1621406
Attridge, D., & Howes, M. (2000). Semicolonial Joyce. Cambridge University Press.
Backus, M., & Valente, J. (2013a). ‘The Land of Spices’, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review, 43(1), 55–73. https://doi.org/10.3366/iur.2013.0055
Backus, M., & Valente, J. (2013b). The Land of Spices, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review, 43(1), 55–73. https://doi.org/10.3366/iur.2013.0055
Barrell, J. (2018). The meeting of the waters. Critical Quarterly, 60(1), 5–78. https://doi.org/10.1111/criq.12390
Barrett, C. (2015). The Clancy Kid. In Young skins (pp. 3–17). Vintage Books. https://contentstore.cla.co.uk/secure/link?id=fed40a20-762f-e911-80cd-005056af4099
Barry, K. (2012). Fjord of Killary [IN] Dark lies the island. In Dark lies the island (pp. 27–45). Jonathan Cape. https://contentstore.cla.co.uk/secure/link?id=1262e098-752f-e911-80cd-005056af4099
Benatti, F., Ryder, S., & Tonra, J. (Eds.). (2013). Thomas Moore: texts, contexts, hypertext: Vol. volume 24. Peter Lang. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9783035304701
Boland, Eavan., O’Malley, Mary, & Meehan, Paula. (n.d.). Three Irish poets : an anthology. Manchester : Carcanet, 2003. https://contentstore.cla.co.uk/secure/link?id=a1e066b7-b3a1-e611-80c7-005056af4099
Brearton, F., & Gillis, A. A. (2012). The Oxford handbook of modern Irish poetry. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199561247&sort=relevance
Caldwell, J. (2017). Dubstopia. In Room little darker (pp. 41–57). New Island Books. https://ebookcentral.proquest.com/lib/exeter/reader.action?docID=5218355&ppg=24
Campbell, M. (2013). Irish poetry under the union, 1801-1924. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9781107045330
Carson, Ciaran, 1948-. (n.d.-a). Belfast confetti. Winston-Salem, N.C. : Wake Forest University Press, 1989. https://contentstore.cla.co.uk/secure/link?id=ea5238ef-637a-e611-80c6-005056af4099
Carson, Ciaran, 1948-. (n.d.). Collected poems. Loughcrew, Oldcastle, Co. Meath : Gallery Press, 2008. https://contentstore.cla.co.uk/secure/link?id=300d3eaf-637a-e611-80c6-005056af4099
Carson, Ciaran, 1948-. (n.d.-b). The Irish for no. Oldcastle : Gallery Press, 1994. https://contentstore.cla.co.uk/secure/link?id=0b053e2a-647a-e611-80c6-005056af4099
Claire Connolly. (2011). A cultural history of the Irish novel, 1790-1829. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsebk&AN=414529&site=eds-live&scope=site
Cliff, B., & Grene, N. (2012). Synge and Edwardian Ireland. Oxford University Press. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199609888.001.0001
Collins, L. (2012a). Poetry by women in Ireland: a critical anthology 1870-1970. Liverpool University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1gn6dkq
Collins, L. (2012b). Poetry by women in Ireland: a critical anthology 1870-1970. Liverpool University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1gn6dkq
Corbett, M. J. (2000). Allegories of Union in Irish and English writing, 1790-1870: politics, history, and the family from Edgeworth and to Arnold. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511484766
Cronin, M., Gibbons, L., & Kirby, P. (2002). Reinventing Ireland: culture, society, and the global economy. Pluto Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt18fs3f5
De Valera, E. (n.d.). Address by Mr de Valera. https://www.rte.ie/archives/exhibitions/eamon-de-valera/719124-address-by-mr-de-valera/
Deane, S. (1997). Strange country: modernity and nationhood in Irish writing since 1790. Oxford University Press.
Digital Platform for Contemporary Irish Writing. (n.d.). http://www.contemporaryirishwriting.ie/
Edgeworth, M. (2017). Maria Edgeworth’s Letters from Ireland. The Lilliput Press Ltd.
Edgeworth, M., & Watson, G. (2008). Castle Rackrent. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=https://search.proquest.com/docview/2138576048?accountid=10792.
Eric Falci. (2009). Meehan’s Stanzas and the Irish Lyric After Yeats. An Sionnach: A Journal of Literature, Culture, and the Arts, 5(1), 226–238. https://muse.jhu.edu/article/362750
Fagan, O. & EBSCOhost. (2018). Hostages. Head of Zeus. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1852761
Fennell, J. (2018). A brilliant void: a selection of classic Irish science fiction. Tramp Press. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781999700898
Foley, D. J. (Ed.). (2016). Yeats 150: William Butler Yeats 1865-1939. The Lilliput Press.
Fowler, K. (1986). Hieroglyphics in Fire: ‘Melmoth the Wanderer’. Studies in Romanticism, 25(4). https://doi.org/10.2307/25600620
Gamer, M. (2001). Maria Edgeworth and the Romance of Real Life. NOVEL: A Forum on Fiction, 34(2). https://doi.org/10.2307/1346217
Gillis, A. A. (2005). Irish poetry of the 1930s. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199277094.001.0001
Gilmartin, S., & Meade, D. (Eds.). (n.d.). Stinging fly stories: celebrating our first 20 years 1998-2018. The Stinging Fly Press.
Gregory, Lady. (2009). The Rising of the Moon. In Modern and contemporary Irish drama: backgrounds and criticism (2nd ed, pp. 50–57). W. W. Norton. https://contentstore.cla.co.uk/secure/link?id=00780872-762f-e911-80cd-005056af4099
Gregory, Lady, & Yeats, W. B. (2009). Cathleen Ni Houlihan. In Modern and contemporary Irish drama: backgrounds and criticism (2nd ed, pp. 3–11). W. W. Norton. https://contentstore.cla.co.uk/secure/link?id=cdcdfd4c-762f-e911-80cd-005056af4099
Grene, N. (1999). The politics of Irish drama: plays in context from Boucicault to Friel. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511486029
Griffin, G. (1827). The Brown Man [IN] Holland-tide. In Holland-tide, or, Irish popular tales. https://archive.org/details/hollandtideoriri00grif/page/n2
Harney-Mahajan, Tara. (2017). Recessionary Imaginings: Post-Celtic Tiger Ireland and Contemporary Women’s Writing [Special Issue]. Lit: Literature Interpretation Theory, 28(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017395422&site=eds-live&scope=site
Harte, L. (2014). Reading the contemporary Irish novel, 1987-2007. Wiley-Blackwell. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1550544
Head, D. (1992). The modernist short story: a study in theory and practice. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511735356
Heaney, S. (1992). North. [s.n.]. https://search.proquest.com/lion/publication/publications_2056109?accountid=10792
Heaney, S. (1999). Station island. Proquest LLC. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z000559350
Heaney, S. (2007). District and circle. Proquest LLC. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z001145589
Henn, T. R. (1965). The lonely tower : studies in the poetry of W. B. Yeats. Barnes & Noble.
Howes, M. E. (1996). Yeats’s nations: gender, class, and Irishness. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511581939
Howes, M. E. (2002). Tradition, Gender, and Migration in ‘The Dead,’ or: How Many People Has Gretta Conroy Killed? The Yale Journal of Criticism, 15(1), 149–171. https://doi.org/10.1353/yale.2002.0008
Howes, M., & Kelly, J. (Eds.). (2006). The Cambridge Companion to W. B. Yeats. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521650895
Irish Gothic Journal. (n.d.). https://irishgothicjournal.net/
Irish University Review: Vol 48, No 1. (n.d.). https://www.euppublishing.com/toc/iur/48/1
Jim Hansen. (2008). The Wrong Marriage: Maturin and the Double-Logic of Masculinity in the Unionist Gothic. Studies in Romanticism, 47(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25602153
Jody Allen Randolph. (2009). Paula Meehan: A Selected Bibliography. An Sionnach: A Journal of Literature, Culture, and the Arts, 5(1), 272–301. http://muse.jhu.edu/article/362752
Jordan, E., & Weitz, E. (Eds.). (2018). The Palgrave handbook of contemporary Irish theatre and performance. Palgrave Macmillan.
Joyce, J., & Brown, T. (2000). Dubliners. Penguin Books. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=2245745
Kavanagh, Patrick. (2005). The Great Hunger [IN] Collected poems. In Collected poems: Vol. Modern classics. Penguin. https://contentstore.cla.co.uk/secure/link?id=b808a52d-fa7b-e611-80c6-005056af4099
Keating-Miller, J. (2009). Language, identity and liberation in contemporary Irish literature. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230275089
Keegan, C. (2008). The Parting Gift [IN] Walk the blue fields. In Walk the blue fields (pp. 21–33). Faber. https://contentstore.cla.co.uk/secure/link?id=8ba240ee-752f-e911-80cd-005056af4099
Kelleher, M. (2018). The Maamtrasna murders: language, life and death in nineteenth-century Ireland. University College Dublin Press.
Kelly, J. (2011). Charles Maturin: authorship, authenticity and the nation. Four Courts Press.
Kelly, J. (2013). Gothic and the Celtic Fringe, 1750-1850. In The Gothic World (pp. 38–50). Routledge. https://ebookcentral.proquest.com/lib/exeter/reader.action?docID=1461152&ppg=85
Kelly, J. (2018a). Ireland and Union [IN] The Oxford handbook of British Romanticism. In D. Duff (Ed.), The Oxford handbook of British Romanticism. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199660896.001.0001
Kelly, J. (2018b). Writing under the Union, 1800–1845. In H. Ingman & C. Ó Gallchoir (Eds.), A History of Modern Irish Women’s Literature (pp. 59–76). Cambridge University Press. https://doi.org/10.1017/9781316442999.004
Kiberd, D. (1995). Inventing Ireland. Jonathan Cape.
Killeen, J. (2014). The emergence of Irish gothic fiction: history, origins, theories. Edinburgh University Press. http://www.jstor.org/stable/10.3366/j.ctt9qdrh2
Knowles, S. D. G. (2017). Foundational essays in James Joyce studies (M. P. Gillespie, Ed.). University Press of Florida. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4938773
Legg, G. (2018). Northern Ireland and the politics of boredom: conflict, capital and culture. Manchester University Press.
Lehner, S. (2011). Subaltern ethics in contemporary Scottish and Irish literature: Tracing counter-histories. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230308794
Levitas, B. (2002). The theatre of nation: Irish drama and cultural nationalism, 1890-1916. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199253432.001.0001
Lojek, H. H. (2011). The spaces of Irish drama: Stage and place in contemporary plays. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230370418
Love, T. M. (2017). Gender and the Nationalistic Ballad: Thomas Davis, Thomas Moore, and Their Songs. New Hibernia Review, 21(1), 68–85. https://doi.org/10.1353/nhr.2017.0005
MacNeice, L., & McDonald, P. (2008). Collected poems. Proquest LLC. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z001156817
MacPherson, D. A. J. (2012). Women and the Irish nation: Gender, culture and Irish identity, 1890-1914. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137284587
Margaret Kelleher. (n.d.). Irish University Review. Special Issue: New Perspectives on the Irish Literary Revival. 33(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i25517207
Marina Carr. (1998). Dealing with the Dead. Irish University Review, 28(1), 190–196. https://www.jstor.org/stable/25484769
Mathews, P. J. (Ed.). (2009). The Cambridge Companion to J. M. Synge. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL9780521110105
Maturin, C. (1824). Leixlip Castle. Project Gutenberg. http://gutenberg.net.au/ebooks06/0605961h.html
Meehan, Paula. (n.d.). The Statue of the Virgin of Granard Speaks [IN] The man who was marked by winter. In The man who was marked by winter (pp. 40–42). Oldcastle : Gallery Books, 1991. https://contentstore.cla.co.uk/secure/link?id=74c218bb-cda5-e611-80c7-005056af4099
Michael Cronin. (2010). Kate O’Brien and the Erotics of Liberal Catholic Dissent. Field Day Review, 6, 28–51. https://www.jstor.org/stable/41219772
Morin, C., & Gillespie, N. (2014). Irish gothics: genres, forms, modes, and traditions, 1760-1890. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137366658
Morris, C., & Milligan, A. (2013). Alice Milligan and the Irish Cultural Revival. Four Courts Press.
Moylan, T. (Ed.). (n.d.). The indignant muse: poetry and songs of the Irish Revolution, 1887-1926. The Lilliput Press.
Nolan, E. (2009). ‘The Tommy Moore Touch’: Ireland and Modernity in Joyce and Moore. Dublin James Joyce Journal, 2(1), 64–77. https://doi.org/10.1353/djj.2009.0002
Ó Gallchoir, C. (2005). Maria Edgeworth: women, enlightenment and nation. University College Dublin Press.
O’Brien, K. (2006). The land of spices (New ed). Virago.
O’Connell, H. (2006). Ireland and the fiction of improvement. Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199286461.001.0001
O’Donnell, M. L. (2014). Ireland’s harp: the shaping of Irish identity, c. 1770 to 1880. University College Dublin Press.
Pierse, M. (Ed.). (2018). A history of Irish working-class writing. Cambridge University Press. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781316570425
Pilz, A., & Standlee, W. (Eds.). (2018). Irish women’s writing, 1878-1922: advancing the cause of liberty. Manchester University Press.
PlayographyIreland. (n.d.). http://www.irishplayography.com/default.aspx
Project MUSE - An Sionnach: A Journal of Literature, Culture, and the Arts-Volume 5, Numbers 1 & 2, Spring & Fall 2009. (n.d.). https://muse.jhu.edu/issue/19337
Project MUSE - Dublin James Joyce Journal. (n.d.). https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/journal/579
Regan, S. (2008). from Melmoth the Wanderer [IN] Irish Writing An Anthology Of Irish Literature In English 17891939. In C. R. Maturin (Ed.), Irish Writing An Anthology Of Irish Literature In English 17891939 (pp. 106–120). Oxford University Press, USA. https://contentstore.cla.co.uk/secure/link?id=271c0242-33a4-e711-80cb-005056af4099
Rhona Richman Kenneally. (n.d.). The Canadian Journal of Irish Studies: Culture and ‘Out-of-placeness’ in Post-Celtic Tiger Ireland: Special Issue. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i40091458
Richman, D. (2000). Passionate action: Yeats’s mastery of drama. University of Delaware Press.
Ricorso entry for Conor McPherson. (n.d.). http://www.ricorso.net/rx/az-data/authors/Mc/McPherson_C/life.htm
Ricorso entry for Marina Carr. (n.d.). http://www.ricorso.net/rx/az-data/authors/c/Carr_M/life.htm
Riddell, C. (1888). The Last Squire of Ennismore [IN] Idle Tales. In Idle Tales. Ward & Downey. https://uoelibrary.idm.oclc.org/login?url=http://data.historicaltexts.jisc.ac.uk/view?pubId=bl-003099065&pageId=bl-003099065-671998-7
Shakespeare and contemporary Irish literature. (2018). Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9783319959245
Sharon Ragaz, Maturin and Archibald Constable. (2006). Maturin, Archibald Constable, and the Publication of ‘Melmoth the Wanderer’. The Review of English Studies, 57(230). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4095443
Siobhan Marie Kilfeather. (2004). Terrific Register: The Gothicization of Atrocity in Irish Romanticism. Boundary 2, 31(1), 49–71. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/54262
Smith, A. (2010). The Ghost Story 1840-1920: a cultural history. Manchester University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt155jc6t
Smith, S. (2009). Patrick Kavanagh (Vol. 1). Irish Academic Press.
Stallworthy, J. (1969). Vision and revision in Yeats’s last poems. Clarendon Press.
Steele, K. M. (2007). Women, press, and politics during the Irish revival (1st ed). Syracuse University Press.
Stephanie J. Pocock. (2008). Artistic Liminality: Yeats’s Cathleen ni Houlihan and Purgatory. New Hibernia Review / Iris Éireannach Nua, 12(3), 99–117. https://www.jstor.org/stable/25660807
Stoker, B. (n.d.). The Snake’s Pass. https://uoelibrary.idm.oclc.org/login?url=http://data.historicaltexts.jisc.ac.uk/view?pubId=bl-003512121
Synge, J. M. (2009). The Playboy of the Western World. In Modern and contemporary Irish drama: backgrounds and criticism (2nd ed, pp. 68–112). W. W. Norton.
Trench, R. (2010). Bloody living: the loss of selfhood in the plays of Marina Carr (Vol. 20). Peter Lang.
Trumpener, K. (1997). Bardic nationalism: the romantic novel and the British Empire. Princeton University Press.
Vendler, H. (2007). Our secret discipline: Yeats and lyric form. Oxford University Press.
Villar-Argaiz, P. (Ed.). (2013). Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Manchester University Press. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1mf6zgx
Walker, T. (2015). Louis MacNeice and the Irish poetry of his time (First edition). Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198745150.001.0001
Walsh, I. R. (2012). Experimental Irish theatre: After W.B. Yeats. Palgrave Macmillan. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137001368
Walshe, E. (1993). Ordinary people dancing: essays on Kate O’Brien. Cork University Press.
White, H. (2008). Music and the Irish literary imagination. Oxford University Press.
Wood, M. (2010). Yeats and violence (Vol. 2008). Oxford University Press. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199557660.001.0001
Yeats, W. B., & Finneran, R. J. (2000). The poems. Proquest LLC. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z000351345
Yeats, W. B. (William Butler). (1911). Synge and the Ireland of his time : Internet Archive. https://archive.org/details/syngeirelandofhi00yeatrich/page/n16
