1
Edgeworth M, Watson G. Castle Rackrent. Oxford: : Oxford University Press 2008. https://uoelibrary.idm.oclc.org/login?url=https://search.proquest.com/docview/2138576048?accountid=10792.
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Claire Connolly. A cultural history of the Irish novel, 1790-1829. New York: : Cambridge University Press 2011. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsebk&AN=414529&site=eds-live&scope=site
3
Trumpener K. Bardic nationalism: the romantic novel and the British Empire. Princeton, N.J.: : Princeton University Press 1997.
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Ó Gallchoir C. Maria Edgeworth: women, enlightenment and nation. Dublin: : University College Dublin Press 2005.
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O’Connell H. Ireland and the fiction of improvement. Oxford: : Oxford University Press 2006. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199286461.001.0001
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Deane S. Strange country: modernity and nationhood in Irish writing since 1790. Oxford: : Oxford University Press 1997.
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Corbett MJ. Allegories of Union in Irish and English writing, 1790-1870: politics, history, and the family from Edgeworth and to Arnold. Cambridge: : Cambridge University Press 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511484766
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White H. Music and the Irish literary imagination. Oxford: : Oxford University Press 2008.
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Campbell M. Irish poetry under the union, 1801-1924. Cambridge: : Cambridge University Press 2013. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9781107045330
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Benatti F, Ryder S, Tonra J, editors. Thomas Moore: texts, contexts, hypertext. Oxford: : Peter Lang 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9783035304701
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Kelly J. Ireland and Union [IN] The Oxford handbook of British Romanticism. In: Duff D, ed. The Oxford handbook of British Romanticism. Oxford: : Oxford University Press 2018. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199660896.001.0001
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Kelly J. Writing under the Union, 1800–1845. In: Ingman H, Ó Gallchoir C, eds. A History of Modern Irish Women’s Literature. Cambridge University Press 2018. 59–76. doi:10.1017/9781316442999.004
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Gamer M. Maria Edgeworth and the Romance of Real Life. NOVEL: A Forum on Fiction 2001;34. doi:10.2307/1346217
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Nolan E. ‘The Tommy Moore Touch’: Ireland and Modernity in Joyce and Moore. Dublin James Joyce Journal 2009;2:64–77. doi:10.1353/djj.2009.0002
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Love TM. Gender and the Nationalistic Ballad: Thomas Davis, Thomas Moore, and Their Songs. New Hibernia Review 2017;21:68–85. doi:10.1353/nhr.2017.0005
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Barrell J. The meeting of the waters. Critical Quarterly 2018;60:5–78. doi:10.1111/criq.12390
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Maturin C. Leixlip Castle. 1824.http://gutenberg.net.au/ebooks06/0605961h.html
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Regan S. from Melmoth the Wanderer [IN] Irish Writing An Anthology Of Irish Literature In English 17891939. In: Maturin CR, ed. Irish Writing An Anthology Of Irish Literature In English 17891939. Oxford University Press, USA 2008. 106–20.https://contentstore.cla.co.uk/secure/link?id=271c0242-33a4-e711-80cb-005056af4099
19
Griffin G. The Brown Man [IN] Holland-tide. In: Holland-tide, or, Irish popular tales. 1827. https://archive.org/details/hollandtideoriri00grif/page/n2
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Stoker B. The Snake’s Pass. https://uoelibrary.idm.oclc.org/login?url=http://data.historicaltexts.jisc.ac.uk/view?pubId=bl-003512121
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Riddell C. The Last Squire of Ennismore [IN] Idle Tales. In: Idle Tales. London: : Ward & Downey 1888. https://uoelibrary.idm.oclc.org/login?url=http://data.historicaltexts.jisc.ac.uk/view?pubId=bl-003099065&pageId=bl-003099065-671998-7
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Killeen J. The emergence of Irish gothic fiction: history, origins, theories. Edinburgh: : Edinburgh University Press 2014. http://www.jstor.org/stable/10.3366/j.ctt9qdrh2
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Kelly J. Charles Maturin: authorship, authenticity and the nation. Dublin: : Four Courts Press 2011.
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Morin C, Gillespie N. Irish gothics: genres, forms, modes, and traditions, 1760-1890. Basingstoke: : Palgrave Macmillan 2014. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137366658
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Smith A. The Ghost Story 1840-1920: a cultural history. Manchester: : Manchester University Press 2010. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt155jc6t
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Kelly J. Gothic and the Celtic Fringe, 1750-1850. In: The Gothic World. Hoboken, United States: : Routledge 2013. 38–50.https://ebookcentral.proquest.com/lib/exeter/reader.action?docID=1461152&ppg=85
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Irish Gothic Journal. https://irishgothicjournal.net/
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Jim Hansen. The Wrong Marriage: Maturin and the Double-Logic of Masculinity in the Unionist Gothic. Studies in Romanticism 2008;47.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25602153
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Fowler K. Hieroglyphics in Fire: ‘Melmoth the Wanderer’. Studies in Romanticism 1986;25. doi:10.2307/25600620
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Sharon Ragaz, Maturin and Archibald Constable. Maturin, Archibald Constable, and the Publication of ‘Melmoth the Wanderer’. The Review of English Studies 2006;57.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4095443
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Siobhan Marie Kilfeather. Terrific Register: The Gothicization of Atrocity in Irish Romanticism. boundary 2 2004;31:49–71.https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/54262
32
Gregory, Lady, Yeats WB. Cathleen Ni Houlihan. In: Modern and contemporary Irish drama: backgrounds and criticism. New York: : W. W. Norton 2009. 3–11.https://contentstore.cla.co.uk/secure/link?id=cdcdfd4c-762f-e911-80cd-005056af4099
33
Gregory, Lady. The Rising of the Moon. In: Modern and contemporary Irish drama: backgrounds and criticism. New York: : W. W. Norton 2009. 50–7.https://contentstore.cla.co.uk/secure/link?id=00780872-762f-e911-80cd-005056af4099
34
Synge JM. The Playboy of the Western World. In: Modern and contemporary Irish drama: backgrounds and criticism. New York: : W. W. Norton 2009. 68–112.
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Yeats, W. B. (William Butler). Synge and the Ireland of his time : Internet Archive. 1911. https://archive.org/details/syngeirelandofhi00yeatrich/page/n16
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Mathews PJ, editor. The Cambridge Companion to J. M. Synge. Cambridge: : Cambridge University Press 2009. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL9780521110105
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Cliff B, Grene N. Synge and Edwardian Ireland. Oxford: : Oxford University Press 2012. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199609888.001.0001
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Levitas B. The theatre of nation: Irish drama and cultural nationalism, 1890-1916. Oxford: : Oxford University Press 2002. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199253432.001.0001
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Kiberd D. Inventing Ireland. London: : Jonathan Cape 1995.
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Grene N. The politics of Irish drama: plays in context from Boucicault to Friel. Cambridge: : Cambridge University Press 1999. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511486029
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Margaret Kelleher. Irish University Review. Special Issue: New Perspectives on the Irish Literary Revival. ;33.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i25517207
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Ann Saddlemyer. Synge’s Soundscape. Irish University Review 1992;22:55–68.https://www.jstor.org/stable/25484464
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Joyce J, Brown T. Dubliners. London: : Penguin Books 2000. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=2245745
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Project MUSE - Dublin James Joyce Journal. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/journal/579
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Howes ME. Tradition, Gender, and Migration in ‘The Dead,’ or: How Many People Has Gretta Conroy Killed? The Yale Journal of Criticism 2002;15:149–71. doi:10.1353/yale.2002.0008
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Attridge D, Howes M. Semicolonial Joyce. Cambridge: : Cambridge University Press 2000.
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Knowles SDG. Foundational essays in James Joyce studies. Gainesville, [Florida]: : University Press of Florida 2017. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4938773
48
Head D. The modernist short story: a study in theory and practice. Cambridge: : Cambridge University Press 1992. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511735356
49
Yeats WB, Finneran RJ. The poems. Cambridge [eng.]: : Proquest LLC 2000. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z000351345
50
Collins L. Poetry by women in Ireland: a critical anthology 1870-1970. Liverpool: : Liverpool University Press 2012. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1gn6dkq
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Morris C, Milligan A. Alice Milligan and the Irish Cultural Revival. Dublin: : Four Courts Press 2013.
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Steele KM. Women, press, and politics during the Irish revival. 1st ed. Syracuse, N.Y.: : Syracuse University Press 2007.
53
MacPherson DAJ. Women and the Irish nation: Gender, culture and Irish identity, 1890-1914. Basingstoke: : Palgrave Macmillan 2012. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137284587
54
Foley DJ, editor. Yeats 150: William Butler Yeats 1865-1939. Dublin, Ireland: : The Lilliput Press 2016.
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Howes ME. Yeats’s nations: gender, class, and Irishness. Cambridge: : Cambridge University Press 1996. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511581939
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Vendler H. Our secret discipline: Yeats and lyric form. Oxford: : Oxford University Press 2007.
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Richman D. Passionate action: Yeats’s mastery of drama. Newark: : University of Delaware Press 2000.
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Henn TR. The lonely tower : studies in the poetry of W. B. Yeats. Barnes & Noble 1965.
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Walsh IR. Experimental Irish theatre: After W.B. Yeats. Basingstoke: : Palgrave Macmillan 2012. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137001368
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Stallworthy J. Vision and revision in Yeats’s last poems. Oxford: : Clarendon Press 1969.
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Wood M. Yeats and violence. Oxford: : Oxford University Press 2010. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199557660.001.0001
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Stephanie J. Pocock. Artistic Liminality: Yeats’s Cathleen ni Houlihan and Purgatory. New Hibernia Review / Iris Éireannach Nua 2008;12:99–117.https://www.jstor.org/stable/25660807
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Howes M, Kelly J, editors. The Cambridge Companion to W. B. Yeats. Cambridge: : Cambridge University Press 2006. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521650895
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MacNeice L, McDonald P. Collected poems. Cambridge [eng.]: : Proquest LLC 2008. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z001156817
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Kavanagh, Patrick. The Great Hunger [IN] Collected poems. In: Collected poems. London: : Penguin 2005. https://contentstore.cla.co.uk/secure/link?id=b808a52d-fa7b-e611-80c6-005056af4099
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Collins L. Poetry by women in Ireland: a critical anthology 1870-1970. Liverpool: : Liverpool University Press 2012. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1gn6dkq
67
De Valera E. Address by Mr de Valera. https://www.rte.ie/archives/exhibitions/eamon-de-valera/719124-address-by-mr-de-valera/
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Gillis AA. Irish poetry of the 1930s. Published Online First: 2005.https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199277094.001.0001
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Brearton F, Gillis AA. The Oxford handbook of modern Irish poetry. Oxford: : Oxford University Press 2012. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199561247&sort=relevance
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Walker T. Louis MacNeice and the Irish poetry of his time. First edition. Oxford: : Oxford University Press 2015. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198745150.001.0001
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Smith S. Patrick Kavanagh. Dublin: : Irish Academic Press 2009.
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O’Brien K. The land of spices. New ed. London: : Virago 2006.
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Michael Cronin. Kate O’Brien and the Erotics of Liberal Catholic Dissent. Field Day Review 2010;6:28–51.https://www.jstor.org/stable/41219772
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Backus M, Valente J. ‘The Land of Spices’, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review 2013;43:55–73. doi:10.3366/iur.2013.0055
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Backus M, Valente J. The Land of Spices, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review 2013;43:55–73. doi:10.3366/iur.2013.0055
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Walshe E. Ordinary people dancing: essays on Kate O’Brien. Cork: : Cork University Press 1993.
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Irish University Review: Vol 48, No 1. https://www.euppublishing.com/toc/iur/48/1
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Heaney S. North. London: : [s.n.] 1992. https://search.proquest.com/lion/publication/publications_2056109?accountid=10792
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Heaney S. Station island. Cambridge [eng.]: : Proquest LLC 1999. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z000559350
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Heaney S. District and circle. Cambridge [eng.]: : Proquest LLC 2007. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z001145589
81
Meehan, Paula. The Statue of the Virgin of Granard Speaks [IN] The man who was marked by winter. In: The man who was marked by winter. Oldcastle : Gallery Books, 1991. 40–2.https://contentstore.cla.co.uk/secure/link?id=74c218bb-cda5-e611-80c7-005056af4099
82
Boland, Eavan., O’Malley, Mary, Meehan, Paula. Three Irish poets : an anthology. Manchester : Carcanet, 2003. https://contentstore.cla.co.uk/secure/link?id=a1e066b7-b3a1-e611-80c7-005056af4099
83
Jody Allen Randolph. Paula Meehan: A Selected Bibliography. An Sionnach: A Journal of Literature, Culture, and the Arts 2009;5:272–301.http://muse.jhu.edu/article/362752
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Eric Falci. Meehan’s Stanzas and the Irish Lyric After Yeats. An Sionnach: A Journal of Literature, Culture, and the Arts 2009;5:226–38.https://muse.jhu.edu/article/362750
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Project MUSE - An Sionnach: A Journal of Literature, Culture, and the Arts-Volume 5, Numbers 1 & 2, Spring & Fall 2009. https://muse.jhu.edu/issue/19337
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Marina Carr. Dealing with the Dead. Irish University Review 1998;28:190–6.https://www.jstor.org/stable/25484769
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Ricorso entry for Marina Carr. http://www.ricorso.net/rx/az-data/authors/c/Carr_M/life.htm
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Ricorso entry for Conor McPherson. http://www.ricorso.net/rx/az-data/authors/Mc/McPherson_C/life.htm
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PlayographyIreland. http://www.irishplayography.com/default.aspx
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Anna McMullan; Cathy Leeney. The Theatre of Marina Carr: ÔÇ£Before Rules Was MadeÔÇØ. Dublin, IRELAND: : Carysfort Press 2003. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1621406
91
Trench R. Bloody living: the loss of selfhood in the plays of Marina Carr. Bern: : Peter Lang 2010.
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Lojek HH. The spaces of Irish drama: Stage and place in contemporary plays. Basingstoke: : Palgrave Macmillan 2011. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230370418
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Barrett C. The Clancy Kid. In: Young skins. London: : Vintage Books 2015. 3–17.https://contentstore.cla.co.uk/secure/link?id=fed40a20-762f-e911-80cd-005056af4099
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Keegan C. The Parting Gift [IN] Walk the blue fields. In: Walk the blue fields. London: : Faber 2008. 21–33.https://contentstore.cla.co.uk/secure/link?id=8ba240ee-752f-e911-80cd-005056af4099
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Barry K. Fjord of Killary [IN] Dark lies the island. In: Dark lies the island. London: : Jonathan Cape 2012. 27–45.https://contentstore.cla.co.uk/secure/link?id=1262e098-752f-e911-80cd-005056af4099
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Caldwell J. Dubstopia. In: Room little darker. Stillorgan, County Dublin, Republic of Ireland: : New Island Books 2017. 41–57.https://ebookcentral.proquest.com/lib/exeter/reader.action?docID=5218355&ppg=24
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Digital Platform for Contemporary Irish Writing. http://www.contemporaryirishwriting.ie/
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Cronin M, Gibbons L, Kirby P. Reinventing Ireland: culture, society, and the global economy. London: : Pluto Press 2002. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt18fs3f5
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Keating-Miller J. Language, identity and liberation in contemporary Irish literature. Basingstoke: : Palgrave Macmillan 2009. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230275089
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Villar-Argaiz P, editor. Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Manchester: : Manchester University Press 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1mf6zgx
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Lehner S. Subaltern ethics in contemporary Scottish and Irish literature: Tracing counter-histories. Basingstoke: : Palgrave Macmillan 2011. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230308794
102
Harte L. Reading the contemporary Irish novel, 1987-2007. Chichester, West Sussex: : Wiley-Blackwell 2014. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1550544
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Rhona Richman Kenneally. The Canadian Journal of Irish Studies: Culture and ‘Out-of-placeness’ in Post-Celtic Tiger Ireland: Special Issue. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i40091458
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Harney-Mahajan, Tara. Recessionary Imaginings: Post-Celtic Tiger Ireland and Contemporary Women’s Writing [Special Issue]. Lit: Literature Interpretation Theory 2017;28.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017395422&site=eds-live&scope=site
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Legg G. Northern Ireland and the politics of boredom: conflict, capital and culture. Manchester: : Manchester University Press 2018.
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Shakespeare and contemporary Irish literature. Basingstoke, Hampshire: : Palgrave Macmillan 2018. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9783319959245
107
O’Donnell ML. Ireland’s harp: the shaping of Irish identity, c. 1770 to 1880. Dublin: : University College Dublin Press 2014.
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Moylan T, editor. The indignant muse: poetry and songs of the Irish Revolution, 1887-1926. Dublin: : The Lilliput Press
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Fagan O, EBSCOhost. Hostages. London: : Head of Zeus 2018. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1852761
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Gilmartin S, Meade D, editors. Stinging fly stories: celebrating our first 20 years 1998-2018. Dublin: : The Stinging Fly Press
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Fennell J. A brilliant void: a selection of classic Irish science fiction. Dublin: : Tramp Press 2018. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781999700898
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Kelleher M. The Maamtrasna murders: language, life and death in nineteenth-century Ireland. Dublin: : University College Dublin Press 2018.
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Edgeworth M. Maria Edgeworth’s Letters from Ireland. Dublin: : The Lilliput Press Ltd 2017.
114
Jordan E, Weitz E, editors. The Palgrave handbook of contemporary Irish theatre and performance. Basingstoke, Hampshire: : Palgrave Macmillan 2018.
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Pierse M, editor. A history of Irish working-class writing. Cambridge: : Cambridge University Press 2018. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781316570425
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Pilz A, Standlee W, editors. Irish women’s writing, 1878-1922: advancing the cause of liberty. Manchester: : Manchester University Press 2018.
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Carson, Ciaran, 1948-. The Irish for no. Oldcastle : Gallery Press, 1994. https://contentstore.cla.co.uk/secure/link?id=0b053e2a-647a-e611-80c6-005056af4099
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Carson, Ciaran, 1948-. Belfast confetti. Winston-Salem, N.C. : Wake Forest University Press, 1989. https://contentstore.cla.co.uk/secure/link?id=ea5238ef-637a-e611-80c6-005056af4099
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Carson, Ciaran, 1948-. Collected poems. Loughcrew, Oldcastle, Co. Meath : Gallery Press, 2008. https://contentstore.cla.co.uk/secure/link?id=300d3eaf-637a-e611-80c6-005056af4099
