1.
Edgeworth M, Watson G. Castle Rackrent. Oxford University Press; 2008. https://uoelibrary.idm.oclc.org/login?url=https://search.proquest.com/docview/2138576048?accountid=10792.
2.
Claire Connolly. A Cultural History of the Irish Novel, 1790-1829. Cambridge University Press; 2011. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsebk&AN=414529&site=eds-live&scope=site
3.
Trumpener K. Bardic Nationalism: The Romantic Novel and the British Empire. Princeton University Press; 1997.
4.
Ó Gallchoir C. Maria Edgeworth: Women, Enlightenment and Nation. University College Dublin Press; 2005.
5.
O’Connell H. Ireland and the Fiction of Improvement. Oxford University Press; 2006. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199286461.001.0001
6.
Deane S. Strange Country: Modernity and Nationhood in Irish Writing since 1790. Oxford University Press; 1997.
7.
Corbett MJ. Allegories of Union in Irish and English Writing, 1790-1870: Politics, History, and the Family from Edgeworth and to Arnold. Cambridge University Press; 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511484766
8.
White H. Music and the Irish Literary Imagination. Oxford University Press; 2008.
9.
Campbell M. Irish Poetry under the Union, 1801-1924. Cambridge University Press; 2013. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9781107045330
10.
Benatti F, Ryder S, Tonra J, eds. Thomas Moore: Texts, Contexts, Hypertext. Vol volume 24. Peter Lang; 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9783035304701
11.
Kelly J. Ireland and Union [IN] The Oxford handbook of British Romanticism. In: Duff D, ed. The Oxford Handbook of British Romanticism. Oxford University Press; 2018. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199660896.001.0001
12.
Kelly J. Writing under the Union, 1800–1845. In: Ingman H, Ó Gallchoir C, eds. A History of Modern Irish Women’s Literature. Cambridge University Press; 2018:59-76. doi:10.1017/9781316442999.004
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Gamer M. Maria Edgeworth and the Romance of Real Life. NOVEL: A Forum on Fiction. 2001;34(2). doi:10.2307/1346217
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Nolan E. ‘The Tommy Moore Touch’: Ireland and Modernity in Joyce and Moore. Dublin James Joyce Journal. 2009;2(1):64-77. doi:10.1353/djj.2009.0002
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Love TM. Gender and the Nationalistic Ballad: Thomas Davis, Thomas Moore, and Their Songs. New Hibernia Review. 2017;21(1):68-85. doi:10.1353/nhr.2017.0005
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Barrell J. The meeting of the waters. Critical Quarterly. 2018;60(1):5-78. doi:10.1111/criq.12390
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Maturin C. Leixlip Castle. Published 1824. http://gutenberg.net.au/ebooks06/0605961h.html
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Regan S. from Melmoth the Wanderer [IN] Irish Writing An Anthology Of Irish Literature In English 17891939. In: Maturin CR, ed. Irish Writing An Anthology Of Irish Literature In English 17891939. Oxford University Press, USA; 2008:106-120. https://contentstore.cla.co.uk/secure/link?id=271c0242-33a4-e711-80cb-005056af4099
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Griffin G. The Brown Man [IN] Holland-tide. In: Holland-Tide, or, Irish Popular Tales. ; 1827. https://archive.org/details/hollandtideoriri00grif/page/n2
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Stoker B. The Snake’s Pass. https://uoelibrary.idm.oclc.org/login?url=http://data.historicaltexts.jisc.ac.uk/view?pubId=bl-003512121
21.
Riddell C. The Last Squire of Ennismore [IN] Idle Tales. In: Idle Tales. Ward & Downey; 1888. https://uoelibrary.idm.oclc.org/login?url=http://data.historicaltexts.jisc.ac.uk/view?pubId=bl-003099065&pageId=bl-003099065-671998-7
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Killeen J. The Emergence of Irish Gothic Fiction: History, Origins, Theories. Edinburgh University Press; 2014. http://www.jstor.org/stable/10.3366/j.ctt9qdrh2
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Kelly J. Charles Maturin: Authorship, Authenticity and the Nation. Four Courts Press; 2011.
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Morin C, Gillespie N. Irish Gothics: Genres, Forms, Modes, and Traditions, 1760-1890. Palgrave Macmillan; 2014. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137366658
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Smith A. The Ghost Story 1840-1920: A Cultural History. Manchester University Press; 2010. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt155jc6t
26.
Kelly J. Gothic and the Celtic Fringe, 1750-1850. In: The Gothic World. Routledge; 2013:38-50. https://ebookcentral.proquest.com/lib/exeter/reader.action?docID=1461152&ppg=85
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Irish Gothic Journal. https://irishgothicjournal.net/
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Jim Hansen. The Wrong Marriage: Maturin and the Double-Logic of Masculinity in the Unionist Gothic. Studies in Romanticism. 2008;47(3). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/25602153
29.
Fowler K. Hieroglyphics in Fire: ‘Melmoth the Wanderer’. Studies in Romanticism. 1986;25(4). doi:10.2307/25600620
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Sharon Ragaz, Maturin and Archibald Constable. Maturin, Archibald Constable, and the Publication of ‘Melmoth the Wanderer’. The Review of English Studies. 2006;57(230). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4095443
31.
Siobhan Marie Kilfeather. Terrific Register: The Gothicization of Atrocity in Irish Romanticism. boundary 2. 2004;31(1):49-71. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/54262
32.
Gregory, Lady, Yeats WB. Cathleen Ni Houlihan. In: Modern and Contemporary Irish Drama: Backgrounds and Criticism. 2nd ed. W. W. Norton; 2009:3-11. https://contentstore.cla.co.uk/secure/link?id=cdcdfd4c-762f-e911-80cd-005056af4099
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Gregory, Lady. The Rising of the Moon. In: Modern and Contemporary Irish Drama: Backgrounds and Criticism. 2nd ed. W. W. Norton; 2009:50-57. https://contentstore.cla.co.uk/secure/link?id=00780872-762f-e911-80cd-005056af4099
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Synge JM. The Playboy of the Western World. In: Modern and Contemporary Irish Drama: Backgrounds and Criticism. 2nd ed. W. W. Norton; 2009:68-112.
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Yeats, W. B. (William Butler). Synge and the Ireland of His Time : Internet Archive.; 1911. https://archive.org/details/syngeirelandofhi00yeatrich/page/n16
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Mathews PJ, ed. The Cambridge Companion to J. M. Synge. Cambridge University Press; 2009. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL9780521110105
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Cliff B, Grene N. Synge and Edwardian Ireland. Oxford University Press; 2012. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199609888.001.0001
38.
Levitas B. The Theatre of Nation: Irish Drama and Cultural Nationalism, 1890-1916. Oxford University Press; 2002. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199253432.001.0001
39.
Kiberd D. Inventing Ireland. Jonathan Cape; 1995.
40.
Grene N. The Politics of Irish Drama: Plays in Context from Boucicault to Friel. Cambridge University Press; 1999. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511486029
41.
Margaret Kelleher. Irish University Review. Special Issue: New Perspectives on the Irish Literary Revival. 33(1). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i25517207
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Ann Saddlemyer. Synge’s Soundscape. Irish University Review. 1992;22(1):55-68. https://www.jstor.org/stable/25484464
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Joyce J, Brown T. Dubliners. Penguin Books; 2000. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s2282621&direct=true&scope=site&db=nlebk&db=nlabk&AN=2245745
44.
Project MUSE - Dublin James Joyce Journal. https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/journal/579
45.
Howes ME. Tradition, Gender, and Migration in ‘The Dead,’ or: How Many People Has Gretta Conroy Killed? The Yale Journal of Criticism. 2002;15(1):149-171. doi:10.1353/yale.2002.0008
46.
Attridge D, Howes M. Semicolonial Joyce. Cambridge University Press; 2000.
47.
Knowles SDG. Foundational Essays in James Joyce Studies. (Gillespie MP, ed.). University Press of Florida; 2017. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=4938773
48.
Head D. The Modernist Short Story: A Study in Theory and Practice. Cambridge University Press; 1992. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511735356
49.
Yeats WB, Finneran RJ. The Poems. Proquest LLC; 2000. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z000351345
50.
Collins L. Poetry by Women in Ireland: A Critical Anthology 1870-1970. Liverpool University Press; 2012. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1gn6dkq
51.
Morris C, Milligan A. Alice Milligan and the Irish Cultural Revival. Four Courts Press; 2013.
52.
Steele KM. Women, Press, and Politics during the Irish Revival. 1st ed. Syracuse University Press; 2007.
53.
MacPherson DAJ. Women and the Irish Nation: Gender, Culture and Irish Identity, 1890-1914. Palgrave Macmillan; 2012. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137284587
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Foley DJ, ed. Yeats 150: William Butler Yeats 1865-1939. The Lilliput Press; 2016.
55.
Howes ME. Yeats’s Nations: Gender, Class, and Irishness. Cambridge University Press; 1996. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511581939
56.
Vendler H. Our Secret Discipline: Yeats and Lyric Form. Oxford University Press; 2007.
57.
Richman D. Passionate Action: Yeats’s Mastery of Drama. University of Delaware Press; 2000.
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Henn TR. The Lonely Tower : Studies in the Poetry of W. B. Yeats. Barnes & Noble; 1965.
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Walsh IR. Experimental Irish Theatre: After W.B. Yeats. Palgrave Macmillan; 2012. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137001368
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Stallworthy J. Vision and Revision in Yeats’s Last Poems. Clarendon Press; 1969.
61.
Wood M. Yeats and Violence. Vol 2008. Oxford University Press; 2010. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199557660.001.0001
62.
Stephanie J. Pocock. Artistic Liminality: Yeats’s Cathleen ni Houlihan and Purgatory. New Hibernia Review / Iris Éireannach Nua. 2008;12(3):99-117. https://www.jstor.org/stable/25660807
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Howes M, Kelly J, eds. The Cambridge Companion to W. B. Yeats. Cambridge University Press; 2006. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL0521650895
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MacNeice L, McDonald P. Collected Poems. Proquest LLC; 2008. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z001156817
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Kavanagh, Patrick. The Great Hunger [IN] Collected poems. In: Collected Poems. Vol Modern classics. Penguin; 2005. https://contentstore.cla.co.uk/secure/link?id=b808a52d-fa7b-e611-80c6-005056af4099
66.
Collins L. Poetry by Women in Ireland: A Critical Anthology 1870-1970. Liverpool University Press; 2012. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1gn6dkq
67.
De Valera E. Address by Mr de Valera. https://www.rte.ie/archives/exhibitions/eamon-de-valera/719124-address-by-mr-de-valera/
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Gillis AA. Irish poetry of the 1930s. Published online 2005. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199277094.001.0001
69.
Brearton F, Gillis AA. The Oxford Handbook of Modern Irish Poetry. Oxford University Press; 2012. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/search?btog=book&isQuickSearch=true&pageSize=10&q=9780199561247&sort=relevance
70.
Walker T. Louis MacNeice and the Irish Poetry of His Time. First edition. Oxford University Press; 2015. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198745150.001.0001
71.
Smith S. Patrick Kavanagh. Vol 1. Irish Academic Press; 2009.
72.
O’Brien K. The Land of Spices. New ed. Virago; 2006.
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Michael Cronin. Kate O’Brien and the Erotics of Liberal Catholic Dissent. Field Day Review. 2010;6:28-51. https://www.jstor.org/stable/41219772
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Backus M, Valente J. ‘The Land of Spices’, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review. 2013;43(1):55-73. doi:10.3366/iur.2013.0055
75.
Backus M, Valente J. The Land of Spices, the Enigmatic Signifier, and the Stylistic Invention of Lesbian (In)Visibility. Irish University Review. 2013;43(1):55-73. doi:10.3366/iur.2013.0055
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Walshe E. Ordinary People Dancing: Essays on Kate O’Brien. Cork University Press; 1993.
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Irish University Review: Vol 48, No 1. https://www.euppublishing.com/toc/iur/48/1
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Heaney S. North. [s.n.]; 1992. https://search.proquest.com/lion/publication/publications_2056109?accountid=10792
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Heaney S. Station Island. Proquest LLC; 1999. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z000559350
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Heaney S. District and Circle. Proquest LLC; 2007. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion-us&rft_id=xri:lion:po:Z001145589
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Meehan, Paula. The Statue of the Virgin of Granard Speaks [IN] The man who was marked by winter. In: The Man Who Was Marked by Winter. Oldcastle : Gallery Books, 1991.; :40-42. https://contentstore.cla.co.uk/secure/link?id=74c218bb-cda5-e611-80c7-005056af4099
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Boland, Eavan., O’Malley, Mary, Meehan, Paula. Three Irish Poets : An Anthology. Manchester : Carcanet, 2003. https://contentstore.cla.co.uk/secure/link?id=a1e066b7-b3a1-e611-80c7-005056af4099
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Jody Allen Randolph. Paula Meehan: A Selected Bibliography. An Sionnach: A Journal of Literature, Culture, and the Arts. 2009;5(1):272-301. http://muse.jhu.edu/article/362752
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Eric Falci. Meehan’s Stanzas and the Irish Lyric After Yeats. An Sionnach: A Journal of Literature, Culture, and the Arts. 2009;5(1):226-238. https://muse.jhu.edu/article/362750
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Project MUSE - An Sionnach: A Journal of Literature, Culture, and the Arts-Volume 5, Numbers 1 & 2, Spring & Fall 2009. https://muse.jhu.edu/issue/19337
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Marina Carr. Dealing with the Dead. Irish University Review. 1998;28(1):190-196. https://www.jstor.org/stable/25484769
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Ricorso entry for Marina Carr. http://www.ricorso.net/rx/az-data/authors/c/Carr_M/life.htm
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Ricorso entry for Conor McPherson. http://www.ricorso.net/rx/az-data/authors/Mc/McPherson_C/life.htm
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PlayographyIreland. http://www.irishplayography.com/default.aspx
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Anna McMullan; Cathy Leeney. The Theatre of Marina Carr: ÔÇ£Before Rules Was MadeÔÇØ. Vol 2. Carysfort Press; 2003. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1621406
91.
Trench R. Bloody Living: The Loss of Selfhood in the Plays of Marina Carr. Vol 20. Peter Lang; 2010.
92.
Lojek HH. The Spaces of Irish Drama: Stage and Place in Contemporary Plays. Palgrave Macmillan; 2011. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230370418
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Barrett C. The Clancy Kid. In: Young Skins. Vintage Books; 2015:3-17. https://contentstore.cla.co.uk/secure/link?id=fed40a20-762f-e911-80cd-005056af4099
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Keegan C. The Parting Gift [IN] Walk the blue fields. In: Walk the Blue Fields. Faber; 2008:21-33. https://contentstore.cla.co.uk/secure/link?id=8ba240ee-752f-e911-80cd-005056af4099
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Barry K. Fjord of Killary [IN] Dark lies the island. In: Dark Lies the Island. Jonathan Cape; 2012:27-45. https://contentstore.cla.co.uk/secure/link?id=1262e098-752f-e911-80cd-005056af4099
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Caldwell J. Dubstopia. In: Room Little Darker. New Island Books; 2017:41-57. https://ebookcentral.proquest.com/lib/exeter/reader.action?docID=5218355&ppg=24
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Digital Platform for Contemporary Irish Writing. http://www.contemporaryirishwriting.ie/
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Cronin M, Gibbons L, Kirby P. Reinventing Ireland: Culture, Society, and the Global Economy. Pluto Press; 2002. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt18fs3f5
99.
Keating-Miller J. Language, Identity and Liberation in Contemporary Irish Literature. Palgrave Macmillan; 2009. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230275089
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Villar-Argaiz P, ed. Literary Visions of Multicultural Ireland: The Immigrant in Contemporary Irish Literature. Manchester University Press; 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1mf6zgx
101.
Lehner S. Subaltern Ethics in Contemporary Scottish and Irish Literature: Tracing Counter-Histories. Palgrave Macmillan; 2011. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9780230308794
102.
Harte L. Reading the Contemporary Irish Novel, 1987-2007. Wiley-Blackwell; 2014. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1550544
103.
Rhona Richman Kenneally. The Canadian Journal of Irish Studies: Culture and ‘Out-of-placeness’ in Post-Celtic Tiger Ireland: Special Issue. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/i40091458
104.
Harney-Mahajan, Tara. Recessionary Imaginings: Post-Celtic Tiger Ireland and Contemporary Women’s Writing [Special Issue]. Lit: Literature Interpretation Theory. 2017;28(1). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017395422&site=eds-live&scope=site
105.
Legg G. Northern Ireland and the Politics of Boredom: Conflict, Capital and Culture. Manchester University Press; 2018.
106.
Shakespeare and Contemporary Irish Literature. Palgrave Macmillan; 2018. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9783319959245
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O’Donnell ML. Ireland’s Harp: The Shaping of Irish Identity, c. 1770 to 1880. University College Dublin Press; 2014.
108.
Moylan T, ed. The Indignant Muse: Poetry and Songs of the Irish Revolution, 1887-1926. The Lilliput Press
109.
Fagan O, EBSCOhost. Hostages. Head of Zeus; 2018. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1852761
110.
Gilmartin S, Meade D, eds. Stinging Fly Stories: Celebrating Our First 20 Years 1998-2018. The Stinging Fly Press
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Fennell J. A Brilliant Void: A Selection of Classic Irish Science Fiction. Tramp Press; 2018. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781999700898
112.
Kelleher M. The Maamtrasna Murders: Language, Life and Death in Nineteenth-Century Ireland. University College Dublin Press; 2018.
113.
Edgeworth M. Maria Edgeworth’s Letters from Ireland. The Lilliput Press Ltd; 2017.
114.
Jordan E, Weitz E, eds. The Palgrave Handbook of Contemporary Irish Theatre and Performance. Palgrave Macmillan; 2018.
115.
Pierse M, ed. A History of Irish Working-Class Writing. Cambridge University Press; 2018. https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1017/9781316570425
116.
Pilz A, Standlee W, eds. Irish Women’s Writing, 1878-1922: Advancing the Cause of Liberty. Manchester University Press; 2018.
117.
Carson, Ciaran, 1948-. The Irish for No. Oldcastle : Gallery Press, 1994. https://contentstore.cla.co.uk/secure/link?id=0b053e2a-647a-e611-80c6-005056af4099
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Carson, Ciaran, 1948-. Belfast Confetti. Winston-Salem, N.C. : Wake Forest University Press, 1989. https://contentstore.cla.co.uk/secure/link?id=ea5238ef-637a-e611-80c6-005056af4099
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Carson, Ciaran, 1948-. Collected Poems. Loughcrew, Oldcastle, Co. Meath : Gallery Press, 2008. https://contentstore.cla.co.uk/secure/link?id=300d3eaf-637a-e611-80c6-005056af4099
