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Wilson E. Children, emotion and viewing in contemporary European film. Screen [Internet]. 2005 Sep 1;46(3):329–340. Available from: https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005441852&site=eds-live&scope=site
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Tornatore G, Noiret P, Perrin J, Attili A. Cinema Paradiso [Internet]. Deluxe edition. Arrow Films; 2007. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/000AA0B6?bcast=13090545
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Youngblood, Denise J. Post-Stalinist cinema and the myth of World War II: Tarkovskii’s `Ivan’s Childhood’ (1962) and Klimov’s ‘Come and See’ (1985) [in] Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio & Television [Internet]. 1994;14(4). Available from: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=9411303462&site=eds-live&scope=site
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Schlöndorff V, Carrière JC, Grass G, Adorf M, Seitz F, Winkler A, Bennet D, Olbrychski D, Aznavour C, Hakl F, Arrow Academy. The tin drum. [U.K.]: Arrow Academy; 2012.
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Felix Rebolledo. In the Wake of Cinema Nôvo: Central do Brasil (Central Station): Coconut Milk with Coca-Cola Aftertaste. Off Screen [Internet]. 2005;9(6). Available from: https://offscreen.com/issues/view/brazilian_special
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