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Buckland W. Film Aesthetics: Formalism And Realism. In: Teach Yourself Film Studies. Hodder & Stoughton; 1998:7-30. https://contentstore.cla.co.uk/secure/link?id=3906d6d8-4e04-e911-80cd-005056af4099
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Donald S, Wilson E, Wright S, eds. Introduction. In: Childhood and Nation in Contemporary World Cinema: Borders and Encounters. Bloomsbury Academic; 2017:1-11. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004749409707446&context=L&vid=44UOEX_INST:default
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Pomerance M. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. State Univ. of New York Pr; 2001.
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Sinyard N. Introduction. In: Children in the Movies. Batsford; 1990:7-15. https://contentstore.cla.co.uk/secure/link?id=89f0d22a-5804-e911-80cd-005056af4099
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Wilson E. Children, emotion and viewing in contemporary European film. Screen. 2005;46(3):329-340. https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005441852&site=eds-live&scope=site
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Tornatore G, Noiret P, Perrin J, Attili A. Cinema Paradiso. Published online 2007. https://learningonscreen.ac.uk/ondemand/index.php/prog/000AA0B6?bcast=13090545
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Bordwell D, Thompson K, Smith J. Chapter 4. Mise-en-scene. In: Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Galt R. The Prettiness of Italian Cinema. In: Louis Bayman, Sergio Rigoletto, eds. Popular Italian Cinema. Palgrave Macmillan; 2013:61-68. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003236369707446&context=L&vid=44UOEX_INST:default
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Danielle Hipkins, Daniela Treveri Gennari, Catherine O’Rawe, Silvia Dibeltulo, Sarah Culhane. Oral Memories of Cinema-going in Rural Italy of the 1950s. In: Treveri Gennari D, Hipkins DE, O’Rawe C, eds. Rural Cinema Exhibition and Audiences in a Global Context. Palgrave Macmillan; 2018:117-133. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008534819707446&context=L&vid=44UOEX_INST:default
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Marcus M. Giuseppe Tornatore’s Cinema Paradiso and the Art of Nostalgia. In: After Fellini: National Cinema in the Postmodern Age. Johns Hopkins University Press; 2002:199-213. https://contentstore.cla.co.uk/secure/link?id=eb6e04ef-5804-e911-80cd-005056af4099
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Radstone S. Cinema/memory/history. Screen. 1995;36(1):34-47. https://uoelibrary.idm.oclc.org/login?url=http://academic.oup.com/screen/article/36/1/34/1680963
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Wood MP. Children [in] Italian cinema. In: Italian Cinema. Berg; 2005:177-178. https://contentstore.cla.co.uk/secure/link?id=b17b9582-5904-e911-80cd-005056af4099
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Truffaut F, Léaud JP, Maurier C, Rémy A. The 400 blows. Published online 2006.
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Bordwell D, Thompson K, Smith J. Chapter 3. Narrative Form [in] Film art: an introduction. In: Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Gillain A. The Script of Delinquency: François Truffaut’s Les 400 coups (1959). In: Hayward S, Vincendeau G, eds. French Film: Texts and Contexts. 2nd ed. Routledge; 2000:142-157. https://contentstore.cla.co.uk/secure/link?id=19294bd3-261f-e911-80cd-005056af4099
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Holmes D, Ingram R. François Truffaut. Manchester University Press; 1998. https://contentstore.cla.co.uk/secure/link?id=8a36d741-e01f-e911-80cd-005056af4099
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Tarkovskiĭ AA, Ovchinnikov V, Burlyaev N, Bogomolov V. Ivan’s childhood. Published online 2016.
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Bordwell D, Thompson K, Smith J. Chapter 5.The shot: cinematography [in] Film art: an introduction. In: Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Beumers B. A History of Russian Cinema. English ed. Berg; 2009.
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Bird R. Andrei Tarkovsky: Elements of Cinema. Reaktion; 2008. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015337379707446&context=L&vid=44UOEX_INST:default
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Maya Turovskaya. Chapter 3: Ivan’s Childhood. In: Tarkovsky: Cinema as Poetry. Faber; 1989:29-35. https://contentstore.cla.co.uk/secure/link?id=6c5583ee-dd1f-e911-80cd-005056af4099
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Youngblood, Denise J. Post-Stalinist cinema and the myth of World War II: Tarkovskii’s `Ivan’s Childhood’ (1962) and Klimov’s ‘Come and See’ (1985) [in] Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio & Television. 1994;14(4). doi:10.1080/01439689400260301
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Schlöndorff V, Carrière JC, Grass G, et al. The tin drum. Published online 2012.
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Bordwell D, Thompson K, Smith J. Chapter 6. The relation of shot-to-shot: editing [in] Film art: an introduction. In: Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Lury K. The Child in Film: Tears, Fears and Fairytales. I. B. Tauris; 2010. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780857711281
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Reimer RC, Reimer CJ. The Tin Drum [in] Nazi-retro film: how German narrative cinema remembers the past. In: Nazi-Retro Film: How German Narrative Cinema Remembers the Past. Twayne; 1992. https://contentstore.cla.co.uk/secure/link?id=77e22ad5-f21f-e911-80cd-005056af4099
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Salles W, Montenegro F, de Oliveira V. Central Station. Published online 2002.
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Pat Aufderheide. CENTRAL STATION Walter Salles, Brazil, 1997. Film Comment. 1998;34(6). https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43454635
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Bordwell D, Thompson K, Smith J. Chapter 9. Film genres [in] Film art: an introduction. In: Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Nina Caplan. Central Station/Central do Brasil. SIGHT AND SOUND. 1999;9(3):38-39. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000078864900028&site=eds-live&scope=site
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Anthony Kaufman. Sentimental Journey as National Allegory: An Interview with Walter Salles. Cineaste. 1998;24(1):19-21. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.41689102&site=eds-live&scope=site
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Lúcia Nagib. The zero, the centre and the empty utopia – From Rossellini to Walter Salles. Studies in European Cinema. 2007;3(3):223-233. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200703030.00006&site=eds-live&scope=site
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Felix Rebolledo. In the Wake of Cinema Nôvo: Central do Brasil (Central Station): Coconut Milk with Coca-Cola Aftertaste. Off Screen. 2005;9(6). https://offscreen.com/issues/view/brazilian_special
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Kerstin Vogel. Walter Salles’ Central Station and Cinema Nôvo. Offscreen. 2005;9(6). https://offscreen.com/issues/view/brazilian_special
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Martel L, Morán M, Belloso C, Urdapilleta A, Alche M. La ñina santa. Published online 2005.
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Bordwell D, Thompson K, Smith J. Chapter 7. Sound in the cinema [in] Film art: an introduction. In: Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Lebeau V, ProQuest (Firm). Child, Sexuality, Image [in] Childhood and cinema. In: Childhood and Cinema. Reaktion; 2008:86-134. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007629639707446&context=L&vid=44UOEX_INST:default
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Martin, Deborah. Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La niña santa [in] Journal of Iberian and Latin American Studies. Tesserae: Journal of Iberian and Latin American Studies (Abingdon, Oxfordshire). 2011;(1):59-76. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017321957&site=eds-live&scope=site
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Stewart K. Establishing the female gaze: narrative subversion in Lucrecia Martel’s ‘La Nina’ (2004) and ’La Cienaga (2001) [in Journal of Iberian and Latin American Studies. Journal of Iberian and Latin American Studies. 2015;21(3):205-219. https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/14701847.2015.1179850
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A ciambra. Published online 2018.
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Lawrence M, Smith S. Child Performance Dossier Introduction [in] Screen. Screen. 2012;53(4):436-439. https://uoelibrary.idm.oclc.org/login?url=http://academic.oup.com/screen/article/53/4/436/1644181
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Lury K. The Impropriety of Performance [in] The child in film: tears, fears and fairytales. In: The Child in Film: Tears, Fears and Fairytales. I. B. Tauris; 2010. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015540819707446&context=L&vid=44UOEX_INST:default
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O’Rawe C. The Non-Professional in the Reception of Italian Cinema Abroad – International Circulation of Italian Cinema. https://www.italiancinema.it/the-non-professional-in-the-reception-of-italian-cinema-abroad/
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Bordwell D, Thompson K, Smith J. Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2016. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780077188917
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Buckland W. Film Studies. New ed. Teach Yourself; 2008. https://archive.org/details/filmstudiesintro0000buck/mode/2up
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Hayward S. Cinema Studies: The Key Concepts. Fifth edition. Routledge; 2018. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008769929707446&context=L&vid=44UOEX_INST:default
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Hayward S. Cinema Studies: The Key Concepts. 4th ed. Routledge; 2013.
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Monaco J. How to Read a Film: Movies, Media, and beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. Oxford University Press; 2009.
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Roberts G, Wallis H. Introducing Film. Bloomsbury Academic; 2010. https://archive.org/details/introducingfilm0000robe
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Vincendeau G. Issues in European Cinema. In: World Cinema: Critical Approaches. Oxford University Press; 2000:56-64. https://contentstore.cla.co.uk/secure/link?id=2d0cb283-8320-e911-80cd-005056af4099
