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S. Donald, E. Wilson, and S. Wright, Eds., ‘Introduction’, in Childhood and nation in contemporary world cinema: borders and encounters, London: Bloomsbury Academic, 2017, pp. 1–11 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004749409707446&context=L&vid=44UOEX_INST:default
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M. Pomerance, Ladies and gentlemen, boys and girls: gender in film at the end of the twentieth century. Albany: State Univ. of New York Pr, 2001.
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N. Sinyard, ‘Introduction’, in Children in the movies, London: Batsford, 1990, pp. 7–15 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=89f0d22a-5804-e911-80cd-005056af4099
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E. Wilson, ‘Children, emotion and viewing in contemporary European film’, Screen, vol. 46, no. 3, pp. 329–340, Sep. 2005 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2005441852&site=eds-live&scope=site
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G. Tornatore, P. Noiret, J. Perrin, and A. Attili, ‘Cinema Paradiso’. Arrow Films, 2007 [Online]. Available: https://learningonscreen.ac.uk/ondemand/index.php/prog/000AA0B6?bcast=13090545
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R. Galt, ‘The Prettiness of Italian Cinema’, in Popular Italian cinema, Louis Bayman and Sergio Rigoletto, Eds. Basingstoke: Palgrave Macmillan, 2013, pp. 61–68 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003236369707446&context=L&vid=44UOEX_INST:default
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S. Radstone, ‘Cinema/memory/history’, Screen, vol. 36, no. 1, pp. 34–47, Mar. 1995 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://academic.oup.com/screen/article/36/1/34/1680963
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M. P. Wood, ‘Children [in] Italian cinema’, in Italian cinema, Oxford: Berg, 2005, pp. 177–178 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=b17b9582-5904-e911-80cd-005056af4099
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A. Gillain, ‘The Script of Delinquency: François Truffaut’s Les 400 coups (1959)’, in French film: texts and contexts, 2nd ed., S. Hayward and G. Vincendeau, Eds. London: Routledge, 2000, pp. 142–157 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=19294bd3-261f-e911-80cd-005056af4099
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D. Holmes and R. Ingram, François Truffaut. Manchester: Manchester University Press, 1998 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=8a36d741-e01f-e911-80cd-005056af4099
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Maya Turovskaya, ‘Chapter 3: Ivan’s Childhood’, in Tarkovsky: cinema as poetry, London: Faber, 1989, pp. 29–35 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=6c5583ee-dd1f-e911-80cd-005056af4099
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Youngblood, Denise J., ‘Post-Stalinist cinema and the myth of World War II: Tarkovskii’s `Ivan’s Childhood’ (1962) and Klimov’s “Come and See” (1985) [in] Historical Journal of Film, Radio and Television’, Historical Journal of Film, Radio & Television., vol. 14, no. 4, 1994, doi: 10.1080/01439689400260301. [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=9411303462&site=eds-live&scope=site
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Pat Aufderheide, ‘CENTRAL STATION Walter Salles, Brazil, 1997’, Film Comment, vol. 34, no. 6, 1998 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43454635
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D. Bordwell, K. Thompson, and J. Smith, ‘Chapter 9. Film genres [in] Film art: an introduction’, in Film art: an introduction, Eleventh edition., [Place of publication not identified]: McGraw-Hill Education, 2016 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008218569707446&context=L&vid=44UOEX_INST:default
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Nina Caplan, ‘Central Station/Central do Brasil’, SIGHT AND SOUND, vol. 9, no. 3, pp. 38–39, 1999 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000078864900028&site=eds-live&scope=site
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Anthony Kaufman, ‘Sentimental Journey as National Allegory: An Interview with Walter Salles’, Cineaste, vol. 24, no. 1, pp. 19–21, 1998 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.41689102&site=eds-live&scope=site
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Lúcia Nagib, ‘The zero, the centre and the empty utopia – From Rossellini to Walter Salles’, Studies in European Cinema, vol. 3, no. 3, pp. 223–233, 2007 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200703030.00006&site=eds-live&scope=site
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Felix Rebolledo, ‘In the Wake of Cinema Nôvo: Central do Brasil (Central Station): Coconut Milk with Coca-Cola Aftertaste’, Off Screen, vol. 9, no. 6, 2005 [Online]. Available: https://offscreen.com/issues/view/brazilian_special
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Kerstin Vogel, ‘Walter Salles’ Central Station and Cinema Nôvo’, Offscreen, vol. 9, no. 6, 2005 [Online]. Available: https://offscreen.com/issues/view/brazilian_special
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Martin, Deborah, ‘Wholly Ambivalent Demon-Girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La niña santa [in] Journal of Iberian and Latin American Studies’, Tesserae: Journal of Iberian and Latin American Studies (Abingdon, Oxfordshire), no. 1, pp. 59–76, 2011 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2017321957&site=eds-live&scope=site
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K. Stewart, ‘Establishing the female gaze: narrative subversion in Lucrecia Martel’s “La Nina” (2004) and ’La Cienaga (2001) [in Journal of Iberian and Latin American Studies’, Journal of Iberian and Latin American Studies, vol. 21, no. 3, pp. 205–219, Sep. 2015 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://www.tandfonline.com/doi/full/10.1080/14701847.2015.1179850
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‘A ciambra’. IFC Films, [New York, New York], 2018.
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M. Lawrence and S. Smith, ‘Child Performance Dossier Introduction [in] Screen’, Screen, vol. 53, no. 4, pp. 436–439, Dec. 2012 [Online]. Available: https://uoelibrary.idm.oclc.org/login?url=http://academic.oup.com/screen/article/53/4/436/1644181
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K. Lury, ‘The Impropriety of Performance [in] The child in film: tears, fears and fairytales’, in The child in film: tears, fears and fairytales, London: I. B. Tauris, 2010 [Online]. Available: https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991015540819707446&context=L&vid=44UOEX_INST:default
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S. Hayward, Cinema studies: the key concepts, 4th ed. Abingdon: Routledge, 2013.
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