Albers, Kate Palmer. Uncertain Histories: Accumulation, Inaccessibility, and Doubt in Contemporary Photography. Oakland, California: University of California Press, 2015. Print.
Anderson, Perry. The Origins of Postmodernity. London: Verso, 1998. Print.
‘Art History and Visual Culture - LibGuides at University of Exeter’. N.p., n.d. Web. <http://libguides.exeter.ac.uk/AHVCHomePage>.
Auslander, Philip. ‘“The Performativity of Performance Documentation” [in] PAJ: A Journal of Performance Art’. PAJ: A Journal of Performance Art 28.3 (2006): 1–10. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.4140006&amp;site=eds-live&amp;scope=site>.
Azoulay, Ariella. ‘“‘The Family of Man’: A Visual Universal Declaration of Human Rights” [in] The Human Snapshot’. The Human Snapshot. Feldmeilen, Switzerland: Luma Foundation, 2013. Web. <https://contentstore.cla.co.uk/secure/link?id=c8243cba-a4f8-e811-80cd-005056af4099>.
Bank, Andrew. ‘“ANTHROPOLOGY AND PORTRAIT PHOTOGRAPHY: GUSTAV FRITSCH’S ‘NATIVES OF SOUTH AFRICA’, 1863-1872” [in] Kronos’. Kronos 27 (2001): 43–76. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edsjsr&amp;AN=edsjsr.41056669&amp;site=eds-live&amp;scope=site>.
Barthes, Roland. Camera Lucida: Reflections on Photography. London: Vintage, 1993. Print.
Barthes, Roland, Richard Howard, and Annette Lavers. Mythologies. First American paperback edition, 2013. New York: Hill and Wang, a division of Farrar, Strauss and Giroux, 2013. Print.
Baudrillard, Jean. Simulacra and Simulation. Ann Arbor: University of Michigan Press, 1994. Print.
Behdad, Ali, and Luke Gartlan. Photography’s Orientalism: New Essays on Colonial Representation. Los Angeles, Calif: Getty Research Institute, 2013. Print.
Benjamin, Walter. ‘“A Short History of Photography”’. Screen 13.Issue 1, p5-26 (1972): 5–26. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edb&amp;AN=31291113&amp;site=eds-live&amp;scope=site>.
Berger, John. Ways of Seeing. London: British Broadcasting Corporation, 1972. Print.
Blatt, Ari J. ‘“Phototextuality: Photography, Fiction, Criticism” [in] Visual Studies’. (2009): n. pag. Web. <http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMNLe80Sep7M4zOX0OLCmr1CeprFSsa24SK6WxWXS&amp;ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&amp;T=P&amp;P=AN&amp;S=R&amp;D=hlh&amp;K=44080793>.
Bray, Rebecca Scott. ‘“Rotten Prettiness - The Forensic Aesthetic and Crime as Art” [in] Australian Feminist Law Journal’. Australian Feminist Law Journal 40.2014 (2014): 69–962014. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edshol&amp;AN=edshol.hein.journals.afemlj40.6&amp;site=eds-live&amp;scope=site>.
Burgin, Victor. ‘“Looking at Photographs” [in] Thinking Photography’. Thinking Photography. London: Macmillan, 1982. Web. <https://contentstore.cla.co.uk/secure/link?id=e1679b3c-b4e8-e811-80cd-005056af4099>.
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Butler, Judith. ‘“Torture and the Ethics of Photography” [in] Environment & Planning D: Society & Space’. Environment & Planning D: Society & Space 25.Issue 6 (2007): 951–966. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=eih&amp;AN=31609235&amp;site=eds-live&amp;scope=site>.
Caruso, Martina. Italian Humanist Photography from Fascism to the Cold War. London: Bloomsbury, 2016. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004799549707446&context=L&vid=44UOEX_INST:default>.
Clarke, Graham. The Photograph. Oxford: Oxford University Press, 1997. Print.
---. ‘“What Is a Photograph?” [in] The Photograph’. The Photograph. Oxford: Oxford University Press, 1997. Web. <https://contentstore.cla.co.uk/secure/link?id=f546da98-2de4-e811-80cd-005056af4099>.
Dijck, José van. ‘“X-Ray Vision in Thomas Mann’s The Magic Mountain” [in] The Transparent Body: A Cultural Analysis of Medical Imaging’. The Transparent Body: A Cultural Analysis of Medical Imaging. Seattle: University of Washington Press, 2005. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004840779707446&context=L&vid=44UOEX_INST:default>.
Edwards, Elizabeth. Anthropology and Photography, 1860-1920. New Haven: Yale U. P. in association with The Royal Anthropological Institute, 1992. Print.
Engel, C. E. ‘“II. PHOTOGRAPHY IN MEDICINE” [in] Journal of the Royal Society of Arts’. Journal of the Royal Society of Arts 109.5061 (1961): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41369086?seq=1#metadata_info_tab_contents>.
Foster, Hal. The Anti-Aesthetic: Essays on Postmodern Culture. New York: New Press, 2002. Print.
Garb, Tamar. ‘“Rethinking Sekula from the Global South: Humanist Photography Revisited” [in] Grey Room’. (2014): 34–57. Web. <https://contentstore.cla.co.uk/secure/link?id=68b3c332-79e6-e811-80cd-005056af4099>.
Harris, Clare. Photography and Tibet. London: Reaktion Books, 2016. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007392759707446&context=L&vid=44UOEX_INST:default>.
Henning, Michelle. Photography. The Unfettered Image. Andover: Routledge Ltd, 2017. Print.
Hershberger, Andrew E. ‘“Krauss’s Foucault and the Foundations of Postmodern History of Photography” [in] History of Photography’. History of Photography 30.Issue 1 (2006): 55–67. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=hia&amp;AN=20435315&amp;site=eds-live&amp;scope=site>.
hooks, bell. ‘“Postmodern Blackness” [in] Yearning: Race, Gender, and Cultural Politics’. Yearning: Race, Gender, and Cultural Politics. [New edition]. New York: Routledge, 2015. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014651949707446&context=L&vid=44UOEX_INST:default>.
Jones, Amelia. ‘“‘Presence’ in Absentia: Experiencing Performance as Documentation” [in] Art Journal’. (1997): n. pag. Web. <http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMTo50Seprc4zOX0OLCmr1CeprZSsKq4SraWxWXS&amp;ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&amp;T=P&amp;P=AN&amp;S=R&amp;D=hlh&amp;K=223331>.
---. Self/Image: Technology, Representation, and the Contemporary Subject. London: Routledge, 2006. Print.
Marshall, P. David. ‘“The Promotion and Presentation of the Self: Celebrity as Marker of Presentational Media” [in] Celebrity Studies’. Celebrity Studies 1.1 (2010): 35–48. Web. <https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1080/19392390903519057>.
Mirzoeff, Nicholas. How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More. New York: Basic Books, a member of the Perseus Books Group, 2016. Print.
---. ‘“The World of War” [in] How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More’. How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More. New York: Basic Books, a member of the Perseus Books Group, 2016. Web. <https://contentstore.cla.co.uk/secure/link?id=c22f299b-2ee4-e811-80cd-005056af4099>.
Mortenson, Erik. ‘“The Ghost of Humanism: Rethinking the Subjective Turn in Postwar American Photography” [in] History of Photography’. History of Photography (2014): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edswah&amp;AN=000345380600006&amp;site=eds-live&amp;scope=site>.
Phelan, Peggy. ‘“The Ontology of Performance: Representation without Reproduction” [in] Unmarked: The Politics of Performance’. Unmarked: The Politics of Performance. London: Routledge, 1993. Web. <https://contentstore.cla.co.uk/secure/link?id=df8cb637-2fe4-e811-80cd-005056af4099>.
Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2004. Print.
---. ‘“Regarding The Torture Of Others” [in] The New York Times’. (2004): n. pag. Web. <https://www.nytimes.com/2004/05/23/magazine/regarding-the-torture-of-others.html>.
Steichen, Edward. The Family of Man: The Greatest Photographic Exhibition of All Time. New York: The Museum of Modern Art, 1983. Print.
Trifonova, Temenuga. ‘“Photography and the Construction of Psychopathology at the Fin de Siecle” [i] Warped Minds: Cinema and Psychopathology’. Warped Minds: Cinema and Psychopathology. Amsterdam: Amsterdam University Press, 2014. Web. <https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004186219707446&context=L&vid=44UOEX_INST:default>.
Turner, Fred. ‘“The Family of Man and the Politics of Attention in Cold War America” [in] Public Culture’. Public Culture (2012): n. pag. Web. <https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;db=edswah&amp;AN=000303275900004&amp;site=eds-live&amp;scope=site>.
Weizman, Eyal. ‘“Forensic Architecture: Notes from Fields and Forums” [in] Continent’. (2015): n. pag. Web. <http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMTo50Seprc4zOX0OLCmr1CeprZSsaq4S7SWxWXS&amp;ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&amp;T=P&amp;P=AN&amp;S=R&amp;D=hlh&amp;K=116804045>.
Wells, Liz. The Photography Reader. London: Routledge, 2003. Print.
Zuromskis, Catherine. ‘“Snapshot Photography, Now and Then: Making, Sharing, and Liking Photographs at the Digital Frontier” [in] Afterimage’. (2016): n. pag. Web. <http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMTo50Seprc4zOX0OLCmr1CeprZSsa%2B4TbWWxWXS&amp;ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&amp;T=P&amp;P=AN&amp;S=R&amp;D=hlh&amp;K=116716139>.
Zwijnenberg, Robert. ‘“How to Depict Live: A Short History of the Imagination of Human Interiority” [in] The Scientific Imaginary in Visual Culture’. The Scientific Imaginary in Visual Culture. v. 5. Göttingen: V&R unipress, 2010. Print.