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Azoulay, A. (2013). ‘“The Family of Man”: A Visual Universal Declaration of Human Rights’ [in] The human snapshot. In The human snapshot. Luma Foundation. https://contentstore.cla.co.uk/secure/link?id=c8243cba-a4f8-e811-80cd-005056af4099
Bank, A. (2001). ‘ANTHROPOLOGY AND PORTRAIT PHOTOGRAPHY: GUSTAV FRITSCH’S “NATIVES OF SOUTH AFRICA”, 1863-1872’ [in] Kronos. Kronos, 27, 43–76. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.41056669&site=eds-live&scope=site
Barthes, R. (1993). Camera lucida: reflections on photography. Vintage.
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Burgin, V. (1982a). ‘Looking at Photographs’ [in] Thinking photography. In Thinking photography. Macmillan. https://contentstore.cla.co.uk/secure/link?id=e1679b3c-b4e8-e811-80cd-005056af4099
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Foster, H. (2002). The anti-aesthetic: essays on postmodern culture. New Press.
Garb, T. (2014). ‘Rethinking Sekula from the Global South: Humanist Photography Revisited’ [in] Grey Room. 34–57. https://contentstore.cla.co.uk/secure/link?id=68b3c332-79e6-e811-80cd-005056af4099
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