Bibliography for AHV2002 | University of Exeter

@book{Albers_2015, address={Oakland, California}, title={Uncertain histories: accumulation, inaccessibility, and doubt in contemporary photography}, publisher={University of California Press}, author={Albers, Kate Palmer}, year={2015} }

@book{Anderson_1998, address={London}, title={The origins of postmodernity}, publisher={Verso}, author={Anderson, Perry}, year={1998} }

@article{Auslander_2006, title={‘The Performativity of Performance Documentation’ [in] PAJ: A Journal of Performance Art}, volume={28}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.4140006&site=eds-live&scope=site}, number={3}, journal={PAJ: A Journal of Performance Art}, author={Auslander, Philip}, year={2006}, pages={1–10} }

@inbook{Azoulay_2013, address={Feldmeilen, Switzerland}, title={‘“The Family of Man”: A Visual Universal Declaration of Human Rights’ [in] The human snapshot}, url={https://contentstore.cla.co.uk/secure/link?id=c8243cba-a4f8-e811-80cd-005056af4099}, booktitle={The human snapshot}, publisher={Luma Foundation}, author={Azoulay, Ariella}, year={2013} }

@article{Bank_2001, title={‘ANTHROPOLOGY AND PORTRAIT PHOTOGRAPHY: GUSTAV FRITSCH’S “NATIVES OF SOUTH AFRICA”, 1863-1872’ [in] Kronos}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.41056669&site=eds-live&scope=site}, number={27}, journal={Kronos}, author={Bank, Andrew}, year={2001}, pages={43–76} }

@book{Barthes_1993, address={London}, title={Camera lucida: reflections on photography}, publisher={Vintage}, author={Barthes, Roland}, year={1993} }

@book{Barthes_Howard_Lavers_2013, address={New York}, edition={First American paperback edition, 2013}, title={Mythologies}, publisher={Hill and Wang, a division of Farrar, Strauss and Giroux}, author={Barthes, Roland and Howard, Richard and Lavers, Annette}, year={2013} }

@book{Baudrillard_1994, address={Ann Arbor}, title={Simulacra and simulation}, publisher={University of Michigan Press}, author={Baudrillard, Jean}, year={1994} }

@book{Behdad_Gartlan_2013, address={Los Angeles, Calif}, title={Photography’s Orientalism: new essays on colonial representation}, publisher={Getty Research Institute}, author={Behdad, Ali and Gartlan, Luke}, year={2013} }

@article{Benjamin_1972, title={‘A short history of photography’}, volume={13}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=31291113&site=eds-live&scope=site}, number={Issue 1, p5-26}, journal={Screen}, author={Benjamin, Walter}, year={1972}, pages={5–26} }

@book{Berger_1972, address={London}, title={Ways of seeing}, publisher={British Broadcasting Corporation}, author={Berger, John}, year={1972} }

@article{Blatt_2009, title={‘Phototextuality: photography, fiction, criticism’ [in] Visual Studies}, url={http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMNLe80Sep7M4zOX0OLCmr1CeprFSsa24SK6WxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=44080793}, author={Blatt, Ari J.}, year={2009} }

@article{Bray_2014, title={‘Rotten Prettiness - The Forensic Aesthetic and Crime as Art’ [in] Australian Feminist Law Journal}, volume={40}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edshol&AN=edshol.hein.journals.afemlj40.6&site=eds-live&scope=site}, number={2014}, journal={Australian Feminist Law Journal}, author={Bray, Rebecca Scott}, year={2014}, pages={69–962014} }

@book{Burgin_1982a, address={London}, title={Thinking photography}, publisher={Macmillan}, author={Burgin, Victor}, year={1982} }

@inbook{Burgin_1982b, address={London}, title={‘Looking at Photographs’ [in] Thinking photography}, url={https://contentstore.cla.co.uk/secure/link?id=e1679b3c-b4e8-e811-80cd-005056af4099}, booktitle={Thinking photography}, publisher={Macmillan}, author={Burgin, Victor}, year={1982} }

@article{Butler_2007, title={‘Torture and the ethics of photography’ [in] Environment & Planning D: Society & Space}, volume={25}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=eih&AN=31609235&site=eds-live&scope=site}, DOI={10.1068/d2506jb}, number={Issue 6}, journal={Environment & Planning D: Society & Space}, author={Butler, Judith}, year={2007}, pages={951–966} }

@book{Caruso_2016, address={London}, title={Italian humanist photography from fascism to the Cold War}, url={https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004799549707446&context=L&vid=44UOEX_INST:default}, publisher={Bloomsbury}, author={Caruso, Martina}, year={2016} }

@book{Clarke_1997a, address={Oxford}, title={The photograph}, publisher={Oxford University Press}, author={Clarke, Graham}, year={1997} }

@inbook{Clarke_1997b, address={Oxford}, title={‘What is a Photograph?’ [in] The photograph}, url={https://contentstore.cla.co.uk/secure/link?id=f546da98-2de4-e811-80cd-005056af4099}, booktitle={The photograph}, publisher={Oxford University Press}, author={Clarke, Graham}, year={1997} }

@inbook{Dijck_2005, address={Seattle}, title={‘X-Ray Vision in Thomas Mann’s The Magic Mountain’ [in] The transparent body: a cultural analysis of medical imaging}, url={https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004840779707446&context=L&vid=44UOEX_INST:default}, booktitle={The transparent body: a cultural analysis of medical imaging}, publisher={University of Washington Press}, author={Dijck, José van}, year={2005} }

@book{Edwards_1992, address={New Haven}, title={Anthropology and photography, 1860-1920}, publisher={Yale U. P. in association with The Royal Anthropological Institute}, author={Edwards, Elizabeth}, year={1992} }

@article{Engel_1961, title={‘II. PHOTOGRAPHY IN MEDICINE’ [in] Journal of the Royal Society of Arts}, volume={109}, url={https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41369086?seq=1#metadata_info_tab_contents}, number={5061}, journal={Journal of the Royal Society of Arts}, publisher={Royal Society for the Encouragement of Arts, Manufactures and Commerce}, author={Engel, C. E.}, year={1961} }

@book{Foster_2002, address={New York}, title={The anti-aesthetic: essays on postmodern culture}, publisher={New Press}, author={Foster, Hal}, year={2002} }

@article{Garb_2014, title={‘Rethinking Sekula from the Global South: Humanist Photography Revisited’ [in] Grey Room}, url={https://contentstore.cla.co.uk/secure/link?id=68b3c332-79e6-e811-80cd-005056af4099}, author={Garb, Tamar}, year={2014}, pages={34–57} }

@book{Harris_2016, address={London}, title={Photography and Tibet}, url={https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991007392759707446&context=L&vid=44UOEX_INST:default}, publisher={Reaktion Books}, author={Harris, Clare}, year={2016} }

@book{Henning_2017, address={Andover}, title={Photography. The unfettered image}, publisher={Routledge Ltd}, author={Henning, Michelle}, year={2017} }

@article{Hershberger_2006, title={‘Krauss’s Foucault and the Foundations of Postmodern History of Photography’ [in] History of Photography}, volume={30}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=20435315&site=eds-live&scope=site}, number={Issue 1}, journal={History of Photography}, author={Hershberger, Andrew E.}, year={2006}, pages={55–67} }

@inbook{hooks_2015, address={New York}, edition={[New edition]}, title={‘Postmodern Blackness’ [in] Yearning: race, gender, and cultural politics}, url={https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991014651949707446&context=L&vid=44UOEX_INST:default}, booktitle={Yearning: race, gender, and cultural politics}, publisher={Routledge}, author={hooks, bell}, year={2015} }

@article{Jones_1997, title={‘“Presence” in Absentia: Experiencing Performance as Documentation’ [in] Art Journal}, url={http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMTo50Seprc4zOX0OLCmr1CeprZSsKq4SraWxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=223331}, author={Jones, Amelia}, year={1997} }

@book{Jones_2006, address={London}, title={Self/image: technology, representation, and the contemporary subject}, publisher={Routledge}, author={Jones, Amelia}, year={2006} }

@article{Marshall_2010, title={‘The promotion and presentation of the self: celebrity as marker of presentational media’ [in] Celebrity Studies}, volume={1}, url={https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1080/19392390903519057}, DOI={10.1080/19392390903519057}, number={1}, journal={Celebrity Studies}, author={Marshall, P. David}, year={2010}, pages={35–48} }

@inbook{Mirzoeff_2016a, address={New York}, title={‘The World of War’ [in] How to see the world: an introduction to images, from self-portraits to selfies, maps to movies, and more}, url={https://contentstore.cla.co.uk/secure/link?id=c22f299b-2ee4-e811-80cd-005056af4099}, booktitle={How to see the world: an introduction to images, from self-portraits to selfies, maps to movies, and more}, publisher={Basic Books, a member of the Perseus Books Group}, author={Mirzoeff, Nicholas}, year={2016} }

@book{Mirzoeff_2016b, address={New York}, title={How to see the world: an introduction to images, from self-portraits to selfies, maps to movies, and more}, publisher={Basic Books, a member of the Perseus Books Group}, author={Mirzoeff, Nicholas}, year={2016} }

@article{Mortenson_2014, title={‘The Ghost of Humanism: Rethinking the Subjective Turn in Postwar American Photography’ [in] History of Photography}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000345380600006&site=eds-live&scope=site}, DOI={10.1080/03087298.2014.899747}, journal={History of Photography}, author={Mortenson, Erik}, year={2014} }

@inbook{Phelan_1993, address={London}, title={‘The Ontology of Performance: Representation without Reproduction’ [in] Unmarked: the politics of performance}, url={https://contentstore.cla.co.uk/secure/link?id=df8cb637-2fe4-e811-80cd-005056af4099}, booktitle={Unmarked: the politics of performance}, publisher={Routledge}, author={Phelan, Peggy}, year={1993} }

@book{Sontag_2004a, address={London}, title={Regarding the pain of others}, publisher={Penguin}, author={Sontag, Susan}, year={2004} }

@article{Sontag_2004b, title={‘Regarding The Torture Of Others’ [in] The New York Times}, url={https://www.nytimes.com/2004/05/23/magazine/regarding-the-torture-of-others.html}, author={Sontag, Susan}, year={2004} }

@book{Steichen_1983, address={New York}, title={The family of man: the greatest photographic exhibition of all time}, publisher={The Museum of Modern Art}, author={Steichen, Edward}, year={1983} }

@inbook{Trifonova_2014, address={Amsterdam}, title={‘Photography and the Construction of Psychopathology at the Fin de Siecle’ [i] Warped minds: cinema and psychopathology}, url={https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991004186219707446&context=L&vid=44UOEX_INST:default}, booktitle={Warped minds: cinema and psychopathology}, publisher={Amsterdam University Press}, author={Trifonova, Temenuga}, year={2014} }

@article{Turner_2012, title={‘The Family of Man and the Politics of Attention in Cold War America’ [in] Public Culture}, url={https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edswah&AN=000303275900004&site=eds-live&scope=site}, DOI={10.1215/08992363-1443556}, journal={Public Culture}, author={Turner, Fred}, year={2012} }

@article{Weizman_2015, title={‘Forensic Architecture: Notes from Fields and Forums’ [in] Continent}, url={http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMTo50Seprc4zOX0OLCmr1CeprZSsaq4S7SWxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=116804045}, author={Weizman, Eyal}, year={2015} }

@book{Wells_2003, address={London}, title={The photography reader}, publisher={Routledge}, author={Wells, Liz}, year={2003} }

@article{Zuromskis_2016, title={‘Snapshot Photography, Now and Then: Making, Sharing, and Liking Photographs at the Digital Frontier’ [in] Afterimage}, url={http://content.ebscohost.com/ContentServer.asp?EbscoContent=dGJyMMTo50Seprc4zOX0OLCmr1CeprZSsa%2B4TbWWxWXS&ContentCustomer=dGJyMPGosFCwrLBJuePfgeyx9Yvf5ucA&T=P&P=AN&S=R&D=hlh&K=116716139}, author={Zuromskis, Catherine}, year={2016} }

@inbook{Zwijnenberg_2010, address={Göttingen}, title={‘How to Depict Live: A Short History of the Imagination of Human Interiority’ [in] The scientific imaginary in visual culture}, volume={v. 5}, booktitle={The scientific imaginary in visual culture}, publisher={V&R unipress}, author={Zwijnenberg, Robert}, year={2010} }

@misc{Art History and Visual Culture - LibGuides at University of Exeter, url={http://libguides.exeter.ac.uk/AHVCHomePage} }

Bibliography for AHV2002 BETA