[1]
‘Art History and Visual Culture - LibGuides at University of Exeter’. [Online]. Available: https://libguides.exeter.ac.uk/AHVC
[2]
J. Aynsley, Designing modern Germany. London: Reaktion, 2009 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781861897442
[3]
W. Benjamin, Illuminations. London: Pimlico, 1999.
[4]
E. Blau, The architecture of Red Vienna, 1919-1934. Cambridge, Mass: The MIT Press, 1999.
[5]
S. Freud and J. Strachey, Civilization and its discontents. New York: W.W.Norton, 1961.
[6]
A. Kaes, M. Jay, and E. Dimendberg, The Weimar Republic sourcebook, vol. 3. Berkeley: University of California Press, 1994.
[7]
S. Kracauer and T. Y. Levin, The mass ornament: Weimar essays. Cambridge, Mass: Harvard University Press, 1995.
[8]
A. Loos, A. Opel, and M. Mitchell, Ornament and crime: selected essays. Riverside, Calif: Ariadne Press, 1998.
[9]
F. Nietzsche, The Birth of Tragedy: Or Hellenism and Pessimism. S.l: The Floating Press, 2016 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781776673186
[10]
H. Richter, Dada art and anti-art. London: Thames and Hudson, 1965.
[11]
J. Saletnik and R. Schuldenfrei, Bauhaus construct: fashioning identity, discourse and modernism. London: Routledge, 2009.
[12]
C. E. Schorske, Fin-de-siècle Vienna: politics and culture. Cambridge: Cambridge University Press, 1981.
[13]
F. J. Schwartz, The Werkbund: design theory and mass culture before the First World War. New Haven: Yale U.P., 1996.
