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Armbruster, K.: Chapter 1: ‘What Do We Want from Talking Animals? Reflections on Literary Representations of Animal Voices and Minds’. In: Speaking for animals: animal autobiographical writing. pp. 17–33. Routledge, New York, NY (2012).
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Agamben, G.: The open: man and animal. Stanford University Press, Stanford, CA (2004).
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Armstrong, P.: What animals mean in the fiction of modernity. Routledge, London (2008).
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Brown, L.: Homeless dogs and melancholy apes: humans and other animals in the modern literary imagination. Cornell University Press, Ithaca, NY (2010).
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Calarco, M.: Zoographies: The Question of the Animal from Heidegger to Derrida. Columbia University Press, New York, NY (2008).
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Haraway, D.J.: When Species Meet. University of Minnesota Press, Minneapolis, MN (2007).
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McHugh, S.: ‘Literary Animal Agents’. Publications of the Modern Language Association of America. 124, 487–495 (2009).
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McHugh, S.: Animal stories: narrating across species lines. University of Minnesota Press, Minneapolis, MN (2011).
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Oliver, K.: Animal lessons: how they teach us to be human. Columbia University Press, New York (2009).
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Payne, M.: The animal part: human and other animals in the poetic imagination. University of Chicago Press, Chicago, IL (2010).
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Rohman, C.: Stalking the subject: modernism and the animal. Columbia University Press, New York, NY (2008).
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Ryan, D.: Animal theory: a critical introduction. Edinburgh University Press, Edinburgh (2015).
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Mortimer-Sandilands, C.: The good-natured feminist: ecofeminism and the quest for democracy. University of Minnesota Press, Minneapolis, MN (1999).
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Soper, K.: ‘The Beast in Literature: Some Initial Thoughts’. Comparative Critical Studies. 2, 303–309 (2005).
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Simons, J.: Animals, literature and the politics of representation. Palgrave Macmillan, Basingstoke (2001).
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Wolfe, C.: Zoontologies: the question of the animal. University of Minnesota Press, Minneapolis (2003).
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Cosslett, T.: Talking animals in British children’s fiction, 1786-1914. Routledge, London (2016).
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Cummings, B.: Chapter 9: ‘Pliny’s Literate Elephant and the Idea of Animal Language in Renaissance Thought’. In: Renaissance beasts: of animals, humans, and other wonderful creatures. pp. 164–185. University of Illinois Press, Urbana, IL (2004).
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Palmeri, F.: Chapter 5: ‘The Autocritique of Fables’. In: Humans and Other Animals in Eighteenth Century British Culture. pp. 83–100. Routledge, Aldershot (2006).
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Lewis, J.E.: The English fable: Aesop and literary culture, 1651-1740. Cambridge University Press, New York, NY (2006).
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Baker, S.: Chapter 4: ‘Of Maus and more: narrative, pleasure and talking animals’. In: Picturing the Beast: Animals, Identity and Representation. pp. 120–160. Manchester University Press, Manchester (1993).
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Serjeantson, R.: ‘The Passions and Animal Language, 1540-1700’. Journal of the History of Ideas. 62, 425–444 (2001).
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Barlow, F.: Aesop’s Fables with his Life: in English, French and Latin. H. Hills, London (1687).
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Aesop, Croxall, S.: Fable XIX: ‘The Dog and the Wolf’. In: Fables of Aesop and others. Newly done into English. With an application to each fable. Illustrated with cutts. pp. 35–39. Thomas Astley, London (1728).
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Augustus Kendall, E.: The Canary Bird: A Moral Fiction. Interspersed with Poetry. E. Newbery, London (1799).
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Gat, J.: Fables by Mr. Gay. J. Tonson and J. Watt, London (1727).
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Patterson, A.M.: Fables of power: Aesopian writing and political history. Duke University Press, Durham, NC (1991).
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Loveridge, M.: A history of Augustan fable. Cambridge University Press, Cambridge (1998).
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Ovid, Melville, A.D., Kenney, E.J.: Metamorphoses. Oxford University Press, Oxford (1987).
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Deleuze, G., Guattari, F.: Chapter 10: ‘1730: Becoming-Intense, Becoming-Animal, Becoming-Imperceptible...’ In: A thousand plateaus: capitalism and schizophrenia. pp. 292–309. Continuum, London (2004).
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Hardie, P.: The Cambridge Companion to Ovid. Cambridge University Press, Cambridge (2002).
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Tissol, G.: The Face of Nature: Wit, Narrative, and Cosmic Origins in Ovid’s Metamorphoses. Princeton University Press, Princeton, PA (2014).
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Kalof, L., Fitzgerald, A.J.: The animals reader: the essential classic and contemporary writings. Berg, Oxford (2007).
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Sorabji, R.: Animal minds and human morals: the origins of the Western debate. Cornell University Press, Ithaca, NY (1993).
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Spencer, C.: The heretic’s feast: a history of vegetarianism. University Press of New England, Hanover, NH (1996).
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Baker, S.: Chapter 5: ‘What Does Becoming-Animal Look Like?’ In: Representing animals. pp. 67–98. Indiana University Press, Bloomington, IN (2002).
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Ryan, D.: Chapter 2, Section: ‘Becoming Animal’. In: Animal theory: a critical introduction. pp. 58–68. Edinburgh University Press, Edinburgh (2015).
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Apuleius, Walsh, P.G.: The Golden Ass. Oxford University Press, New York, NY (2008).
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Shakespeare, W., Raffel, B., Bloom, H.: A midsummer night’s dream. Yale University Press, New Haven, CT (2005).
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Derrida, J., Mallet, M.-L.: The animal that therefore I am. Fordham University Press, New York, NY (2008).
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Beer, G.: ‘Animal Presences: Tussles with Anthropomorphism’. Comparative Critical Studies. 2, 311–322 (2005).
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Adlington, W.: The xi Bookes of the Golden Asse … Translated out of Latine into Englishe by William Adlington. Henry Wykes, London (1566).
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Boehrer, B.: Chapter 1: ‘Shakespeare’s Beastly Buggers’. In: Shakespeare Among the Animals: Nature and Society in the Drama of Early Modern England. pp. 41–70. Palgrave Macmillan, Basingstoke (2002).
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Boehrer, B.T.: Animal characters: nonhuman beings in early modern literature. University of Pennsylvania Press, Philadelphia, PA (2010).
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Carver, R.H.F.: The Protean ass: the Metamorphoses of Apuleius from antiquity to the Renaissance. Oxford University Press, Oxford (2007).
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Doloff, S.J.: ‘Bottom’s Greek Audience: 1 Corinthians 1.21-25 and Shakespeare’s “A Midsummer Nigh’t’s Dream”’. The Explicator. 65, 200–201 (2007).
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Doody, M.A.: ‘Shandyism, Or, the Novel in Its Assy Shape: African Apuleius, “The Golden Ass”, and Prose Fiction’. Eighteenth-Century Fiction. 12, 1–22 (2000).
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Fudge, E.: Brutal reasoning: animals, rationality, and humanity in early modern England. Cornell University Press, Ithaca, NY (2006).
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Garber, M.B.: Dream in Shakespeare: from metaphor to metamorphosis. Yale University Press, New Haven, CT (2013).
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Marcus, L.S.: ‘Vaughan, Wordsworth, Coleridge and the Encomium Asini’. English Literary History. 42, 224–241 (1975).
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Wyrick, D.B.: ‘The Ass Motif in The Comedy of Errors and A Midsummer Night’s Dream’. Shakespeare Quarterly. 33, 432–448 (1982).
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Hackett, H.: A midsummer night’s dream. Northcote House in association with the British Council, Plymouth (1997).
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Kott, J.: ‘Titania and the Ass’s head’. In: Shakespeare our Contemporary. pp. 213–236. Norton, New York, NY (1974).
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Schreyer, K.: ‘Balaam to Bottom: Artifact and Theatrical Translation in the Sixteenth Century’. Journal of Medieval and Early Modern Studies. 42, 421–459 (2012).
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Bough, J.: Donkey. Reaktion Books, London (2011).
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Sewell, A.: Black Beauty. Scholastic, London (2016).
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Adams, C.J.: Chapter 2: ‘The Rape of Animals, the Butchering of Women’. In: The sexual politics of meat: a feminist-vegetarian critical theory. pp. 19–43. Bloomsbury Academic, An imprint of Bloomsbury Publishing Inc, New York, NY (2016).
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Kean, H.: Animal Rights: Political and Social Change in Britain since 1800. Reaktion Books, London (1998).
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Danahay, M.A., Morse, D.D.: Victorian animal dreams: representations of animals in Victorian literature and culture. Ashgate, Aldershot, England (2007).
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Haraway, D.J.: Chapter 8: ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’. In: Simians, cyborgs, and women: the reinvention of nature. pp. 149–181. Routledge, New York, NY (1991).
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