1.
University of Exeter. Modern Languages - LibGuides at University of Exeter. https://libguides.exeter.ac.uk/modernlanguages
2.
Ivory J, Smith M, Bonham Carter H, Elliot D, Callow S, Day-Lewis D. A Room with a View. Published online 2007.
3.
Ivory. A Room with a View. Published online 1985. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A08C?bcast=80632351
4.
Dyer R. Chapter 20 - The Role of Stereotypes. In: Marris P, Thornham S, eds. Media Studies: A Reader. 2nd ed. Edinburgh University Press; 1999:245-251. https://contentstore.cla.co.uk/secure/link?id=93023b4b-1931-e911-80cd-005056af4099
5.
Elisabetta G. Beauty and the Beast: The construction of Italianness in A Room With A View and Where Angels Fear To Tread. Studies in European Cinema. 2006;3(1):01-35. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsovi&AN=edsovi.01244594.200603010.00003&site=eds-live&scope=site
6.
Girelli E. Chapter 5 - ‘Italianness, British cinema and Thatcherism’ [in] Beauty and the Beast: Italianness in British cinema. In: Intellect; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841503035
7.
Hom SM. Chapter 2 - Italian Montage: On Rhetoric and Representations. In: The Beautiful Country: Tourism and the Impossible State of Destination Italy. University of Toronto Press; 2015:68-80. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default
8.
Ouditt S, Polezzi L. Introduction: Italy as place and space. Studies in Travel Writing. 2012;16(Issue 2):97-105. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=76246085&site=eds-live&scope=site
9.
Zambenedetti A, ed. World Film Locations: Florence. Intellect Books; 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008564439707446&context=L&vid=44UOEX_INST:default
10.
Wyler W, Hepburn A, Peck G, Albert E. Roman Holiday. Published online 2009.
11.
Roman Holiday. Published online 1953. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E100?bcast=116265181
12.
Anderson C. Cold war consumer diplomacy and movie-induced Roman holidays. Journal of Tourism History. 2011;3(Issue 1):1-19. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hia&AN=62667757&site=eds-live&scope=site
13.
Clapp JA. The Romantic Travel Movie, Italian-Style. Visual Anthropology. 2009;22(Issue 1):52-63. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=35713433&site=eds-live&scope=site
14.
Falcus S, Sako K. Chapter 13 - Women, travelling and later life. In: Whelan I, Gwynne J, eds. Ageing, Popular Culture and Contemporary Feminism : Harleys and Hormones. Palgrave Macmillan; 2014. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991000980539707446&context=L&vid=44UOEX_INST:default
15.
Gordon R. Cartoline da Roma. Hollywood, l’Italia e la citta del turismo. In: ItaliAmerica: Il Mondo Dei Media. Il saggiatore; 2012:11-34.
16.
Hom SM. Chapter 2 - Italian Montage: On Rhetoric and Representations. In: The Beautiful Country: Tourism and the Impossible State of Destination Italy. University of Toronto Press; 2015:68-80. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991006744799707446&context=L&vid=44UOEX_INST:default
17.
Levy S. Chapter 12 - ‘She will be a sensation’. In: Dolce Vita Confidential. First edition. W.W. Norton & Company; 2016:111-121. https://contentstore.cla.co.uk/secure/link?id=c379ad2c-ab5a-e911-80cd-005056af4099
18.
Liz M. From Europe with love: urban space and cinematic postcards. Studies in European Cinema. 2014;11(Issue 1):3-13. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edb&AN=97901909&site=eds-live&scope=site
19.
Moya A. Chapter 1 - Neo-Feminism in-between: Female cosmopolitan subjects in contemporary American film. In: Muller N, ed. Postfeminism and Contemporary Hollywood Cinema. Palgrave Macmillan; 2013:13-26. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991003237899707446&context=L&vid=44UOEX_INST:default
20.
Guadagnino L, Hammer A. Call me by your name. Published online 2017.
21.
Bradshaw P. Review of Call Me By Your Name. The Guardian. Published online 26 October 2017. https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer
22.
Duncan D. Chapter 27 - The Queerness of Italian Cinema. In: Burke F, ed. A Companion to Italian Cinema. John Wiley & Sons, Inc.; 2017:467-483. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default
23.
Haskell M. Call Me by Your Name. Film Comment. 2017;53(Issue 6):67-69. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125914958&site=eds-live&scope=site
24.
Longo R. Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover on Queer Cinema in the World. Film Quarterly. 2016;(2):94-100. https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.26413772&site=eds-live&scope=site
25.
Menta A. Sex and the Single Boy. Newsweek Global. 2017;169(Issue 23):46-47. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=126830179&site=eds-live&scope=site
26.
Miller DA. Elio’s Education. Los Angeles Review of Books. Published 2018. https://lareviewofbooks.org/article/elios-education/
27.
Monk C. Sexuality and Heritage. In: Film/Literature/Heritage: A Sight and Sound Reader. British Film Institute; 2001:32-34. https://contentstore.cla.co.uk/secure/link?id=9119f84c-c818-e911-80cd-005056af4099
28.
O’Healy A. Film Review: ‘Call me By your Name’ by Luca Guadagnino. Gender / sexuality / Italy. Published online 2018. http://www.gendersexualityitaly.com/26-call-me-by-your-name/
29.
Wheatley C. Call Me by Your Name. Sight and Sound. 2017;27(11). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=125504630&site=eds-live&scope=site
30.
The Sopranos: Series 2, Episode 4, ‘Commendatori’. https://learningonscreen.ac.uk/ondemand/index.php/prog/TVI18426?bcast=3006646
31.
Ricci F. Chapter 17 - When Words Can Kill: David Chase’s The Sopranos. In: Renga D, ed. Mafia Movies: A Reader. University of Toronto Press; 2011:183-191. https://contentstore.cla.co.uk/secure/link?id=35978f80-771d-e911-80cd-005056af4099
32.
Jones T. The Dark Heart of Italy. Third edition. Faber and Faber; 2013.
33.
Antonello P. 1.7: A’ Storia e’ Maria: Gender Power Dynamics and Genre Normalization, (‘Imma contro tutti’, Francesca Comencini). The Italianist. 2016;36(2):322-327. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863958&site=eds-live&scope=site
34.
di Bianco L. 1.5: Donna Imma’s ‘Dream of Domination’ (‘Il ruggito della leonessa’, Francesca Comencini). The Italianist. 2016;36(2):312-317. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=118863961&site=eds-live&scope=site
35.
Lavery D. Reading the Sopranos. I. B. Tauris; 2005. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008571029707446&context=L&vid=44UOEX_INST:default
36.
Regan D. Gomorra: la Serie : Beyond Realism. Italianist. 2016;36(2):287-292. https://uoelibrary.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=edsbl&AN=vdc.100108364840.0x000001&site=eds-live&scope=site
37.
Renga D. Chapter 7 - Making Men in Gomorrah 1 and 2. In: Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond. Springer International Publishing; 2019:193-229. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008761159707446&context=L&vid=44UOEX_INST:default
38.
Manetti M, Manetti A. Ammore e malavita. Published online 2018.
39.
Fellini F, Mastroianni M, Ekberg A. La Dolce Vita. Published online 2001.
40.
Sitney PA. Vital Crises in Italian Cinema: Iconography, Stylistics, Politics. University of Texas Press; 1995.
41.
Bondanella PE. A History of Italian Cinema. Continuum International Pub. Group; 2009. https://contentstore.cla.co.uk/secure/link?id=613b295e-1723-e911-80cd-005056af4099
42.
Gordon R. Hollywood and Italy: Industries and Fantasies. In: The Italian Cinema Book. Palgrave Macmillan on behalf of the British Film Institute; 2014:123-132. https://contentstore.cla.co.uk/secure/link?id=5fb9d3b7-b739-e911-80cd-005056af4099
43.
Gundle S. Death and the Dolce Vita: The Dark Side of Rome in the 1950s. Edinburgh; 2011. https://contentstore.cla.co.uk/secure/link?id=681c2c6a-1a2e-e911-80cd-005056af4099
44.
Levy S. Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome. First edition. W.W. Norton & Company; 2016.
45.
Rhodes JD. Chapter 24 - Watching Italians turn around: gender, looking and Roman / cinematic modernity. In: Burke F, ed. A Companion to Italian Cinema. John Wiley & Sons, Inc.; :408-426. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991008701859707446&context=L&vid=44UOEX_INST:default
46.
Sorrentino P, Servillo T, Verdone C, Ferilli S, Buccirosso C. The Great Beauty. Artificial Eye ART 678; 2013.
47.
Gary Crowdus Paolo Sorrentino. ‘In Search of “The Great Beauty”: An Interview with Paolo Sorrentino’ [in] Cineaste. Cineaste. 2014;39(2):8-13. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.43500945&site=ed
48.
Donadio R. ‘La Dolce Vita Gone Sour (And This Time in Color)’ [in] New York Times. New York Times. 2013;162(Issue 56254, pC1-C5. 2p. 1 Color Photograph). https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=asx&AN=90130205&site=eds-live&scope=site
49.
Gordon R. ‘All tomorrow’s parties’ [in] Times Literary Supplement. ,Times Literary Supplement. 2013;(5765):18-18. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=90500389&site=eds-live&scope=site
50.
Hipkins D. The Showgirl Effect: Ageing between great beauties and ‘veline di turno’ [in] ReadingItaly. https://readingitaly.wordpress.com/2013/12/11/cinepanettone-academia/
51.
Iannotta, Antonio. ‘Le immagini del potere. Note sull’identità italiana nel cinema di Paolo Sorrentino’ [in] California Italian Studies. California Italian Studies. 2016;6(Issue 2, preceding p1-17):1-17. https://escholarship.org/uc/item/69z1s71b
52.
Martini, Alessia. ‘Concept City: Roma ri-vista e vissuta ne La dolce vita e La grande bellezza’ [in] Carte Italiiane: A Journal of Italian Studies. Carte Italiane: A Journal of Italian Studies. Published online 2015:107-119. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=111110081&site=ehost-live
53.
Mecchia G. Birds in the Roman sky: Shooting for the sublime in La Grande Bellezza’. Forum Italicum: A Journal of Italian Studies. 2016;50(1):183-193. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2016642558&site=eds-live&scope=site
54.
O’Rawe C. Stars and Masculinities in Contemporary Italian Cinema. Palgrave Macmillan; 2014. https://fsso.springer.com/federation/init?entityId=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&returnUrl=https://link.springer.com/book/10.1057/9781137381477
55.
Paulicelli E. Chapter 7 - ‘After La dolce vita: La grande bellezza (2013) by Paolo Sorrentino’ [in] Italian style: fashion & film from early cinema to the digital age. In: Italian Style: Fashion and Film from Early Cinema to the Digital Age. Vol Volume 5. Bloomsbury Academic; 2016. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781623566616
56.
Thomson, David. ‘Beauty’ [in] New Republic. New Republic. 2013;244(Issue 19):56-58. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=91900785&site=ehost-live
57.
Bassi S. Whose Comatose Girlfriend? Figures of Crisis in Neoliberal Italy [in] Modern Languages Open. Modern Languages Open. 2018;2018(1). https://www.modernlanguagesopen.org/articles/10.3828/mlo.v0i0.176/
58.
Dobson AS, Kanai A. From "can-do” girls to insecure and angry: affective dissonances in young women’s post-recessional media. Feminist Media Studies. Published online 3 December 2018:1-16. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=201916422048&site=eds-live&scope=site
59.
Hom SM. Italy without borders: Simulacra, tourism, suburbia and the new Grand Tour. Italian Studies. 65(3):376-397. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=54909182&site=eds-live&scope=site
60.
Riva M, ed. Italian Tales : An Anthology of Contemporary Italian Fiction.; 2004. https://exeter.primo.exlibrisgroup.com/discovery/fulldisplay?docid=alma991005783689707446&context=L&vid=44UOEX_INST:default
