1
Ben Jonson. Five plays. Oxford: : Oxford University Press 2009.
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Ford J, Wiggins M. ’Tis pity she’s a whore. [2nd edition]. London: : A & C Black 2003.
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Shakespeare W, Holland P. Coriolanus. London: : Bloomsbury 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179
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Shakespeare W. Measure for measure. London: : The Arden Shakespeare 2020.
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Shakespeare W, Pitcher J. The winter’s tale. [London]: : Bloomsbury 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725
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Milton J. Samson Agonistes [IN] John Milton: A critical edition of the major works. In: John Milton: A critical edition of the major works. Oxford: : Oxford University Press 1991. 671–715.https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099
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Behn A, Behn A. The works of Aphra Behn: Vol. 3: The fair jilt and other short stories. [London]: : Pickering & Chatto 2017. https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordscholarlyeditions.com/view/10.1093/actrade/9781851960149.book.1/actrade-9781851960149-book-1
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Jonson B, Happe P. The magnetic lady. Manchester: : Manchester University Press 2009.
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Galen. Galen’s art of physick ... translated into English, and largely commented on : together with convenient medicines for all particular distempers of the parts, a description of the complexions, their conditions, and what diet and exercise is fittest for them / by Nich. Culpeper, Gent. ... 1652.https://quod.lib.umich.edu/e/eebo/A69834.0001.001?view=toc
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Crooke H, Bauhin C, Du Laurens A, et al. Mikrokosmographia: a description of the body of man : together vvith the controversies and figures thereto belonging. [London]: : Printed by W. Iaggard, dwelling in Barbican 1618. https://uoelibrary.idm.oclc.org/login?url=http://www.gender.amdigital.co.uk/contents/document-detail.aspx?sectionid=58962
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Walkington T. The optick glasse of humors…a golden temper wherein the foure complexions sanguine, cholericke, phlegmaticke, melanhcolicke are succinctly painted forth, and their externall intimates laide open… by which every one may judge of what complexion he is. http://eebo.chadwyck.com/search/full_rec?SOURCE=config.cfg&ACTION=ByID&ID=99854617
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Meek R, Sullivan E. Introduction [IN] The renaissance of emotion: understanding affect in Shakespeare and his contemporaries. In: The renaissance of emotion: understanding affect in Shakespeare and his contemporaries. Manchester: : Manchester University Press 2015. 1–22.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt1729w4d.5
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Craik KA. Poetry, Anatomy, Presence. Renaissance Studies 2018;32:755–77. doi:10.1111/rest.12367
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SCHEER M. ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION. History and Theory 2012;51:193–220. doi:10.1111/j.1468-2303.2012.00621.x
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Leys R. The Turn to Affect: A Critique. Critical Inquiry 2011;37:434–72. doi:10.1086/659353
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Ian Maclean. Logic, Signs and Nature in the Renaissance. Cambridge University Press 2007.
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Kusukawa S. Chapter 10 [IN] Picturing the book of nature: image, text, and argument in sixteenth-century human anatomy and medical botany. In: Picturing the book of nature: image, text, and argument in sixteenth-century human anatomy and medical botany. Chicago, Ill: : University of Chicago Press 2011. http://lib.myilibrary.com/browse/open.asp?id=386274&entityid=https://elibrary.exeter.ac.uk/idp/shibboleth
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Jonson B. Volpone [IN] Five plays. In: Five plays. Oxford: : Oxford University Press 2009.
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Harris JG. Plague and Transmigration: Timothy Bright, Thomas Milles, Volpone [IN] Sick Economies: Drama, Mercantilism, and Disease in Shakespeare’s England. In: Sick economies: drama, mercantilism, and disease in Shakespeare’s England. Philadelphia: : University of Pennsylvania Press 108–35.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt3fht2t.7
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Ahmed S. The Contingency of Pain [IN] The Cultural Politics of Emotion. In: The cultural politics of emotion. Edinburgh: : Edinburgh University Press 2014. 20–41.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1g09x4q.6
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Freestone, Elizabeth. Volpone / Disc I / DVD of the play / directed for the stage by Elizabeth Freestone / starring Richard Bremmer and Mark Hadfield.
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Macsotay, Tomas Haven, Kornee van der Vanhaesebrouck, Karel. The Hurt(ful) Body : Performing and Beholding Pain, 16001800. Manchester University Press https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1571505&site=ehost-live
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Dijkhuizen JF van, Enenkel KAE. The sense of suffering: constructions of physical pain in early modern culture. Leiden: : Brill 2009.
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Yamamoto-Wilson JR. Pain, pleasure and perversity: discourses of suffering in Seventeenth-Century England. Farnham, Surrey: : Ashgate Publishing 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781409443964
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Harris JG. ‘I am sailing to my port, uh! uh! uh! uh!’: The Pathologies of Transmigration in Volpone. Literature and Medicine 2001;20:109–32. doi:10.1353/lm.2001.0020
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Vinter M. "This is called mortifying of a fox”: Volpone and How To Get Rich Quick by Dying Slowly. Shakespeare Quarterly 2014;65:140–63. doi:10.1353/shq.2014.0015
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Klotz L. Ben Jonson’s Legal Imagination in Volpone. SEL Studies in English Literature 1500-1900 2011;51:385–408. doi:10.1353/sel.2011.0021
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Frances Nicol Teague. Seeing to Things in ‘Volpone’. Mediterranean Studies 2010;19.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/41167031?seq=1#metadata_info_tab_contents
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Brunning, Alizon. Jonson’s Romish Foxe: Anti-Catholic Discourse in Volpone. Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature 2000;6.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=2000060202&site=eds-live&scope=site
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Dutton R. Volpone and Beast Fable: Early Modern Analogic Reading. Huntington Library Quarterly 2004;67:347–70. doi:10.1525/hlq.2004.67.3.347
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Hui I. Volpone’s bastards: theorising Jonson’s city comedy. Edinburgh: : Edinburgh University Press 2018. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1tqxvcx
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Hirsh J. Soliloquies and Self-Fashioning in: An Empirical Approach. Ben Jonson Journal 2018;25:52–80. doi:10.3366/bjj.2018.0210
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Redwine JD. Volpone’s ‘Sport’ and the Structure of Jonson’s Volpone. Studies in English Literature, 1500-1900 1994;34. doi:10.2307/450903
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Loxley J. The complete critical guide to Ben Jonson. London: : Routledge 2002.
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Harp R, Stewart S, editors. The Cambridge Companion to Ben Jonson. Cambridge: : Cambridge University Press 2000. doi:10.1017/CCOL0521641136
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Julie Sanders. Ben Jonson’s Theatrical Republics. Palgrave Macmillan 1998. https://link.springer.com/book/10.1057/9780230389441
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Craig DH, Taylor & Francis. Ben Jonson: the critical heritage. London: : Routledge 1995. http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203194515
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Riggs D. Ben Jonson: a life. Cambridge, Mass: : Harvard University Press 1989.
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Barton A. Ben Jonson. Cambridge: : Cambridge University Press 1984. doi:10.1017/CBO9780511518836
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Theodore B. Leinwand. The city staged. Madison, Wis: : University of Wisconsin Press 1986.
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Sanders J, Chedgzoy K, Wiseman S. Refashioning Ben Jonson. Palgrave Macmillan 1998.
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Mehl D. Plotting Early Modern London: New Essays on Jacobean City Comedy. 1st edition. London: : Routledge 2016. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351910705
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Shakespeare W, Holland P. Coriolanus. London: : Bloomsbury 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/coriolanus-arden-shakespeare-third-series-iid-133179
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Adelman J. Anger’s My Meat: Feeding, Dependency, and Aggression in Coriolanus [IN] Representing Shakespeare: new psychoanalytic essays. In: Representing Shakespeare: new psychoanalytic essays. London: : Johns Hopkins U.P. 1982. 129–49.https://contentstore.cla.co.uk/secure/link?id=802318fc-9e19-e911-80cd-005056af4099
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Nussbaum MC. Anger and forgiveness: resentment, generosity, justice. New York: : Oxford University Press 2016. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886
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What is anger? 1. Martha Nussbaum | The History of Emotions Blog. https://emotionsblog.history.qmul.ac.uk/2016/07/what-is-anger-1-martha-nussbaum/
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Kahn C. Roman Shakespeare: warriors, wounds and women. London: : Routledge 1997. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780203409893
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Kennedy G, EBSCOhost. Just anger: representing women’s anger in early modern England. Carbondale, IL: : Southern Illinois University Press https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=45679
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Linda A. Pollock. Anger and the Negotiation of Relationships in Early Modern England. The Historical Journal 2004;47.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4091756?seq=1#metadata_info_tab_contents
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Enenkel KAE, Traninger A, editors. Discourses of anger in the early modern period. Leiden: : Brill 2015. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9789004300835
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Nussbaum MC. Anger and forgiveness: resentment, generosity, justice. New York: : Oxford University Press 2016. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780199335886
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Steenbergh K. Emotions and Gender: The Case of Anger in Early Modern English Revenge Tragedies [IN] A history of emotions, 1200-1800. In: Lilequist J, ed. A history of emotions, 1200-1800. London: : Pickering & Chatto Ltd 119–34.http://www.taylorfrancis.com/start-session?idp=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=https%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9781315654911
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Doty JS. Coriolanus the Popular Man [IN] Shakespeare, Popularity, and the Public Sphere. In: Shakespeare, Popularity And The Public Sphere. Cambridge: : Cambridge University Press 2017. doi:10.1017/9781316681312
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Adelman J. Chapter 6: Escaping the Matrix: The Construction of Masculinity [IN] Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to The Tempest. In: Suffocating mothers: fantasies of maternal origin in Shakespeare’s plays, Hamlet to the Tempest. New York: : Routledge 1992. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203420652
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Brockman BA. Shakespeare, Coriolanus: a casebook. London: : Macmillan 1977.
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Eve Rachele Sanders. The Body of the Actor in ‘Coriolanus’. Shakespeare Quarterly 2006;57.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4123493?seq=1#metadata_info_tab_contents
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Kahn C. Chapter 6 The Milking Babe and the Bloody Man in Coriolanus and Macbeth [IN] Man’s estate: masculine identity in Shakespeare. In: Man’s estate: masculine identity in Shakespeare. Berkeley: : University of California Press 1981. 151–92.
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Barbara Correll. Schooling Coriolanus: Shakespeare, Translation, Latinity [IN] Shakespeare and the translation of Identity in Early Modern England. In: Liz Oakley-Brown, ed. Shakespeare and the Translation of Identity in Early Modern England. London: : Continuum 2011. https://uoelibrary.idm.oclc.org/login?url=http://www.bloomsburycollections.com/book/shakespeare-and-the-translation-of-identity-in-early-modern-england/
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Jagendorf Z. Coriolanus: Body Politic and Private Parts. Shakespeare Quarterly 1990;41. doi:10.2307/2870776
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Lisa Lowe. ‘Say I Play the Man I Am’: Gender and Politics in ‘Coriolanus’. The Kenyon Review 1986;8.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/4335762?seq=1#metadata_info_tab_contents
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Miller S. Topicality and Subversion in William Shakespeare’s Coriolanus. Studies in English Literature, 1500-1900 1992;32. doi:10.2307/450737
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Motohashi, Tetsuya. Body Politic and Political Body in Coriolanus. Forum for Modern Language Studies 1994;30.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsmzh&AN=1994035859&site=eds-live&scope=site
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Arthur Riss, author. The Belly Politic: Coriolanus and the Revolt of Language. ELH 1992;59.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.10.2307.2873418&site=eds-live&scope=site
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Wheeler D, editor. Coriolanus: critical essays. Abingdon, Oxon: : Routledge 2015. https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9781315724867
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Sawday J, Taylor & Francis. Engines of the imagination: Renaissance culture and the rise of the machine. London: : Routledge 2007. http://www.taylorfrancis.com/start-session?idp=http%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&redirectUri=http%3A%2F%2Fwww.taylorfrancis.com%2Fbooks%2F9780203696156
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Shakespeare W. Measure for measure. London: : The Arden Shakespeare 2020.
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LAURA LUNGER KNOPPERS. (En) gendering Shame: ‘Measure for Measure’ and the Spectacles of Power. English Literary Renaissance 1993;23.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/43447735
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Marriage in Shakespeare’s ‘Measure for Measure’ | OUPblog. https://blog.oup.com/2016/02/shame-marriage-shakespeare-measure-for-measure/
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Tomkins S. Shame-Humiliation and Contempt-Disgust [IN] Shame and its sisters. In: Shame and its sisters. Durham: : Duke University Press 1995. 133–78.https://contentstore.cla.co.uk/secure/link?id=81aa1643-f5bb-e811-80cd-005056af4099
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The shame of the philosophers | The History of Emotions Blog. https://emotionsblog.history.qmul.ac.uk/2012/02/the-shame-of-the-philosophers/
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Paster GK. The body embarrassed: drama and the disciplines of shame in early modern England. Ithaca, N.Y.: : Cornell University Press 1993. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.7591/j.ctv5rdv5w
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Gowing L. Common bodies : women, touch and power in seventeenth-century England. New Haven: : Yale University Press 2003.
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Ward I. Shakespeare and the legal imagination. London: : Butterworths 1999.
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Cormack B, Nussbaum MC, Strier R, editors. Shakespeare and the law: a conversation among disciplines and professions. Chicago, Illinois: : The University of Chicago Press 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226924946
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Sokol BJ, Sokol M. Shakespeare, law, and marriage. Cambridge, UK: : Cambridge University Press 2003. http://encore.exeter.ac.uk/iii/encore/record/C__Rb2630842
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Mario Digangi. Pleasure and Danger: Measuring Female Sexuality in Measure for Measure. English Literary History 1993;60.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/2873406?seq=1#metadata_info_tab_contents
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Baines BJ. Assaying the Power of Chastity in Measure for Measure. Studies in English Literature, 1500-1900 1990;30. doi:10.2307/450518
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Findlay A. A feminist perspective on Renaissance drama. Oxford: : Blackwell Publishers 1999.
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Jacques Lezra. Unspeakable subjects. Stanford, Calif: : Stanford University Press 1997.
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Riefer M. ‘Instruments of Some More Mightier Member’: The Constriction of Female Power in Measure for Measure. Shakespeare Quarterly 1984;35. doi:10.2307/2869924
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Yachnin P. Shakespeare’s Problem Plays and the Drama of His Time:Troilus and Cressida, All’s Well That Ends Well, Measure for Measure. In: Dutton R, Howard JE, eds. A Companion to Shakespeare’s Works, Volume 4. Oxford, UK: : Blackwell Publishing Ltd 2005. 46–68. doi:10.1002/9780470996560.ch4
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Jankowski TA. Hymeneal Blood, Interchangeable Women, and the Early Modern Marriage Economy inMeasure for Measure andAll’s Well That Ends Well. In: Dutton R, Howard JE, eds. A Companion to Shakespeare’s Works, Volume 4. Oxford, UK: : Blackwell Publishing Ltd 2005. 89–105. doi:10.1002/9780470996560.ch6
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M. LINDSAY KAPLAN. Slander for Slander in ‘Measure for Measure’. Renaissance Drama 1990;21:23–54.https://www.jstor.org/stable/41917259
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Knight GW. The wheel of fire: interpretations of Shakespearian tragedy. London: : Routledge 2001.
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Leggatt A. Substitution in ‘Measure for Measure’. Shakespeare Quarterly 1988;39. doi:10.2307/2870931
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Marshall J, Rhodes N, Richards J, et al. King James VI and I: selected writings. Aldershot: : Ashgate 2003. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781351923965
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Tennenhouse L. Power on display: the politics of Shakespeare’s genres. London: : Routledge 2005. https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9780203708446
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Brook P. The empty space. London: : Penguin 1990.
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Geckle GL. Shakespeare: The Critical Tradition ‘Measure for measure’. London: : Athlone 2001. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781847141927
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Dabhoiwala F. The origins of sex: a history of the first sexual revolution. London: : Penguin 2013.
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Dollimore, Jonathan. Transgression and surveillance in Measure for Measure [IN] Political Shakespeare: Essays in cultural materialism. In: Political Shakespeare: essays in cultural materialism. Manchester: : Manchester University Press 1994.
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Foucault M, Sheridan A. Discipline and punish: the birth of the prison. Harmondsworth: : Penguin 1979.
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Goldberg J. James I and the politics of literature: Jonson, Shakespeare, Donne and their contemporaries. Stanford, Calif: : Stanford University Press 1989.
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Hawkins H. ‘The Devil’s Party’: Virtues and Vices in ’Measure for Measure [IN] Aspects of Shakespeare’s ‘problem plays’. In: Aspects of Shakespeare’s ‘problem plays’. Cambridge: : Cambridge University Press 1982. 87–95.
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Playfere T. The meane in mourning A sermon preached at Saint Maryes Spittle in London on Tuesday in Easter weeke 1595. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99839329
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Andrewes L. VII. A Sermon Preached At the Court, On the Xxv. of March, A.D. MdxcVII. Being Good-Friday. In: McCullough P, ed. Selected Sermons and Lectures. Oxford University Press 2005. doi:10.1093/oseo/instance.00005818
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Burton R, Faulkner TC, Kiessling NK, et al. The anatomy of melancholy: Vol.1: Text. Oxford: : Clarendon 1989. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9780198124481.book.1
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Albrecht Dürer, Melencolia I, 1514. https://www.nga.gov/collection/highlights/durer-melencolia.html
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Shakespeare W, Thompson A, Taylor N. Hamlet. London: : AS, Arden Shakespeare 2006. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781408142882
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Sullivan E. Beyond melancholy: sadness and selfhood in Renaissance England. First edition. Oxford: : Oxford University Press 2016. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198739654.001.0001
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Sullivan E. Melancholy, medicine, and the arts. The Lancet 2008;372:884–5. doi:10.1016/S0140-6736(08)61385-9
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Cvetkovich A. Introduction [IN] Depression: A Public Feeling. In: Depression: a public feeling. Durham, NC: : Duke University Press 2012. 1–26.https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=15&docID=1171724&tm=1547126702609
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Ahmed S. Happy Objects [IN] The Promise of Happiness. In: The promise of happiness. Durham [NC]: : Duke University Press 2010. 21–49.https://ebookcentral.proquest.com/lib/exeter/reader.action?ppg=32&docID=1171775&tm=1547126854043
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Gowland A. The worlds of Renaissance melancholy: Robert Burton in context. Cambridge: : Cambridge University Press 2006. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511628252
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Paster GK, UPSO (University Press Scholarship Online). Melancholy Cats, Lugged Bears, and Other Passionate Animals: Reading Shakespeare’s Psychological Materialism across the Species Barrier [IN] Humoring the Body: Emotions and the Shakespearean Stage. In: Humoring the body: emotions and the Shakespearean stage. Chicago: : University of Chicago Press 2004. https://uoelibrary.idm.oclc.org/login?url=http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226648484.001.0001/upso-9780226648477
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Ford J, Wiggins M. ’Tis pity she’s a whore. [2nd edition]. London: : A & C Black 2003.
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The Flaming Heart by Richard Crashaw | Poetry Foundation. https://www.poetryfoundation.org/poems/44056/the-flaming-heart
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Hopkins L. New Directions: Fatal Attraction: Desire, Anatomy, and Death in ‘Tis Pity She’s a Whore [IN] ‘Tis Pity She’s a Whore: A Critical Guide. In: ’Tis pity she’s a whore: a critical guide. London: : Continuum 2010. 77–93.https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9781441137555
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Nussbaum M. Chapter 11 [IN] Love’s Knowledge: Essays on Philosophy and Literature. In: Love’s knowledge: essays on philosophy and literature. Oxford: : Oxford University Press 1990. 261–85.https://contentstore.cla.co.uk/secure/link?id=7b130478-a919-e911-80cd-005056af4099
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How Do You Know That You Love Somebody? Philosopher Martha Nussbaum’s Incompleteness Theorem of the Heart’s Truth, from Plato to Proust – Brain Pickings. https://www.brainpickings.org/2017/01/16/martha-nussbaum-loves-knowledge/
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Fascism as Love | feministkilljoys. https://feministkilljoys.com/2016/11/09/fascism-as-love/
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Danijela Kambaskovic. Love [IN] Early Modern Emotions: An introduction. In: Broomhall S, ed. Early modern emotions: an introduction. Abingdon: : Routledge 2017. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315441368
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Reddy WM. The making of romantic love: longing and sexuality in Europe, South Asia, and Japan, 900-1200 CE. Chicago, [Ill.]: : University of Chicago Press 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780226706283
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Altbauer-Rudnik M. Love, madness and social order: love melancholy in France and England in the late sixteenth and early seventeenth centuries. Gesnerus 2006;63:33–45.http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.614.2982&rep=rep1&type=pdf
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Amtower, Laurel. "This idol thou ador’st: The iconography of ’Tis Pity She’s a Whore. Papers on Language and Literature;34:179–206.https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/198442716/C5A579F8C4C4D28PQ/1?accountid=10792
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Foster V. Tis Pity She’s a Whore as city tragedy [IN] John Ford : critical re-visions. In: John Ford : critical re-visions. Cambridge: : Cambridge University Press 2010. 181–200.
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Madelaine R. ‘The dark and vicious place’: The Location of Sexual Transgression and its Punishment on the Early Modern English Stage. Parergon 2005;22:159–83. doi:10.1353/pgn.2005.0042
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Dudley S. Conferring with the Dead: Necrophilia and Nostalgia in the Seventeenth Century. ELH 1999;66:277–94. doi:10.1353/elh.1999.0014
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Anthony Low. Love’s architecture. New York: : New York University Press 1978.
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Louis L. Martz. Poetry of Meditation (Study in English). Yale University Press
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Yeo JM. Political Theology in the Poetry of Richard Crashaw1. Literature and Theology 2011;25:393–406. doi:10.1093/litthe/frr052
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Shakespeare W, Pitcher J. The winter’s tale. [London]: : Bloomsbury 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.dramaonlinelibrary.com/plays/the-winters-tale-arden-shakespeare-third-series-iid-130725
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Lupton J. Hospitality [IN] Early modern theatricality. In: Turner HS, ed. Early modern theatricality. Oxford: : Oxford University Press 2017. 421–41.https://uoelibrary.idm.oclc.org/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199641352.001.0001/oxfordhb-9780199641352-e-22
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Derrida J. Hostipitality [IN] Acts of religion. In: Acts of religion. New York: : Routledge 2002. 356–421.https://contentstore.cla.co.uk/secure/link?id=cde532ab-2f29-e911-80cd-005056af4099
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Derrida J. On Forgiveness [IN] On cosmopolitanism and forgiveness. In: On cosmopolitanism and forgiveness. London: : Routledge 2001. 27–60.https://contentstore.cla.co.uk/secure/link?id=62baed75-a324-e911-80cd-005056af4099
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Alexander CMS, editor. The Cambridge Companion to Shakespeare’s Last Plays. Cambridge: : Cambridge University Press 2009. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CCOL9780521881784
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Gurr A, Karim-Cooper F, editors. Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse. Cambridge: : Cambridge University Press 2014. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9781139629195
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Stelzer E. Passionate Writing: The Rhythms of Jealousy in Early Modern English Texts and Drama [IN] Writing Emotions. In: Jandl I, Knaller S, Schönfellner S, et al., eds. Writing Emotions. transcript Verlag 2017. 215–32. doi:10.2307/j.ctv1wxt3t.14
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Maus KE. Inwardness and theater in the English renaissance. Chicago, [Ill.]: : University of Chicago Press 1995.
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Paster GK, American Council of Learned Societies. The body embarrassed: drama and the disciplines of shame in early modern England. Ithaca, N.Y.: : Cornell University Press 1993. https://uoelibrary.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.31963
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Upon the Murder of King Charles I. https://virginia-anthology.org/upon-the-murder-of-king-charles-i/
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King, Henry, 1592-1669. A deep groane. http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99862868
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Staines J. Compassion in the Public Sphere of Milton and Charles [IN] Reading the early modern passions: essays in the cultural history of emotion. In: Reading the early modern passions: essays in the cultural history of emotion. Philadelphia: : University of Pennsylvania Press 2004. 89–110.https://contentstore.cla.co.uk/secure/link?id=ec592a3a-9719-e911-80cd-005056af4099
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Nussbaum MC. Compassion’s Enemies: Fear, Envy, Shame [IN] Political emotions: why love matters for justice. In: Political emotions: why love matters for justice. Cambridge, Masssachusetts: : The Belknap Press of Harvard University Press 2013. 314–77.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/j.ctt6wpqm7.14
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Milton J. Samson Agonistes [IN] John Milton: A critical edition of the major works. In: John Milton: A critical edition of the major works. Oxford: : Oxford University Press 1991. 671–715.https://contentstore.cla.co.uk/secure/link?id=61b3bd9f-9aa0-e811-80cd-005056af4099
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Bacon N. A Relation of the Fearefull Estate of Francis Spira in the Yeare, 1548. 1638. http://eebo.chadwyck.com/search/fulltext?action=byid&warn=N&id=D00000998541830000&div=0&sequence=0&SOURCE=var_spell.cfg&file=default&RESULTCLICK=N
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Stachniewski J. The persecutory imagination: English Puritanism and the literature of religious despair. Oxford: : Clarendon 1991.
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Ngai S. Chapter 5 Anxiety [IN] Ugly feelings. In: Ugly feelings. Cambridge, Mass: : Harvard University Press 2007. 209–47.https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Felibrary.exeter.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DExeter%252526isbn%25253D9780674041523
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Narveson K. Profession or Performance? Religion in Early Modern Literary Study [IN] Fault lines and controversies in the study of seventeenth-century English literature. In: Fault lines and controversies in the study of seventeenth-century English literature. Columbia: : University of Missouri Press 2002. 111–29.
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Alan Sinfield. Faultlines: Cultural Materialism and the Politics of Dissident Reading. Oxford: : Clarendon Press 1992.
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Michael MacDonald. The Fearefull Estate of Francis Spira: Narrative, Identity, and Emotion in Early Modern England. Journal of British Studies 1992;31.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/175876?seq=1#metadata_info_tab_contents
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Opie B. Nathaniel Bacon and Francis Spira: the Presbyterian and the Apostate. Turnbull Library Record 1985;18:33–50.https://paperspast.natlib.govt.nz/periodicals/TLR19850501.2.7
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Overell MA. Recantation and Retribution: Remembering Francis Spira 1548-1638 [IN] Retribution, repentance, and reconciliation: papers read at the 2002 Summer Meeting and the 2003 Winter Meeting of the Ecclesiastical History Society. In: Retribution, repentance, and reconciliation: papers read at the 2002 Summer Meeting and the 2003 Winter Meeting of the Ecclesiastical History Society. Suffolk: : Published for the Ecclesiastical History Society by the Boydell Press 2004. 159–68.
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Bennett JS. Reviving liberty: radical Christian humanism in Milton’s great poems. Cambridge, Mass: : Harvard University Press 1989.
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Stanley Fish. Spectacle and Evidence in ‘Samson Agonistes’. Critical Inquiry 1989;15.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/1343654?seq=1#metadata_info_tab_contents
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John Guillory. , ‘Dalila’s House: Samson Agonistes and the Sexual Division of Labor’ [IN] Rewriting the Renaissance: The Discourse of Sexual Difference in Early Modern Europe. In: Rewriting the Renaissance: the discourses of sexual difference in early modern Europe. Chicago: : University of Chicago Press 1986.
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Loewenstein D. Milton and the drama of history: historical vision, iconoclasm, and the literary imagination. Cambridge: : Cambridge University Press 1990.
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Low A. The blaze of noon: a reading of ‘Samson Agonistes’. New York: : Columbia U.P. 1974.
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Radzinowicz MA, Mahood FJ. Toward Samson Agonistes: the growth of Milton’s mind. Princeton, New Jersey: : Princeton University Press 1978. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt13x0vt2
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Rumrich JP. Milton Unbound. Cambridge: : Cambridge University Press 1996. doi:10.1017/CBO9780511553172
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Worden B. Milton, Samson Agonistes, and the Restoration. In: MacLean G, ed. Culture and Society in the Stuart Restoration. Cambridge: : Cambridge University Press 1995. 111–36. doi:10.1017/CBO9780511518959.007
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Behn A. The Fair Jilt [IN] The Works of Aphra Behn, Vol. 3: The Fair Jilt and Other Short Stories. In: Todd J, ed. The Pickering Masters: The Works of Aphra Behn, Vol. 3: The Fair Jilt and Other Short Stories. Pickering & Chatto 1995. doi:10.1093/oseo/instance.00212615
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Jacqueline Pearson. Gender and Narrative in the Fiction of Aphra Behn. The Review of English Studies 1991;42.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/516920
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Jacqueline Pearson. Gender and Narrative in the Fiction of Aphra Behn (concluded). The Review of English Studies 1991;42.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934
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Katie Barclay. New Materialism and the New History of Emotions. Emotions: History, Culture, Society;01:161–83. doi:https://doi.org/10.1163/2208522X-00101008
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Stewart K. Ordinary affects. Durham, NC: : Duke University Press 2007. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1170511
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Barad K. Chapter 2 Diffractions [IN] Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. In: Meeting the universe halfway: quantum physics and the entanglement of matter and meaning. Durham, N.C.: : Duke University Press 2007. 71–94.https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://elibrary.exeter.ac.uk/idp/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388128
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Rick Dolphijn and Iris van der Tuin. Matter feels, converses, suffers, desires, yearns and remembers” Interview with Karen Barad [IN] New Materialism: Interviews & Cartographies. In: New Materialism: Interviews & Cartographies.https://quod.lib.umich.edu/o/ohp/11515701.0001.001/1:4.3/--new-materialism-interviews-cartographies?rgn=div2;view=fulltext
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Behn A. The works of Aphra Behn: Vol. 1: Poetry. [London]: : Pickering & Chatto 2017. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960125.book.1
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Behn A, Canterbury JT Archbishop of. The Pickering Masters: The Works of Aphra Behn, Vol. 2: Love-Letters Between a Nobleman and his Sister (1684–7). Pickering & Chatto 1993. doi:10.1093/actrade/9781851960132.book.1
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Behn A, Behn A. The works of Aphra Behn: Vol. 3: The fair jilt and other short stories. [London]: : Pickering & Chatto 2017. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960149.book.1
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Behn A. The works of Aphra Behn: Vol. 4: Seneca unmasqued and other prose translations. [London]: : Pickering & Chatto 2017. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/actrade/9781851960156.book.1
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Behn A. The Pickering Masters: The Works of Aphra Behn, Vol. 5: The Plays: 1671–16771671–1677. Pickering & Chatto 1996. doi:10.1093/actrade/9781851960163.book.1
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Behn A. The Pickering Masters: The Works of Aphra Behn, Vol. 6: The Plays: 1678–16821678–1682. Pickering & Chatto 1996. doi:10.1093/actrade/9781851960170.book.1
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Behn A. The Pickering Masters: The Works of Aphra Behn, Vol. 7: The Plays: 1682–16961682–1696. Pickering & Chatto 1996. doi:10.1093/actrade/9781851961375.book.1
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Hughes D, Todd J, editors. The Cambridge Companion to Aphra Behn. Cambridge: : Cambridge University Press 2004. doi:10.1017/CCOL0521820197
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Chalmers H. Royalist women writers, 1650-1689. Oxford: : Clarendon 2004. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199273270.001.0001
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Hutner H. Rereading Aphra Behn: history, theory, and criticism. Charlottesville: : University Press of Virginia 1993.
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Todd JM. Aphra Behn studies. Cambridge: : Cambridge University Press 1996.
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Spencer J. Aphra Behn’s afterlife. Oxford: : Oxford University Press 2000. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184942.001.0001
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Ballaster R. Seductive forms: women’s amatory fiction from 1684-1740. Oxford: : Clarendon 1992. https://uoelibrary.idm.oclc.org/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198184775.001.0001
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RACHEL K. CARNELL. SUBVERTING TRAGIC CONVENTIONS: APHRA BEHN’S TURN TO THE NOVEL. Studies in the Novel 1999;31.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/29533325?seq=1#metadata_info_tab_contents
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Vander Motten JP, Vermeir R. ‘Reality, and Matter of Fact’: Text and Context in Aphra Behn’s The Fair Jilt. The Review of English Studies 2015;66:280–99. doi:10.1093/res/hgu082
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Jacqueline Pearson. Gender and Narrative in the Fiction of Aphra Behn. The Review of English Studies 1991;42.https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/515934?seq=1#metadata_info_tab_contents
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Jacqueline Pearson. The short fiction (excluding Oroonoko) [IN] The Cambridge Companion to Aphra Behn. In: Hughes D, Todd J, eds. The Cambridge Companion to Aphra Behn. Cambridge: : Cambridge University Press 2004. doi:10.1017/CCOL0521820197
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Flint C. Family fictions: narrative and domestic relations in Britain, 1688-1798. Stanford, Calif: : Stanford University Press 2000.
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Gallagher C. Nobody’s story: the vanishing acts of women writers in the marketplace 1670-1820. Oxford: : Clarendon 1994. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780198182436.001.0001
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Jones V. Women and literature in Britain, 1700-1800. Cambridge: : Cambridge University Press 2000.
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Lewalski BK. Writing women in Jacobean England. Cambridge, Mass: : Harvard University Press 1994.
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Pacheco A. Early women writers, 1600-1720. London: : Longman 1998. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781317884453
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Arturo Pacheco. A Companion to Early Modern Women’s Writing. 1st ed. John Wiley & Sons, Incorporated 2008. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=350869
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Prescott S. Women, Authorship and Literary Culture 1690–1740. London: : Palgrave Macmillan UK 2003. doi:10.1057/9780230597082
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Salzman P. Reading early modern women’s writing. Oxford: : Oxford University Press 2006. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199261048.001.0001
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Schellenberg BA. The Professionalization of Women Writers in Eighteenth-Century Britain. Cambridge: : Cambridge University Press 2005. doi:10.1017/CBO9780511597633
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Smith H. ‘Grossly material things’: women and book production in early modern England. Oxford: : Oxford University Press 2012. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199651580.001.0001
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Staves S. A Literary History of Women’s Writing in Britain, 1660–1789. Cambridge: : Cambridge University Press 2006. doi:10.1017/CBO9780511484513
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Wilcox H, editor. Women and Literature in Britain, 1500–1700. Cambridge: : Cambridge University Press 1996. doi:10.1017/CBO9780511470363
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Wiseman S. Conspiracy and virtue: women, writing, and politics in seventeenth-century England. Oxford: : Oxford University Press 2006. https://shibboleth2sp.sams.oup.com/Shibboleth.sso/Login?entityID=https://elibrary.exeter.ac.uk/idp/shibboleth&target=https%3A%2F%2Fshibboleth2sp.sams.oup.com/shib%3Fdest=http://www.oxfordscholarship.com/SHIBBOLETH?dest=http://dx.doi.org//10.1093/acprof:oso/9780199205127.001.0001
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Wray R. Women writers of the seventeenth century. Tavistock: : Northcote House 2004.
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Hunter JP. Before novels: the cultural contexts of eighteenth-century English fiction. New York: : W. W. Norton 1990.
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McKeon M. The origins of the English novel, 1600-1740. 15th anniversary ed. Baltimore: : John Hopkins University Press 2002.
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Spencer J. The rise of the woman novelist: from Aphra Behn to Jane Austen. Oxford: : Basil Blackwell 1986.
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Watt I. The rise of the novel: studies in Defoe, Richardson and Fielding. London: : Hogarth 1987.
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Docter, Pete. Inside out / directed by Pete Docter and Ronaldo Del Carmen / voiced by Amy Poehler, Bill Hader, Lewis Black.
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Jonathan Romney. Inside Out review – an emotional rollercoaster. Guardian Published Online First: 26 July 2015.https://www.theguardian.com/film/2015/jul/26/inside-out-review-pixar-emotional-rollercoaster
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Keltner D, Ekman P. The Science of ‘Inside Out’ - The New York Times. https://www.nytimes.com/2015/07/05/opinion/sunday/the-science-of-inside-out.html
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Bryant M. Why patients and doctors should watch. British Journal of General Practice 2016;66:92–92. doi:10.3399/bjgp16X683653
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Cabaniss DL. Inside "Inside Out”. The Lancet Psychiatry 2015;2. doi:10.1016/S2215-0366(15)00395-8
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Thomas Dixon. Inside Out and the democracy of the modern mind. The Conversationhttp://theconversation.com/inside-out-and-the-democracy-of-the-modern-mind-45202
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Emma Jones. Inside Out: what universities can learn from Pixar about emotions. The Conversationhttps://theconversation.com/inside-out-what-universities-can-learn-from-pixar-about-emotions-45341
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Clough PT. The Affective Turn. Theory, Culture & Society 2008;25:1–22. doi:10.1177/0263276407085156
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Broomhall S. Early modern emotions: an introduction. Abingdon: : Routledge 2017. https://uoelibrary.idm.oclc.org/login?qurl=https://www.taylorfrancis.com/books/9781315441368
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Jan Plamper. The History of Emotions: An Interview with William Reddy, Barbara Rosenwein, and Peter Stearns. History and Theory 2010;49:237–65.https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=edsjsr&AN=edsjsr.40864443&site=eds-live
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Monique Scheer. Are Emotions a Kind of Practice (and Is That What Makes Them Have A History)? A Bourdieuian Approach to Understanding Emotion. History and Theory 2012;51:193–220. doi:10.1111/j.1468-2303.2012.00621.x
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Barclay K. New Materialism and the New History of Emotions. Emotions: History, Culture, Society 2017;01:161–83. doi:10.1163/2208522X-00101008
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Ahmed, Sara. Affective Economies. Social Text 2004;22.https://uoelibrary.idm.oclc.org/login?url=http://doi.org/10.1215/01642472-22-2_79-117
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Leys R. The Turn to Affect: A Critique. Critical Inquiry 2011;37:434–72. doi:10.1086/659353
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Lauren Gail Berlant. Cruel optimism. Durham: : Duke University Press 2011.
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Lauren Berlant. Affect in the End Times: A Conversation with Lauren Berlant. Qui Parle: Critical Humanities and Social Sciences 2012;20:71–89.https://uoelibrary.idm.oclc.org/login?url=http://muse.jhu.edu/article/475028
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Gregg M, Seigworth GJ. An Inventory of Shimmers. In: Ahmed S, ed. The Affect theory reader. Durham, NC: : Duke University Press 2010. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?authtype=ip,uid&direct=true&db=nlebk&AN=600421&site=ehost-live
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Tomkins S. Shame-Humiliation and Contempt-Disgust [IN] Shame and its sisters. In: Shame and its sisters. Durham: : Duke University Press 1995. 133–78.https://contentstore.cla.co.uk/secure/link?id=81aa1643-f5bb-e811-80cd-005056af4099
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T. Clough, Patricia. The Affective Turn Political Economy, Biomedia and Bodies [IN] The Affect theory reader. In: Ahmed S, ed. The Affect theory reader. Durham, NC: : Duke University Press 2010. https://uoelibrary.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?authtype=ip,uid&direct=true&db=nlebk&AN=600421&site=ehost-live
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Katharine A. Craik, editor. Shakespearean Sensations. Cambridge: : CUP 2013. https://uoelibrary.idm.oclc.org/login?url=http://www.cambridge.org/core/books/shakespearean-sensations/7A5603DAD8E0607A388A1A0186A014BF
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Craik, Katherine C, editor. Reading Sensations in Early Modern England. Palgrave 2007. https://link.springer.com/book/10.1057/9780230206083
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Cummings B, Sierhuis F. Passions and subjectivity in early modern culture. Farnham, Surrey, England: : Ashgate 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781317083474
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Fisher, Kate, Sarah Toulalan, editors. Bodies, Sex and Desire from the Renaissance to the Present. Basingstoke: : Palgrave 2011. https://link.springer.com/book/10.1057/9780230354128
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Gowland A. The Worlds of Renaissance Melancholy. Cambridge: : Cambridge University Press 2006. doi:10.1017/CBO9780511628252
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Hillman, David, Mazzio, Carla, editors. The Body in Parts : Fantasies of Corporeality in Early Modern Europe. Routledge 1997. https://ebookcentral.proquest.com/lib/exeter/detail.action?docID=1111756
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Karant-Nunn S. Reformation of Feeling. Oxford University Press 2010. doi:10.1093/acprof:oso/9780195399738.001.0001
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Mary Lindemann. Medicine and society in early modern Europe. Cambridge: : Cambridge University Press 2010.
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Marland H, Pelling M. The task of healing: medicine, religion, and gender in England and the Netherlands, 1450-1800. Rotterdam: : Erasmus 1996.
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Meek R, Sullivan E. The renaissance of emotion: understanding affect in Shakespeare and his contemporaries. Manchester: : Manchester University Press 2015. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.2307/j.ctt1729w4d
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Paster GK, Rowe K, Floyd-Wilson M. Reading the early modern passions: essays in the cultural history of emotion. Philadelphia: : University of Pennsylvania Press 2004.
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Gail Kern Paster. Humoring the Body. Chigago: : University of Chigago 2004. https://www.bibliovault.org/BV.landing.epl?ISBN=9780226648477
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Plamper J. The history of emotions: an introduction. First edition. Oxford, United Kingdom: : Oxford University Press 2015. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9780191017490
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Reddy WM. The Navigation of Feeling. Cambridge: : Cambridge University Press 2001. doi:10.1017/CBO9780511512001
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Rosenwein BH. Emotional communities in the early Middle Ages. Ithaca, N.Y.: : Cornell University Press 2006.
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Ryrie A. Being Protestant in Reformation Britain. Oxford University Press 2013. doi:10.1093/acprof:oso/9780199565726.001.0001
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Michael Carl Schoenfeldt. Bodies and selves in early modern England. Cambridge: : Cambridge University Press 1999.
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Strier R. The unrepentant Renaissance: from Petrarch to Shakespeare to Milton. Chicago: : University of Chicago Press 2011. http://exeter.eblib.com/patron/FullRecord.aspx?p=809559
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Sullivan E. Beyond Melancholy. Oxford University Press 2016. doi:10.1093/acprof:oso/9780198739654.001.0001
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Toulalan S, Fisher K, editors. The Routledge history of sex and the body: 1500 to the present. London: : Routledge 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Exeter&isbn=9781136744280
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White, R. S., Mark Houlahan, Katrina O’Loughlin, editors. Shakespeare and Emotions: Inheritances, Enactments, Legacies. Basingstoke and New York: : Palgrave Macmillan 2015. https://link.springer.com/book/10.1057/9781137464750
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Wood, David Houston. Time, Narrative, and Emotion in Early Modern England. Routledge 2016. doi:10.4324/9781315550930
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Viney, William, Callard, Felicity, Woods, Angela. Critical medical humanities: embracing entanglement, taking risks. Medical Humanities;41.https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/1783946719?accountid=10792
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Whitehead A, Woods A, Atkinson SJ, et al., editors. Introduction [IN] The Edinburgh Companion to the Critical Medical Humanities. In: The Edinburgh companion to the critical medical humanities. Edinburgh: : Edinburgh University Press 2016. https://uoelibrary.idm.oclc.org/login?url=http://www.jstor.org/stable/10.3366/j.ctt1bgzddd
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Woods, Angela. The limits of narrative: provocations for the medical humanities. Medical Humanities;37.https://uoelibrary.idm.oclc.org/login?url=http://search.proquest.com/docview/1783971071?accountid=10792
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